Caroline Baird is an independent researcher with research interests centred on early modern drama. Her doctoral research was jointly funded by the Arts and Humanities Research Council and the University of Reading, UK. Previous publications include essays on Thomas Middleton’s appropriation of the court masque in plays in Early Theatre, and discussion of the gaming references in Antony and Cleopatra. In addition to her academic work, Caroline has her own business managing the careers of international classical musicians.