7 best short stories - Wedding E-Book

Stephen Crane

• Herausgeber: Tacet Books
• Kategorie: Gesellschafts- und Liebesromane
• Serie: 7 best short stories - specials
• Sprache: Englisch
• Veröffentlichungsjahr: 2020

Seitenzahl: 123

Beschreibung

The relationship between husband and wife and the institution of marriage itself is the driving force of many fiction stories. For this book, the critic August Nemo selected seven short stories that have marriage as their theme. - The Bride Comes to Yellow Sky by Stephen Crane. - The Marry Month Of May by O. Henry. - The Bridal Party by F. Scott Fitzgerald. - A Wedding Gift by Guy de Maupassant. - The Wedding-Ring by Henry van Dyke. - The Wedding Knell by Nathaniel Hawthorne. - A Golden Wedding by Lucy Maud Montgomery. For more books with interesting themes, be sure to check the other books in this collection!

Leseprobe

Table of Contents

Title Page

The Bride Comes to Yellow Sky

The Marry Month Of May

The Bridal Party

A Wedding Gift

The Wedding-Ring

The Wedding Knell

A Golden Wedding

Authors

About the Publisher

The Bride Comes to Yellow Sky

by Stephen Crane

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I

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The great Pullman was whirling onward with such dignity of motion that a glance from the window seemed simply to prove that the plains of Texas were pouring eastward. Vast flats of green grass, dull-hued spaces of mesquite and cactus, little groups of frame houses, woods of light and tender trees, all were sweeping into the east, sweeping over the horizon, a precipice.

A newly married pair had boarded this coach at San Antonio. The man's face was reddened from many days in the wind and sun, and a direct result of his new black clothes was that his brick-colored hands were constantly performing in a most conscious fashion. From time to time he looked down respectfully at his attire. He sat with a hand on each knee, like a man waiting in a barber's shop. The glances he devoted to other passengers were furtive and shy.

The bride was not pretty, nor was she very young. She wore a dress of blue cashmere, with small reservations of velvet here and there and with steel buttons abounding. She continually twisted her head to regard her puff sleeves, very stiff, straight, and high. They embarrassed her. It was quite apparent that she had cooked, and that she expected to cook, dutifully. The blushes caused by the careless scrutiny of some passengers as she had entered the car were strange to see upon this plain, under-class countenance, which was drawn in placid, almost emotionless lines.

They were evidently very happy. "Ever been in a parlor-car before?" he asked, smiling with delight.

"No," she answered, "I never was. It's fine, ain't it?"

"Great! And then after a while we'll go forward to the diner and get a big layout. Finest meal in the world. Charge a dollar."

"Oh, do they?" cried the bride. "Charge a dollar? Why, that's too much - for us - ain't it, Jack?"

"Not this trip, anyhow," he answered bravely. "We're going to go the whole thing."

Later, he explained to her about the trains. "You see, it's a thousand miles from one end of Texas to the other, and this train runs right across it and never stops but four times." He had the pride of an owner. He pointed out to her the dazzling fittings of the coach, and in truth her eyes opened wider as she contemplated the sea-green figured velvet, the shining brass, silver, and glass, the wood that gleamed as darkly brilliant as the surface of a pool of oil. At one end a bronze figure sturdily held a support for a separated chamber, and at convenient places on the ceiling were frescoes in olive and silver.

To the minds of the pair, their surroundings reflected the glory of their marriage that morning in San Antonio. This was the environment of their new estate, and the man's face in particular beamed with an elation that made him appear ridiculous to the negro porter. This individual at times surveyed them from afar with an amused and superior grin. On other occasions he bullied them with skill in ways that did not make it exactly plain to them that they were being bullied. He subtly used all the manners of the most unconquerable kind of snobbery. He oppressed them, but of this oppression they had small knowledge, and they speedily forgot that infrequently a number of travelers covered them with stares of derisive enjoyment. Historically there was supposed to be something infinitely humorous in their situation.

"We are due in Yellow Sky at 3:42," he said, looking tenderly into her eyes.

"Oh, are we?" she said, as if she had not been aware of it. To evince surprise at her husband's statement was part of her wifely amiability. She took from a pocket a little silver watch, and as she held it before her and stared at it with a frown of attention, the new husband's face shone.

"I bought it in San Anton' from a friend of mine," he told her gleefully.

"It's seventeen minutes past twelve," she said, looking up at him with a kind of shy and clumsy coquetry. A passenger, noting this play, grew excessively sardonic, and winked at himself in one of the numerous mirrors.

At last they went to the dining-car. Two rows of negro waiters, in glowing white suits, surveyed their entrance with the interest and also the equanimity of men who had been forewarned. The pair fell to the lot of a waiter who happened to feel pleasure in steering them through their meal. He viewed them with the manner of a fatherly pilot, his countenance radiant with benevolence. The patronage, entwined with the ordinary deference, was not plain to them. And yet, as they returned to their coach, they showed in their faces a sense of escape.

To the left, miles down a long purple slope, was a little ribbon of mist where moved the keening Rio Grande. The train was approaching it at an angle, and the apex was Yellow Sky. Presently it was apparent that, as the distance from Yellow Sky grew shorter, the husband became commensurately restless. His brick-red hands were more insistent in their prominence. Occasionally he was even rather absent-minded and far-away when the bride leaned forward and addressed him.

As a matter of truth, Jack Potter was beginning to find the shadow of a deed weigh upon him like a leaden slab. He, the town marshal of Yellow Sky, a man known, liked, and feared in his corner, a prominent person, had gone to San Antonio to meet a girl he believed he loved, and there, after the usual prayers, had actually induced her to marry him, without consulting Yellow Sky for any part of the transaction. He was now bringing his bride before an innocent and unsuspecting community.

Of course, people in Yellow Sky married as it pleased them, in accordance with a general custom; but such was Potter's thought of his duty to his friends, or of their idea of his duty, or of an unspoken form which does not control men in these matters, that he felt he was heinous. He had committed an extraordinary crime. Face to face with this girl in San Antonio, and spurred by his sharp impulse, he had gone headlong over all the social hedges. At San Antonio he was like a man hidden in the dark. A knife to sever any friendly duty, any form, was easy to his hand in that remote city. But the hour of Yellow Sky, the hour of daylight, was approaching.

He knew full well that his marriage was an important thing to his town. It could only be exceeded by the burning of the new hotel. His friends could not forgive him. Frequently he had reflected on the advisability of telling them by telegraph, but a new cowardice had been upon him. He feared to do it. And now the train was hurrying him toward a scene of amazement, glee, and reproach. He glanced out of the window at the line of haze swinging slowly in towards the train.

Yellow Sky had a kind of brass band, which played painfully, to the delight of the populace. He laughed without heart as he thought of it. If the citizens could dream of his prospective arrival with his bride, they would parade the band at the station and escort them, amid cheers and laughing congratulations, to his adobe home.

He resolved that he would use all the devices of speed and plains-craft in making the journey from the station to his house. Once within that safe citadel he could issue some sort of a vocal bulletin, and then not go among the citizens until they had time to wear off a little of their enthusiasm.

The bride looked anxiously at him. "What's worrying you, Jack?"

He laughed again. "I'm not worrying, girl. I'm only thinking of Yellow Sky."

She flushed in comprehension.

A sense of mutual guilt invaded their minds and developed a finer tenderness. They looked at each other with eyes softly aglow. But Potter often laughed the same nervous laugh. The flush upon the bride's face seemed quite permanent.

The traitor to the feelings of Yellow Sky narrowly watched the speeding landscape. "We're nearly there," he said.

Presently the porter came and announced the proximity of Potter's home. He held a brush in his hand and, with all his airy superiority gone, he brushed Potter's new clothes as the latter slowly turned this way and that way. Potter fumbled out a coin and gave it to the porter, as he had seen others do. It was a heavy and muscle-bound business, as that of a man shoeing his first horse.

The porter took their bag, and as the train began to slow they moved forward to the hooded platform of the car. Presently the two engines and their long string of coaches rushed into the station of Yellow Sky.

"They have to take water here," said Potter, from a constricted throat and in mournful cadence, as one announcing death. Before the train stopped, his eye had swept the length of the platform, and he was glad and astonished to see there was none upon it but the station-agent, who, with a slightly hurried and anxious air, was walking toward the water-tanks. When the train had halted, the porter alighted first and placed in position a little temporary step.

"Come on, girl," said Potter hoarsely. As he helped her down they each laughed on a false note. He took the bag from the negro, and bade his wife cling to his arm. As they slunk rapidly away, his hang-dog glance perceived that they were unloading the two trunks, and also that the station-agent far ahead near the baggage-car had turned and was running toward him, making gestures. He laughed, and groaned as he laughed, when he noted the first effect of his marital bliss upon Yellow Sky. He gripped his wife's arm firmly to his side, and they fled. Behind them the porter stood chuckling fatuously.

II

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The California Express on the Southern Railway was due at Yellow Sky in twenty-one minutes. There were six men at the bar of the "Weary Gentleman" saloon. One was a drummer who talked a great deal and rapidly; three were Texans who did not care to talk at that time; and two were Mexican sheep-herders who did not talk as a general practice in the "Weary Gentleman" saloon. The barkeeper's dog lay on the board walk that crossed in front of the door. His head was on his paws, and he glanced drowsily here and there with the constant vigilance of a dog that is kicked on occasion. Across the sandy street were some vivid green grass plots, so wonderful in appearance amid the sands that burned near them in a blazing sun that they caused a doubt in the mind. They exactly resembled the grass mats used to represent lawns on the stage. At the cooler end of the railway station a man without a coat sat in a tilted chair and smoked his pipe. The fresh-cut bank of the Rio Grande circled near the town, and there could be seen beyond it a great, plum-colored plain of mesquite.

Save for the busy drummer and his companions in the saloon, Yellow Sky was dozing. The new-comer leaned gracefully upon the bar, and recited many tales with the confidence of a bard who has come upon a new field.

"—and at the moment that the old man fell down stairs with the bureau in his arms, the old woman was coming up with two scuttles of coal, and, of course—"

The drummer's tale was interrupted by a young man who suddenly appeared in the open door. He cried: "Scratchy Wilson's drunk, and has turned loose with both hands." The two Mexicans at once set down their glasses and faded out of the rear entrance of the saloon.

The drummer, innocent and jocular, answered: "All right, old man. S'pose he has. Come in and have a drink, anyhow."

But the information had made such an obvious cleft in every skull in the room that the drummer was obliged to see its importance. All had become instantly solemn. "Say," said he, mystified, "what is this?" His three companions made the introductory gesture of eloquent speech, but the young man at the door forestalled them.

"It means, my friend," he answered, as he came into the saloon, "that for the next two hours this town won't be a health resort."

The barkeeper went to the door and locked and barred it. Reaching out of the window, he pulled in heavy wooden shutters and barred them. Immediately a solemn, chapel-like gloom was upon the place. The drummer was looking from one to another.

"But, say," he cried, "what is this, anyhow? You don't mean there is going to be a gun-fight?"

"Don't know whether there'll be a fight or not," answered one man grimly. "But there'll be some shootin' - some good shootin'."

The young man who had warned them waved his hand. "Oh, there'll be a fight fast enough if anyone wants it. Anybody can get a fight out there in the street. There's a fight just waiting."

The drummer seemed to be swayed between the interest of a foreigner and a perception of personal danger.

"What did you say his name was?" he asked.

"Scratchy Wilson," they answered in chorus.

"And will he kill anybody? What are you going to do? Does this happen often? Does he rampage around like this once a week or so? Can he break in that door?"

"No, he can't break down that door," replied the barkeeper. "He's tried it three times. But when he comes you'd better lay down on the floor, stranger. He's dead sure to shoot at it, and a bullet may come through."

Thereafter the drummer kept a strict eye upon the door. The time had not yet been called for him to hug the floor, but, as a minor precaution, he sidled near to the wall. "Will he kill anybody?" he said again.

The men laughed low and scornfully at the question.

"He's out to shoot, and he's out for trouble. Don't see any good in experimentin' with him."

"But what do you do in a case like this? What do you do?"

A man responded: "Why, he and Jack Potter—"

"But," in chorus, the other men interrupted, "Jack Potter's in San Anton'."

"Well, who is he? What's he got to do with it?"

"Oh, he's the town marshal. He goes out and fights Scratchy when he gets on one of these tears."

"Wow," said the drummer, mopping his brow. "Nice job he's got."