7 short stories that ESFJ will love E-Book

Aurelius Marcus

• Herausgeber: Tacet Books
• Kategorie: Sachliteratur, Reportagen, Biografien
• Serie: 7 short stories for your Myers-Briggs type
• Sprache: Englisch
• Veröffentlichungsjahr: 2020

Seitenzahl: 191

Beschreibung

ESFJs are social butterflies that value relationships with people and, because of their charisma and attention, become almost always very popular. In this book you will find seven short stories specially selected to please the tastes of the ESFJ. These are stories by renowned authors that will surely bring reflections, insights and fun to people with this kind of personality. This book contains: - An Ideal Family by Katherine Mansfield. - The Veteran by Stephen Crane. - Meditations: Book Nive by Marcus Aurelius. - A Modern Cinderella by Louisa May Alcott. - The Yellow Wallpaper by Charlotte Perkins Gilman. - Araby by James Joyce. - La Maison Tellier by Guy de Maupassant.For more books that will suit you, be sure to check out our Two Classic Novels your Myers-Briggs Type Will Love collection! *** Cover image: Catherine Parr (1512-1542), Queen of England and Ireland, last of the six wives of King Henry VIII and ESFJ.

Leseprobe

Table of Contents

Title Page

Authors

An Ideal Family

The Veteran

Meditations: Book Nive

A Modern Cinderella

The Yellow Wallpaper

Araby

La Maison Tellier

About the Publisher

Authors

Kathleen Mansfield Murry was a prominent New Zealand modernist short story writer and poet who was born and brought up in colonial New Zealand and wrote under the pen name of Katherine Mansfield. At the age of 19, she left New Zealand and settled in England, where she became a friend of writers such as D. H. Lawrence and Virginia Woolf. Mansfield was diagnosed with extrapulmonary tuberculosis in 1917; the disease claimed her life at the age of 34.

Stephen Crane was an American poet, novelist, and short story writer. Prolific throughout his short life, he wrote notable works in the Realist tradition as well as early examples of American Naturalism and Impressionism. He is recognized by modern critics as one of the most innovative writers of his generation.

Marcus Aurelius was Roman emperor from 161 to 180 and a Stoic philosopher. He was the last of the rulers traditionally known as the Five Good Emperors, and the last emperor of the Pax Romana, an age of relative peace and stability for the Roman Empire. He served as Roman consul in 140, 145, and 161. The Column and Equestrian Statue of Marcus Aurelius still stand in Rome, where they were erected in celebration of his military victories. Meditations, the writings of 'the philosopher' – as contemporary biographers called Marcus, are a significant source of the modern understanding of ancient Stoic philosophy. They have been praised by fellow writers, philosophers, monarchs, and politicians centuries after his death.

Louisa May Alcott was an American novelist, short story writer and poet better known as the author of the novel Little Women (1868) and its sequels Little Men (1871) and Jo's Boys (1886). Raised in New England by her transcendentalist parents, Abigail May and Amos Bronson Alcott, she grew up among many of the well-known intellectuals of the day, such as Ralph Waldo Emerson, Nathaniel Hawthorne, Henry David Thoreau, and Henry Wadsworth Longfellow.

Charlotte Perkins Gilman was a prominent American humanist, novelist, writer of short stories, poetry, and nonfiction, and a lecturer for social reform. She was a utopian feminist and served as a role model for future generations of feminists because of her unorthodox concepts and lifestyle. She has been inducted into the National Women's Hall of Fame. Her best remembered work today is her semi-autobiographical short story "The Yellow Wallpaper", which she wrote after a severe bout of postpartum psychosis.

James Augustine Aloysius Joyce was an Irish novelist, short story writer, poet, teacher, and literary critic. He contributed to the modernist avant-garde and is regarded as one of the most influential and important authors of the 20th century.  Although most of his adult life was spent abroad, Joyce's fictional universe centres on Dublin and is populated largely by characters who closely resemble family members, enemies and friends from his time there. Ulysses in particular is set with precision in the streets and alleyways of the city. Shortly after the publication of Ulysses, he elucidated this preoccupation somewhat, saying, "For myself, I always write about Dublin, because if I can get to the heart of Dublin I can get to the heart of all the cities of the world. In the particular is contained the universal."

Henri René Albert Guy de Maupassant was a 19th century French author, remembered as a master of the short story form, and as a representative of the Naturalist school, who depicted human lives and destinies and social forces in disillusioned and often pessimistic terms. Maupassant was a protégé of Gustave Flaubert and his stories are characterized by economy of style and efficient, effortless outcomes. Many are set during the Franco-Prussian War of the 1870s, describing the futility of war and the innocent civilians who, caught up in events beyond their control, are permanently changed by their experiences. He wrote some 300 short stories, six novels, three travel books, and one volume of verse.

An Ideal Family

by Katherine Mansfield

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That evening for the first time in his life, as he pressed through the swing door and descended the three broad steps to the pavement, old Mr. Neave felt he was too old for the spring. Spring — warm, eager, restless — was there, waiting for him in the golden light, ready in front of everybody to run up, to blow in his white beard, to drag sweetly on his arm. And he couldn’t meet her, no; he couldn’t square up once more and stride off, jaunty as a young man. He was tired and, although the late sun was still shining, curiously cold, with a numbed feeling all over. Quite suddenly he hadn’t the energy, he hadn’t the heart to stand this gaiety and bright movement any longer; it confused him. He wanted to stand still, to wave it away with his stick, to say, “Be off with you!” Suddenly it was a terrible effort to greet as usual — tipping his wide-awake with his stick — all the people whom he knew, the friends, acquaintances, shopkeepers, postmen, drivers. But the gay glance that went with the gesture, the kindly twinkle that seemed to say, “I’m a match and more for any of you”— that old Mr. Neave could not manage at all. He stumped along, lifting his knees high as if he were walking through air that had somehow grown heavy and solid like water. And the homeward-looking crowd hurried by, the trams clanked, the light carts clattered, the big swinging cabs bowled along with that reckless, defiant indifference that one knows only in dreams . . .

It had been a day like other days at the office. Nothing special had happened. Harold hadn’t come back from lunch until close on four. Where had he been? What had he been up to? He wasn’t going to let his father know. Old Mr. Neave had happened to be in the vestibule, saying good-bye to a caller, when Harold sauntered in, perfectly turned out as usual, cool, suave, smiling that peculiar little half-smile that women found so fascinating.

Ah, Harold was too handsome, too handsome by far; that had been the trouble all along. No man had a right to such eyes, such lashes, and such lips; it was uncanny. As for his mother, his sisters, and the servants, it was not too much to say they made a young god of him; they worshipped Harold, they forgave him everything; and he had needed some forgiving ever since the time when he was thirteen and he had stolen his mother’s purse, taken the money, and hidden the purse in the cook’s bedroom. Old Mr. Neave struck sharply with his stick upon the pavement edge. But it wasn’t only his family who spoiled Harold, he reflected, it was everybody; he had only to look and to smile, and down they went before him. So perhaps it wasn’t to be wondered at that he expected the office to carry on the tradition. H’m, h’m! But it couldn’t be done. No business — not even a successful, established, big paying concern — could be played with. A man had either to put his whole heart and soul into it, or it went all to pieces before his eyes . . .

And then Charlotte and the girls were always at him to make the whole thing over to Harold, to retire, and to spend his time enjoying himself. Enjoying himself! Old Mr. Neave stopped dead under a group of ancient cabbage palms outside the Government buildings! Enjoying himself! The wind of evening shook the dark leaves to a thin airy cackle. Sitting at home, twiddling his thumbs, conscious all the while that his life’s work was slipping away, dissolving, disappearing through Harold’s fine fingers, while Harold smiled . . .

“Why will you be so unreasonable, father? There’s absolutely no need for you to go to the office. It only makes it very awkward for us when people persist in saying how tired you’re looking. Here’s this huge house and garden. Surely you could be happy in-in-appreciating it for a change. Or you could take up some hobby.”

And Lola the baby had chimed in loftily, “All men ought to have hobbies. It makes life impossible if they haven’t.”

Well, well! He couldn’t help a grim smile as painfully he began to climb the hill that led into Harcourt Avenue. Where would Lola and her sisters and Charlotte be if he’d gone in for hobbies, he’d like to know? Hobbies couldn’t pay for the town house and the seaside bungalow, and their horses, and their golf, and the sixty-guinea gramophone in the music-room for them to dance to. Not that he grudged them these things. No, they were smart, good-looking girls, and Charlotte was a remarkable woman; it was natural for them to be in the swim. As a matter of fact, no other house in the town was as popular as theirs; no other family entertained so much. And how many times old Mr. Neave, pushing the cigar box across the smoking-room table, had listened to praises of his wife, his girls, of himself even.

“You’re an ideal family, sir, an ideal family. It’s like something one reads about or sees on the stage.”

“That’s all right, my boy,” old Mr. Neave would reply. “Try one of those; I think you’ll like them. And if you care to smoke in the garden, you’ll find the girls on the lawn, I dare say.”

That was why the girls had never married, so people said. They could have married anybody. But they had too good a time at home. They were too happy together, the girls and Charlotte. H’m, h’m! Well, well. Perhaps so . . .

By this time he had walked the length of fashionable Harcourt Avenue; he had reached the corner house, their house. The carriage gates were pushed back; there were fresh marks of wheels on the drive. And then he faced the big white-painted house, with its wide-open windows, its tulle curtains floating outwards, its blue jars of hyacinths on the broad sills. On either side of the carriage porch their hydrangeas — famous in the town — were coming into flower; the pinkish, bluish masses of flower lay like light among the spreading leaves. And somehow, it seemed to old Mr. Neave that the house and the flowers, and even the fresh marks on the drive, were saying, “There is young life here. There are girls —”

The hall, as always, was dusky with wraps, parasols, gloves, piled on the oak chests. From the music-room sounded the piano, quick, loud and impatient. Through the drawing-room door that was ajar voices floated.

“And were there ices?” came from Charlotte. Then the creak, creak of her rocker.

“Ices!” cried Ethel. “My dear mother, you never saw such ices. Only two kinds. And one a common little strawberry shop ice, in a sopping wet frill.”

“The food altogether was too appalling,” came from Marion.

“Still, it’s rather early for ices,” said Charlotte easily.

“But why, if one has them at all . . . “ began Ethel.

“Oh, quite so, darling,” crooned Charlotte.

Suddenly the music-room door opened and Lola dashed out. She started, she nearly screamed, at the sight of old Mr. Neave.

“Gracious, father! What a fright you gave me! Have you just come home? Why isn’t Charles here to help you off with your coat?”

Her cheeks were crimson from playing, her eyes glittered, the hair fell over her forehead. And she breathed as though she had come running through the dark and was frightened. Old Mr. Neave stared at his youngest daughter; he felt he had never seen her before. So that was Lola, was it? But she seemed to have forgotten her father; it was not for him that she was waiting there. Now she put the tip of her crumpled handkerchief between her teeth and tugged at it angrily. The telephone rang. A-ah! Lola gave a cry like a sob and dashed past him. The door of the telephone-room slammed, and at the same moment Charlotte called, “Is that you, father?”

“You’re tired again,” said Charlotte reproachfully, and she stopped the rocker and offered her warm plum-like cheek. Bright-haired Ethel pecked his beard, Marion’s lips brushed his ear.

“Did you walk back, father?” asked Charlotte.

“Yes, I walked home,” said old Mr. Neave, and he sank into one of the immense drawing-room chairs.

“But why didn’t you take a cab?” said Ethel. “There are hundred of cabs about at that time.”

“My dear Ethel,” cried Marion, “if father prefers to tire himself out, I really don’t see what business of ours it is to interfere.”

“Children, children?” coaxed Charlotte.

But Marion wouldn’t be stopped. “No, mother, you spoil father, and it’s not right. You ought to be stricter with him. He’s very naughty.” She laughed her hard, bright laugh and patted her hair in a mirror. Strange! When she was a little girl she had such a soft, hesitating voice; she had even stuttered, and now, whatever she said — even if it was only “Jam, please, father”— it rang out as though she were on the stage.

“Did Harold leave the office before you, dear?” asked Charlotte, beginning to rock again.

“I’m not sure,” said Old Mr. Neave. “I’m not sure. I didn’t see him after four o’clock.”

“He said —” began Charlotte.

But at that moment Ethel, who was twitching over the leaves of some paper or other, ran to her mother and sank down beside her chair.

“There, you see,” she cried. “That’s what I mean, mummy. Yellow, with touches of silver. Don’t you agree?”

“Give it to me, love,” said Charlotte. She fumbled for her tortoise-shell spectacles and put them on, gave the page a little dab with her plump small fingers, and pursed up her lips. “Very sweet!” she crooned vaguely; she looked at Ethel over her spectacles. “But I shouldn’t have the train.”

“Not the train!” wailed Ethel tragically. “But the train’s the whole point.”

“Here, mother, let me decide.” Marion snatched the paper playfully from Charlotte. “I agree with mother,” she cried triumphantly. “The train overweights it.”

Old Mr. Neave, forgotten, sank into the broad lap of his chair, and, dozing, heard them as though he dreamed. There was no doubt about it, he was tired out; he had lost his hold. Even Charlotte and the girls were too much for him to-night. They were too . . . too . . . But all his drowsing brain could think of was — too rich for him. And somewhere at the back of everything he was watching a little withered ancient man climbing up endless flights of stairs. Who was he?

“I shan’t dress to-night,” he muttered.

“What do you say, father?”

“Eh, what, what?” Old Mr. Neave woke with a start and stared across at them. “I shan’t dress to-night,” he repeated.

“But, father, we’ve got Lucile coming, and Henry Davenport, and Mrs. Teddie Walker.”

“It will look so very out of the picture.”

“Don’t you feel well, dear?”

“You needn’t make any effort. What is Charles for?”

“But if you’re really not up to it,” Charlotte wavered.

“Very well! Very well!” Old Mr. Neave got up and went to join that little old climbing fellow just as far as his dressing-room . . .

There young Charles was waiting for him. Carefully, as though everything depended on it, he was tucking a towel round the hot-water can. Young Charles had been a favourite of his ever since as a little red-faced boy he had come into the house to look after the fires. Old Mr. Neave lowered himself into the cane lounge by the window, stretched out his legs, and made his little evening joke, “Dress him up, Charles!” And Charles, breathing intensely and frowning, bent forward to take the pin out of his tie.

H’m, h’m! Well, well! It was pleasant by the open window, very pleasant — a fine mild evening. They were cutting the grass on the tennis court below; he heard the soft churr of the mower. Soon the girls would begin their tennis parties again. And at the thought he seemed to hear Marion’s voice ring out, “Good for you, partner . . . Oh, played, partner . . . Oh, very nice indeed.” Then Charlotte calling from the veranda, “Where is Harold?” And Ethel, “He’s certainly not here, mother.” And Charlotte’s vague, “He said —”

Old Mr. Neave sighed, got up, and putting one hand under his beard, he took the comb from young Charles, and carefully combed the white beard over. Charles gave him a folded handkerchief, his watch and seals, and spectacle case.

“That will do, my lad.” The door shut, he sank back, he was alone . . .

And now that little ancient fellow was climbing down endless flights that led to a glittering, gay dining-room. What legs he had! They were like a spider’s — thin, withered.

“You’re an ideal family, sir, an ideal family.”

But if that were true, why didn’t Charlotte or the girls stop him? Why was he all alone, climbing up and down? Where was Harold? Ah, it was no good expecting anything from Harold. Down, down went the little old spider, and then, to his horror, old Mr. Neave saw him slip past the dining-room and make for the porch, the dark drive, the carriage gates, the office. Stop him, stop him, somebody!

Old Mr. Neave started up. It was dark in his dressing-room; the window shone pale. How long had he been asleep? He listened, and through the big, airy, darkened house there floated far-away voices, far-away sounds. Perhaps, he thought vaguely, he had been asleep for a long time. He’d been forgotten. What had all this to do with him — this house and Charlotte, the girls and Harold — what did he know about them? They were strangers to him. Life had passed him by. Charlotte was not his wife. His wife!

. . . A dark porch, half hidden by a passion-vine, that drooped sorrowful, mournful, as though it understood. Small, warm arms were round his neck. A face, little and pale, lifted to his, and a voice breathed, “Good-bye, my treasure.”

My treasure! “Good-bye, my treasure!” Which of them had spoken? Why had they said good-bye? There had been some terrible mistake. She was his wife, that little pale girl, and all the rest of his life had been a dream.

Then the door opened, and young Charles, standing in the light, put his hands by his side and shouted like a young soldier, “Dinner is on the table, sir!”

“I’m coming, I’m coming,” said old Mr. Neave.

The Veteran

by Stephen Crane

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Out of the low window could be seen three hickory trees placed irregularly in a meadow that was resplendent in spring-time green. Farther away, the old, dismal belfry of the village church loomed over the pines. A horse, meditating in the shade of one of the hickories, lazily swished his tail. The warm sunshine made an oblong of vivid yellow on the floor of the grocery.

"Could you see the whites of their eyes?" said the man, who was seated on a soap box.

"Nothing of the kind," replied old Henry warmly. "Just a lot of flitting figures, and I let go at where they 'peared to be the thickest. Bang!"

"Mr. Fleming," said the grocer—his deferential voice expressed somehow the old man's exact social weight—"Mr. Fleming, you never was frightened much in them battles, was you?"

The veteran looked down and grinned. Observing his manner, the entire group tittered. "Well, I guess I was," he answered finally. "Pretty well scared, sometimes. Why, in my first battle I thought the sky was falling down. I thought the world was coming to an end. You bet I was scared."

Every one laughed. Perhaps it seemed strange and rather wonderful to them that a man should admit the thing, and in the tone of their laughter there was probably more admiration than if old Fleming had declared that he had always been a lion. Moreover, they knew that he had ranked as an orderly sergeant, and so their opinion of his heroism was fixed. None, to be sure, knew how an orderly sergeant ranked, but then it was understood to be somewhere just shy of a major-general's stars. So, when old Henry admitted that he had been frightened, there was a laugh.

"The trouble was," said the old man, "I thought they were all shooting at me. Yes, sir, I thought every man in the other army was aiming at me in particular, and only me. And it seemed so darned unreasonable, you know. I wanted to explain to 'em what an almighty good fellow I was, because I thought then they might quit all trying to hit me. But I couldn't explain, and they kept on being unreasonable—blim!—blam! bang! So I run!"

Two little triangles of wrinkles appeared at the corners of his eyes. Evidently he appreciated some comedy in this recital. Down near his feet, however, little Jim, his grandson, was visibly horror-stricken. His hands were clasped nervously, and his eyes were wide with astonishment at this terrible scandal, his most magnificent grandfather telling such a thing.

"That was at Chancellorsville. Of course, afterward I got kind of used to it. A man does. Lots of men, though, seem to feel all right from the start. I did, as soon as I 'got on to it,' as they say now; but at first I was pretty well flustered. Now, there was young Jim Conklin, old Si Conklin's son—that used to keep the tannery—you none of you recollect him—well, he went into it from the start just as if he was born to it. But with me it was different. I had to get used to it."

When little Jim walked with his grandfather he was in the habit of skipping along on the stone pavement, in front of the three stores and the hotel of the town, and betting that he could avoid the cracks. But upon this day he walked soberly, with his hand gripping two of his grandfather's fingers. Sometimes he kicked abstractedly at dandelions that curved over the walk. Any one could see that he was much troubled.

"There's Sickles's colt over in the medder, Jimmie," said the old man. "Don't you wish you owned one like him?"

"Um," said the boy, with a strange lack of interest. He continued his reflections. Then finally he ventured: "Grandpa—now—was that true what you was telling those men?"

"What?" asked the grandfather. "What was I telling them?"

"Oh, about your running."

"Why, yes, that was true enough, Jimmie. It was my first fight, and there was an awful lot of noise, you know."