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Kate Foley is a much published and respected poet with many awards to her name. This, her 8th collection is made from meeting, migration and marriage: poems reflecting the journey of one poet and her wife, across linguistic and geographical boundaries - and with Brexit in the offing, it's far from over yet.
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Kate Foley is a widely published, prize-winning poet who has read in many UK and European locations. Her first collection, Soft Engineering, was short listed for best first collection at Aldeburgh.
Her working life has ranged from delivering babies to conserving delicate archaeological material. She became Head of English Heritage’s scientific and technical research laboratories. Although she has always written poetry it wasn’t until she gave up the day job that she began to publish more widely.
She now lives with her wife between Amsterdam and Suffolk, where she performs, writes, edits, leads workshops and whenever possible works with artists in other disciplines.
A Gift of Rivers is her eighth full collection.
Some of these poems were first collected and privately printed in a monograph as a birthday gift for Kate’s wife, Tonnie, with the help of Jeremy Greenwood.
Also by Kate Foley from Arachne Press:
The Don’t Touch Garden (available as print and audio)
Permission
Wishbone
Catechisms
A Loose Configuration
A Little Local Love
Like a Glove
Ordinary Exile
Foreigners
Mothers and Fathers
Unmasked
From The Silver Rembrandt
Sticks
Becoming Enough
The Quail Syndrome
Jailbreak
Sheep May Safely
Here’s The Church Where’s The Steeple
Back to Basics
A Gift Of Rivers
Wives
When I Lie Next To You In Sleep
I am Your Second Language
In The Dog Watches
Sleeping Together
Heart Surgery
To the Field Of Reeds
for Tonnie
Don’t need permission,
not from god,
any god,
even She,
not the Virgin,
(though soft spot conceded),
not the nuns,
starched into their icing-
sugar knickers –
(‘…you wouldn’t want to do something unfresh!’)…
not the dove,
who never turned up
when the Bishop said he would,
not priests, politicians, Public
Opinion – not even Mum,
though I wished she’d Come Out
and admitted she knew.
Don’t need permission – only,
yours,
and hardest of all,
from a place I never
visited before,
from me,
to love you.
‘Make me a poet’ I say quietly
to the small torn knuckle of gristle
and bone I’ve won.
More ‘poetic’ to wish on the evening star
that comes out whether or not you’re there
to see. My bone’s
torn from the delicate vee
your fingers fish from the washing up.
As we pull it quivers
with the unspoken weight of wishes, yours
and mine. Is poetry to speak what can’t be said
or catch its fugitive shape in a net of words?