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Originally published in 1923, "A Lost Lady" is Willa Cather’s elegiac portrait of the spirit of an earlier age. In her depiction of Marian Forrester, the much-admired figurehead of culture and society in the town of Sweet Water, Cather evokes a quality of life that began, for her, to vanish sometime around the beginning of the twentieth century. To Cather, much of what was wrong with twentieth century life was the absence of those qualities that Mrs. Forrester embodies: charm, warmth, and a certain graciousness of manner that has no place in the harsher climate of an industrialised society.
Marian Forrester is the symbolic flower of the Old American West. She draws her strength from that solid foundation, bringing delight and beauty to her elderly husband, to the small town of Sweet Water where they live, to the prairie land itself, and to the young narrator of her story, Neil Herbert. All are bewitched by her brilliance and grace, and all are ultimately betrayed. For Marian longs for "life on any terms," and in fulfilling herself, she loses all she loved and all who loved her. This, Willa Cather's most perfect novel, is not only a portrait of a troubling beauty, but also a haunting evocation of a noble age slipping irrevocably into the past.
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A LOST LADY
PART ONE
One
Two
Three
Four
Five
Six
Seven
Eight
Nine
PART TWO
One
Two
Three
Four
Five
Six
Seven
Eight
Nine
Thirty or forty years ago, in one of those grey towns along the Burlington railroad, which are so much greyer today than they were then, there was a house well known from Omaha to Denver for its hospitality and for a certain charm of atmosphere. Well known, that is to say, to the railroad aristocracy of that time; men who had to do with the railroad itself, or with one of the "land companies" which were its by–products. In those days it was enough to say of a man that he was "connected with the Burlington." There were the directors, the general managers, vice–presidents, superintendents, whose names we all knew; and their younger brothers or nephews were auditors, freight agents, departmental assistants. Everyone "connected" with the Road, even the large cattle– and grain–shippers, had annual passes; they and their families rode about over the line a great deal. There were then two distinct social strata in the prairie States; the homesteaders and hand–workers who were there to make a living, and the bankers and gentlemen ranchers who came from the Atlantic seaboard to invest money and to "develop our great West," as they used to tell us.
When the Burlington men were travelling back and forth on business not very urgent, they found it agreeable to drop off the express and spend a night in a pleasant house where their importance was delicately recognized; and no house was pleasanter than that of Captain Daniel Forrester, at Sweet Water. Captain Forrester was himself a railroad man, a contractor, who had built hundreds of miles of road for the Burlington,—over the sage brush and cattle country, and on up into the Black Hills.
The Forrester place, as every one called it, was not at all remarkable; the people who lived there made it seem much larger and finer than it was. The house stood on a low round hill, nearly a mile east of town; a white house with a wing, and sharp–sloping roofs to shed the snow. It was encircled by porches, too narrow for modern notions of comfort, supported by the fussy, fragile pillars of that time, when every honest stick of timber was tortured by the turning–lathe into something hideous. Stripped of its vines and denuded of its shrubbery, the house would probably have been ugly enough. It stood close into a fine cottonwood grove that threw sheltering arms to left and right and grew all down the hillside behind it. Thus placed on the hill, against its bristling grove, it was the first thing one saw on coming into Sweet Water by rail, and the last thing one saw on departing.
To approach Captain Forrester's property, you had first to get over a wide, sandy creek which flowed along the eastern edge of the town. Crossing this by the footbridge or the ford, you entered the Captain's private lane bordered by Lombardy poplars, with wide meadows lying on either side. Just at the foot of the hill on which the house sat, one crossed a second creek by the stout wooden road–bridge. This stream traced artless loops and curves through the broad meadows that were half pasture land, half marsh. Any one but Captain Forrester would have drained the bottom land and made it into highly productive fields. But he had selected this place long ago because it looked beautiful to him, and he happened to like the way the creek wound through his pasture, with mint and joint–grass and twinkling willows along its banks. He was well off for those times, and he had no children. He could afford to humour his fancies.
When the Captain drove friends from Omaha or Denver over from the station in his democrat wagon, it gratified him to hear these gentlemen admire his fine stock, grazing in the meadows on either side of his lane. And when they reached the top of the hill, it gratified him to see men who were older than himself leap nimbly to the ground and run up the front steps as Mrs. Forrester came out on the porch to greet them. Even the hardest and coldest of his friends, a certain narrow–faced Lincoln banker, became animated when he took her hand, tried to meet the gay challenge in her eyes and to reply cleverly to the droll word of greeting on her lips.
She was always there, just outside the front door, to welcome their visitors, having been warned of their approach by the sound of hoofs and the rumble of wheels on the wooden bridge. If she happened to be in the kitchen, helping her Bohemian cook, she came out in her apron, waving a buttery iron spoon, or shook cherry– stained fingers at the new arrival. She never stopped to pin up a lock; she was attractive in dishabille, and she knew it. She had been known to rush to the door in her dressing–gown, brush in hand and her long black hair rippling over her shoulders, to welcome Cyrus Dalzell, president of the Colorado & Utah; and the great man had never felt more flattered. In his eyes, and in the eyes of the admiring middle–aged men who visited there, whatever Mrs. Forrester chose to do was "lady–like" because she did it. They could not imagine her in any dress or situation in which she would not be charming. Captain Forrester himself, a man of few words, told Judge Pommeroy that he had never seen her look more captivating than on the day when she was chased by the new bull in the pasture. She had forgotten about the bull and gone into the meadow to gather wild flowers. He heard her scream, and as he ran puffing down the hill, she was scudding along the edge of the marshes like a hare, beside herself with laughter, and stubbornly clinging to the crimson parasol that had made all the trouble.
Mrs. Forrester was twenty–five years younger than her husband, and she was his second wife. He married her in California and brought her to Sweet Water a bride. They called the place home even then, when they lived there but a few months out of each year. But later, after the Captain's terrible fall with his horse in the mountains, which broke him so that he could no longer build railroads, he and his wife retired to the house on the hill. He grew old there,—and even she, alas! grew older.
But we will begin this story with a summer morning long ago, when Mrs. Forrester was still a young woman, and Sweet Water was a town of which great things were expected. That morning she was standing in the deep bay–window of her parlour, arranging old–fashioned blush roses in a glass bowl. Glancing up, she saw a group of little boys coming along the driveway, barefoot, with fishing–poles and lunch–baskets. She knew most of them; there was Niel Herbert, Judge Pommeroy's nephew, a handsome boy of twelve whom she liked; and polite George Adams, son of a gentleman rancher from Lowell, Massachusetts. The others were just little boys from the town; the butcher's red–headed son, the leading grocer's fat brown twins, Ed Elliott (whose flirtatious old father kept a shoe store and was the Don Juan of the lower world of Sweet Water), and the two sons of the German tailor,—pale, freckled lads with ragged clothes and ragged rust–coloured hair, from whom she sometimes bought game or catfish when they appeared silent and spook–like at her kitchen door and thinly asked if she would "care for any fish this morning."
As the boys came up the hill she saw them hesitate and consult together. "You ask her, Niel."
"You'd better, George. She goes to your house all the time, and she barely knows me to speak to."
As they paused before the three steps which led up to the front porch, Mrs. Forrester came to the door and nodded graciously, one of the pink roses in her hand.
"Good–morning, boys. Off for a picnic?"
George Adams stepped forward and solemnly took off his big straw hat. "Good–morning, Mrs. Forrester. Please may we fish and wade down in the marsh and have our lunch in the grove?"
"Certainly. You have a lovely day. How long has school been out? Don't you miss it? I'm sure Niel does. Judge Pommeroy tells me he's very studious."
The boys laughed, and Niel looked unhappy.
"Run along, and be sure you don't leave the gate into the pasture open. Mr. Forrester hates to have the cattle get in on his blue grass."
The boys went quietly round the house to the gate into the grove, then ran shouting down the grassy slopes under the tall trees. Mrs. Forrester watched them from the kitchen window until they disappeared behind the roll of the hill. She turned to her Bohemian cook.
"Mary, when you are baking this morning, put in a pan of cookies for those boys. I'll take them down when they are having their lunch."
The round hill on which the Forrester house stood sloped gently down to the bridge in front, and gently down through the grove behind. But east of the house, where the grove ended, it broke steeply from high grassy banks, like bluffs, to the marsh below. It was thither the boys were bound.
When lunch time came they had done none of the things they meant to do. They had behaved like wild creatures all morning; shouting from the breezy bluffs, dashing down into the silvery marsh through the dewy cobwebs that glistened on the tall weeds, swishing among the pale tan cattails, wading in the sandy creek bed, chasing a striped water snake from the old willow stump where he was sunning himself, cutting sling–shot crotches, throwing themselves on their stomachs to drink at the cool spring that flowed out from under a bank into a thatch of dark watercress. Only the two German boys, Rheinhold and Adolph Blum, withdrew to a still pool where the creek was dammed by a reclining tree trunk, and, in spite of all the noise and splashing about them, managed to catch a few suckers. The wild roses were wide open and brilliant, the blue–eyed grass was in purple flower, and the silvery milkweed was just coming on. Birds and butterflies darted everywhere. All at once the breeze died, the air grew very hot, the marsh steamed, and the birds disappeared. The boys found they were tired; their shirts stuck to their bodies and their hair to their foreheads. They left the sweltering marsh–meadows for the grove, lay down on the clean grass under the grateful shade of the tall cottonwoods, and spread out their lunch. The Blum boys never brought anything but rye bread and hunks of dry cheese,—their companions wouldn't have touched it on any account. But Thaddeus Grimes, the butcher's red–headed son, was the only one impolite enough to show his scorn. "You live on wienies to home, why don't you never bring none?" he bawled.