Chameleon Man E-Book

Henry Kuttner

• Herausgeber: Wildside Press
• Kategorie: Fantasy und Science-Fiction
• Sprache: Englisch
• Veröffentlichungsjahr: 2022

Seitenzahl: 46

Beschreibung

He was a changeable sort of fellow—and on occasions resembled a piecemeal zombie assembled by someone entirely ignorant of anatomy! Or a gorilla. Or a dozen beautiful fashion models...

A classic fantasy from the legendary pulp magazine, Weird Tales.

Leseprobe

Table of Contents

COPYRIGHT INFORMATION

INTRODUCTION

CHAMELEON MAN, by Henry Kuttner

COPYRIGHT INFORMATION

Copyright © 2022 by Wildside Press LLC.

Originally published in Weird Tales, Nov. 1941.

Published by Wildside Press LLC.

wildsidepress.com | bcmystery.com

INTRODUCTION

Henry Kuttner was born in Los Angeles, California in 1915. As a young man, he worked in his spare time for the literary agency of his uncle, Laurence D’Orsay (in fact his first cousin by marriage), in Los Angeles before selling his first story, “The Graveyard Rats,” to Weird Tales in early 1936. It was while working for the d’Orsay Agency that Kuttner picked Leigh Brackett’s early manuscripts off the slush pile. It was under his tutelage that she sold her first story (to John W. Campbell at Astounding Stories).

Kuttner was known for his literary prose and worked in close collaboration with his wife, C.L. Moore. They met through their association with the “Lovecraft Circle,” a group of writers and fans who corresponded with H.P. Lovecraft. Their work together spanned the 1940s and 1950s and most of the work was credited to pseudonyms, mainly Lewis Padgett and Lawrence O’Donnell.

L. Sprague de Camp, who knew Kuttner and Moore well, has stated that their collaboration was so seamless that, after a story was completed, it was often impossible for either Kuttner or Moore to recall who had written what. According to de Camp, it was typical for either partner to break off from a story in mid-paragraph or even mid-sentence, with the latest page of the manuscript still in the typewriter. The other spouse would routinely continue the story where the first had left off. They alternated in this manner as many times as necessary until the story was finished.

Among Kuttner’s most popular work were the Gallegher stories, published under the Padgett name, about a man who invented high-tech solutions to client problems (assisted by his insufferably egomaniacal robot) when he was stinking drunk, only to be completely unable to remember exactly what he had built or why after sobering up. These stories were later collected in Robots Have No Tails. In her introduction to the 1973 edition, Moore stated that Kuttner wrote all the Gallegher stories himself.

Marion Zimmer Bradley is among many authors who have cited Kuttner as an influence. Her novel The Bloody Sun is dedicated to him. Roger Zelazny has talked about the influence of The Dark World on his Amber series.

Kuttner’s friend Richard Matheson dedicated his 1954 novel I Am Legend to Kuttner, with thanks for his help and encouragement. Ray Bradbury has said that Kuttner actually wrote the last 300 words of Bradbury’s first horror story, “The Candle” (Weird Tales, November 1942). Bradbury has referred to Kuttner as a neglected master and a “pomegranate writer: popping with seeds—full of ideas.”

William S. Burroughs’s novel The Ticket That Exploded contains direct quotes from Kuttner regarding the “Happy Cloak” parasitic pleasure monster from the Venusian seas.

Mary Elizabeth Counselman believed that Kuttner's habit of writing under widely varied pseudonyms deprived him of the fame that should have been his. “I have often wondered why Kuttner chose to hide his talents behind so many false faces for no editorial reason... Admittedly, the fun is in pretending to be someone else. But Kuttner cheated himself of much fame that he richly deserved by hiding his light under a bushel of pen names that many fans did not know were his. Seabury Quinn and I both chided him about this.”

Among his pseudonyms were:

Edward J. Bellin

Paul Edmonds

Noel Gardner

Will Garth

James Hall

Keith Hammond

Hudson Hastings

Peter Horn

Kelvin Kent (used for work with Arthur K. Barnes)

Robert O. Kenyon

C. H. Liddell

Hugh Maepenn

Scott Morgan

Lawrence O’Donnell

Lewis Padgett

Woodrow Wilson Smith

Charles Stoddard

According to J. Vernon Shea, August Derleth “kept promising to publish Hank's and Catherine’s books under the Arkham House imprint, but kept postponing them.”

Henry Kuttner spent the middle 1950s getting his master's degree before dying of a heart attack in Los Angeles in 1958.

—Karl Wurf

Rockville, Maryland

CHAMELEON MAN,by Henry Kuttner

Tim Vanderhof wavered. He stood ten feet from a glass-paneled door, his apprehensive gaze riveted upon it, and swayed back and forth like a willow. Or, perhaps, an aspen. He wasn’t sure. Yes, it was an aspen—a quaking aspen. His ears seemed to twitch gently as he listened to the low rumble of voices from the inner office of S. Horton Walker, president of The Svelte Shop, Fifth Avenue’s snootiest establishment for supplying exclusive models of dresses, lingerie, and what-not.

Let us examine Mr. Vanderhof. He did not, at the moment, look like a man who, within a very short time, was going to turn into what amounted to something rather like a chameleon. Nevertheless, mentally and spiritually, Tim Vanderhof was a mere mass of quivering protoplasm, and no great wonder, after the interview he had just had. He wasn’t bad looking, though slightly pallid. His features were regular, his face a bit chubby, and his eyes held the expression of a startled fawn. They were brown, like his hair, and he had a pug nose.

He shivered slightly as the glass-paneled door opened. A Back appeared. Under it were two short, slightly bowed legs, and it was surmounted by a scarlet billiard-ball of a head. There was no neck. The Bade was draped in tweeds, and a strong smell of tobacco, brandy, and horses emanated from it.