Crucial Instances - Edith Wharton - E-Book

Crucial Instances E-Book

Edith Wharton

0,0
5,99 €

oder
-100%
Sammeln Sie Punkte in unserem Gutscheinprogramm und kaufen Sie E-Books und Hörbücher mit bis zu 100% Rabatt.
Mehr erfahren.
Beschreibung

American novelist, short story writer, and designer.Wharton was friend and confidante to many gifted intellectuals of her time: Henry James, Sinclair Lewis, Jean Cocteau and André Gide were all guests of hers at one time or another. Bernard Berenson and Kenneth Clark were valued friends as well. Her meeting with F. Scott Fitzgerald is described by the editors of her letters as "one of the better-known failed encounters in the American literary annals".The Age of Innocence (1920) won the 1921 Pulitzer Prize for literature, giving Wharton the honor of being the first woman to win the award.

Das E-Book können Sie in Legimi-Apps oder einer beliebigen App lesen, die das folgende Format unterstützen:

EPUB
Bewertungen
0,0
0
0
0
0
0
Mehr Informationen
Mehr Informationen
Legimi prüft nicht, ob Rezensionen von Nutzern stammen, die den betreffenden Titel tatsächlich gekauft oder gelesen/gehört haben. Wir entfernen aber gefälschte Rezensionen.



Crucial Instances

by

Edith Wharton

Table of Contents

The Duchess at Prayer

The Angel at the Grave

The Recovery

“Copy”: A Dialogue

The Rembrandt

The Moving Finger

The Confessional

The Duchess at Prayer

I

Have you ever questioned the long shuttered front of an old Italian house, that motionless mask, smooth, mute, equivocal as the face of a priest behind which buzz the secrets of the confessional? Other houses declare the activities they shelter; they are the clear expressive cuticle of a life flowing close to the surface; but the old palace in its narrow street, the villa on its cypress-hooded hill, are as impenetrable as death. The tall windows are like blind eyes, the great door is a shut mouth. Inside there may be sunshine, the scent of myrtles, and a pulse of life through all the arteries of the huge frame; or a mortal solitude, where bats lodge in the disjointed stones and the keys rust in unused doors. . . .

II

From the loggia, with its vanishing frescoes, I looked down an avenue barred by a ladder of cypress-shadows to the ducal escutcheon and mutilated vases of the gate. Flat noon lay on the gardens, on fountains, porticoes and grottoes. Below the terrace, where a chrome-colored lichen had sheeted the balustrade as with fine laminae of gold, vineyards stooped to the rich valley clasped in hills. The lower slopes were strewn with white villages like stars spangling a summer dusk; and beyond these, fold on fold of blue mountain, clear as gauze against the sky. The August air was lifeless, but it seemed light and vivifying after the atmosphere of the shrouded rooms through which I had been led. Their chill was on me and I hugged the sunshine.

“The Duchess’s apartments are beyond,” said the old man.

He was the oldest man I had ever seen; so sucked back into the past that he seemed more like a memory than a living being. The one trait linking him with the actual was the fixity with which his small saurian eye held the pocket that, as I entered, had yielded a lira to the gate-keeper’s child. He went on, without removing his eye:

“For two hundred years nothing has been changed in the apartments of the Duchess.”

“And no one lives here now?”

“No one, sir. The Duke, goes to Como for the summer season.”

I had moved to the other end of the loggia. Below me, through hanging groves, white roofs and domes flashed like a smile.

“And that’s Vicenza?”

“Proprio!” The old man extended fingers as lean as the hands fading from the walls behind us. “You see the palace roof over there, just to the left of the Basilica? The one with the row of statues like birds taking flight? That’s the Duke’s town palace, built by Palladio.”

Lesen Sie weiter in der vollständigen Ausgabe!