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- Herausgeber: Booksell-Verlag
- Kategorie: Gesellschafts- und Liebesromane
- Sprache: Englisch
In "Friendship Village Love Stories," Zona Gale masterfully weaves a tapestry of romance set against the backdrop of a small American town at the turn of the 20th century. The narratives within this collection are rich in character development and vivid descriptions, highlighting Gale's keen insight into human relationships and the complexities of love. Written in a lyrical and approachable prose, the stories invite readers to explore the nuances of affection, friendship, and societal expectations that define the era, appealing to a broad audience seeking both emotional depth and social commentary. Zona Gale, an esteemed author and social reformer, was deeply influenced by her Midwestern upbringing and the everyday lives of her contemporaries. Her experiences as a leading figure in the early feminist movement, alongside her keen observations of rural life, provided the impetus for her exploration of personal narratives in "Friendship Village Love Stories." Gale's work frequently reflects her passion for self-determination and the vital connections between individuals, making her an important voice in early 20th-century American literature. This book is highly recommended for readers who appreciate intimate character studies and wish to understand the interplay of love and community in a bygone era. Gale'Äôs insightful storytelling invites reflection on timeless themes and is a must-read for anyone seeking a heartfelt exploration of the intricacies of human connection.
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Veröffentlichungsjahr: 2021
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Friendship Village Love Stories
Table of Contents
IOPEN ARMS
Although it is June, the Little Child about whom I shall sometimes write in these pages this morning brought me a few violets. June violets. They sound unconvincing and even sentimental. However, here they are in their vase; and they are all white but one.
"Only one blue one," said Little Child, regretfully; "May must be 'most dead by mistake."
"Don't the months die as soon as they go away?" I asked her, and a little shocked line troubled her forehead.
"Oh, no," she said; "they never die at all. They wait and show the next months how."
So this year's May is showing June how. As if one should have a kind of pre-self, who kept on, after one's birth, and told one what to live and what not to live. I wish that I had had a pre-self and that it had kept on with me to show me how. It is what one's mother is, only one is so occupied in being one's born self that one thinks of her worshipfully as one's mother instead. But this young June seems to be chiefly May, and I am glad: for of all the months, May is to me most nearly the essence of time to be. In May I have always an impulse to date my letters "To-morrow," for all the enchantment of the usual future seems come upon me. The other months are richly themselves, but May is all the great premonitory zest come true; it is expectation come alive; it is the Then made Now. Conservatively, however, I date my May letters merely "To-morrow," and it is pleasant to find a conservative estimate which no one is likely to exceed. For I own that though there is a conservatism which is now wholly forbidden to me, yet I continue to take in it a sensuous, stolen pleasure, such as I take in certain ceremonies; and I know that if I were wholly pagan, extreme conservatism would be my chief indulgence.
This yet-May morning, then, I have been down in the village, gardening about the streets. My sort of gardening. As in spring another looks along the wall for her risen phlox and valley-lilies, or for the upthrust of the annuals, so after my year's absence I peered round this wall and that for faces and things in the renascence of recognition, or in the pleasant importance of having just been born. Many a gate and façade and well-house, of which in my absence I have not thought even once, has not changed a whit in consequence. And when changes have come, they have done so with the prettiest preening air of accomplishment: "We too," they say, "have not been idle."
Thus the streets came unrolling to meet me and to show me their treasures: my neighbour's new screened-in porch "with a round extension so to see folks pass on the cross street"; in the house in which I am to live a former blank parlour wall gravely regarding me with a magnificent new plate glass eye; Daphne Street, hitherto a way of sand, now become a thing of proud macadam; the corner catalpas old enough to bloom; a white frame cottage rising like a domestic Venus from a once vacant lot of foam-green "Timothy"; a veranda window-box acquired, like a bright bow-knot at its house's throat; and, farther on, the Herons' freshly laid cement sidewalk, a flying heron stamped on every block. I fancy they will have done that with the wooden heron knocker which in the kitchen their grandfather Heron himself carved on sleepless nights. ("Six hundred and twenty hours of Grandpa Heron's life hanging on our front door," his son's wife said; "I declare I feel like that bird could just about lay.") To see all these venturesome innovations, these obscure and pleasant substitutions, is to be greeted by the very annuals of this little garden as a real gardener in green lore might be signalled, here by a trembling of new purple and there by a yellow marching line of little volunteers.
I do not miss from their places many friends. In this house and that I find a new family domiciled and to be divined by the subtle changes which no old tenant would ever have made: the woodpile in an unaccustomed place, the side shed door disused and strung for vines, a wagon now kept by a north and south space once sacred to the sweet-pea trench. Here a building partly ruined by fire shows grim, returned to the inarticulate, not evidently to be rebuilt, but to be accepted, like any death. But these variations are the exception, and only one variation is the rule, and against that one I have in me some special heritage of burning. I mean the felling of the village trees. We have been used wantonly to sacrifice to the base and the trivial, trees already stored with years of symmetry when we of these Midlands were the intruders and not they—and I own that for me the time has never wholly passed. They disturb the bricks in our walks, they dishevel our lawns with twigs, they rot the shingles on our barns. It has seemed to occur to almost nobody to pull down his barn instead. But of late we, too, are beginning to discern, so that when in the laying of a sidewalk we meet a tree who was there before we were anywhere at all, though we may not yet recognize the hamadryad, we do sacrifice to her our love of a straight line, and our votive offering is to give the tree the walk—such a slight swerving is all the deference she asks!—and in return she blesses us with balms and odours.... For me these signs of our mellowing are more delightful to experience than might be the already-made quietudes of a nation of effected and distinguished standards. I have even been pleased when we permit ourselves an elemental gesture, though I personally would prefer not to be the one to have made the gesture. And this is my solace when with some inquisitioner I unsuccessfully intercede for a friend of mine—an isolated silver cottonwood, or a royally skirted hemlock: verily, I say, it was so that we did here in the old days when there were forests to conquer, and this good inquisitioner has tree-taking in his blood as he has his genius for toil. And I try not to remember that if in America we had had plane trees, we should almost certainly have cut them into cabins.... But this morning even the trees that I missed could not make me sad. No, nor even the white crape and the bunch of garden flowers hanging on a street door which I passed. All these were as if something elementary had happened, needless wounds, it might be, on the plan of things, contortions which science has not yet bred away, but, as truly as the natural death from age, eloquent of the cosmic persuading to shape in which the nations of quietude and we of strivings are all in fellowship.
In fellowship! I think that in this simple basic emotion lies my joy in living in this, my village. Here, this year long, folk have been adventuring together, knowing the details of one another's lives, striving a little but companioning far more than striving, kindling to one another's interests instead of practising the faint morality of mere civility; and I love them all—unless it be only that little Mrs. Oliver Wheeler Johnson, newly come to Friendship; and perhaps my faint liking for her arises from the fact that she has not yet lived here long enough to be understood, as Friendship Village understands. The ways of these primal tribal bonds are in my blood, for from my heart I felt what my neighbour felt when she told me of the donation party which the whole village has just given to Lyddy Ember:—
"I declare," she said, "it wasn't so much the stuff they brought in, though that was all elegant, but it was the Togetherness of it. I couldn't get to sleep that night for thinkin' about God not havin' anybody to neighbour with."
It was no wonder, therefore, that when in the middle of Daphne Street my neighbour met me this morning, for the first time since my return, and held out her arms, I walked straight into them. Here is the secret, as more of us know than have the wisdom to acknowledge: fellowship, comradeship, kinship—call it what you will. My neighbour and I will understand.
"I heard you was here," my neighbour said—bless her, her voice trembled. I suppose there never was such a compliment as that tremor of her voice.
I am afraid that I am not going to tell what else she said. But it was all about our coming to Friendship Village to live; and that is a thing which, as I feel about it, should be set to music and sung in the wind—where Thoreau said that some apples are to be eaten. As for me, I nodded at my neighbour, and could do no more than that—as is the custom of mortals when they are face to face with these sorceries of Return and Meeting and Being Together.
I am not yet wonted to the sweetness of our coming to Friendship Village to live, the Stranger and I. Here they still call him the Stranger; and this summer, because of the busts and tablets which he must fashion in many far places, so do I. Have I said that that Stranger of mine is a sculptor? He is. But if anyone expects me to write about him, I tell you that it is impossible. Save this: That since he came out of the mist one morning on the Plank Road here in Friendship Village, we two have kept house in the world, shared in the common welfare, toiled as we might for the common good, observed the stars, and thanked God. And this: that since that morning, it is as if Someone had picked us up and set us to music and sung us to the universal piping. And we remember that once we were only words, and that sometime we shall be whatever music is when it is free of its body of sound, and for that time we strive. But I repeat that these vagrant notes are not about this great Stranger, absent on his quests of holy soul prisoned in this stone and that marble, nor yet about our life together. Rather, I write about our Family, which is this loved town of ours. For we have bought Oldmoxon House, and here, save for what flights may be about and over-seas, we hope that we may tell our days to their end.
My neighbour had both my hands, there in the middle of Daphne Street, and the white horse of the post-office store delivery wagon turned out for us as if he knew.
"If I'd thought of seeing you out so early I'd have put on my other hat," my neighbour said, "but I'm doing up berries, an' I just run down for some rubbers for my cans. Land, fruit-jar rubbers ain't what they used to be, are they? One season an' they lay down life. I could jounce up an' down I'm so glad to see you. I heard you'd been disappointed gettin' somebody to help you with your writin'. I heard the girl that was comin' to help you ain't comin' near."
My secretary, it is true, has disappointed me, and she has done the disappointing by telegraph. I had almost said, publicly by telegraph. But I protest that I would rather an entire village should read my telegrams and rush to the rescue, than that a whole city should care almost nothing for me or my telegrams either. And if you please, I would rather not have that telegram-reading criticised.
"Well," said my neighbour, with simplicity, "I've got you one. She'll be up to talk to you in a day or two—I saw to that. It's Miggy. She can spell like the minister."
I had never heard of Miggy, but I repeated her name with something of that sense of the inescapable to which the finality of my neighbour impressed me. As if I were to have said, "So, then, it is to be Miggy!" Or was it something more than that? Perhaps it was that Miggy's hour and mine had struck. At all events, I distinctly felt what I have come to call the emotion of finality. I suppose that other people have it: that occasional prophetic sense which, when a thing is to happen, expresses this futurity not by words, but by a consciousness of—shall I say?—brightness; a mental area of clearness; a quite definite physical emotion of yes-ness. But if the thing will not happen this says itself by a complementary apprehension of dim, down-sloping, vacant negation. I have seldom known this divination to fail me—though I am chary of using it lest I use it up! And then I do not always wish to know. But this morning my emotion of finality prevailed upon me unaware: I knew that it would be Miggy.
"What a curious name," I said, in a manner of feebly fending off the imminent; "why Miggy?" For it seemed to me one of those names instead of which any other name would have done as well and perhaps better.
"Her name is Margaret," my neighbour explained, "and her mother was a real lady that come here from Off and that hard work killed her because she was a lady. The father was bound there shouldn't be any lady about Miggy, but he couldn't seem to help himself. Margaret was her mother's name and so he shaved it and shrunk it and strained it down to Miggy. 'No frills for nobody,' was his motto, up to his death. Miggy and her little sister lives with her old Aunt Effie that dress-makes real French but not enough to keep 'em alive on. Miggy does odd jobs around. So when I heard about your needin' somebody, I says to myself, 'Miggy!'—just like I've said it to you."
It was not the name, as a name, which I would have said could be uppermost in my mind as I walked on that street of June—that May was helping to make fair. And I was annoyed to have the peace of my return so soon invaded. I fell wondering if I could not get on, as I usually do, with no one to bother. I have never wanted a helper at all if I could avoid it, and I have never, never wanted a helper with a personality. A personality among my strewn papers puts me in a fever of embarrassment and misery. Once such an one said to me in the midst of a chapter: "Madame, I'd like to ask you a question. What do you think of your hero?" In an utter rout of confusion I owned that I thought very badly of him, indeed; but I did not add the truth, that she had effectually drugged him and disabled me for at least that day. My taste in helpers is for one colourless, noiseless, above all intonationless, usually speechless, and always without curiosity—some one, save for the tips of her trained fingers, negligible. As all this does sad violence to my democratic passions, I usually prefer my negligible self. So the idea of a Miggy terrified me, and I said to myself that I would not have one about. As I knew the village, she was not of it. She was not a part of my gardening. She was no proper annual. She was no doubt merely a showy little seedling, chance sown in the village.... But all the time, moving within me, was that serene area of brightness, that clear certainty that, do what I could, it would still be Miggy.
... It is through this faint soothsaying, this conception which is partly of sight and partly of feeling, that some understanding may be won of the orchestration of the senses. I am always telling myself that if I could touch at that fluent line where the senses merge, I should occasionally find there that silent Custodian who is myself. I think, because emotion is so noble, that the Custodian must sometimes visit this line where the barrier between her and me is so frail. Her presence seems possible to me only for a moment, only, it may be, for the fraction of a second in which I catch the romance, the idea of something old and long familiar. And when this happens, I say: She has just been there, between the seeing and the feeling, or between the seeing and the knowing. Often I am sure that I have barely missed her. But I am never quick enough to let her know....
When I finished my walk and stepped under the poplars before my gate, I caught a faint exclamation. It was that Little Child, who had been waiting for me on my doorstep and came running to meet me and bring me the violets. When she saw me, she said, "Oh!" quickly and sweetly in her throat, and, as I stood still to taste the delight of having her run toward me, I felt very sorry for every one who has not heard that involuntary "Oh!" of a child at one's coming. Little Child and I have met only once before, and that early this morning, at large, on the village street, as spirits met in air, with no background of names nor auxiliary of exchange of names; but we had some talk which for me touched on eternal truth and for her savoured of story-telling; and we are friends. So now when she gave me the violets and explained to me Who was showing June how, I accepted this fair perception of the motherhood of May, this childish discernment of the familyhood of things, and,
"Will you come some day soon to have another story?" I asked her.
"Prob'ly I can," said Little Child. "I'll ask Miggy."
"Miggy! But is it your Miggy, too?" I demanded.
"It's my sister," said Little Child, nodding.
I thought that the concreteness of her reply to my ill-defined query was almost as if she remembered how to understand without words. You would think that children would need to have things said out, but they are evidently closer to a more excellent way.
So when I entered the house just now, I brought in with me a kind of premonitory Miggy, one of those ghostly, anticipatory births which we are constantly giving to those whom we have not met. As if every one had for us a way of life without the formality of being seen. As if we are a big, near family whether we want to be so or not. Verily, it is not only May and June, or Little Child and Miggy, who are found unexpectedly to be related; it is the whole world, it seems, and he is wise who quickens to many kinships. I like to think of the comrade company that already I have found here: June and Little Child and Miggy-to-be and my neighbour and Daphne Street and the remembered faces of the village and the hamadryads. I think that I include the very herons in the cement sidewalk. Like a kind of perpetual gift it is, this which my neighbour called Togetherness.
IIINSIDE JUNE
The difficulty with a June day is that you can never get near enough to it. This month comes within few houses, and if you want it you must go out to it. When you are within doors, knowing that out-of-doors it is June, the urge to be out there with it is resistless. But though you wade in green, steep in sun, breast wind, and glory in them all, still the day itself eludes you. It would seem, in June, that there should be a specific for the malady of being oneself, so that one might get to be a June day outright. However, if one were oneself more and more, might not one finally become a June day?...
Or something of this sort. I am quoting, as nearly as may be, from the Book of Our Youth, your youth and mine. Always the Book of Youth will open at a page like this. And occasionally it is as if we turned back and read there and made a path right away through the page.
This morning a rose-breasted grosbeak wakened me, singing on a bough of box-elder so close to my window that the splash of rose on his throat almost startled me. It was as if I ought not to have been looking. And to turn away from out-of-doors was like leaving some one who was saying something. But as soon as I stepped into the day I perceived my old problem: The difficulty with a June day is that you can never get near enough.
I stood for a little at the front gate trying soberly to solve the matter—or I stood where the front gate should have been; for in our midland American villages we have few fences or hedges, and, alas, no stone walls. Though undoubtedly this lack comes from an insufficient regard for privacy, yet this negative factor I am inclined to condone for the sake of the positive motive. And this I conceive to be that we are wistful of more ample occupation than is commonly contrived by our fifty-feet village lots, and so we royally add to our "yards" the sidewalk and the planting space and the road and as much of our neighbour's lawn as our imagination can annex. There seems to me to be in this a certain charming pathos; as it were, a survival in us of the time when we had only to name broad lands our own and to stay upon them in order to make them ours in very fact. And now it is as if this serene pushing back of imaginary borders were in reality an appending, a kind of spiritual taking up of a claim.
How to get nearer to June? I admit that it is a question of the veriest idler. But what a delightful company of these questions one can assemble. As, How to find one's way to a place that is the way it seems Away Across a Meadow. How to meet enough people who hear what one says in just the way that one means it. How to get back at will those fugitive moments when one almost knows ... what it is all about. And with this question the field of the idler becomes the field of the wise man; and, indeed, if one idles properly—or rather, if the proper person idles—the two fields are not always on opposite sides of the road. To idle is by no means merely to do nothing. It is an avocation, a calling away, nay, one should say, a piping away. To idle is to inhibit the body and to let the spirit keep on. Not every one can idle. I know estimable people who frequently relax, like chickens in the sun; but I know only a few who use relaxation as a threshold and not as a goal, and who idle until the hour yields its full blessing.
I wondered if to idle at adventure might not be the way to June, so I went out on the six o'clock street in somewhat the spirit in which another might ride the greenwood. Almost immediately I had an encounter, for I came on my neighbour in her garden. Not my neighbour who lives on the other side of me, and who is a big and obvious deacon, with a family of a great many Light Gowns; but My Neighbour. She was watering her garden. These water rules and regulations of the village are among its spells. To look at the members of the water commission one would never suspect them of romance. But if they have it not, why have they named from five until nine o'clock the only morning hours when one may use the city water for one's lawn and garden? I insist that it cannot be a mere regard for the municipal resources, and that the commissioners must see something of the romance of getting up before five o'clock to drench one's garden, and are providing for the special educational value of such a custom. Or, if I do not believe this, I wish very much that I did, with the proper grounds.
To tell the truth, however, I do not credit even my neighbour with feeling the romance of the hour and of her occupation. She is a still woman of more than forty, who does not feel a difference between her flower and her vegetable gardens, but regards them both as a part of her life in the kind of car-window indifference and complacency of certain travellers. She raises foxgloves and parsley, and the sun shines over all. I must note a strange impression which my neighbour gives me: she has always for me an air of personal impermanence. I have the fancy, amounting to a sensation, that she is where she is for just a moment, and that she must rush back and be at it again. I do not know at what. But whether I see her in church or at a festival, I have always all I can do to resist saying to her, "How did you get away?" It was so that she was watering her flowers; as if she were intending at any moment to hurry off to get breakfast or put up the hammock or mend. And yet before she did so she told me, who was a willing listener, a motion or two of the spirit of the village.
There is, I observe, a nicety of etiquette here, about the Not-quite-news, Not-quite-gossip shared with strangers and semi-strangers. The rules seem to be:—
Strangers shall be told only the pleasant occurrences and conditions.
Half strangers may discuss the unpleasant matters which they themselves have somehow heard, but only pleasant matters may be added by accretion.
The rest of society may say whatever it "has a mind." But this mind, as I believe, is not harsh, since nobody ever gossips except to people who gossip back.
"Mis' Toplady told me last night that Calliope Marsh is coming home for the Java entertainment, next week," my neighbour imparted first. And this was the best news that she could have given me.
It has been a great regret to me that this summer Calliope is not in the village. She has gone to the city to nurse some distant kinswoman more lonely than she, and until ill-health came, long forgetful of Calliope. But she is to come back now and again, to this and to that, for the village interests are all her own. I have never known any one in whom the tribal sense is so persistently alive as in Calliope.
I asked my neighbour what this Java entertainment would be, which was to give back Calliope, and she looked her amazement that I did not know. It would be, it appeared, one of those great fairs which the missionary society is always projecting and carrying magnificently forward.
"It's awful feet-aching work," said my neighbour, reflectively; "but honestly, Calliope seems to like it. I donno but I do, too. The Sodality meant to have one when they set out to pave Daphne Street, but it turned out it wasn't needed. Well, big affairs like that makes it seem as if we'd been born into the whole world and not just into Friendship Village."
My neighbour told me that a new public library had been opened in a corner of the post-office store, and that "a great crowd" was drawing books, though for this she herself cannot vouch, since the library is only open Saturday evenings, and "Saturday," she says with decision, "is a bad night." It is, in fact, I note, very difficult to find a free night in the village, save only Tuesday. Monday, because of its obvious duties and incident fatigue, is as impossible as Sunday; Wednesday is club day; Thursday "is prayer-meeting"; Friday is sacred to church suppers and entertainments and the Ladies' Aid Society; and Saturday is invariably denominated a bad night and omitted without question. We are remote from society, but Tuesday is literally our only free evening.
"Of course it won't be the same with you about books," my neighbour admits. "You can send your girl down to get a book for you. But I have to be home to get out the clean clothes. How's your girl going to like the country?" she asked.
I am to have here in the village, I find, many a rebuke for habits of mine which lag behind my theories. For though I try to solve my share of a tragic question by giving to my Swedish maid, Elfa, the self-respect and the privilege suited to a human being dependent on me, together with ways of comfort and some leisure, yet I find the homely customs of the place to have accomplished more than my careful system. And though, when I took her from town I scrupulously added to the earnings of my little maid, I confess that it had not occurred to me to wonder whether or not she would like Friendship Village. We seem so weary-far from the conditions which we so facilely conceive. Especially, I seem far. I am afraid that I engaged Elfa in the first place with less attention to her economic fitness than that she is so trim and still and wistful, with such a peculiarly winning upward look; and that her name is Elfa. I told my neighbour that I did not know yet, whether Elfa would like it here or not; and for refuge I found fault with the worms on the rose bushes. Also I made a note in my head to ask Elfa how she likes the country. But the spirit of a thing is flown when you make a note of it in your head. How does Elfa like the town, for that matter? I never have asked her this, either.
"She'll be getting married on your hands, anyway," my neighbour observed; "the ladies here say that's one trouble with trying to keep a hired girl. They will get married. But I say, let 'em."
At least here is a matter in which my theory, like that of my neighbour's, outruns those of certain folk of both town and village. For I myself have heard women complain of their servants marrying and establishing families, and deplore this shortsightedness in not staying where there is "a good home, a nice room, plenty to eat, and all the flat pieces sent to the laundry."
"Speaking of books," said my neighbour, "have you seen Nicholas Moor?"
"I see almost no new books," I told her guiltily.
"Me either," she said; "I don't mean he's a book. He's a boy. Nicholas Moor—that does a little writin' himself? I guess you will see him. He'll be bringin' some of his writing up to show you. He took some to the new school principal, I heard, and to the invalid that was here from the city. He seems to be sort of lonesome, though he has got a good position. He's interested in celluloid and he rings the Catholic bell. Nicholas must be near thirty, but he hasn't even showed any signs."
"Signs?" I hazarded.
"Of being in love," she says simply. And I have pondered pleasantly on this significant ellipsis of hers which takes serenely for granted the basic business of the world. Her elision reminds me of the delicate animism of the Japanese which says, "When the rice pot speaks with a human voice, then the demon's name is Kanjo." One can appraise a race or an individual by the class of things which speech takes for granted, love or a demon or whatever it be.
And apropos of "showing signs," do I remember Liva Vesey and Timothy Toplady, Jr.? I am forced to confess that I remember neither. I recall, to be sure, that the Topladys had a son, but I had thought of him as a kind of qualifying clause and it is difficult to conceive of him as the subject of a new sentence. When I hear of Liva Vesey I get her confused with a pink gingham apron and a pail of buttermilk which used sometimes to pass my house with Liva combined. Fancy that pink gingham and that pail becoming a person! And my neighbour tells me that the Qualifying Clause and the Pink Gingham are "keeping company," and perhaps are to determine the cut of indeterminate clauses and aprons, world without end.
"The young folks will couple off," says my neighbour; "and," she adds, in a manner of spontaneous impression, "I think it's nice. And it's nice for the whole family, too. I've seen families that wouldn't ever have looked at each other come to be real friends and able to see the angels in each other just by the young folks pairing off. This whole town's married crisscross and kittering, family into family. I like it. It kind o' binds the soil."
My neighbour told me of other matters current in the village, pleasant commonplaces having for her the living spirit which the commonplace holds in hostage. ("I'm breathing," Little Child soberly announced to me that first day of our acquaintance. And I wonder why I smiled?) My neighbour slowly crossed her garden and I followed on the walk—these informal colloquies of no mean length are perfectly usual in the village and they do not carry the necessity for an invitation within the house or the implication of a call. The relations of hostess and guest seem simply to be suspended, and we talk with the freedom of spirits met in air. Is this not in its way prophetic of the time when we shall meet, burdened of no conventions or upholstery or perhaps even words, and there talk with the very freedom of villagers? Meanwhile I am content with conventions, and passive amid upholstery. But I do catch myself looking forward.
Suddenly my neighbour turned to me with such a startled, inquiring manner that I sent my attention out as at an alarm to see what she meant. And then I heard what I had not before noted: a thin, wavering line of singing, that had begun in the street beyond our houses, and now floated inconsequently to us, lifting, dipping, wandering. I could even hear the absurd words.
the "oh" prolonged, undulatory, exploring the air.
To say something was like interrupting my neighbour's expression; so I waited, and,
"It's old Cary," she explained briefly. "When he does that it's like something hurts you, ain't it?"
I thought that this would be no one of my acquaintance, and I said so, but tentatively, lest I should be forgetting some inherent figure of the village.
"He's come here in the year," she explained—and, save about the obvious import of old Cary's maudlin song, she maintained that fine, tribal reticence of hers. "Except for the drinking," she even said, "he seems to be a quiet, nice man. But it's a shame—for Peter's sake. Peter Cary," she added, like a challenge, "is the brainiest young man in this town, say what you want."
On which she told me something of this young superintendent of the canning factory who has "tried it in Nebraska," and could not bear to leave his father here, "this way," and has just returned. "He works hard, and plays the violin, and is making a man of himself generally," she told me; "Don't miss him." And I have promised that I will try not to miss Peter Cary.
"They live out towards the cemetery way," she added, "him and his father, all alone. Peter'll be along by here in a minute on his way to work—it's most quarter to. I set my husband down to his breakfast and got up his lunch before I come out—I don't have my breakfast till the men folks get out of the way."
I never cease to marvel at these splendid capabilities which prepare breakfasts, put up lunches, turn the attention to the garden, and all, so to speak, with the left hand; ready at any moment to enter upon the real business of life—to minister to the sick or bury the dead, or conduct a town meeting or a church supper or a birth. They have a kind of goddess-like competence, these women. At any of these offices they arrive, lacking the cloud, it is true, but magnificently equipped to settle the occasion. In crises of, say, deafness, they will clap a hot pancake on a friend's ear with an Æsculapian savoir faire, for their efficiencies combine those of lost generations with all that they hear of in this, in an open-minded eclecticism. With Puritans and foresters and courtiers in our blood, who knows but that we have, too, the lingering ichor of gods and goddesses? Oh—"don't you wish you had?" What a charming peculiarity it would be to be descended from a state of immortality as well as to be preparing for it, nay, even now to be entered upon it!
In a few moments after that piteous, fuddled song had died away on the other street, Peter Cary came by my neighbour's house. He was a splendid, muscular figure in a neutral, belted shirt and a hat battered quite to college exactions, though I am sure that Peter did not know that. I could well believe that he was making a man of himself. I have temerity to say that this boy superintendent of a canning factory looked as, in another milieu, Shelley might have looked, but so it was. It was not the first time that I have seen in such an one the look, the eyes with the vision and the shadow. I have seen it in the face of a man who stood on a step-ladder, papering a wall; I have seen it in a mason who looked up from the foundation that he mortared; I have seen it often and often in the faces of men who till the soil. I was not surprised to know that Peter Cary "took" on the violin. The violin is a way out (for that look in one's eyes), as, for Nicholas Moor, I have no doubt, is the ringing of the Catholic bell. And I am not prepared to say that celluloid, and wall-paper, and mortar, and meadows, and canneries,—run under good conditions,—may not be a way out as well. At all events, the look was still in Peter's face.
Peter glanced briefly at my neighbour, running the risk of finding us both looking at him, realized the worst, blushed a man's brown blush, and nodded and smiled after he had looked away from us.
"You see this grass?" said my neighbour. "Peter keeps it cut, my husband don't get home till so late. We're awful fond of Peter."
There is no more tender eulogy. And I would rather have that said of me in the village than in any place I know. No grace of manner or dress or mind can deceive anybody. They are fond of you or they are not, and I would trust their reasons for either.
My neighbour's husband came out the front door at that moment, and he and Peter, without greeting, went on together. Her husband did not look toward us, because, in the village, it seems not to be a husband and wife ceremonial to say good-by in the morning. I often fall wondering how it is in other places. Is it possible that men in general go away to work without the consciousness of family, of themselves as going forth on the common quest? Is it possible that women see them go and are so unaware of the wonder of material life that they do not instance it in, at least, good-by? One would think that even the female bear in the back of the cave must growl out something simple when her lord leaves her in the hope of a good kill.
And when the two men had turned down the brick walk, the maple leaves making a come-and-go of shadows and sun-patterns on their backs, my neighbour looked at me with a smile—or, say, with two-thirds of a smile—as if her vote to smile were unanimous, but she were unwilling by it to impart too much.
"It's all Miggy with Peter," she said, as if she were mentioning a symptom.
"Miggy?" I said with interest—and found myself nodding to this new relationship as to a new acquaintance. And I was once more struck with the precision with which certain simple people and nearly all great people discard the particularities and lay bare their truths. Could any amount of elegant phrasing so reach the heart of the thing and show it beating as did, "It's all Miggy with Peter"?
"Yes," my neighbour told me, "it's been her with him ever since he come here."
Assuredly I thought the better of Miggy for this; and,
"Is it all Peter with Miggy?" I inquired, with some eagerness.
Land knows, my neighbour thought, and handed me the hose to hold while she turned off the water at the hydrant. I remember that a young robin tried to alight on the curving spray just as the water failed and drooped.
"I like to get a joke on a robin that way," said my neighbour, and laughed out, in a kind of pleasant fellowship with jokes in general and especially with robins. "It made Miggy's little sister laugh so the other day when that happened," she added. Then she glanced over at me with a look in her face that I have not seen there before.
