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- Herausgeber: Avia Artis
- Kategorie: Poesie und Drama
- Sprache: Englisch
- Veröffentlichungsjahr: 2022
“Heartbreak House” is a play by George Bernard Shaw, an Irish playwright who became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.
Heartbreak House is a play written by George Bernard Shaw. According to A. C. Ward, the work argues that "cultured, leisured Europe" was drifting toward destruction, and that "Those in a position to guide Europe to safety failed to learn their proper business of political navigation". The "Russian manner" of the subtitle refers to the style of Anton Chekhov, which Shaw adapts.
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Avia Artis
2022
Table of contents
Preface
Act 1
Act 2
Act 3
Credits
Preface
Where Heartbreak House Stands
Heartbreak House is not merely the name of the play which follows this preface. It is cultured, leisured Europe before the war. When the play was begun not a shot had been fired; and only the professional diplomatists and the very few amateurs whose hobby is foreign policy even knew that the guns were loaded. A Russian playwright, Tchekov, had produced four fascinating dramatic studies of Heartbreak House, of which three, The Cherry Orchard, Uncle Vanya, and The Seagull, had been performed in England. Tolstoy, in his Fruits of Enlightenment, had shown us through it in his most ferociously contemptuous manner. Tolstoy did not waste any sympathy on it: it was to him the house in which Europe was stifling its soul; and he knew that our utter enervation and futilization in that overheated drawingroom atmosphere was delivering the world over to the control of ignorant and soulless cunning and energy, with the frightful consequences which have now overtaken it. Tolstoy was no pessimist: he was not disposed to leave the house standing if he could bring it down about the ears of its pretty and amiable voluptuaries; and he wielded the pickaxe with a will. He treated the case of the inmates as one of opium poisoning, to be dealt with by seizing the patients roughly and exercising them violently until they were broad awake. Tchekov, more of a fatalist, had no faith in these charming people extricating themselves. They would, he thought, be sold up and sent adrift by the bailiffs; and he therefore had no scruple in exploiting and even flattering their charm.
The Inhabitants
Tchekov's plays, being less lucrative than swings and roundabouts, got no further in England, where theatres are only ordinary commercial affairs, than a couple of performances by the Stage Society. We stared and said, "How Russian!" They did not strike me in that way. Just as Ibsen's intensely Norwegian plays exactly fitted every middle and professional class suburb in Europe, these intensely Russian plays fitted all the country houses in Europe in which the pleasures of music, art, literature, and the theatre had supplanted hunting, shooting, fishing, flirting, eating, and drinking. The same nice people, the same utter futility. The nice people could read; some of them could write; and they were the sole repositories of culture who had social opportunities of contact with our politicians, administrators, and newspaper proprietors, or any chance of sharing or influencing their activities. But they shrank from that contact. They hated politics. They did not wish to realize Utopia for the common people: they wished to realize their favorite fictions and poems in their own lives; and, when they could, they lived without scruple on incomes which they did nothing to earn. The women in their girlhood made themselves look like variety theatre stars, and settled down later into the types of beauty imagined by the previous generation of painters. They took the only part of our society in which there was leisure for high culture, and made it an economic, political and; as far as practicable, a moral vacuum; and as Nature, abhorring the vacuum, immediately filled it up with sex and with all sorts of refined pleasures, it was a very delightful place at its best for moments of relaxation. In other moments it was disastrous. For prime ministers and their like, it was a veritable Capua.
Horseback Hall
But where were our front benchers to nest if not here? The alternative to Heartbreak House was Horseback Hall, consisting of a prison for horses with an annex for the ladies and gentlemen who rode them, hunted them, talked about them, bought them and sold them, and gave nine-tenths of their lives to them, dividing the other tenth between charity, churchgoing (as a substitute for religion), and conservative electioneering (as a substitute for politics). It is true that the two establishments got mixed at the edges. Exiles from the library, the music room, and the picture gallery would be found languishing among the stables, miserably discontented; and hardy horsewomen who slept at the first chord of Schumann were born, horribly misplaced, into the garden of Klingsor; but sometimes one came upon horsebreakers and heartbreakers who could make the best of both worlds. As a rule, however, the two were apart and knew little of one another; so the prime minister folk had to choose between barbarism and Capua. And of the two atmospheres it is hard to say which was the more fatal to statesmanship.
Revolution on the Shelf
Heartbreak House was quite familiar with revolutionary ideas on paper. It aimed at being advanced and freethinking, and hardly ever went to church or kept the Sabbath except by a little extra fun at weekends. When you spent a Friday to Tuesday in it you found on the shelf in your bedroom not only the books of poets and novelists, but of revolutionary biologists and even economists. Without at least a few plays by myself and Mr Granville Barker, and a few stories by Mr H. G. Wells, Mr Arnold Bennett, and Mr John Galsworthy, the house would have been out of the movement. You would find Blake among the poets, and beside him Bergson, Butler, Scott Haldane, the poems of Meredith and Thomas Hardy, and, generally speaking, all the literary implements for forming the mind of the perfect modern Socialist and Creative Evolutionist. It was a curious experience to spend Sunday in dipping into these books, and the Monday morning to read in the daily paper that the country had just been brought to the verge of anarchy because a new Home Secretary or chief of police without an idea in his head that his great-grandmother might not have had to apologize for, had refused to "recognize" some powerful Trade Union, just as a gondola might refuse to recognize a 20,000-ton liner.
In short, power and culture were in separate compartments. The barbarians were not only literally in the saddle, but on the front bench in the House of commons, with nobody to correct their incredible ignorance of modern thought and political science but upstarts from the counting-house, who had spent their lives furnishing their pockets instead of their minds. Both, however, were practised in dealing with money and with men, as far as acquiring the one and exploiting the other went; and although this is as undesirable an expertness as that of the medieval robber baron, it qualifies men to keep an estate or a business going in its old routine without necessarily understanding it, just as Bond Street tradesmen and domestic servants keep fashionable society going without any instruction in sociology.
The Cherry Orchard
The Heartbreak people neither could nor would do anything of the sort. With their heads as full of the Anticipations of Mr H. G. Wells as the heads of our actual rulers were empty even of the anticipations of Erasmus or Sir Thomas More, they refused the drudgery of politics, and would have made a very poor job of it if they had changed their minds. Not that they would have been allowed to meddle anyhow, as only through the accident of being a hereditary peer can anyone in these days of Votes for Everybody get into parliament if handicapped by a serious modern cultural equipment; but if they had, their habit of living in a vacuum would have left them helpless end ineffective in public affairs. Even in private life they were often helpless wasters of their inheritance, like the people in Tchekov's Cherry Orchard. Even those who lived within their incomes were really kept going by their solicitors and agents, being unable to manage an estate or run a business without continual prompting from those who have to learn how to do such things or starve.
From what is called Democracy no corrective to this state of things could be hoped. It is said that every people has the Government it deserves. It is more to the point that every Government has the electorate it deserves; for the orators of the front bench can edify or debauch an ignorant electorate at will. Thus our democracy moves in a vicious circle of reciprocal worthiness and unworthiness.
Nature's Long Credits
Nature's way of dealing with unhealthy conditions is unfortunately not one that compels us to conduct a solvent hygiene on a cash basis. She demoralizes us with long credits and reckless overdrafts, and then pulls us up cruelly with catastrophic bankruptcies. Take, for example, common domestic sanitation. A whole city generation may neglect it utterly and scandalously, if not with absolute impunity, yet without any evil consequences that anyone thinks of tracing to it. In a hospital two generations of medical students may tolerate dirt and carelessness, and then go out into general practice to spread the doctrine that fresh air is a fad, and sanitation an imposture set up to make profits for plumbers. Then suddenly Nature takes her revenge. She strikes at the city with a pestilence and at the hospital with an epidemic of hospital gangrene, slaughtering right and left until the innocent young have paid for the guilty old, and the account is balanced. And then she goes to sleep again and gives another period of credit, with the same result.
This is what has just happened in our political hygiene. Political science has been as recklessly neglected by Governments and electorates during my lifetime as sanitary science was in the days of Charles the Second. In international relations diplomacy has been a boyishly lawless affair of family intrigues, commercial and territorial brigandage, torpors of pseudo-goodnature produced by laziness and spasms of ferocious activity produced by terror. But in these islands we muddled through. Nature gave us a longer credit than she gave to France or Germany or Russia. To British centenarians who died in their beds in 1914, any dread of having to hide underground in London from the shells of an enemy seemed more remote and fantastic than a dread of the appearance of a colony of cobras and rattlesnakes in Kensington Gardens. In the prophetic works of Charles Dickens we were warned against many evils which have since come to pass; but of the evil of being slaughtered by a foreign foe on our own doorsteps there was no shadow. Nature gave us a very long credit; and we abused it to the utmost. But when she struck at last she struck with a vengeance. For four years she smote our firstborn and heaped on us plagues of which Egypt never dreamed. They were all as preventable as the great Plague of London, and came solely because they had not been prevented. They were not undone by winning the war. The earth is still bursting with the dead bodies of the victors.
The Wicked Half Century
It is difficult to say whether indifference and neglect are worse than false doctrine; but Heartbreak House and Horseback Hall unfortunately suffered from both. For half a century before the war civilization had been going to the devil very precipitately under the influence of a pseudo-science as disastrous as the blackest Calvinism. Calvinism taught that as we are predestinately saved or damned, nothing that we can do can alter our destiny. Still, as Calvinism gave the individual no clue as to whether he had drawn a lucky number or an unlucky one, it left him a fairly strong interest in encouraging his hopes of salvation and allaying his fear of damnation by behaving as one of the elect might be expected to behave rather than as one of the reprobate. But in the middle of the nineteenth century naturalists and physicists assured the world, in the name of Science, that salvation and damnation are all nonsense, and that predestination is the central truth of religion, inasmuch as human beings are produced by their environment, their sins and good deeds being only a series of chemical and mechanical reactions over which they have no control. Such figments as mind, choice, purpose, conscience, will, and so forth, are, they taught, mere illusions, produced because they are useful in the continual struggle of the human machine to maintain its environment in a favorable condition, a process incidentally involving the ruthless destruction or subjection of its competitors for the supply (assumed to be limited) of subsistence available. We taught Prussia this religion; and Prussia bettered our instruction so effectively that we presently found ourselves confronted with the necessity of destroying Prussia to prevent Prussia destroying us. And that has just ended in each destroying the other to an extent doubtfully reparable in our time.
It may be asked how so imbecile and dangerous a creed ever came to be accepted by intelligent beings. I will answer that question more fully in my next volume of plays, which will be entirely devoted to the subject. For the present I will only say that there were better reasons than the obvious one that such sham science as this opened a scientific career to very stupid men, and all the other careers to shameless rascals, provided they were industrious enough. It is true that this motive operated very powerfully; but when the new departure in scientific doctrine which is associated with the name of the great naturalist Charles Darwin began, it was not only a reaction against a barbarous pseudo-evangelical teleology intolerably obstructive to all scientific progress, but was accompanied, as it happened, by discoveries of extraordinary interest in physics, chemistry, and that lifeless method of evolution which its investigators called Natural Selection. Howbeit, there was only one result possible in the ethical sphere, and that was the banishment of conscience from human affairs, or, as Samuel Butler vehemently put it, "of mind from the universe."
Hypochondria
Now Heartbreak House, with Butler and Bergson and Scott Haldane alongside Blake and the other major poets on its shelves (to say nothing of Wagner and the tone poets), was not so completely blinded by the doltish materialism of the laboratories as the uncultured world outside. But being an idle house it was a hypochondriacal house, always running after cures. It would stop eating meat, not on valid Shelleyan grounds, but in order to get rid of a bogey called Uric Acid; and it would actually let you pull all its teeth out to exorcise another demon named Pyorrhea. It was superstitious, and addicted to table-rapping, materialization seances, clairvoyance, palmistry, crystal-gazing and the like to such an extent t hat it may be doubted whether ever before in the history of the world did soothsayers, astrologers, and unregistered therapeutic specialists of all sorts flourish as they did during this half century of the drift to the abyss. The registered doctors and surgeons were hard put to it to compete with the unregistered. They were not clever enough to appeal to the imagination and sociability of the Heartbreakers by the arts of the actor, the orator, the poet, the winning conversationalist. They had to fall back coarsely on the terror of infection and death. They prescribed inoculations and operations. Whatever part of a human being could be cut out without necessarily killing him they cut out; and he often died (unnecessarily of course) in consequence. From such trifles as uvulas and tonsils they went on to ovaries and appendices until at last no one's inside was safe. They explained that the human intestine was too long, and that nothing could make a child of Adam healthy except short circuiting the pylorus by cutting a length out of the lower intestine and fastening it directly to the stomach. As their mechanist theory taught them that medicine was the business of the chemist's laboratory, and surgery of the carpenter's shop, and also that Science (by which they meant their practices) was so important that no consideration for the interests of any individual creature, whether frog or philosopher, much less the vulgar commonplaces of sentimental ethics, could weigh for a moment against the remotest off-chance of an addition to the body of scientific knowledge, they operated and vivisected and inoculated and lied on a stupendous scale, clamoring for and actually acquiring such legal powers over the bodies of their fellow-citizens as neither king, pope, nor parliament dare ever have claimed. The Inquisition itself was a Liberal institution compared to the General Medical Council.
Those who do not know how to live must make a Merit of Dying
Heartbreak House was far too lazy and shallow to extricate itself from this palace of evil enchantment. It rhapsodized about love; but it believed in cruelty. It was afraid of the cruel people; and it saw that cruelty was at least effective. Cruelty did things that made money, whereas Love did nothing but prove the soundness of Larochefoucauld's saying that very few people would fall in love if they had never read about it. Heartbreak House, in short, did not know how to live, at which point all that was left to it was the boast that at least it knew how to die: a melancholy accomplishment which the outbreak of war presently gave it practically unlimited opportunities of displaying. Thus were the firstborn of Heartbreak House smitten; and the young, the innocent, the hopeful, expiated the folly and worthlessness of their elders.
War Delirium
Only those who have lived through a first-rate war, not in the field, but at home, and kept their heads, can possibly understand the bitterness of Shakespeare and Swift, who both went through this experience. The horror of Peer Gynt in the madhouse, when the lunatics, exalted by illusions of splendid talent and visions of a dawning millennium, crowned him as their emperor, was tame in comparison. I do not know whether anyone really kept his head completely except those who had to keep it because they had to conduct the war at first hand. I should not have kept my own (as far as I did keep it) if I had not at once understood that as a scribe and speaker I too was under the most serious public obligation to keep my grip on realities; but this did not save me from a considerable degree of hyperaesthesia. There were of course some happy people to whom the war meant nothing: all political and general matters lying outside their little circle of interest. But the ordinary war-conscious civilian went mad, the main symptom being a conviction that the whole order of nature had been reversed. All foods, he felt, must now be adulterated. All schools must be closed. No advertisements must be sent to the newspapers, of which new editions must appear and be bought up every ten minutes. Travelling must be stopped, or, that being impossible, greatly hindered. All pretences about fine art and culture and the like must be flung off as an intolerable affectation; and the picture galleries and museums and schools at once occupied by war workers. The British Museum itself was saved only by a hair's breadth. The sincerity of all this, and of much more which would not be believed if I chronicled it, may be established by one conclusive instance of the general craziness. Men were seized with the illusion that they could win the war by giving away money. And they not only subscribed millions to Funds of all sorts with no discoverable object, and to ridiculous voluntary organizations for doing what was plainly the business of the civil and military authorities, but actually handed out money to any thief in the street who had the presence of mind to pretend that he (or she) was "collecting" it for the annihilation of the enemy. Swindlers were emboldened to take offices; label themselves Anti-Enemy Leagues; and simply pocket the money that was heaped on them. Attractively dressed young women found that they had nothing to do but parade the streets, collecting-box in hand, and live gloriously on the profits. Many months elapsed before, as a first sign of returning sanity, the police swept an Anti-Enemy secretary into prison pour encourages les autres, and the passionate penny collecting of the Flag Days was brought under some sort of regulation.
Madness in Court
The demoralization did not spare the Law Courts. Soldiers were acquitted, even on fully proved indictments for wilful murder, until at last the judges and magistrates had to announce that what was called the Unwritten Law, which meant simply that a soldier could do what he liked with impunity in civil life, was not the law of the land, and that a Victoria Cross did not carry with it a perpetual plenary indulgence. Unfortunately the insanity of the juries and magistrates did not always manifest itself in indulgence. No person unlucky enough to be charged with any sort of conduct, however reasonable and salutary, that did not smack of war delirium, had the slightest chance of acquittal. There were in the country, too, a certain number of people who had conscientious objections to war as criminal or unchristian. The Act of Parliament introducing Compulsory Military Service thoughtlessly exempted these persons, merely requiring them to prove the genuineness of their convictions. Those who did so were very ill-advised from the point of view of their own personal interest; for they were persecuted with savage logicality in spite of the law; whilst those who made no pretence of having any objection to war at all, and had not only had military training in Officers' Training Corps, but had proclaimed on public occasions that they were perfectly ready to engage in civil war on behalf of their political opinions, were allowed the benefit of the Act on the ground that they did not approve of this particular war. For the Christians there was no mercy. In cases where the evidence as to their being killed by ill treatment was so unequivocal that the verdict would certainly have been one of wilful murder had the prejudice of the coroner's jury been on the other side, their tormentors were gratuitously declared to be blameless. There was only one virtue, pugnacity: only one vice, pacifism. That is an essential condition of war; but the Government had not the courage to legislate accordingly; and its law was set aside for Lynch law.
The climax of legal lawlessness was reached in France. The greatest Socialist statesman in Europe, Jaures, was shot and killed by a gentleman who resented his efforts to avert the war. M. Clemenceau was shot by another gentleman of less popular opinions, and happily came off no worse than having to spend a precautionary couple of days in bed. The slayer of Jaures was recklessly acquitted: the would-be slayer of M. Clemenceau was carefully found guilty. There is no reason to doubt that the same thing would have happened in England if the war had begun with a successful attempt to assassinate Keir Hardie, and ended with an unsuccessful one to assassinate Mr Lloyd George.
The Long Arm of War
The pestilence which is the usual accompaniment of war was called influenza. Whether it was really a war pestilence or not was made doubtful by the fact that it did its worst in places remote from the battlefields, notably on the west coast of North America and in India. But the moral pestilence, which was unquestionably a war pestilence, reproduced this phenomenon. One would have supposed that the war fever would have raged most furiously in the countries actually under fire, and that the others would be more reasonable. Belgium and Flanders, where over large districts literally not one stone was left upon another as the opposed armies drove each other back and forward over it after terrific preliminary bombardments, might have been pardoned for relieving their feelings more emphatically than by shrugging their shoulders and saying, "C'est la guerre." England, inviolate for so many centuries that the swoop of war on her homesteads had long ceased to be more credible than a return of the Flood, could hardly be expected to keep her temper sweet when she knew at last what it was to hide in cellars and underground railway stations, or lie quaking in bed, whilst bombs crashed, houses crumbled, and aircraft guns distributed shrapnel on friend and foe alike until certain shop windows in London, formerly full of fashionable hats, were filled with steel helmets. Slain and mutilated women and children, and burnt and wrecked dwellings, excuse a good deal of violent language, and produce a wrath on which many suns go down before it is appeased. Yet it was in the United States of America where nobody slept the worse for the war, that the war fever went beyond all sense and reason. In European Courts there was vindictive illegality: in American Courts there was raving lunacy. It is not for me to chronicle the extravagances of an Ally: let some candid American do that. I can only say that to us sitting in our gardens in England, with the guns in France making themselves felt by a throb in the air as unmistakeable as an audible sound, or with tightening hearts studying the phases of the moon in London in their bearing on the chances whether our houses would be standing or ourselves alive next morning, the newspaper accounts of the sentences American Courts were passing on young girls and old men alike for the expression of opinions which were being uttered amid thundering applause before huge audiences in England, and the more private records of the methods by which the American War Loans were raised, were so amazing that they put the guns and the possibilities of a raid clean out of our heads for the moment.
The Rabid Watchdogs of Liberty
Not content with these rancorous abuses of the existing law, the war maniacs made a frantic rush to abolish all constitutional guarantees of liberty and well-being. The ordinary law was superseded by Acts under which newspapers were seized and their printing machinery destroyed by simple police raids a la Russe, and persons arrested and shot without any pretence of trial by jury or publicity of procedure or evidence. Though it was urgently necessary that production should be increased by the most scientific organization and economy of labor, and though no fact was better established than that excessive duration and intensity of toil reduces production heavily instead of increasing it, the factory laws were suspended, and men and women recklessly over-worked until the loss of their efficiency became too glaring to be ignored. Remonstrances and warnings were met either with an accusation of pro-Germanism or the formula, "Remember that we are at war now." I have said that men assumed that war had reversed the order of nature, and that all was lost unless we did the exact opposite of everything we had found necessary and beneficial in peace. But the truth was worse than that. The war did not change men's minds in any such impossible way. What really happened was that the impact of physical death and destruction, the one reality that every fool can understand, tore off the masks of education, art, science and religion from our ignorance and barbarism, and left us glorying grotesquely in the licence suddenly accorded to our vilest passions and most abject terrors. Ever since Thucydides wrote his history, it has been on record that when the angel of death sounds his trumpet the pretences of civilization are blown from men's heads into the mud like hats in a gust of wind. But when this scripture was fulfilled among us, the shock was not the less appalling because a few students of Greek history were not surprised by it. Indeed these students threw themselves into the orgy as shamelessly as the illiterate. The Christian priest, joining in the war dance without even throwing off his cassock first, and the respectable school governor expelling the German professor with insult and bodily violence, and declaring that no English child should ever again be taught the language of Luther and Goethe, were kept in countenance by the most impudent repudiations of every decency of civilization and every lesson of political experience on the part of the very persons who, as university professors, historians, philosophers, and men of science, were the accredited custodians of culture. It was crudely natural, and perhaps necessary for recruiting purposes, that German militarism and German dynastic ambition should be painted by journalists and recruiters in black and red as European dangers (as in fact they are), leaving it to be inferred that our own militarism and our own political constitution are millennially democratic (which they certainly are not); but when it came to frantic denunciations of German chemistry, German biology, German poetry, German music, German literature, German philosophy, and even German engineering, as malignant abominations standing towards British and French chemistry and so forth in the relation of heaven to hell, it was clear that the utterers of such barbarous ravings had never really understood or cared for the arts and sciences they professed and were profaning, and were only the appallingly degenerate descendants of the men of the seventeenth and eighteenth centuries who, recognizing no national frontiers in the great realm of the human mind, kept the European comity of that realm loftily and even ostentatiously above the rancors of the battle-field Tearing the Garter from the Kaiser's leg, striking the German dukes from the roll of our peerage, changing the King's illustrious and historically appropriate surname (for the war was the old war of Guelph against Ghibelline, with the Kaiser as Arch-Ghibelline) to that of a traditionless locality. One felt that the figure of St. George and the Dragon on our coinage should be replaced by that of the soldier driving his spear through Archimedes. But by that time there was no coinage: only paper money in which ten shillings called itself a pound as confidently as the people who were disgracing their country called themselves patriots.
THE REST OF THE TEXT IS AVAILABLE IN THE FULL VERSION.
Act 1
TEXT IS AVAILABLE IN THE FULL VERSION.
Act 2
TEXT IS AVAILABLE IN THE FULL VERSION.
Act 3
TEXT IS AVAILABLE IN THE FULL VERSION.
George Bernard Shaw
HEARTBREAK HOUSE
Cover design: Avia Artis
Picture of George Bernard Shaw was used in the cover design.
Picture by: Underwood & Underwood
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© Avia Artis
2022
