Last Poems E-Book

Edward Thomas

• Herausgeber: DigiCat
• Kategorie: Poesie und Drama
• Sprache: Englisch

Veröffentlichungsjahr: 2022

Beschreibung

Edward Thomas's "Last Poems" presents a poignant collection of verse that encapsulates the profound beauty and transience of nature, love, and mortality. Strikingly lyrical, the poems resonate with a sense of longing and introspection, often marrying rich imagery with an atmospheric depth that reflects the tumult of early 20th-century England. This anthology stands as a testament to Thomas's mastery of language and his ability to evoke emotion through detailed observations of the natural world, offering readers both a reflective and a meditative experience. Edward Thomas, a pivotal figure in the Georgian poetry movement, drew heavily from his own experiences and a deep connection to the English countryside. His life was marked by inner conflict and existential contemplation, elements that permeate his work in "Last Poems." Thomas's transition from prose to poetry, influenced by the tumult of war and his personal struggles, adds a layer of urgency and depth to each piece, making this collection a culmination of his artistic journey. I highly recommend "Last Poems" to scholars and lay readers alike for its lyricism and emotional resonance. Thomas's ability to articulate complex human experiences through the lens of nature provides invaluable insights, making this collection an essential exploration of the human condition and an eloquent farewell to a life deeply felt.

Leseprobe

Edward Thomas

Last Poems

 

EAN 8596547313694

DigiCat, 2022 Contact: [email protected]

Table of Contents

I NEVER SAW THAT LAND BEFORE

TO-NIGHT

SNOW

I NEVER SAW THAT LAND BEFORE

Table of Contents

I NEVER saw that land before, And now can never see it again; Yet, as if by acquaintance hoar Endeared, by gladness and by pain, Great was the affection that I bore

To the valley and the river small, The cattle, the grass, the bare ash trees, The chickens from the farmsteads, all Elm-hidden, and the tributaries Descending at equal interval;

The blackthorns down along the brook With wounds yellow as crocuses Where yesterday the labourer's hook Had sliced them cleanly; and the breeze That hinted all and nothing spoke.

I neither expected anything Nor yet remembered: but some goal I touched then; and if I could sing What would not even whisper my soul As I went on my journeying,

I should use, as the trees and birds did, A language not to be betrayed; And what was hid should still be hid Excepting from those like me made Who answer when such whispers bid.

THE DARK FOREST

DARK is the forest and deep, and overhead Hang stars like seeds of light In vain, though not since they were sown was bred Anything more bright.

And evermore mighty multitudes ride About, nor enter in; Of the other multitudes that dwell inside Never yet was one seen.

The forest foxglove is purple, the marguerite Outside is gold and white, Nor can those that pluck either blossom greet The others, day or night.

CELANDINE

THINKING of her had saddened me at first, Until I saw the sun on the celandines lie Redoubled, and she stood up like a flame, A living thing, not what before I nursed, The shadow I was growing to love almost, The phantom, not the creature with bright eye That I had thought never to see, once lost.

She found the celandines of February Always before us all. Her nature and name Were like those flowers, and now immediately For a short swift eternity back she came, Beautiful, happy, simply as when she wore Her brightest bloom among the winter hues Of all the world; and I was happy too, Seeing the blossoms and the maiden who Had seen them with me Februarys before, Bending to them as in and out she trod And laughed, with locks sweeping the mossy sod.

But this was a dream: the flowers were not true, Until I stooped to pluck from the grass there One of five petals and I smelt the juice Which made me sigh, remembering she was no more, Gone like a never perfectly recalled air.

THE ASH GROVE

HALF of the grove stood dead, and those that yet lived made Little more than the dead ones made of shade. If they led to a house, long before they had seen its fall: But they welcomed me; I was glad without cause and delayed.

Scarce a hundred paces under the trees was the Interval—Paces each sweeter than sweetest miles—but nothing at all, Not even the spirits of memory and fear with restless wing, Could climb down in to molest me over the wall

That I passed through at either end without noticing. And now an ash grove far from those hills can bring The same tranquillity in which I wander a ghost With a ghostly gladness, as if I heard a girl sing

The song of the Ash Grove soft as love uncrossed, And then in a crowd or in distance it were lost, But the moment unveiled something unwilling to die And I had what most I desired, without search or desert or cost.

OLD MAN

OLD Man, or Lad's-love—in the name there's nothing To one that knows not Lad's-love, or Old Man, The hoar-green feathery herb, almost a tree, Growing with rosemary and lavender. Even to one that knows it well, the names Half decorate, half perplex, the thing it is: At least, what that is clings not to the names In spite of time. And yet I like the names.

The herb itself I like not, but for certain I love it, as some day the child will love it Who plucks a feather from the door-side bush Whenever she goes in or out of the house. Often she waits there, snipping the tips and shrivelling The shreds at last on to the path, perhaps Thinking, perhaps of nothing, till she sniffs Her fingers and runs off. The bush is still But half as tall as she, though it is as old; So well she clips it. Not a word she says; And I can only wonder how much hereafter She will remember, with that bitter scent, Of garden rows, and ancient damson-trees Topping a hedge, a bent path to a door, A low thick bush beside the door, and me Forbidding her to pick.