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Elizabeth Stuart Phelps

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Beschreibung

In her compelling collection, "Men, Women, and Ghosts," Elizabeth Stuart Phelps deftly intertwines themes of gender, spirituality, and societal norms at the turn of the 20th century. This work, characterized by its lyrical prose and psychological depth, explores the complexities of human relationships and the haunting remnants of the past. Phelps employs a blend of realism and the supernatural, presenting her characters'Äô inner conflicts and societal constraints, often revealing the ghosts'Äîboth literal and figurative'Äîthat linger in their lives. The collection is steeped in the emerging feminist discourse of its time, providing poignant commentary on the roles and expectations of women in a patriarchal society. Elizabeth Stuart Phelps, a central figure in the literary landscape of the late 19th century, was an advocate for women's rights and an influential voice in American literature. Her upbringing in a progressive family imbued her with a keen awareness of societal injustices, informing her writing's advocacy for women's autonomy and dignity. Phelps's own life experiences, alongside her strong Christian convictions, fuel her exploration of moral complexities and the supernatural in this collection, making her insights particularly resonant. Readers seeking a profound exploration of gender dynamics, societal expectations, and the ghostly remnants of history will find "Men, Women, and Ghosts" an essential read. Phelps'Äôs masterful storytelling not only entertains but also invites reflection on the roles we play in our lives and the specters of our choices, making this collection a timeless addition to American literature.

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Veröffentlichungsjahr: 2019

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Elizabeth Stuart Phelps

Men, Women, and Ghosts

Published by Good Press, 2019
EAN 4057664616869

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Titlepage
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Asenath went in with expectant eyes; they took in the room at a glance, and fell.

"Dick hasn't come, father?"

"Come and gone child; didn't want any supper, he said. Your 're an hour before time, Senath."

"Yes. Didn't want any supper, you say? I don't see why not."

"No more do I, but it's none of our concern as I knows on; very like the pickles hurt him for dinner; Dick never had an o'er-strong stomach, as you might say. But you don't tell me how it m' happen you're let out at four o'clock, Senath," half complaining.

"O, something broke in the machinery, father; you know you wouldn't understand if I told you what."

He looked up from his bench—he cobbled shoes there in the corner on his strongest days—and after her as she turned quickly away and up stairs to change her dress. She was never exactly cross with her father; but her words rang impatiently sometimes.

She came down presently, transformed, as only factory-girls are transformed, by the simple little toilet she had been making; her thin, soft hair knotted smoothly, the tips of her fingers rosy from the water, her pale neck well toned by her gray stuff dress and cape;—Asenath always wore a cape: there was one of crimson flannel, with a hood, that she had meant to wear to-night; she had thought about it coming home from the mill; she was apt to wear it on Saturdays and Sundays; Dick had more time at home. Going up stairs to-night, she had thrown it away into a drawer, and shut the drawer with a snap; then opened it softly, and cried a little; but she had not taken it out.

As she moved silently about the room, setting the supper-table for two, crossing and recrossing the broad belt of sunlight that fell upon the floor, it was easy to read the sad story of the little hooded capes.

They might have been graceful shoulders. The hand which had scarred her face had rounded and bent them—her own mother's hand.

Of a bottle always on the shelf; of brutal scowls where smiles should be; of days when she wandered dinnerless and supperless in the streets through loathing of her home; of nights when she sat out in the snow-drifts through terror of her home; of a broken jug one day, a blow, a fall, then numbness, and the silence of the grave—she had her distant memories; of waking on a sunny afternoon, in bed, with a little cracked glass upon the opposite wall; of creeping out and up to it in her night-dress; of the ghastly twisted thing that looked back at her. Through the open window she heard the children laughing and leaping in the sweet summer air. She crawled into bed and shut her eyes. She remembered stealing out at last, after many days, to the grocery round the corner for a pound of coffee. "Humpback! humpback!" cried the children—the very children who could leap and laugh.

One day she and little Del Ivory made mud-houses after school.

"I'm going to have a house of my own, when I'm grown up," said pretty Del; "I shall have a red carpet and some curtains; my husband will buy me a piano."

"So will mine, I guess," said Sene, simply.

"Yours!" Del shook back her curls; "who do you suppose would ever marry you?"

One night there was a knocking at the door, and a hideous, sodden thing borne in upon a plank. The crowded street, tired of tipping out little children, had tipped her mother staggering through the broken fence. At the funeral she heard some one say, "How glad Sene must be!"

Since that, life had meant three things—her father, the mills, and Richard Cross.

"You're a bit put out that the young fellow didn't stay to supper—eh, Senath?" the old man said, laying down his boot.

"Put out! Why should I be? His time is his own. It's likely to be the Union that took him out—such a fine day for the Union! I'm sure I never expected him to go to walk with me every Saturday afternoon. I'm not a fool to tie him up to the notions of a crippled girl. Supper is ready, father."

But her voice rasped bitterly. Life's pleasures were so new and late and important to her, poor thing! It went hard to miss the least of them. Very happy people will not understand exactly how hard.

Old Martyn took off his leather apron with a troubled face, and, as he passed his daughter, gently laid his tremulous, stained hand upon her head. He felt her least uneasiness, it would seem, as a chameleon feels a cloud upon the sun.

She turned her face softly and kissed him. But she did not smile.

She had planned a little for this holiday supper; saving three mellow-cheeked Louise Bonnes—expensive pears just then—to add to their bread and molasses. She brought them out from the closet, and watched her father eat them.

"Going out again Senath?" he asked, seeing that she went for her hat and shawl, u and not a mouthful have you eaten! Find your old father dull company hey? Well, well!"

She said something about needing the air; the mill was hot; she should soon be back; she spoke tenderly and she spoke truly, but she went out into the windy sunset with her little trouble, and forgot him. The old man, left alone, sat for a while with his head sunk upon his breast. She was all he had in the world—this one little crippled girl that the world had dealt hardly with. She loved him; but he was not, probably would never be, to her exactly what she was to him. Usually he forgot this. Sometimes he quite understood it, as to-night.

Asenath, with the purpose only of avoiding Dick, and of finding a still spot where she might think her thoughts undisturbed, wandered away over the eastern bridge, and down to the river's brink. It was a moody place; such a one as only apathetic or healthy natures (I wonder if that is tautology!) can healthfully yield to. The bank sloped steeply; a fringe of stunted aspens and willows sprang from the frozen sand: it was a sickening, airless place in summer—it was damp and desolate now. There was a sluggish wash of water under foot, and a stretch of dreary flats behind. Belated locomotives shrieked to each other across the river, and the wind bore down the current the roar and rage of the dam. Shadows were beginning to skulk under the huge brown bridge. The silent mills stared up and down and over the streams with a blank, unvarying stare. An oriflamme of scarlet burned in the west, flickered dully in the dirty, curdling water, flared against the windows of the Pemberton, which quivered and dripped, Asenath thought, as if with blood.

She sat down on a gray stone, wrapped in her gray shawl, curtained about by the aspens from the eye of passers on the bridge. She had a fancy for this place when things went ill with her. She had always borne her troubles alone, but she must be alone to bear them.

She knew very well that she was tired and nervous that afternoon, and that, if she could reason quietly about this little neglect of Dick's, it would cease to annoy her. Indeed, why should she be annoyed? Had he not done everything for her, been everything to her, for two long, sweet years? She dropped her head with a shy smile. She was never tired of living over these two years. She took positive pleasure in recalling the wretchedness in which they found her, for the sake of their dear relief. Many a time, sitting with her happy face hidden in his arms, she had laughed softly, to remember the day on which he came to her. It was at twilight, and she was tired. Her reels had troubled her all the afternoon; the overseer was cross; the day was hot and long. Somebody on the way home had said in passing her: "Look at that girl! I'd kill myself if I looked like that": it was in a whisper, but she heard it. All life looked hot and long; the reels would always be out of order; the overseer would never be kind. Her temples would always throb, and her back would ache. People would always say, "Look at that girl!"

"Can you direct me to—". She looked up; she had been sitting on the doorstep with her face in her hands. Dick stood there with his cap off. He forgot that he was to inquire the way to Newbury Street, when he saw the tears on her shrunken cheeks. Dick could never bear to see a woman suffer.

"I wouldn't cry," he said simply, sitting down beside her. Telling a girl not to cry is an infallible recipe for keeping her at it. What could the child do, but sob as if her heart would break? Of course he had the whole story in ten minutes, she his in another ten. It was common and short enough:—a "Down-East" boy, fresh from his father's farm, hunting for work and board—a bit homesick here in the strange, unhomelike city, it might be, and glad of some one to say so to.

What more natural than that, when her father came out and was pleased with the lad, there should be no more talk of Newbury Street; that the little yellow house should become his home; that he should swing the fantastic gate, and plant the nasturtiums; that his life should grow to be one with hers and the old man's, his future and theirs unite unconsciously?

She remembered—it was not exactly pleasant, somehow, to remember it to-night—just the look of his face when they came into the house that summer evening, and he for the first time saw what she was, her cape having fallen off, in the full lamplight. His kindly blue eyes widened with shocked surprise, and fell; when he raised them, a pity like a mother's had crept into them; it broadened and brightened as time slid by, but it never left them.

So you see, after that, life unfolded in a burst of little surprises for Asenath. If she came home very tired, some one said, "I am sorry." If she wore a pink ribbon, she heard a whisper, "It suits you." If she sang a little song, she knew that somebody listened.

"I did not know the world was like this!" cried the girl.

After a time there came a night that he chanced to be out late—they had planned an arithmetic lesson together, which he had forgotten—and she sat grieving by the kitchen fire.

"You missed me so much then?" he said regretfully, standing with his hand upon her chair. She was trying to shell some corn; she dropped the pan, and the yellow kernels rolled away on the floor.

"What should I have if I didn't have you?" she said, and caught her breath.

The young man paced to the window and back again. The firelight touched her shoulders, and the sad, white scar.

"You shall have me always, Asenath," he made answer. He took her face within his hands and kissed it; and so they shelled the corn together, and nothing more was said about it.

He had spoken this last spring of their marriage; but the girl, like all girls, was shyly silent, and he had not urged it.

Asenath started from her pleasant dreaming just as the oriflamme was furling into gray, suddenly conscious that she was not alone. Below her, quite on the brink of the water, a girl was sitting—a girl with a bright plaid shawl, and a nodding red feather in her hat. Her head was bent, and her hair fell against a profile cut in pink-and-white.

"Del is too pretty to be here alone so late," thought Asenath, smiling tenderly. Good-natured Del was kind to her in a certain way, and she rather loved the girl. She rose to speak to her, but concluded, on a second glance through the aspens, that Miss Ivory was quite able to take care of herself.

Del was sitting on an old log that jutted into the stream, dabbling in the water with the tips of her feet. (Had she lived on The Avenue she could not have been more particular about her shoemaker.) Some one—it was too dark to see distinctly—stood beside her, his eyes upon her face. Asenath could hear nothing, but she needed to hear nothing to know how the young fellow's eyes drank in the coquettish picture. Besides, it was an old story. Del counted her rejected lovers by the score.

"It's no wonder," she thought in her honest way, standing still to watch them with a sense of puzzled pleasure much like that with which she watched the print-windows—"it's no wonder they love her. I'd love her if I was a man: so pretty! so pretty! She's just good for nothing, Del is;—would let the kitchen fire go out, and wouldn't mend the baby's aprons; but I'd love her all the same; marry her, probably, and be sorry all my life."

Pretty Del! Poor Del! Asenath wondered whether she wished that she were like her; she could not quite make out; it would be pleasant to sit on a log and look like that; it would be more pleasant to be watched as Del was watched just now; it struck her suddenly that Dick had never looked like this at her.

The hum of their voices ceased while she stood there with her eyes upon them; Del turned her head away with a sudden movement, and the young man left her, apparently without bow or farewell, sprang up the bank at a bound, and crushed the undergrowth with quick, uneasy strides.

Asenath, with some vague idea that it would not be honorable to see his face—poor fellow!—shrank back into the aspens and the shadow.

He towered tall in the twilight as he passed her, and a dull, umber gleam, the last of the sunset, struck him from the west.

Struck it out into her sight—the haggard struggling face—Richard Cross's face.

Of course you knew it from the beginning, but remember that the girl did not. She might have known it, perhaps, but she had not.

Asenath stood up, sat down again.

She had a distinct consciousness, for the moment, of seeing herself crouched down there under the aspens and the shadow, a humpbacked white creature, with distorted face and wide eyes. She remembered a picture she had somewhere seen of a little chattering goblin in a graveyard, and was struck with the resemblance. Distinctly, too, she heard herself saying, with a laugh, she thought, "I might have known it; I might have known."

Then the blood came through her heart with a hot rush, and she saw Del on the log, smoothing the red feather of her hat. She heard a man's step, too, that rang over the bridge, passed the toll-house, grew faint, grew fainter, died in the sand by the Everett Mill.

Richard's face! Richard's face, looking—God help her!—as it had never looked at her; struggling—God pity him!—as it had never struggled for her.

She shut her hands, into each other, and sat still a little while. A faint hope came to her then perhaps, after all; her face lightened grayly, and she crept down the bank to Del.

"I won't be a fool," she said, "I'll make sure—I'll make as sure as death."

"Well, where did you drop down from, Sene?" said Del, with a guilty start.

"From over the bridge, to be sure. Did you think I swam, or flew, or blew?"

"You came on me so sudden!" said Del, petulantly; "you nearly frightened the wits out of me. You didn't meet anybody on the bridge?" with a quick look.

"Let me see." Asenath considered gravely. "There was one small boy making faces, and two—no, three—dogs, I believe; that was all."

"Oh!"

Del looked relieved, but fell silent.

"You're sober, Del. Been sending off a lover, as usual?"

"I don't know anything about its being usual," answered Del, in an aggrieved, coquettish way, "but there's been somebody here that liked me well enough."

"You like him, maybe? It's time you liked somebody, Del."

Del curled the red feather about her fingers, and put her hat on over her eyes, then a little cry broke from her, half sob, half anger.

"I might, perhaps—I don't know. He's good. I think he'd let me have a parlor and a door-bell. But he's going to marry somebody else, you see. I sha'n't tell you his name, so you needn't ask."

Asenath looked out straight upon the water. A dead leaf that had been caught in an eddy attracted her attention; it tossed about for a minute, then a tiny whirlpool sucked it down.

"I wasn't going to ask; it's nothing to me, of course. He doesn't care for her then—this other girl?"

"Not so much as he does for me. He didn't mean to tell me, but he said that I—that I looked so—pretty, it came right out. But there! I mustn't tell you any more."

Del began to be frightened; she looked up sideways at Asenath's quiet face. "I won't say another word," and so chattered on, growing a little cross; Asenath need not look so still, and sure of herself—a mere humpbacked fright!

"He'll never break his engagement, not even for me; he's sorry for her, and all that. I think it's too bad. He's handsome. He makes me feel like saying my prayers, too, he's so good! Besides, I want to be married. I hate the mill. I hate to work. I'd rather be taken care of—a sight rather. I feel bad enough about it to cry."

Two tears rolled over her cheeks, and fell on the soft plaid shawl. Del wiped them away carefully with her rounded fingers.

Asenath turned and looked at this Del Ivory long and steadily through the dusk. The pretty, shallow thing! The worthless, bewildering thing!

A fierce contempt for her pink-and-white, and tears and eyelashes and attitudes, came upon her; then a sudden sickening jealousy that turned her faint where she sat.

What did God mean—Asenath believed in God, having so little else to believe in—what did he mean, when he had blessed the girl all her happy life with such wealth of beauty, by filling her careless hands with this one best, last gift? Why, the child could not hold such golden love! She would throw it away by and by. What a waste it was!

Not that she had these words for her thought, but she had the thought distinctly through her dizzy pain.

"So there's nothing to do about it," said Del, pinning her shawl. "We can't have anything to say to each other—unless anybody should die, or anything; and of course I'm not wicked enough to think of that.—Sene! Sene! what are you doing?"

Sene had risen slowly, stood upon the log, caught at an aspen-top, and swung out with it its whole length above the water. The slight tree writhed and quivered about the roots. Sene looked down and moved her marred lips without sound.

Del screamed and wrung her hands. It was an ugly sight!

"O don't, Sene, don't! You'll drown yourself! you will be drowned! you will be—O, what a start you gave me! What were you doing, Senath Martyn?"

Sene swung slowly back, and sat down.

"Amusing myself a little;—well, unless somebody died, you said? But I believe I won't talk any more to-night. My head aches. Go home, Del."

Del muttered a weak protest at leaving her there alone; but, with her bright face clouded and uncomfortable, went.

Asenath turned her head to listen for the last rustle of her dress, then folded her arms, and, with her eyes upon the sluggish current, sat still.

An hour and a half later, an Andover farmer, driving home across the bridge, observed on the river's edge—a shadow cut within a shadow—the outline of a woman's figure, sitting perfectly still with folded arms. He reined up and looked down; but it sat quite still.

"Hallo there!" he called; "you'll fall in if you don't look out!" for the wind was strong, and it blew against the figure; but it did not move nor make reply. The Andover farmer looked over his shoulder with the sudden recollection of a ghost-story which he had charged his grandchildren not to believe last week, cracked his whip, and rumbled on.

Asenath began to understand by and by that she was cold, so climbed the bank, made her way over the windy flats, the railroad, and the western bridge confusedly with an idea of going home. She turned aside by the toll-gate. The keeper came out to see what she was doing, but she kept out of his sight behind the great willow and his little blue house—the blue house with the green blinds and red moulding. The dam thundered that night, the wind and the water being high. She made her way up above it, and looked in. She had never seen it so black and smooth there. As she listened to the roar, she remembered something that she had read—was it in the Bible or the Ledger?—about seven thunders uttering their voices.

"He's sorry for her, and all that," they said.

A dead bough shot down the current while she stood there, went over and down, and out of sight, throwing up its little branches like helpless hands.

It fell in with a thought of Asenath's, perhaps; at any rate she did not like the looks of it, and went home.

Over the bridge, and the canal, and the lighted streets, the falls called after her: "He's sorry for her, and all that." The curtain was drawn aside when she came home, and she saw her father through the window, sitting alone, with his gray head bent.

It occurred to her that she had often left him alone—poor old father! It occurred to her, also, that she understood now what it was to be alone. Had she forgotten him in these two comforted, companioned years?

She came in weakly, and looked about.

"Dick's in, and gone to bed," said the old man, answering her look. "You're tired, Senath."

"I am tired, father."

She sunk upon the floor—the heat of the room made her a little faint—and laid her head upon his knee; oddly enough, she noticed that the patch on it had given way—wondered how many days it had been so—whether he had felt ragged and neglected while she was busy about that blue neck-tie for Dick. She put her hand up and smoothed the corners of the rent.

"You shall be mended up to-morrow, poor father!"

He smiled, pleased like a child to be remembered. She looked up at him—at his gray hair and shrivelled face, at his blackened hands and bent shoulders, and dusty, ill-kept coat. What would it be like, if the days brought her nothing but him?

"Something's the matter with my little gal? Tell father, can't ye?"

Her face flushed hot, as if she had done him wrong. She crept up into his arms, and put her hands behind his rough old neck.

"Would you kiss me, father? You don't think I'm too ugly to kiss, maybe—you?"

She felt better after that. She had not gone to sleep now for many a night unkissed; it had seemed hard at first.

When she had gone half-way up stairs, Dick came to the door of his room on the first floor, and called her. He held the little kerosene lamp over his head; his face was grave and pale.

"I haven't said good night, Sene."

She made no reply.

"Asenath, good night."

She stayed her steps upon the stairs without turning her head. Her father had kissed her to-night. Was not that enough?

"Why, Sene, what's the matter with you?"

Dick mounted the stairs, and touched his lips to her forehead with a gently compassionate smile.

She fled from him with a cry like the cry of a suffocated creature, shut her door, and locked it with a ringing clang.

"She's walked too far, and got a little nervous," said Dick, screwing up his lamp; "poor thing!"

Then he went into his room to look at Del's photograph awhile before he burned it up; for he meant to burn it up.

Asenath, when she had locked her door, put her lamp before the looking-glass and tore off her gray cape; tore it off so savagely that the button snapped and rolled away—two little crystal semicircles like tears upon the floor.

There was no collar about the neck of her dress, and this heightened the plainness and the pallor of her face. She shrank instinctively at the first sight of herself, and opened the drawer where the crimson cape was folded, but shut it resolutely.

"I'll see the worst of it," she said with pinched lips. She turned herself about and about before the glass, letting the cruel light gloat, over her shoulders, letting the sickly shadows grow purple on her face. Then she put her elbows on the table and her chin into her hands, and so, for a motionless half-hour, studied the unrounded, uncolored, unlightened face that stared back at her; her eyes darkening at its eyes, her hair touching its hair, her breath dimming the outline of its repulsive mouth.

By and by she dropped her head into her hands. The poor, mistaken face! She felt as if she would like to blot it out of the world, as her tears used to blot out the wrong sums upon her slate. It had been so happy! But he was sorry for it, and all that. Why did a good God make such faces?

She slipped upon her knees, bewildered.

"He can't mean any harm nohow," she said, speaking fast, and knelt there and said it over till she felt sure of it.

Then she thought of Del once more—of her colors and sinuous springs, and little cries and chatter.

After a time she found that she was growing faint, and so stole down into the kitchen for some food. She stayed a minute to warm her feet. The fire was red and the clock was ticking. It seemed to her home-like and comfortable, and she seemed to herself very homeless and lonely; so she sat down on the floor, with her head in a chair, and cried as hard as she ought to have done four hours ago.

She climbed into bed about one o'clock, having decided, in a dull way, to give Dick up to-morrow.

But when to-morrow came he was up with a bright face, and built the kitchen fire for her, and brought in all the water, and helped her fry the potatoes, and whistled a little about the house, and worried at her paleness, and so she said nothing about it.

"I'll wait till night," she planned, making ready for the mill.

"O, I can't!" she cried at night. So other mornings came, and other nights.

I am quite aware that, according to all romantic precedents, this conduct was preposterous in Asenath, Floracita, in the novel, never so far forgets the whole duty of a heroine as to struggle, waver, doubt, delay. It is proud and proper to free the young fellow; proudly and properly she frees him; "suffers in silence"—till she marries another man; and (having had a convenient opportunity to refuse the original lover) overwhelms the reflective reader with a sense of poetic justice and the eternal fitness of things.

But I am not writing a novel, and, as the biographer of this simple factory girl, am offered few advantages.

Asenath was no heroine, you see. Such heroic elements as were in her—none could tell exactly what they were, or whether there were any: she was one of those people in whom it is easy to be quite mistaken;—her life had not been one to develop. She might have a certain pride of her own, under given circumstances; but plants grown in a cellar will turn to the sun at any cost; how could she go back into her dark?

As for the other man to marry, he was out of the question. Then, none love with the tenacity of the unhappy; no life is so lavish of itself as the denied life: to him that hath not shall be given—and Asenath loved this Richard Cross.

It might be altogether the grand and suitable thing to say to him, "I will not be your wife." It might be that she would thus regain a strong shade of lost self-respect. It might be that she would make him happy, and give pleasure to Del. It might be that the two young people would be her "friends," and love her in a way.

But all this meant that Dick must go out of her life. Practically, she must make up her mind to build the fires, and pump the water, and mend the windows alone. In dreary fact, he would not listen when she sung; would not say, "You are tired, Sene"; would never kiss away an undried tear. There would be nobody to notice the crimson cape, nobody to make blue neck-ties for; none for whom to save the Bonnes de Jersey, or to take sweet, tired steps, or make dear, dreamy plans. To be sure, there was her father; but fathers do not count for much in a time like this on which Sene had fallen.

That Del Ivy was—Del Ivory, added intricacies to the question. It was a very unpoetic but undoubted fact that Asenath could in no way so insure Dick's unhappiness as to pave the way to his marriage with the woman whom he loved. There would be a few merry months, then slow worry and disappointment; pretty Del accepted at last, not as the crown of his young life, but as its silent burden and misery. Poor Dick! good Dick! Who deserved more wealth of wifely sacrifice? Asenath, thinking this, crimsoned with pain and shame. A streak of good common sense in the girl told her—though she half scorned herself for the conviction—that even a crippled woman who should bear all things and hope all things for his sake might blot out the memory of this rounded Del; that, no matter what the motive with which he married her, he would end by loving his wife like other people.

She watched him sometimes in the evenings, as he turned his kind eyes after her over the library book which he was reading.

"I know I could make him happy! I know I could!" she muttered fiercely to herself.

November blew into December, December congealed into January, while she kept her silence. Dick, in his honorable heart, seeing that she suffered, wearied himself with plans to make her eyes shine; brought her two pails of water instead of one, never forgot the fire, helped her home from the mill. She saw him meet Del Ivory once upon Essex Street with a grave and silent bow; he never spoke with her now. He meant to pay the debt he owed her down to the uttermost farthing; that grew plain. Did she try to speak her wretched secret, he suffocated her with kindness, struck her dumb with tender words.

She used to analyze her life in those days, considering what it would be without him. To be up by half past five o'clock in the chill of all the winter mornings, to build the fire and cook the breakfast and sweep the floor, to hurry away, faint and weak, over the raw, slippery streets, to climb at half past six the endless stairs and stand at the endless loom, and hear the endless wheels go buzzing round, to sicken in the oily smells, and deafen at the remorseless noise, and weary of the rough girl swearing at the other end of the pass; to eat her cold dinner from a little cold tin pail out on the stairs in the three-quarters-of-an-hour recess; to come exhausted home at half past six at night, and get the supper, and brush up about the shoemaker's bench, and be too weak to eat; to sit with aching shoulders and make the button-holes of her best dress, or darn her father's stockings, till nine o'clock; to hear no bounding step or cheery whistle about the house; to creep into bed and lie there trying not to think, and wishing that so she might creep into her grave—this not for one winter, but for all the winters—how should you like it, you young girls, with whom time runs like a story?

The very fact that her employers dealt honorably by her; that she was fairly paid, and promptly, for her wearing toil; that the limit of endurance was consulted in the temperature of the room, and her need of rest in an occasional holiday—perhaps, after all, in the mood she was in, did not make this factory life more easy. She would have found it rather a relief to have somebody to complain of—wherein she was like the rest of us, I fancy.

But at last there came a day—it chanced to be the ninth of January—when Asenath went away alone at noon, and sat where Merrimack sung his songs to her. She hid her face upon her knees, and listened and thought her own thoughts, till they and the slow torment of the winter seemed greater than she could bear. So, passing her hands confusedly over her forehead, she said at last aloud, "That's what God means, Asenath Martyn!" and went back to work with a purpose in her eyes.

She "asked out" a little earlier than usual, and went slowly home. Dick was there before her; he had been taking a half-holiday. He had made the tea and toasted the bread for a little surprise. He came up and said, "Why, Sene, your hands are cold!" and warmed them for her in his own.

After tea she asked him, would he walk out with her for a little while? and he in wonder went.

The streets were brightly lighted, and the moon was up. The ice cracked crisp under their feet. Sleighs, with two riders in each, shot merrily by. People were laughing in groups before the shop-windows. In the glare of a jeweller's counter somebody was buying a wedding-ring, and a girl with red cheeks was looking hard the other way.

"Let's get away," said Asenath—"get away from here!"

They chose by tacit consent that favorite road of hers over the eastern bridge. Their steps had a hollow, lonely ring on the frosted wood; she was glad when the softness of the snow in the road received them. She looked back once at the water, wrinkled into thin ice on the edge for a foot or two, then open and black and still.

"What are you doing?" asked Dick. She said that she was wondering how cold it was, and Dick laughed at her.

They strolled on in silence for perhaps a mile of the desolate road.

"Well, this is social!" said Dick at length; "how much farther do you want to go? I believe you'd walk to Reading if nobody stopped you!"

She was taking slow, regular steps like an automaton, and looking straight before her.

"How much farther? Oh!" She stopped and looked about her.

A wide young forest spread away at their feet, to the right and to the left. There was ice on the tiny oaks and miniature pines; it glittered sharply under the moon; the light upon the snow was blue; cold roads wound away through it, deserted; little piles of dead leaves shivered; a fine keen spray ran along the tops of the drifts; inky shadows lurked and dodged about the undergrowth; in the broad spaces the snow glared; the lighted mills, a zone of fire, blazed from east to west; the skies were bare, and the wind was up, and Merrimack in the distance chanted solemnly.

"Dick," said Asenath, "this is a dreadful place! Take me home."

But when he would have turned, she held him back with a sudden cry, and stood still.

"I meant to tell you—I meant to say—Dick! I was going to say—"