The Dream E-Book

H G Wells

• Herausgeber: Studium Legis
• Kategorie: Poesie und Drama
• Sprache: Englisch
• Veröffentlichungsjahr: 2017

Beschreibung

Herbert George "H. G." Wells (21 September 1866 – 13 August 1946) was an English writer. He was prolific in many genres, including the novel, history, politics, social commentary, and textbooks and rules for war games. Wells is now best remembered for his science fiction novels and is called a "father of science fiction", along with Jules Verne and Hugo Gernsback. His most notable science fiction works include The Time Machine (1895), The Island of Doctor Moreau (1896), The Invisible Man (1897), and The War of the Worlds (1898). He was nominated for the Nobel Prize in Literature four times. Wells's earliest specialised training was in biology, and his thinking on ethical matters took place in a specifically and fundamentally Darwinian context. He was also from an early date an outspoken socialist, often (but not always, as at the beginning of the First World War) sympathising with pacifist views. His later works became increasingly political and didactic, and he wrote little science fiction, while he sometimes indicated on official documents that his profession was that of journalist. Novels like Kipps and The History of Mr Polly, which describe lower-middle-class life, led to the suggestion, when they were published, that he was a worthy successor to Charles Dickens, but Wells described a range of social strata and even attempted, in Tono-Bungay (1909), a diagnosis of English society as a whole. A diabetic, in 1934, Wells co-founded the charity The Diabetic Association (known today as Diabetes UK).

Leseprobe

The Dream

H. G. Wells

Table of Contents

Part 1. How Harry Mortimer Smith was Made

Part 2. The Loves and Death of Harry Mortimer Smith

Part 1. How Harry Mortimer Smith was Made

1. — The Excursion

§ 1

Sarnac had worked almost continuously for the better part of a year upon some very subtle chemical reactions of the nervous cells of the sympathetic system. His first enquiries had led to the opening out of fresh and surprising possibilities, and these again had lured him on to still broader and more fascinating prospects. He worked perhaps too closely; he found his hope and curiosity unimpaired, but there was less delicacy of touch in his manipulation, and he was thinking less quickly and accurately. He needed a holiday. He had come to the end of a chapter in his work and wished to brace himself for a new beginning. Sunray had long hoped to be away with him; she too was at a phase in her work when interruption was possible, and so the two went off together to wander among the lakes and mountains.

Their companionship was at a very delightful stage. Their close relationship and their friendship was of old standing, so that they were quite at their ease with one another, yet they were not too familiar to have lost the keen edge of their interest in each other’s proceedings. Sunray was very much in love with Sarnac and glad, and Sarnac was always happy and pleasantly exalted when Sunray was near him. Sunray was the richer-hearted and cleverer lover. They talked of everything in the world but Sarnac’s work, because that had to rest and grow fresh again. Of her own work Sunray talked abundantly. She had been making stories and pictures of happiness and sorrow in the past ages of the world, and she was full of curious speculations about the ways in which the ancestral mind has thought and felt.

They played with boats upon the great lake for some days, they sailed and paddled and drew up their canoe among the sweet-scented rushes of the islands and bathed and swam. They went from one guest-house to another upon the water and met many interesting and refreshing people. In one house an old man of ninety-eight was staying: he was amusing his declining years by making statuettes of the greatest beauty and humour; it was wonderful to see the clay take shape in his hands. Moreover, he had a method of cooking the lake fish that was very appetising, and he made a great dish of them so that everyone who was dining in the place could have some. And there was a musician who made Sunray talk about the days gone by, and afterwards he played music with his own hands on a clavier to express the ancient feelings of men. He played one piece that was, he explained, two thousand years old; it was by a man named Chopin, and it was called the Revolutionary Etude. Sunray could not have believed a piano capable of such passionate resentment. After that he played grotesque and angry battle music and crude marching tunes from those half-forgotten times, and then he invented wrathful and passionate music of his own.

Sunray sat under a golden lantern and listened to the musician and watched his nimble hands, but Sarnac was more deeply moved. He had not heard very much music in his life, and this player seemed to open shutters upon deep and dark and violent things that had long been closed to mankind. Sarnac sat, cheek on hand, his elbow on the parapet of the garden wall, looking across the steely blue of the lake at the darkling night sky at the lower end. The sky had been starry, but a monstrous crescent of clouds like a hand that closes was now gathering all the stars into its fist of darkness. Perhaps there would be rain to-morrow. The lanterns hung still, except that ever and again a little shiver of the air set them swaying. Now and then a great white moth would come fluttering out of the night and beat about among the lanterns for a time and pass away. Presently it would return again or another moth like it would come. Sometimes there would be three or four of these transitory phantoms; they seemed to be the only insects abroad that night.