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First published in 1903, "The Dust of Death" ( AKA
The Dust of Death: The Story of the Great Plague of the Twentieth Century) by Fred M. White is a fictional short story, a masterpiece belonging to the "Doom of London" series, a collection of six loosely-connected stories describing a series of calamities which beset Victorian London.
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THE DUST OF DEATH
The Dust of Death: The Story of the Great Plague of the Twentieth Century
Footnotes
THE front door bell tinkled impatiently; evidently somebody was in a hurry. Alan Hubert answered the call, a thing that even a distinguished physician might do, seeing that it was on the stroke of midnight. The tall, graceful figure of a woman in evening dress stumbled into the hall. The diamonds in her hair shimmered and trembled, her face was full of terror.
"You are Dr. Hubert," she gasped. "I am Mrs. Fillingham, the artist's wife, you know. Will you come with me at once… My husband… I had been dining out. In the studio… Oh, please come!"
Hubert asked no unnecessary questions. He knew Fillingham, the great portrait painter, well enough by repute and by sight also, for Fillingham's house and studio were close by. There were many artists in the Devonshire Park district—that pretty suburb which was one of the triumphs of the builder's and landscape gardener's art. Ten years ago it had been no more than a swamp; to-day people spoke complacently of the fact that they lived in Devonshire Park.
Hubert walked up the drive and past the trim lawns with Mrs. Fillingham hanging on his arm, and in at the front door. Mrs. Fillingham pointed to a door on the right. She as too exhausted to speak. There were shaded lights gleaming everywhere, on old oak and armour and on a large portrait of a military-looking man propped up on an easel. On a lay figure was a magnificent foreign military uniform.
Hubert caught all this in a quick mental flash. But the vital interest to him was a human figure lying on his back before the fireplace. The clean-shaven, sensitive face of the artist had a ghastly, purple-black tinge, there was a large swelling in the throat.
"He—he is not dead?" Mrs. Fillingham asked in a frozen whisper.
Hubert was able to satisfy the distracted wife on that head. Fillingham was still breathing. Hubert stripped the shade from a reading lamp and held the electric bulb at the end of its long flex above the sufferer's mouth, contriving to throw the flood of light upon the back of the throat.
"Diphtheria!" he exclaimed. "Label's type unless I am greatly mistaken. Some authorities are disposed to scoff at Dr. Label's discovery. I was an assistant of his for four years and I know better. Fortunately I happen to know what the treatment—successful in two cases—was."
He hurried from the house and returned a few minutes later breathlessly. He had some strange-looking, needle-like instruments in his hands. He took an electric lamp from its socket and substituted a plug on a flex instead. Then he cleared a table without ceremony and managed to hoist his patient upon it.
"Now please hold that lamp steadily thus," he said. "Bravo, you are a born nurse! I am going to apply these electric needles to the throat."
Hubert talked on more for the sake of his companion's nerves than anything else. The still figure on the table quivered under his touch, his lungs expanded in a long, shuddering sigh. The heart was beating more or less regularly now. Fillingham opened his eyes and muttered something.
"Ice," Hubert snapped, "have you got any ice in the house?"
It was a well-regulated establishment and there was plenty of ice in the refrigerator. Not until the patient was safe in bed did Hubert's features relax.
"We'll pull him through yet," he said. "I'll send you a competent nurse round in half-an-hour. I'll call first thing in the morning and bring Dr. Label with me. He must not miss this on any account."
Half-an-hour later Hubert was spinning along in a hansom towards Harley Street. It was past one when he reached the house of the great German savant. A dim light was burning in the hall. A big man with an enormous shaggy head and a huge frame attired in the seediest of dress coats welcomed Hubert with a smile.
"So, my young friend," Label said, "your face promises excitement."
"Case of Label's diphtheria," Hubert said crisply. "Fillingham, the artist, who lives close by me. Fortunately they called me in. I have arranged for you to see my patient the first thing in the morning."
The big German's jocular manner vanished. He led Hubert gravely to a chair in his consulting-room and curtly demanded details. He smiled approvingly as Hubert enlarged upon his treatment of the case.
"Undoubtedly your diagnosis was correct," he said, puffing furiously at a long china pipe. "You have not forgotten what I told you of it. The swelling—which is caused by violent blood poisoning—yielded to the electric treatment. I took the virus from the cases in the north and I tried them on scores of animals. And they all died.
"I find it is the virus of what is practically a new disease, one of the worst in the wide world. I say it recurs again, and it does. So I practise, and practise to find a cure. And electricity is the cure. I inoculate five dogs with the virus and I save two by the electric current. You follow my plans and you go the first stage of the way to cure Fillingham. Did you bring any of that mucous here?"
Hubert produced it in a tiny glass tube. For a little time Label examined it under his microscope. He wanted to make assurance doubly sure.
"It is the same thing," he said presently. "I knew that it was bound to recur again. Why, it is planted all over our big cities. And electricity is the only way to get rid of it. It was the best method of dealing with sewage, only corporations found it too expensive. Wires in the earth charged to say 10,000 volts. Apply this and you destroy the virus that lies buried under hundreds of houses in London. They laughed at me when I suggested it years ago."
"Underground," Hubert asked vaguely.