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John Galt's "The Entail; or, The Lairds of Grippy" is a masterful exploration of Scottish identity and the intricacies of feudal life during the early 19th century. Set against the backdrop of the Scottish Highlands, Galt employs a rich, descriptive prose style interwoven with sharp psychological insights and social commentary. This novel combines elements of satire with a poignant examination of the tensions between tradition and progress, particularly in its focus on inheritance and the moral dilemmas faced by its characters in the face of societal expectations. Galt's vivid depiction of the landscape and its people serves to enhance the complex interplay of personal ambition and communal responsibility, making it a significant work within the genre of Scottish realism. John Galt, a prominent figure in the Scottish literary revival, drew from his own experiences as a Scottish entrepreneur and writer, infusing his narrative with a deep understanding of the class struggles that permeated early 19th-century Scotland. His keen observations of the socio-political climate and personal encounters with the evolving Scottish landscape inspired this novel, creating a story that is both reflective of his time and timeless in its themes. Galt's proficiency in capturing the essence of the human condition within the bounds of social structures is evident throughout his work. "The Entail" is recommended for readers interested in the intersections of heritage, morality, and cultural identity within a richly woven narrative. Those who appreciate the depth of character and the reflection of societal issues will find Galt's storytelling both enlightening and engaging. This novel not only serves as a critical commentary on its era but also resonates with contemporary themes, making it a vital addition to any literary collection.
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Veröffentlichungsjahr: 2021
For many years I have been wondering why John Galt’s works are fallen into such neglect: that they should be almost wholly forgotten, even by readers to whom Scott and Jane Austen, Fanny Burney and Miss Edgeworth are indispensable, is what I cannot understand. If his Autobiography were not a rare book, an explanation might suggest itself. For supposing that the public, before reading The Entail, Annals of the Parish, or The Ayrshire Legatees, had been so unfortunate as to attempt the reading of the Autobiography, no one could be surprised that it made up its mind to read no more of him. A more tedious, flat, and dull book was never written by a man of genius: it is never interesting, never amusing, and always exasperating to any one who knows what he could do, and has done. To wade through it is very nearly impossible, and there is nothing to be gained by the achievement. Galt’s life was not particularly interesting in itself, but many lives less eventful have been so written as to be worth reading, and easy to read.
There is, however, little danger of Galt’s now losing possible admirers by the unlucky accident of their stumbling on his Autobiography before making his acquaintance in the right way—by reading his really excellent works of fiction: for copies of the Autobiography are not at all easy to come at. I suppose they have mostly been burned by his admirers.
There is not much to be told about him; his life does not matter to my purpose. John Galt was one of the sons of a sea-captain, in the West India trade, and was born on May 2, 1779, at Irvine in Ayrshire. When he was ten years old the family moved to Greenock, where the boy had his schooling and became a clerk in the Custom House. At five and twenty he carried himself and an epic poem to London, in quest of literary fame. The epic, on the Battle of Largs, he had printed, but it did not establish his repute as a poet, and, to judge by the specimens I have read, the indifference of the public was not a malicious affectation. Later on he produced half a dozen dramas, which deserved, and met with, as much success as the epic. Falling into bad health he made a tour through the Mediterranean and Levant, and had Byron and Hobhouse for fellow-travellers during a part of it. In the Autobiography he does not heap flattery on either ‘Orestes or Pylades’: perhaps, though he does not confess it, he extracted from his brother poet an opinion on his own muse. His experiences of travel were given to the world in Letters from the Levant, and the book was by no means a failure, and is much easier reading than the Autobiography. In 1820 appeared, in Blackwood, The Ayrshire Legatees: and in it he first showed the real power that was in him. It has been reprinted in recent years and can easily be read, and should be read by every one. The book has the rather tiresome form of letters: and the letters of the young lady and young gentleman are not always particularly entertaining: those of Dr. Pringle and his wife are invariably excellent. None better of the sort exist anywhere in fiction. It is astounding that a man of genius, whose fiction is so extraordinarily real, could, when writing of his own real life, make it inhumanly dull and artificial. In the Autobiography there is nothing quaint, and nothing witty: Dr. and Mrs. Pringle are inimitably quaint and funny. It would seem that when Galt looked at life, at men and manners, and things, through imaginary eyes he could see everything there was to be seen, and see it in a light intensely simple and vivid and real: that when he looked at anything through his own eyes he saw nothing at all. The doctor and Mrs. Pringle are indispensable to all readers who love dear oddities, and they are Galt’s very own: you shall not find them anywhere else. He borrowed them nowhere, but made them himself in a jocund humour of affectionate creation.
In 1821 The Ayrshire Legatees was followed up by the Annals of the Parish, which displayed Galt’s singular and original genius in fuller perfection. That his epic failed, and the Annals marked a literary success, is much to the credit of his contemporaries. Perhaps if Crabbe had not perversely insisted on being a poet we might have had country tales of his as worthy of immortality as the Annals of the Parish. The book is commonly said to be Galt’s masterpiece: which it is not. But it is unique and perfect. That The Entail is really Galt’s masterpiece seems to me clear: nevertheless there are weak parts in it, and the less good chapters are lamentably unequal to the best: whereas the Annals of the Parish has no weak chapters, and the balance of excellence is maintained throughout. But there is no story in the Annals; and, though it is a long gallery of perfect portraits, it has no characters that can even be compared with Watty and the Leddy o’ Grippy.
Where the Annals peculiarly excel is in the rare quality of charm: it has no hero, and the central figure is enriched with foibles that do not lean to heroism’s side: but they are quaintly attractive, and no one but Galt has given to literature any one like him. Of pathos Galt is shy in the Annals; nowhere is he at all disposed to ‘wallow’ in it: but he draws reverently near, and moves away as reverently. Nor is he boisterously funny: his wit is all his own, and it crops up at every corner, but not noisily: it cuts few capers, and has a pawky discretion. It is singularly void of malice and haughtiness, and has a Shakespearian humanity and blandness that fails to remind one of Thackeray. The Annals of the Parish prove that a great writer can make a whole book intensely amusing and extraordinarily amiable: that perfectly clear sight need not be merciless, nor wit remorselessly cruel.
The great and just success of the Annals of the Parish made Galt prolific: and in rapid sequence came Sir Andrew Wylie, The Entail, The Steamboat, The Provost, Ringan Gilhaize, The Spaewife, Rothelan, and The Omen.
Almost all of these are worth reading, and to read them is no trouble: but they are of very unequal merit: and only one of them is worthy of being grouped with The Ayrshire Legatees and the Annals. Sir Andrew Wylie is extremely good, and much of it shows Galt in his best vein. The more romantic tales, Ringan Gilhaize, The Spaewife, Rothelan, and The Omen, have the defects of their qualities, and the more Galt submits to those qualities the less we are pleased. To be romantic was, perhaps, a pardonable compliance with fashion: but Galt had little to make with romance, and idealism was his easiest road to failure. To be Ossianic may have seemed to him a literary duty, but the performance of some duties is hard on the public: as the district-visited might plead, to whom the perfecting of district-visitors appeals less than it ought. Galt had not a rich imagination; what he possessed in a rare degree was the faculty of representation. In his works of fiction we find a gallery of portraits of singular variety and perfection: of all of them he had seen the originals. When he chose to add characters invented by himself his success was not great. It must not, however, be supposed that he could only reproduce with pedestrian fidelity: there can be no doubt that from a mere hint in actual experience he could draw a vivid portrait of absolute and convincing reality.
He himself placed The Provost higher than the Annals of the Parish and The Ayrshire Legatees, but no one will agree with him. Almost the only interesting thing he tells us in the Autobiography is that the Annals, though published in 1821, the year following the appearance of The Ayrshire Legatees, were written in 1813, and laid aside and forgotten. Of The Entail he tells us little, except that the scene of the storm was introduced to admit of the description of a part of Scotland he had never seen. He speaks complacently of the praise accorded to that description, but betrays no pride in Watty or the Leddy, whom, indeed, he does not mention. He has plenty to say about Ringan Gilhaize, and evidently believes that the book was not accorded its due proportion of praise; chiefly, it would seem, because the thing he tried to do in it was difficult, and success the more meritorious. Probably Watty and the Leddy were thoroughly spontaneous, as they are inimitably real, and Galt thought the less of them on that account.
He left England for Canada in 1826, The Last of the Lairds appearing just before his departure. Three years later he came back ruined, and set to work again, his pen being as industrious as ever. Lawrie Todd was followed by Southennan, and these two novels by his Life of Lord Byron. In 1839, on April 11, he died at Greenock.
Anthony Trollope injured himself with critics of a certain class by a too frank disclosure of his methods of production: and Galt may well have done his literary reputation harm by his oft-repeated assertion that with him literature was always a secondary interest. Commerce, he would have us believe, was what came first. He never depreciates his own literary work, but he so speaks of it as to tempt others to belittle it: this was not modesty but sheer blundering. Congreve in his old age was more eager to shine in Voltaire’s eyes as a social personage than as a famous dramatist; and Galt appears to have cared more to be regarded as a statistician than as an unequalled master of fiction in his own region of it. These perversities in men of genius are not so rare as they are provoking.
The Entail was published in 1822, and, disregarded as it has long been, its merit was not ignored then. Gifford, Mackenzie, Lord Jeffrey, and Sir Walter Scott helped to spread its fame. In January, 1823, ‘Christopher North’ reviewed it at great length in Blackwood, and declared it ‘out of all sight the best thing he [Galt] has done’—The Ayrshire Legatees and the Annals of the Parish, be it remembered, having already appeared. The Professor says that he had read ‘the work on its first publication through from beginning to end in one day’, and about a fortnight afterwards devoured ‘all the prime bits’ again.
The conclusion of the whole matter, in Professor Wilson’s opinion, was that Galt had now proved himself ‘inferior only to two living writers of fictitious narratives—to him whom we need not name, and to Miss Edgeworth’.
That Galt was inferior to Scott as a romanticist is what no one would deny. As a romanticist he should not be brought in comparison with Sir Walter at all; but as a painter of genre he is not surpassed even by him whom ‘Christopher North’ would not name. That Miss Edgeworth was a romanticist of high rank does not appear: Castle Rackrent and The Absentee are unequalled, but as presentations of original, quaint, and absolutely living Irish character: Galt was not inferior to her, or a rival of her, for his realm and hers were far apart: in his presentation of certain types of Scottish character he is equally original, equally quaint, and equally true and vivid. Scottish humour and Irish wit are singularly unlike; to compare them must be a barren labour; perhaps the same reader will never fully appreciate both; but to no critic who knows and loves Scots types of character will it be easy to confess that Galt had an inferior revelation to that of the inestimable Maria: the subject-matter was different, that was all. To try and pose them as rivals is the folly. In Galt is none of the rollicking pathos that is the miracle of Castle Rackrent: Scots pathos is as different from Irish as flamboyant Irish wit is different from Scottish pawkiness. But if the daft laird of Grippy be not pathetic then I know of no pathos outside the pathos that exposes itself naked to the public to obtain recognition. If the Leddy o’ Grippy be not inimitably comic, then can there be no comedy short of screaming farce.
The reader is asked to remember that any comparison of Galt with Scott, or of Galt with Maria Edgeworth, was not initiated by the present writer, but by ‘Christopher North’.
Sir Walter Scott himself gave the best proof possible of appreciation by reading The Entail three times: and Byron had read it three times within a year of its appearance. To the Earl of Blessington he said that ‘the portraiture of Leddy Grippy was perhaps the most complete and original that had been added to the female gallery since the days of Shakespeare’.
Were this an essay on The Entail it would not suffice to quote the criticism of great writers upon the work: the essayist would need to justify his own admiration of it by quotation from the book itself. And this he has done at full length in (as Cousin Feenix said) another place. But in an Introduction there can be no occasion to detain the reader from making acquaintance on his own account with the Leddy and Watty, Claud, and the Milrookits. He will not, with the book in his hand, need to be told which scenes are inimitable. There are many which he will never be content to read but once: though I venture to think that he will not arrive at Lord Jeffrey’s conclusion that the drowning of George Walkinshaw is the most powerful single sketch in the work. Powerful all the same it is; and, since Lord Byron’s dictum concerning the Leddy has given the hint, we may be the more readily forgiven for thinking that there is, in that grim passage, something Shakespearian about the little cabin-boy.
JOHN AYSCOUGH.
THE ENTAIL
SIRE,
With the profoundest sense of your Majesty’s gracious condescension, the Author of this work has now the honour to lay it, by permission, at your Majesty’s feet.
It belongs to a series of sketches, in which he has attempted to describe characters and manners peculiar to the most ancient, and most loyal, portion of all your Majesty’s dominions;—it embraces a great part of the last century, the most prosperous period in the annals of Scotland, and singularly glorious to the administration of your Majesty’s Illustrious Family;—it has been written since the era of your Majesty’s joyous Visit to the venerable home of your Royal Ancestors;—and it is presented as a humble memorial of the feelings with which the Author, in common with all his countrymen, did homage to the King at Holyrood.
He has the happiness to be, SIRE, Your Majesty’s Most dutiful and most faithfulSubject and Servant.
Edinburgh, 3d December 1822.
THE ENTAIL
Claud Walkinshaw was the sole surviving male heir of the Walkinshaws of Kittlestonheugh. His grandfather, the last Laird of the line, deluded by the golden visions that allured so many of the Scottish gentry to embark their fortunes in the Darien Expedition, sent his only son, the father of Claud, in one of the ships fitted out at Cartsdyke, and with him an adventure in which he had staked more than the whole value of his estate. But, as it is not our intention to fatigue the reader with any very circumstantial account of the state of the Laird’s family, we shall pass over, with all expedient brevity, the domestic history of Claud’s childhood. He was scarcely a year old when his father sailed, and his mother died of a broken heart, on hearing that her husband, with many of his companions, had perished of disease and famine among the swamps of the Mosquito shore. The Kittlestonheugh estate was soon after sold, and the Laird, with Claud, retired into Glasgow, where he rented the upper part of a back house, in Aird’s Close, in the Drygate. The only servant whom, in this altered state, he could afford to retain, or rather the only one that he could not get rid of, owing to her age and infirmities, was Maudge Dobbie, who, in her youth, was bairnswoman to his son. She had been upwards of forty years in the servitude of his house; and the situation she had filled to the father of Claud did not tend to diminish the kindliness with which she regarded the child, especially when, by the ruin of her master, there was none but herself to attend him.
The charms of Maudge had, even in her vernal years, been confined to her warm and affectionate feelings; and, at this period, she was twisted east and west, and hither and yont, and Time, in the shape of old age, hung so embracingly round her neck, that his weight had bent her into a hoop. Yet, thus deformed and aged, she was not without qualities that might have endeared her to a more generous boy. Her father had been schoolmaster in the village of Kittleston; and under his tuition, before she was sent, as the phrase then was, to seek her bread in the world, she had acquired a few of the elements of learning beyond those which, in that period, fell to the common lot of female domestics: and she was thus enabled, not only to teach the orphan reading and writing, but even to supply him with some knowledge of arithmetic, particularly addition and the multiplication table. She also possessed a rich stock of goblin lore and romantic stories, the recital of which had given the father of Claud the taste for adventure that induced him to embark in the ill-fated expedition. These, however, were not so congenial to the less sanguine temperament of the son, who early preferred the history of Whittington and his Cat to the achievements of Sir William Wallace; and ‘Tak your auld cloak about you,’ ever seemed to him a thousand times more sensible than ‘Chevy Chace.’ As for that doleful ditty, the ‘Flowers of the Forest,’ it was worse than the ‘Babes in the Wood’; and ‘Gil Morrice’ more wearisome than ‘Death and the Lady’.
The solitary old Laird had not been long settled in his sequestered and humble town-retreat, when a change became visible both in his appearance and manners. He had been formerly bustling, vigorous, hearty, and social; but from the first account of the death of his son, and the ruin of his fortune, he grew thoughtful and sedentary, and shunned the approach of strangers, and retired from the visits of his friends. Sometimes he sat for whole days, without speaking, and without even noticing the kitten-like gambols of his grandson; at others he would fondle over the child, and caress him with more than a grandfather’s affection; again, he would peevishly brush the boy away as he clasped his knees, and hurry out of the house with short and agitated steps. His respectable portliness disappeared; his clothes began to hang loosely upon him; his colour fled; his face withered; and his legs wasted into meagre shanks. Before the end of the first twelve months, he was either unwilling or unable to move unassisted from the old arm chair, in which he sat from morning to night, with his grey head drooping over his breast; and one evening, when Maudge went to assist him to undress, she found he had been for some time dead.
After the funeral, Maudge removed with the penniless orphan to a garret-room in the Saltmarket, where she endeavoured to earn for him and herself the humble aliment of meal and salt, by working stockings; her infirmities and figure having disqualified her from the more profitable industry of the spinning-wheel. In this condition she remained for some time, pinched with poverty, but still patient with her lot, and preserving, nevertheless, a neat and decent exterior.
It was only in the calm of the summer Sabbath evenings that she indulged in the luxury of a view of the country; and her usual walk on those occasions, with Claud in her hand, was along the brow of Whitehill, which she perhaps preferred, because it afforded her a distant view of the scenes of her happier days; and while she pointed out to Claud the hills and lands of his forefathers, she exhorted him to make it his constant endeavour to redeem them, if possible, from their new possessors, regularly concluding her admonition with some sketch or portrait of the hereditary grandeur of his ancestors.
One afternoon, while she was thus engaged, Provost Gorbals and his wife made their appearance.
The Provost was a man in flourishing circumstances, and he was then walking with his lady to choose a site for a country-house which they had long talked of building. They were a stately corpulent couple, well befitting the magisterial consequence of the husband.
Mrs. Gorbals was arrayed in a stiff and costly yellow brocade, magnificently embroidered with flowers, the least of which was peony; but the exuberance of her ruffle cuffs and flounces, the richness of her lace apron, with the vast head-dress of catgut and millinery, together with her blue satin mantle, trimmed with ermine, are items in the gorgeous paraphernalia of the Glasgow ladies of that time, to which the pencil of some abler limner can alone do justice.
The appearance of the Provost himself became his dignity, and corresponded with the affluent garniture of his lady: it was indeed such, that, even had he not worn the golden chains of his dignity, there would have been no difficulty in determining him to be some personage dressed with at least a little brief authority. Over the magisterial vestments of black velvet, he wore a new scarlet cloak, although the day had been one of the sultriest in July; and, with a lofty consequential air, and an ample display of the corporeal acquisition which he had made at his own and other well furnished tables, he moved along, swinging at every step his tall golden-headed cane with the solemnity of a mandarin.
Claud was filled with wonder and awe at the sight of such splendid examples of Glasgow pomp and prosperity, but Maudge speedily rebuked his juvenile admiration.
‘They’re no worth the looking at,’ said she; ‘had ye but seen the last Leddy Kittlestonheugh, your ain muckle respekit grandmother, and her twa sisters, in their hench-hoops, with their fans in their han’s—the three in a row would hae soopit the whole breadth o’ the Trongate—ye would hae seen something. They were nane o’ your new-made leddies, but come o’ a pedigree. Foul would hae been the gait, and drooking the shower, that would hae gart them jook their heads intil the door o’ ony sic thing as a Glasgow bailie—Na; Claudie, my lamb, thou maun lift thy een aboon the trash o’ the town, and ay keep mind that the hills are standing yet that might hae been thy ain; and so may they yet be, an thou can but master the pride o’ back and belly, and seek for something mair solid than the bravery o’ sic a Solomon in all his glory as yon Provost Gorbals.—Heh, sirs, what a kyteful o’ pride’s yon’er! and yet I would be nane surprised the morn to hear that the Nebuchadnezzar was a’ gane to pigs and whistles, and driven out wi’ the divors bill to the barren pastures of bankruptcy.’
After taking a stroll round the brow of the hill, Provost Gorbals and his lady approached the spot where Maudge and Claud were sitting. As they drew near, the old woman rose, for she recognized in Mrs. Gorbals one of the former visitors at Kittlestonheugh. The figure of Maudge herself was so remarkable, that, seen once, it was seldom forgotten, and the worthy lady, almost at the same instant, said to the Provost,—
‘Eh! Megsty, gudeman, if I dinna think yon’s auld Kittlestonheugh’s crookit bairnswoman. I won’er what’s come o’ the Laird, poor bodie, sin’ he was rookit by the Darien. Eh! what an alteration it was to Mrs. Walkinshaw, his gudedochter. She was a bonny bodie; but frae the time o’ the sore news, she croynt awa, and her life gied out like the snuff o’ a can’le. Hey, Magdalene Dobbie, come hither to me, I’m wanting to speak to thee.’
Maudge, at this shrill obstreperous summons, leading Claud by the hand, went forward to the lady, who immediately said,—
‘Ist t’ou ay in Kittlestonheugh’s service, and what’s come o’ him, sin’ his lan’ was roupit?’
Maudge replied respectfully, and with the tear in her eye, that the Laird was dead.
‘Dead!’ exclaimed Mrs. Gorbals, ‘that’s very extraordinare. I doubt he was ill off at his latter end. Whar did he die, poor man?’
‘We were obligated,’ said Maudge, somewhat comforted by the compassionate accent of the lady, ‘to come intil Glasgow, where he fell into a decay o’ nature.’ And she added, with a sigh that was almost a sob, ‘’Deed, it’s vera true, he died in a sare straitened circumstance, and left this helpless laddie upon my hands.’
The Provost, who had in the meantime been still looking about in quest of a site for his intended mansion, on hearing this, turned round, and putting his hand in his pocket, said,—
‘An’ is this Kittlestonheugh’s oe? I’m sure it’s a vera pitiful thing o’ you, lucky, to take compassion on the orphan; hae, my laddie, there’s a saxpence.’
‘Saxpence, gudeman!’ exclaimed the Provost’s lady, ‘ye’ll ne’er even your han’ wi’ a saxpence to the like of Kittlestonheugh, for sae we’re bound in nature to call him, landless though his lairdship now be; poor bairn, I’m wae for’t. Ye ken his mother was sib to mine by the father’s side, and blood’s thicker than water ony day.’
Generosity is in some degree one of the necessary qualifications of a Glasgow magistrate, and Provost Gorbals being as well endowed with it as any of his successors have been since, was not displeased with the benevolent warmth of his wife, especially when he understood that Claud was of their own kin. On the contrary, he said affectionately,—
‘Really it was vera thoughtless o’ me, Liezy, my dear; but ye ken I have na an instinct to make me acquaint wi’ the particulars of folk, before hearing about them. I’m sure no living soul can have a greater compassion than mysel’ for gentle blood come to needcessity.’
Mrs. Gorbals, however, instead of replying to this remark—indeed, what could she say, for experience had taught her that it was perfectly just—addressed herself again to Maudge.
‘And whar dost t’ou live? and what hast t’ou to live upon?’
‘I hae but the mercy of Providence,’ was the humble answer of honest Maudge, ‘and a garret-room in John Sinclair’s lan’. I ettle as weel as I can for a morsel, by working stockings; but Claud’s a rumbling laddie, and needs mair than I hae to gi’e him: a young appetite’s a growing evil in the poor’s aught.’
The Provost and his wife looked kindly at each other, and the latter added,—
‘Gudeman, ye maun do something for them. It’ll no fare the waur wi’ our basket and our store.’
And Maudge was in consequence requested to bring Claud with her that evening to the Provost’s House in the Bridgegate. ‘I think,’ added Mrs. Gorbals, ‘that our Hughoc’s auld claes will just do for him; and Maudge, keep a good heart, we’ll no let thee want. I won’er t’ou did na think of making an application to us afore.’
‘No,’ replied the old woman, ‘I could ne’er do that—I would hae been in an unco strait before I would hae begget on my own account; and how could I think o’ disgracing the family? Any help that the Lord may dispose your hearts to gi’e, I’ll accept wi’ great thankfulness, but an almous is what I hope He’ll ne’er put it upon me to seek; and though Claud be for the present a weight and burden, yet, an he’s sparet, he’ll be able belyve to do something for himsel’.’
Both the Provost and Mrs. Gorbals commended her spirit; and, from this interview, the situation of Maudge was considerably improved by their constant kindness. Doubtless, had Mr. Gorbals lived, he would have assisted Claud into business, but, dying suddenly, his circumstances were discovered to be less flourishing than the world had imagined, and his widow found herself constrained to abridge her wonted liberality.
Maudge, however, wrestled with poverty as well as she could, till Claud had attained his eleventh year, when she thought he was of a sufficient capacity to do something for himself. Accordingly, she intimated to Mrs. Gorbals that she hoped it would be in her power to help her with the loan of a guinea to set him out in the world with a pack. This the lady readily promised, but advised her to make application first to his relation, Miss Christiana Heritage.
‘She’s in a bien circumstance,’ said Mrs. Gorbals, ‘for her father, auld Windywa’s, left her weel on to five hundred pounds, and her cousin, Lord Killycrankie, ane of the fifteen that ay staid in our house when he rode the Circuit, being heir of entail to her father, alloos her the use of the house, so that she’s in a way to do muckle for the laddie, if her heart were so inclined.’
Maudge, agreeably to this suggestion, went next day to Windywalls; but we must reserve our account of the mansion and its mistress to enrich our next chapter, for Miss Christiana was, even in our day and generation, a personage of no small consequence in her own eyes: indeed, for that matter, she was no less in ours, if we may judge by the niche which she occupies in the gallery of our recollection, after the lapse of more than fifty years.
In the course of the same summer in which we commenced those grammar-school acquirements, that, in after-life, have been so deservedly celebrated, our revered relative, the late old Lady Havers, carried us in her infirm dowagerian chariot to pay her annual visit to Miss Christiana Heritage. In the admiration with which we contemplated the venerable mansion and its ancient mistress, an indistinct vision rises in our fancy of a large irregular whitewashed house, with a tall turnpike staircase; over the low and dwarfish arched door of which a huge cable was carved in stone, and dropped in a knotted festoon at each side. The traditions of the neighbourhood ascribed this carving to the Pictish sculptors, who executed the principal ornaments of the High Kirk of Glasgow.
On entering under this feudal arch we ascended a spiral stair, and were shown into a large and lofty room, on three sides of which, each far in a deep recess, was a narrow window glazed with lozens of yellow glass, that seemed scarcely more transparent than horn. The walls were hung with tapestry, from which tremendous forms, in warlike attitudes and with grim aspects, frowned in apparitional obscurity.
But of all the circumstances of a visit, which we must ever consider as a glimpse into the presence-chamber of the olden time, none made so deep and so vivid an impression upon our young remembrance as the appearance and deportment of Miss Christiana herself. She had been apprised of Lady Havers’ coming, and was seated in state to receive her, on a large settee adorned with ancestral needlework. She rose as our venerable relation entered the room. Alas! we have lived to know that we shall never again behold the ceremonial of a reception half so solemnly performed.
Miss Christiana was dressed in a courtly suit of purple Genoese velvet; her petticoat, spread by her hoop, extended almost to arms-length at each side. The ruffle cuffs which hung at her elbows loaded with lead, were coëval with the Union, having been worn by her mother when she attended her husband to that assembly of the States of Scotland, which put an end to the independence and poverty of the kingdom. But who, at this distance of time, shall presume to estimate the altitude of the Babylonian tower of toupees and lappets which adorned Miss Christiana’s brow?
It is probable that the reception which she gave to poor Maudge and Claud was not quite so ceremonious as ours; for the substantial benison of the visit was but half-a-crown. Mrs. Gorbals, on hearing this, exclaimed with a just indignation against the near-be-gawn Miss Christiana, and setting herself actively to work, soon collected, among her acquaintance, a small sum sufficient to enable Maudge to buy and furnish a pack for Claud. James Bridle the saddlemaker, who had worked for his father, gave him a present of a strap to sling it over his shoulder; and thus, with a judicious selection of godly and humorous tracts, curtain rings, sleeve buttons, together with a compendious assortment of needles and pins, thimbles, stay-laces and garters, with a bunch of ballads and excellent new songs, Claud Walkinshaw espoused his fortune.
His excursions at first were confined to the neighbouring villages, and as he was sly and gabby, he soon contrived to get in about the good-will of the farmers’ wives, and in process of time, few pedlars in all the west country were better liked, though every one complained that he was the dearest and the gairest.
His success equalled the most sanguine expectations of Maudge, but Mrs. Gorbals thought he might have recollected, somewhat better than he did, the kindness and care with which the affectionate old creature had struggled to support him in his helplessness. As often, however, as that warm-hearted lady inquired if he gave her any of his winnings, Maudge was obliged to say, ‘I hope, poor lad, he has more sense than to think o’ the like o’ me. Is na he striving to make a conquest of the lands of his forefathers? Ye ken he’s come o’ gentle blood, and I am nae better than his servan’.’
But although Maudge spoke thus generously, still sometimes, when she had afterwards become bedrid, and was left to languish and linger out the remnant of age in her solitary garret, comforted only by the occasional visits and charitable attentions of Mrs. Gorbals, the wish would now and then rise, that Claud, when he was prospering in the traffic of the Borders, would whiles think of her forlorn condition. But it was the lambent play of affection, in which anxiety to see him again before she died was stronger than any other feeling, and as often as she felt it moving her to repine at his inattention, she would turn herself to the wall, and implore the Father of Mercies to prosper his honest endeavours, and that he might ne’er be troubled in his industry with any thought about such a burden as it had pleased Heaven to make her to the world.
After having been bedrid for about the space of two years, Maudge died. Claud, in the meantime, was thriving as well as the prigging wives and higgling girls in his beat between the Nith and the Tyne would permit. Nor was there any pedlar better known at the fairs of the Border towns, or who displayed on those occasions such a rich assortment of goods. It was thought by some, that, in choosing that remote country for the scene of his itinerant trade, he was actuated by some sentiment of reverence for the former consequence of his family. But, as faithful historians, we are compelled to remind the reader, that he was too worldly-wise to indulge himself with any thing so romantic; the absolute fact being, that, after trying many other parts of the country, he found the Borders the most profitable, and that the inhabitants were also the most hospitable customers,—no small item in the arithmetical philosophy of a pedlar.
About twenty years after the death of Maudge, Claud returned to Glasgow with five hundred pounds above the world, and settled himself as a cloth-merchant, in a shop under the piazza of a house which occupied part of the ground where the Exchange now stands. The resolution which he had early formed to redeem the inheritance of his ancestors, and which his old affectionate benefactress had perhaps inspired, as well as cherished, was grown into a habit. His carefulness, his assiduity, his parsimony, his very honesty, had no other object nor motive; it was the actuating principle of his life. Some years after he had settled in Glasgow, his savings and gathering enabled him to purchase the farm of Grippy, a part of the patrimony of his family.
The feelings of the mariner returning home, when he again beholds the rising hills of his native land, and the joys and fears of the father’s bosom, when, after a long absence, he approaches the abode of his children, are tame and calm, compared to the deep and greedy satisfaction with which the persevering pedlar received the earth and stone that gave him infeftment of that cold and sterile portion of his forefathers’ estate. In the same moment he formed a resolution worthy of the sentiment he then felt,—a sentiment which, in a less sordid breast, might have almost partaken of the pride of virtue. He resolved to marry, and beget children, and entail the property, that none of his descendants might ever have it in their power to commit the imprudence which had brought his grandfather to a morsel, and thrown himself on the world. And the same night, after maturely considering the prospects of all the heiresses within the probable scope of his ambition, he resolved that his affections should be directed towards Miss Girzy Hypel, the only daughter of Malachi Hypel, the Laird of Plealands.
They were in some degree related, and he had been led to think of her from an incident which occurred on the day he made the purchase. Her father was, at the time, in Glasgow, attending the Circuit; for, as often as the judges visited the city, he had some dispute with a neighbour or a tenant that required their interposition. Having heard of what had taken place, he called on Claud to congratulate him on the recovery of so much of his family inheritance.
‘I hear,’ said the Laird, on entering the shop, and proffering his hand across the counter, ‘that ye hae gotten a sappy bargain o’ the Grippy. It’s true some o’ the lands are but cauld; howsever, cousin, ne’er fash your thumb, Glasgow’s on the thrive, and ye hae as many een in your head, for an advantage, as ony body I ken. But now that ye hae gotten a house, wha’s to be the leddy? I’m sure ye might do waur than cast a sheep’s e’e in at our door; my dochter Girzy’s o’ your ain flesh and blood; I dinna see ony moral impossibility in her becoming, as the Psalmist says, “bone of thy bone.”’
Claud replied in his wonted couthy manner:
‘Nane o’ your jokes, Laird,—me even mysel to your dochter? Na, na, Plealands, that canna be thought o’ nowadays. But, no to make a ridicule of sic a solemn concern, it’s vera true that, had na my grandfather, when he was grown doited, sent out a’ the Kittlestonheugh in a cargo o’ playocks to the Darien, I might hae been in a state and condition to look at Miss Girzy; but, ye ken, I hae a lang clue to wind before I maun think o’ playing the ba’ wi’ Fortune, in ettling so far aboun my reach.’
‘Snuffs o’ tobacco,’ exclaimed the Laird,—‘are nae ye sib to oursels? and, if ye dinna fail by your ain blateness, our Girzy’s no surely past speaking to. Just lay your leg, my man, o’er a side o’ horse flesh, and come your ways, some Saturday, to speer her price.’
It was upon this delicate hint that Grippy was induced to think of Miss Girzy Hypel; but finding that he was deemed a fit match for her, and might get her when he would, he deferred the visit until he had cast about among the other neighbouring lairds’ families for a better, that is to say, a richer match. In this, whether he met with repulsive receptions, or found no satisfactory answers to his inquiries, is not quite certain; but, as we have said, in the same night on which he took legal possession of his purchase, he resolved to visit Plealands; and in order that the family might not be taken unawares, he sent a letter next day by the Ayr carrier to apprise the Laird of his intention, provided it was convenient to receive him for a night. To this letter, by the return of Johnny Drizen, the carrier, on the week following, he received such a cordial reply, that he was induced to send for Cornelius Luke, the tailor, a douce and respectable man, and one of the elders of the Tron Kirk.
‘Come your ways, Cornie,’ said the intending lover; ‘I want to speak to you anent what’s doing about the new kirk on the Green Know.’
‘Doing, Mr. Walkinshaw!—it’s a doing that our bairns’ bairns will ne’er hear the end o’—a rank and carnal innovation on the spirit o’ the Kirk o’ Scotland,’ replied the elder—‘It’s to be after the fashion o’ some prelatic Babel in Lon’on, and they hae christened it already by the papistical name o’ St. Andrew—a sore thing that, Mr. Walkinshaw; but the Lord has set his face against it, and the builders thereof are smitten as wi’ a confusion o’ tongues, in the lack o’ siller to fulfil their idolatrous intents—Blessed be His name for evermore! But was na Mr. Kilfuddy, wha preached for Mr. Anderson last Sabbath, most sweet and delectable on the vanities of this life, in his forenoon lecture? and did na ye think, when he spoke o’ that seventh wonder o’ the world, the temple of Diana, and enlarged wi’ sic pith and marrow on the idolaters in Ephesus, that he was looking o’er his shouther at Lowrie Dinwiddie and Provost Aiton, who are no wrang’t in being wytid wi’ the sin o’ this inordinate superstructure?—Mr. Walkinshaw, am nae prophet, as ye will ken, but I can see that the day’s no far aff, when ministers of the gospel in Glasgow will be seen chambering and wantoning to the sound o’ the kist fu’ o’ whistles, wi’ the seven-headed beast routing its choruses at every o’ercome o’ the spring.’
Which prediction was in our own day and generation to a great degree fulfilled; at the time, however, it only served to move the pawkie cloth-merchant to say,
‘Nae doubt, Cornie, the world’s like the tod’s whelp, ay the aulder the waur; but I trust we’ll hear news in the land before the like o’ that comes to pass. Howsever, in the words of truth and holiness, “sufficient for the day is the evil thereof;” and let us hope, that a regenerating spirit may go forth to the ends o’ the earth, and that all the sons of men will not be utterly cut up, root and branch.’
‘No: be thankit,’ said Cornelius, the tailor—‘even of those that shall live in the latter days, a remnant will be saved.’
‘That’s a great comfort, Mr. Luke, to us a’,’ replied Claud;—‘but, talking o’ remnants, I hae a bit blue o’ superfine; it has been lang on hand, and the moths are beginning to meddle wi’t—I won’er if ye could mak me a coat o’t?’
The remnant was then produced on the counter, and Cornelius, after inspecting it carefully, declared, that, ‘with the help of a steek or twa of darning, that would na be percep, it would do very well.’ The cloth was accordingly delivered to him, with strict injunctions to have it ready by Friday, and with all the requisite et ceteras to complete a coat, he left the shop greatly edified, as he told his wife, by the godly salutations of Mr. Walkinshaw’s spirit; ‘wherein,’ as he said, ‘there was a kithing of fruit meet for repentance; a foretaste o’ things that pertain not to this life; a receiving o’ the erls of righteousness and peace, which passeth all understanding, and endureth for evermore.’
‘I’m blithe to hear’t,’ was the worthy woman’s answer, ‘for he’s an even down Nabal—a perfect penure pig, that I ne’er could abide since he would na lend poor old Mrs. Gorbals, the provost’s widow, that, they say, set him up in the world, the sma’ soom o’ five pounds, to help her wi’ the outfit o’ her oe, when he was gaun to Virginia, a clerk to Bailie Cross.’
When Claud was duly equipped by Cornelius Luke, in the best fashion of that period, for a bien cloth-merchant of the discreet age of forty-seven, a message was sent by his shop lad, Jock Gleg, to Rob Wallace, the horse-couper in the Gallowgate, to have his beast in readiness next morning by seven o’clock, the intending lover having, several days before, bespoke it for the occasion.
Accordingly, at seven o’clock on Saturday morning, Rob was with the horse himself, at the entry to Cochran’s Land, in the Candleriggs, where Claud then lodged, and the wooer, in the sprucest cut of his tailor, with a long silver-headed whip in his hand, borrowed from his friend and customer, Bailie Murdoch, attended by Jock Gleg, carrying a stool, came to the close mouth.
‘I’m thinking, Mr. Walkinshaw,’ said Rob, the horse-couper, ‘that ye would na be the waur of a spur, an it were only on the ae heel.’
‘We maun do our best without that commodity, Rob,’ replied Claud, trying to crack his whip in a gallant style, but unfortunately cutting his own leg through the dark blue rig-and-fur gamashins; for he judiciously considered, that, for so short a journey, and that, too, on speculation, it was not worth his while to get a pair of boots.
Rob drew up the horse, and Jock having placed the stool, Claud put his right foot in the stirrup, at which Rob and some of the students of the college, who happened to be attracted to the spot, with diverse others then and there present, set up a loud shout of laughter, much to his molestation. But surely no man is expected to know by instinct the proper way of mounting a horse; and this was the first time that Claud had ever ascended the back of any quadruped.
When he had clambered into the saddle, Rob led the horse into the middle of the street, and the beast, of its own accord, walked soberly across the Trongate towards the Stockwell. The conduct of the horse, for some time, was indeed most considerate, and, in consequence, although Claud hung heavily over his neck, and held him as fast as possible with his knees, he passed the bridge, and cleared the buildings beyond, without attracting, in any particular degree, the admiration of the public towards his rider. But, in an unguarded moment, the infatuated Claud rashly thought it necessary to employ the Bailie’s whip, and the horse, so admonished, quickened his pace to a trot. ‘Heavens, ca’ they this riding?’ exclaimed Claud, and almost bit his tongue through in the utterance. However, by the time they reached Cathcart, it was quite surprising to see how well he worked in the saddle; and, notwithstanding the continued jolting, how nobly he preserved his balance. But, on entering that village, all the dogs, in the most terrifying manner, came rushing out from the cottage doors, and pursued the trotting horse with such bark and bay, that the poor animal saw no other for’t, but to trot from them faster and faster. The noise of the dogs, and of a passenger on horseback, drew forth the inhabitants, and at every door might be seen beldams with flannel caps, and mothers with babies in their arms, and clusters of children around them. It was the general opinion among all the spectators, on seeing the spruce new clothes of Claud, and his vaulting horsemanship, that he could be no less a personage than the Lord Provost of Glasgow.
Among them were a few country lads, who, perceiving how little the rider’s seat of honour was accustomed to a saddle, had the wickedness to encourage and egg on the dogs to attack the horse still more furiously; but, notwithstanding their malice, Claud still kept his seat, until all the dogs but one devil of a terrier had retired from the pursuit: nothing could equal the spirit and pertinacity with which that implacable cur hung upon the rear, and snapped at the heels of the horse. Claud, who durst not venture to look behind, lest he should lose his balance, several times damned the dog with great sincerity, and tried to lash him away with Bailie Murdoch’s silver-headed whip, but the terrier would not desist.
How long the attack might have continued, there is certainly no telling, as it was quickly determined by one of those lucky hits of fortune which are so desirable in life. The long lash of the Bailie’s whip, in one of Claud’s blind attempts, happily knotted itself round the neck of the dog. The horse, at the same moment, started forward into that pleasant speed at which the pilgrims of yore were wont to pass from London to the shrine of St. Thomas a Becket at Canterbury (which, for brevity, is in vulgar parlance called, in consequence, a canter); and Claud dragged the terrier at his whip-string end, like an angler who has hooked a salmon that he cannot raise out of the water, until he met with Johnny Drizen, the Ayr carrier, coming on his weekly journey to Glasgow.
‘Lordsake, Mr. Walkinshaw!’ exclaimed the carrier, as he drew his horse aside—‘in the name of the Lord, whare are ye gaun, and what’s that ye’re hauling ahint you?’
‘For the love of Heaven, Johnny,’ replied the distressed cloth-merchant, pale with apprehension, and perspiring at every pore,—‘for the love of Heaven, stop this desperate beast!’
The tone of terror and accent of anguish in which this invocation was uttered, had such an effect on the humanity and feelings of the Ayr carrier, that he ran towards Claud with the ardour of a philanthropist, and seized the horse by the bridle rings. Claud, in the same moment, threw down the whip, with the strangled dog at the lash; and, making an endeavour to vault out of the saddle, fell into the mire, and materially damaged the lustre and beauty of his new coat. However, he soon regained his legs, but they so shook and trembled, that he could scarcely stand, as he bent forward with his feet widely asunder, being utterly unable for some time to endure in any other position the pain of that experience of St. Sebastian’s martyrdom which he had locally suffered.
His first words to the carrier were, ‘Man, Johnny, this is the roughest brute that ever was created. Twa dyers wi’ their beetles could na hae done me mair detriment. I dinna think I’ll e’er be able to sit down again.’
This colloquy was, however, speedily put an end to, by the appearance of a covered cart, in which three ministers were returning from the synod to their respective parishes in Ayrshire; for at that time neither post-chaise nor stage-coach was numbered among the luxuries of Glasgow. One of them happened to be the identical Mr. Kilfuddy of Braehill, who had lectured so learnedly about the Temple of Diana on the preceding Sunday in the Tron Church; and he, being acquainted with Claud, said, as he looked out and bade the driver to stop,—
‘Dear me, Mr. Walkinshaw, but ye hae gotten an unco cowp. I hope nae banes are broken?’
‘No,’ replied Claud a little pawkily, ‘no; thanks be and praise—the banes, I believe, are a’ to the fore; but it’s no to be expressed what I hae suffer’t in the flesh.’
Some further conversation then ensued, and the result was most satisfactory, for Claud was invited to take a seat in the cart with the ministers, and induced to send his horse back to Rob Wallace by Johnny Drizen the carrier. Thus, without any material augmentation of his calamity, was he conveyed to the gate which led to Plealands. The Laird, who had all the morning been anxiously looking out for him, on seeing the cart approaching, left the house, and was standing ready at the yett to give him welcome.
Plealands House stood on the bleak brow of a hill. It was not of great antiquity, having been raised by the father of Malachi; but it occupied the site of an ancient fortalice, the materials of which were employed in its construction; and as no great skill of the sculptor had been exerted to change the original form of the lintels and their ornaments, it had an air of antiquity much greater than properly belonged to its years.
About as much as the habitation had been altered from its primitive character, the master too had been modernized. But, in whatever degree he may have been supposed to have declined from the heroic bearing of his ancestors, he still inherited, in unabated vigour, the animosity of their spirit; and if the coercive influence of national improvement prevented him from being distinguished in the feud and foray, the books of sederunt, both of the Glasgow Circuit and of the Court of Session, bore ample testimony to his constancy before them in asserting supposed rights, and in vindicating supposed wrongs.
In his personal appearance, Malachi Hypel had but few pretensions to the gallant air and grace of the gentlemen of that time. He was a coarse hard-favoured fresh-coloured carl, with a few white hairs thinly scattered over a round bald head. His eyes were small and grey, quick in the glance, and sharp in the expression. He spoke thickly and hurriedly, and although his words were all very cogently strung together, there was still an unaccountable obscurity in the precise meaning of what he said. In his usual style of dress he was rude and careless, and he commonly wore a large flat-brimmed blue bonnet; but on the occasion when he came to the gate to receive Claud, he had on his Sunday suit and hat.
After the first salutations were over, he said to Claud, on seeing him walking lamely and uneasily, ‘What’s the matter, Grippy, that ye seem sae stiff and sair?’
‘I met wi’ a bit accident,’ was Claud’s reply: ‘Rob Wallace, the horse-couper, gied me sic a deevil to ride as, I believe, never man before mounted. I would na wish my sworn enemy a greater ill than a day’s journey on that beast’s back, especially an he was as little used to riding as me.’
The latter clause of the sentence was muttered inwardly, for the Laird did not hear it; otherwise he would probably have indulged his humour a little at the expense of his guest, as he had a sort of taste for caustic jocularity, which the hirpling manner of Claud was, at the moment, well calculated to provoke.
On reaching the brow of the rising ground where the house stood, the leddy, as Mrs. Hypel was emphatically called by the neighbouring cottars, with Miss Girzy, came out to be introduced to their relative.
Whether the leddy, a pale, pensive, delicate woman, had been informed by the Laird of the object of Claud’s visit, we do not thoroughly know, but she received him with a polite and friendly respectfulness. Miss Girzy certainly was in total ignorance of the whole business, and was, therefore, not embarrassed with any virgin palpitations, nor blushing anxieties; on the contrary, she met him with the ease and freedom of an old acquaintance.
It might here be naturally expected that we should describe the charms of Miss Girzy’s person, and the graces of her mind; but, in whatever degree she possessed either, she had been allowed to reach the discreet years of a Dumbarton youth in unsolicited maidenhood; indeed, with the aid of all the prospective interest of the inheritance around her, she did not make quite so tender an impression on the heart of her resolved lover as he himself could have wished. But why should we expatiate on such particulars? Let the manners and virtues of the family speak for themselves, while we proceed to relate what ensued.
‘Girzy,’ said the Laird to his daughter, as they entered the dining-room, ‘gae to thy bed and bring a cod for Mr. Walkinshaw, for he’ll no can thole to sit down on our hard chairs.’
Miss Girzy laughed as she retired to execute the order, while her mother continued, as she had done from the first introduction, to inspect Claud from head to foot, with a curious and something of a suspicious eye; there was even an occasional flush that gleamed through the habitual paleness of her thoughtful countenance, redder and warmer than the hectic glow of mere corporeal indisposition. Her attention, however, was soon drawn to the spacious round table, in the middle of the room, by one of the maids entering with a large pewter tureen, John Drappie, the manservant, having been that morning sent on some caption and horning business of the Laird’s to Gabriel Beagle, the Kilmarnock lawyer. But, as the critics hold it indelicate to describe the details of any refectionary supply, however elegant, we must not presume to enumerate the series and succession of Scottish fare, which soon crowned the board, all served on pewter as bright as plate. Our readers must endeavour, by the aid of their own fancies, to form some idea of the various forms in which the head and harigals of the sheep, that had been put to death for the occasion, were served up, not forgetting the sonsy, savoury, sappy haggis, together with the gude fat hen, the float whey, which, in a large china punch-bowl, graced the centre of the table, and supplied the place of jellies, tarts, tartlets, and puddings.
By the time the table was burdened, Miss Girzy had returned with the pillow, which she herself placed in one of the armchairs, shaking and patting it into plumpness, as she said,—
‘Come round here, Mr. Walkinshaw,—I trow ye’ll fin’ this a saft easy seat,—well do I ken what it is to be saddle-sick mysel’. Lordsake, when I gaed in ahint my father to see the robber hanged at Ayr, I was for mair than three days just as if I had sat doun on a heckle.’
When the cloth was removed, and the ladies had retired, the Laird opened his mind by stretching his arm across the table towards his guest, and, shaking him again heartily by the hand,—