The Eternal Husband - Dostoevsky E-Book

Fyodor Dostoevsky

• Herausgeber: Lebooks Editora
• Kategorie: Gesellschafts- und Liebesromane
• Serie: Great Works of Fyodor Dostoevsky
• Sprache: Englisch

Seitenzahl: 279

Veröffentlichungsjahr: 2025

Beschreibung

The Eternal Husband  by  Fyodor Dostoyevsky (1870) is a compact yet searing psychological novella that delves into the labyrinthine complexities of human relationships and inner torment. In true Dostoyevskian fashion, the narrative unfolds through a series of confessional monologues and charged encounters that reveal the protagonist's struggle with the relentless ghosts of his past. At its core, the work explores the inescapable interplay between love and hatred, guilt and redemption, as the characters are drawn into a vortex of jealousy and moral ambiguity. Dostoyevsky masterfully constructs a world where the past is an ever-present specter—an "eternal husband" that haunts the corridors of memory and challenges the possibility of personal absolution. The austere prose and piercing psychological insight not only expose the fragility of the human soul but also illuminate the paradoxical nature of affection and betrayal. This work prefigures many of the themes that would come to define modern existential literature, making it an essential read for anyone intrigued by the darker recesses of human nature. A compelling blend of irony, despair, and subtle humor, The Eternal Husband stands as a testament to Dostoyevsky's enduring genius. It is a narrative that forces readers to confront the uncomfortable truths about the dualities of our inner lives, ultimately affirming its place as a timeless piece in the canon of world literature—a true must-read before you die.

Leseprobe

Fyodor Dostoevsky

THE ETERNAL HUSBAND

Original Title:

“Вечный муж”

Contents

INTRODUCTION

THE ETERNAL HUSBAND

I - Velchaninov

II - The Gentleman With Crape On His Hat

III - Pavel Pavlovitch Trusotsky

IV - The Wife, The Husband, And The Lover

V - Liza

VI - A New Fancy Of An Idle Man

VII - The Husband And The Lover Kiss Each Other

VIII - Liza III

IX - An Apparition

X - In The Cemetery

XI - Pavel Pavlovitch Means To Marry

XII - At The Zahlebinins’

XIII - On Whose Side Most?

XIV - Sashenka And Nadenka

XV - The Account Is Settled

XVI - Analysis

XVII - The Eternal Husband

INTRODUCTION

Fyodor Mikhailovich Dostoevsky

1821 – 1881

Fyodor Mikhailovich Dostoevsky was a Russian writer and philosopher, widely regarded as one of the most significant literary figures of the 19th century. His works delve into themes such as morality, free will, redemption, and the psychological struggles of the human soul. With a profound influence on existentialist and psychological literature, Dostoevsky’s novels remain among the most studied and revered in world literature.

Early Life and Education

Dostoevsky was born in Moscow into a middle-class family. His father, a strict and authoritarian military doctor, shaped much of his early worldview. At a young age, he was sent to the Military Engineering Academy in Saint Petersburg, where he studied engineering but remained more inclined toward literature. His literary aspirations were fulfilled when he published his first novel, Poor Folk (1846), which earned him early recognition.

Career and Contributions

Dostoevsky's writing explores the complexities of human psychology, faith, and social issues. His life took a dramatic turn when he was arrested in 1849 for alleged participation in a political conspiracy. Sentenced to death, he was granted a last-minute reprieve and exiled to a Siberian labor camp. This experience profoundly impacted his philosophical and religious beliefs, later reflected in his novels.

Among his most famous works are Crime and Punishment (1866), which follows the tormented student Raskolnikov as he struggles with guilt and morality after committing murder; The Brothers Karamazov (1880), a philosophical novel exploring faith, free will, and the nature of evil; and The Idiot (1869), which presents Prince Myshkin as an embodiment of purity and innocence clashing with a corrupt society.

Dostoevsky’s narratives are characterized by intense psychological depth, complex characters, and philosophical dialogues, making his works fundamental to the development of modern literature.

Impact and Legacy

Dostoevsky’s influence extends far beyond literature. His explorations of existential and psychological dilemmas shaped the works of thinkers like Friedrich Nietzsche, Jean-Paul Sartre, and Sigmund Freud. His portrayal of human suffering, redemption, and the duality of good and evil continues to resonate with readers and scholars.

His innovative use of the inner monologue and his ability to depict profound psychological struggles laid the groundwork for modern psychological fiction. His works have been widely adapted into films, theater, and philosophical discourse, cementing his status as a timeless literary icon.

Dostoevsky died in 1881 from complications related to epilepsy and lung disease. At the time of his death, he was already a celebrated figure in Russian literature, but his global recognition grew significantly in the 20th century. Today, he is regarded as one of the greatest novelists of all time, with his works continuing to influence writers, philosophers, and psychologists.

His ability to capture the depths of the human condition, the struggle between faith and doubt, and the eternal battle between good and evil ensures that Dostoevsky’s legacy endures. His novels remain essential readings for those seeking to understand the complexities of human nature and society.

About the work

The Eternal Husband by Fyodor Dostoyevsky (1870) is a compact yet searing psychological novella that delves into the labyrinthine complexities of human relationships and inner torment. In true Dostoyevskian fashion, the narrative unfolds through a series of confessional monologues and charged encounters that reveal the protagonist’s struggle with the relentless ghosts of his past. At its core, the work explores the inescapable interplay between love and hatred, guilt and redemption, as the characters are drawn into a vortex of jealousy and moral ambiguity.

Dostoyevsky masterfully constructs a world where the past is an ever-present specter—an “eternal husband” that haunts the corridors of memory and challenges the possibility of personal absolution. The austere prose and piercing psychological insight not only expose the fragility of the human soul but also illuminate the paradoxical nature of affection and betrayal. This work prefigures many of the themes that would come to define modern existential literature, making it an essential read for anyone intrigued by the darker recesses of human nature.

A compelling blend of irony, despair, and subtle humor, The Eternal Husband stands as a testament to Dostoyevsky’s enduring genius. It is a narrative that forces readers to confront the uncomfortable truths about the dualities of our inner lives, ultimately affirming its place as a timeless piece in the canon of world literature—a true must-read before you die.

THE ETERNAL HUSBAND

I - Velchaninov

The summer had come and, contrary to expectations, Velchaninov remained in Petersburg. The trip he had planned to the south of Russia had fallen through, and the end of his case was not in sight. This case — a lawsuit concerning an estate — had taken a very unfortunate turn. Three months earlier it had appeared to be quite straightforward, almost impossible to contest; but suddenly everything was changed. “And, in fact, everything has changed for the worse!” Velchaninov began frequently and resentfully repeating that phrase to himself. He was employing an adroit, expensive, and distinguished lawyer, and was not sparing money; but through impatience and lack of confidence he had been tempted to meddle in the case himself too. He read documents and wrote statements which the lawyer rejected pointblank, ran from one court to another, collected evidence, and probably hindered everything; the lawyer complained, at any rate, and tried to pack him off to a summer villa. But Velchaninov could not even make up his mind to go away. The dust, the stifling heat, the white nights of Petersburg, that always fret the nerves were what he was enjoying in town. His flat was near the Grand Theatre; he had only recently taken it, and it, too, was a failure. “Everything is a failure!” he thought. His nervousness increased every day; but he had for a long time past been subject to nervousness and hypochondria.

He was a man whose life had been full and varied, he was by no means young, thirty-eight or even thirty-nine, and his “old age,” as he expressed it himself, had come upon him “quite unexpectedly”; but he realized himself that he had grown older less by the number than by the quality, so to say, of his years, and that if he had begun to be aware of waning powers, the change was rather from within than from without. In appearance he was still strong and hearty. He was a tall, sturdily-built fellow, with thick flaxen hair without a sign of greyness and a long fair beard almost half-way down his chest; at first sight he seemed somewhat slack and clumsy, but if you looked more attentively, you would detect at once that he was a man of excellent breeding, who had at some time received the education of an aristocrat. Velchaninov’s manners were still free, assured and even gracious, in spite of his acquired grumpiness and slackness. And he was still, even now, full of the most unhesitating, the most snobbishly insolent self-confidence, the depth of which he did not himself suspect, although he was a man not merely intelligent, but even sometimes sensible, almost cultured and unmistakably gifted. His open and ruddy face had been in old days marked by a feminine softness of complexion which attracted the notice of women; and even now some people, looking at him, would say: “What a picture of health! What a complexion!” And yet this picture of health was cruelly subject to nervous depression. His eyes were large and blue, ten years earlier they had possessed great fascination; they were so bright, so gay, so careless that they could not but attract everyone who came in contact with him. Now that he was verging on the forties, the brightness and good-humor were almost extinguished. Those eyes, which were already surrounded by tiny wrinkles, had begun to betray the cynicism of a worn-out man of doubtful morals, a duplicity, an ever-increasing irony and another shade of feeling, which was new: a shade of sadness and of pain — a sort of absent-minded sadness as though about nothing in particular and yet acute. This sadness was especially marked when he was alone. And, strange to say, this man who had been only a couple of years before fond of noisy gaiety, careless and good-humored, who had been so capital a teller of funny stories, liked nothing now so well as being absolutely alone. He purposely gave up a great number of acquaintances whom he need not have given up even now, in spite of his financial difficulties. It is true that his vanity counted for something in this. With his vanity and mistrustfulness, he could not have endured the society of his old acquaintances. But, by degrees, in solitude even his vanity began to change its character. It grew no less, quite the contrary, indeed; but it began to develop into a special sort of vanity which was new in him; it began at times to suffer from different causes — from unexpected causes which would have formerly been quite inconceivable, from causes of a “higher order” than ever before — “if one may use such an expression, if there really are higher or lower causes.…” This he added on his own account.

Yes, he had even come to that; he was worrying about some sort of higher ideas of which he would never have thought twice in earlier days. In his own mind and in his conscience he called “higher” all “ideas” at which (he found to his surprise) he could not laugh in his heart — there had never been such hitherto — in his secret heart only, of course; oh, in company it was a different matter! He knew very well, indeed, that — if only the occasion were to arise — he would the very next day, in spite of all the mysterious and reverent resolutions of his conscience, with perfect composure disavow all these “higher ideas” and be the first to turn them into ridicule, without, of course, admitting anything. And this was really the case, in spite of a certain and, indeed, considerable independence of thought, which he had of late gained at the expense of the “lower ideas” that had mastered him till then. And how often, when he got up in the morning, he began to be ashamed of the thoughts and feelings he had passed through during a sleepless night! And he had suffered continually of late from sleeplessness.

He had noticed for some time past that he had become excessively sensitive about everything, trifles as well as matters of importance, and so he made up his mind to trust his feelings as little as possible. But he could not overlook some facts, the reality of which he was forced to admit. Of late his thoughts and sensations were sometimes at night completely transformed, and for the most part utterly unlike those which came to him in the early part of the day. This struck him — and he even consulted a distinguished doctor who was, however, an acquaintance; he spoke to him about it jocosely, of course. The answer he received was that the transformation of ideas and sensations, and even the possession of two distinct sets of thoughts and sensations, was a universal fact among persons “who think and feel,” that the convictions of a whole lifetime were sometimes transformed under the melancholy influences of night and sleeplessness; without rhyme or reason most momentous decisions were taken; but all this, of course, was only true up to a certain point — and, in fact, if the subject were too conscious of the double nature of his feelings, so that it began to be a source of suffering to him, it was certainly a symptom of approaching illness; and then steps must be taken at once. The best thing of all was to make a radical change in the mode of life, to alter one’s diet, or even to travel. Relaxing medicine was beneficial, of course.

Velchaninov did not care to hear more; but to his mind it was conclusively shown to be illness.

“And so, all this is only illness, all these ‘higher ideas’ are mere illness and nothing more!” he sometimes exclaimed to himself resentfully. He was very loth to admit this.

Soon, however, what had happened exclusively in the hours of the night began to be repeated in the morning, only with more bitterness than at night, with anger instead of remorse, with irony instead of emotion. What really happened was that certain incidents in his past, even in his distant past, began suddenly, and God knows why, to come more and more frequently back to his mind, but they came back in quite a peculiar way. Velchaninov had, for instance, complained for a long time past of loss of memory: he would forget the faces of acquaintances, who were offended by his cutting them when they met; he sometimes completely forgot a book he had read months before; and yet in spite of this loss of memory, evident every day (and a source of great uneasiness to him), everything concerning the remote past, things that had been quite forgotten for ten or fifteen years, would sometimes come suddenly into his mind now with such amazing exactitude of details and impressions that he felt as though he were living through them again.

Some of the facts he remembered had been so completely forgotten that it seemed to him a miracle that they could be recalled. But this was not all, and, indeed, what man of wide experience has not some memory of a peculiar sort? But the point was that all that was recalled came back now with a quite fresh, surprising and, till then, inconceivable point of view, and seemed as though someone were leading up to it on purpose. Why did some things he remembered strike him now as positive crimes? And it was not a question of the judgments of his mind only: he would have put little faith in his gloomy, solitary and sick mind; but it reached the point of curses and almost of tears, of inward tears. Why, two years before, he would not have believed it if he had been told that he would ever shed tears! At first, however, what he remembered was rather of a mortifying than of a sentimental character: he recalled certain failures and humiliations in society; he remembered, for instance, how he had been slandered by an intriguing fellow, and in consequence refused admittance to a certain house; how, for instance, and not so long ago, he had been publicly and unmistakably insulted, and had not challenged the offender to a duel; how in a circle of very pretty women he had been made the subject of an extremely witty epigram and had found no suitable answer. He even recollected one or two unpaid debts — trifling ones, it is true, but debts of honor — owing to people whom he had given up visiting and even spoke ill of. He was also worried (but only in his worst moments) by the thought of the two fortunes, both considerable ones, which he had squandered in the stupidest way possible. But soon he began to remember things of a “higher order.”

Suddenly, for instance, apropos of nothing, he remembered the forgotten, utterly forgotten, figure of a harmless, grey-headed and absurd old clerk, whom he had once, long, long ago, and with absolute impunity, insulted in public simply to gratify his own conceit, simply for the sake of an amusing and successful jest, which was repeated and increased his prestige. The incident had been so completely forgotten that he could not even recall the old man’s surname, though all the surroundings of the incident rose before his mind with incredible clearness. He distinctly remembered that the old man was defending his daughter, who was unmarried, though no longer quite young, and had become the subject of gossip in the town. The old man had begun to answer angrily, but he suddenly burst out crying before the whole company, which made some sensation. They had ended by making him drunk with champagne as a joke and getting a hearty laugh out of it. And now when, apropos of nothing, Velchaninov remembered how the poor old man had sobbed and hidden his face in his hands like a child, it suddenly seemed to him as though he had never forgotten it. And, strange to say, it had all seemed to him very amusing at the time, especially some of the details, such as the way he had covered his face with his hands; but now it was quite the contrary.

Later, he recalled how, simply as a joke, he had slandered the very pretty wife of a schoolmaster, and how the slander had reached the husband’s ears. Velchaninov had left the town soon after and never knew what the final consequences of his slander had been, but now he began to imagine how all might have ended — and there is no knowing to what lengths his imagination might not have gone if this memory had not suddenly been succeeded by a much more recent reminiscence of a young girl of the working-class, to whom he had not even felt attracted, and of whom, it must be admitted, he was actually ashamed. Yet, though he could not have said what had induced him, he had got her into trouble and had simply abandoned her and his child without even saying good-bye (it was true, he had no time to spare), when he left Petersburg. He had tried to find that girl for a whole year afterwards, but he had not succeeded in tracing her. He had, it seemed, hundreds of such reminiscences — and each one of them seemed to bring dozens of others in its train. By degrees his vanity, too, began to suffer.

We have said already that his vanity had degenerated into something peculiar. That was true. At moments (rare moments, however), he even forgot himself to such a degree that he ceased to be ashamed of not keeping his own carriage, that he trudged on foot from one court to another, that he began to be somewhat negligent in his dress. And if someone of his own acquaintance had scanned him with a sarcastic stare in the street or had simply refused to recognize him, he might really have had pride enough to pass him by without a frown. His indifference would have been genuine, not assumed for effect. Of course, this was only at times: these were only the moments of forgetfulness and nervous irritation, yet his vanity had by degrees grown less concerned with the subjects that had once affected it, and was becoming concentrated on one question, which haunted him continually.

“Why, one would think,” he began reflecting satirically sometimes (and he almost always began by being satirical when he thought about himself), “why, one would think someone up aloft were anxious for the reformation of my morals, and were sending me these cursed reminiscences and ‘tears of repentance!’ So be it, but it’s all useless! It is all shooting with blank cartridges! As though I did not know for certain, more certainly than certainty, that in spite of these fits of tearful remorse and self-reproach, I haven’t a grain of independence for all my foolish middle age! Why, if the same temptation were to turn up tomorrow, if circumstances, for instance, were to make it to my interest to spread a rumor that the school-master’s wife had taken presents from me, I should certainly spread it, I shouldn’t hesitate — and it would be even worse, more loathsome than the first time, just because it would be the second time and not the first time. Yes, if I were insulted again this minute by that little prince whose leg I shot o" eleven years ago, though he was the only son of his mother, I should challenge him at once and condemn him to crutches again. So, they are no better than blank cartridges, and there’s no sense in them! And what’s the good of remembering the past when I’ve not the slightest power of escaping from myself?”

And though the adventure with the schoolmaster’s wife was not repeated, though he did not condemn anyone else to crutches, the very idea that it inevitably would be the same, if the same circumstances arose, almost killed him … at times. One cannot, in reality, suffer from memories all the time; one can rest and enjoy oneself in the intervals.

So, indeed, Velchaninov did: he was ready to enjoy himself in the intervals; yet his sojourn in Petersburg grew more and more unpleasant as time went on. July was approaching. Intermittently he had flashes of determination to give up everything, the lawsuit and all, and to go away somewhere without looking back, to go suddenly, on the spur of the moment, to the Crimea, for instance. But, as a rule, an hour later he had scorned the idea and had laughed at it: “These hateful thoughts won’t stop short at sending me to the south, if once they’ve begun and if I’ve any sense of decency, and so it’s useless to run away from them, and, indeed, there’s no reason to.

“And what’s the object of running away?” he went on brooding in his despondency; “it’s so dusty here, so stifling, everything in the house is so messy. In those law-courts where I hang about among those busy people, there is such a scurrying to and fro like mice, such a mass of sordid cares! All the people left in town, all the faces that flit by from morning till night so naively and openly betray their self-love, their guileless insolence, the cowardice of their little souls, the chicken-heartedness of their little natures — why, it’s a paradise for a melancholy man, seriously speaking! Everything is open, everything is clear, no one thinks it necessary to hide anything as they do among our gentry in our summer villas or at watering-places abroad — and so it’s more deserving of respect, if only for its openness and simplicity! … I won’t go away! I’ll stay here if I burst!”

II - The Gentleman With Crape On His Hat

It was the third of July. The heat and stuffiness were insufferable. The day had been a very busy one for Velchaninov; he had to spend the whole morning in walking and driving from place to place, and he had before him the prospect of an unavoidable visit that evening to a gentleman — a lawyer and a civil councilor — whom he hoped to catch unawares at his villa out of town. At six o’clock Velchaninov went at last into a restaurant (the fare was not beyond criticism, though the cooking was French) on the Nevsky Prospect, near the Police Bridge. He sat down at the little table in his usual corner and asked for the dinner of the day.

He used to eat the dinner that was provided for a rouble and paid extra for the wine, and he regarded this as a sacrifice to the unsettled state of his finances and an act of prudence on his part. Though he wondered how he could possibly eat such stuff, he nevertheless used to devour it to the last crumb — and every time with as much appetite as though he had not eaten for three days before. “There’s something morbid about it,” he would mutter to himself sometimes, noticing his appetite. But on this occasion he took his seat at his little table in a very bad humor, tossed his hat down angrily, put his elbows on the table, and sank into thought.

Though he could be so polite and, on occasion, so loftily imperturbable, he would probably now, if someone dining near him had been noisy, or the boy waiting on him had failed to understand at the first word, have been as blustering as a junker and would perhaps have made a scene.

The soup was put before him. He took up the ladle, but before he had time to help himself, he dropped it, and almost jumped up from the table. A surprising idea suddenly dawned upon him: at that instant — and God knows by what process — he suddenly realized the cause of his depression, of the special extra depression which had tormented him of late for several days together, had for some unknown reason fastened upon him and for some unknown cause refused to be shaken off; now he suddenly saw it all and it was as plain as a pikestaff.

“It’s all that hat,” he muttered as though inspired. “It’s nothing but that cursed bowler hat with that beastly mourning crape that is the cause of it all!”

He began pondering — and the more he pondered the more morose he grew, and the more extraordinary “the whole adventure” seemed to him.

“But … it is not an adventure, though,” he protested, distrustful of himself. “As though there were anything in the least like an adventure about it!”

All that had happened was this. Nearly a fortnight before (he did not really remember, but he fancied it was about a fortnight), he had first met somewhere in the street, near the corner of Podyatchesky Street and Myestchansky Street, a gentleman with crape on his hat. The gentleman was like anyone else, there was nothing peculiar about him, he passed quickly, but he stared somewhat too fixedly at Velchaninov, and for some reason at once attracted his attention in a marked degree. His countenance struck Velchaninov as familiar. He had certainly at some time met it somewhere. “But I must have seen thousands of faces in my life, I can’t remember them all!”

Before he had gone twenty paces further he seemed to have forgotten the encounter, in spite of the impression made at first. But the impression persisted the whole day — and it was somewhat singular, it took the form of a peculiar undefined annoyance. Now, a fortnight later, he remembered all that distinctly; he remembered, too, what he had failed to grasp at the time — that is, what his annoyance was due to; and he had so utterly failed to grasp it that he had not even connected his ill-humor all that evening with the meeting that morning.

But the gentleman had lost no time in recalling himself to Velchaninov’s mind, and next day had come across the latter in the Nevsky Prospect again, and again stared at him rather strangely. Velchaninov dismissed him with a curse and immediately afterwards wondered why he cursed. It is true that there are faces that at once arouse an undefined and aimless aversion.

“Yes, I certainly have met him somewhere,” he muttered thoughtfully, an hour after the meeting. And he remained in a very bad humor the whole evening afterwards; he even had a bad dream at night, and yet it never entered his head that the whole cause of this new fit of despondency was nothing but that gentleman in mourning, although he did not once think of him that evening! He had even been wrathful at the moment that such a “wretched object” could occupy his attention as long as it did and would certainly have thought it degrading to ascribe his agitation to him, if it had ever occurred to his mind to do so. Two days later they met again in a crowd coming o" one of the Nevsky steamers. On this third occasion Velchaninov was ready to swear that the gentleman with the crape on his hat recognized him and made a dash for him, but was borne away in the crush; he fancied he had even had the “effrontery” to hold out his hand to him; perhaps he had even cried out and shouted his name. That, however, Velchaninov had not heard distinctly, but … “Who is the low fellow, though, and why does he not come up to me, if he really does know me, and if he is so anxious to?” he thought angrily, as he got into a cab and drove towards Smolny monastery. Half-an-hour later he was noisily arguing with his lawyer, but in the evening and the night he was suffering again from the most abominable and most fantastic attack of acute depression. “Am I in for a bilious attack?” he wondered uneasily, looking at himself in the looking-glass.

This was the third meeting. Afterwards, for five days in succession, he met “no one,” and not a sign was seen of the low fellow. And yet the gentleman with the crape on his hat was continually in his mind. With some surprise Velchaninov caught himself wondering: “What’s the matter with me — am I sick on his account, or what? H’m! … and he must have a lot to do in Petersburg, too — and for whom is he wearing crape? He evidently recognized me, but I don’t recognize him. And why do these people put on crape? It’s out of keeping with him somehow.… I fancy if I look at him closer, I shall recognize him.…”

And something seemed faintly stirring in his memory, like some familiar but momentarily forgotten word, which one tries with all one’s might to recall; one knows it very well and knows that one knows it; one knows exactly what it means, one is close upon it and yet it refuses to be remembered, in spite of one’s efforts.

“It was … It was long ago … and it was somewhere … There was … there was but, damn the fellow, whatever there was or wasn’t.…” he cried angrily all at once; “it is not worthwhile to demean and degrade myself over that wretched fellow.…”

He grew horribly angry, but in the evening, when he suddenly remembered that he had been angry that morning, and “horribly” angry, it was extremely disagreeable to him; he felt as though someone had caught him in something shameful. He was bewildered and surprised.

“Then there must be reasons for my being so angry … apropos of nothing … at a mere reminiscence …” He left the thought unfinished.

And next day he felt angrier than ever, but this time he fancied he had grounds for it, and that he was quite right in feeling so; “It was unheard-of insolence,” he thought. What had happened was the fourth meeting. The gentleman with crape on his hat had suddenly made his appearance again, as though he had sprung out of the earth. Velchaninov had just caught in the street the indispensable civil councilor before mentioned, of whom he was still in pursuit, meaning to pounce on him unawares at his summer villa, for the gentleman, whom Velchaninov scarcely knew, though it was so necessary to see him about his business, on that occasion as on this eluded him, and was evidently keeping out of sight and extremely reluctant to meet him. Delighted at coming across him at last, Velchaninov walked hurriedly beside him, glancing into his face and straining every effort to bring the wily old fellow to the discussion of a certain subject, in which the latter might be indiscreet enough to let slip the facts of which he had so long been on the track; but the crafty old man had his own views, and kept putting him off with laughter or silence — and it was just at this extremely absorbing moment that Velchaninov descried on the opposite pavement the gentleman with crape on his hat. He was standing staring at them both — he was watching them, that was evident, and seemed to be jeering at them.

“Damnation!” cried Velchaninov in a fury, as he left the civil councilor at his destination and ascribed his failure with him to the sudden appearance of that “impudent fellow.” “Damnation! Is he spying on me? He’s evidently following me. Hired by someone, perhaps, and … and … and, by Jove! He was jeering at me! By Jove! I’ll thrash him.… I’m sorry I’ve no stick with me! I’ll buy a stick! I won’t let it pass. Who is he? I insist on knowing who he is.”

It was three days after this fourth meeting that Velchaninov was at his restaurant, as we have described him, agitated in earnest and even somewhat overwhelmed. He could not help being conscious of it himself, in spite of his pride. He was forced at last, putting all the circumstances together, to suspect that all his depression — all this peculiar despondency and the agitation that had persisted for the last fortnight — was caused by no other than this gentleman in mourning, “nonentity as he was.”

“I may be a hypochondriac,” thought Velchaninov, “and so I am ready to make a mountain out of a mole-hill, but does it make it any better for me that all this is perhaps only fancy! Why, if every rogue like that is going to be able to upset one in this way, why … it’s … why?…”

Certainly, in the meeting of that day (the fifth), which had so agitated Velchaninov, the mountain had proved to be little more than a mole-hill: the gentleman had as before darted by him, but this time without scrutinizing Velchaninov, and without, as before, betraying that he recognized him; on the contrary, he dropped his eyes and seemed to be very anxious to escape being noticed. Velchaninov turned round and shouted at the top of his voice.

“Hi! You with the crape on your hat! Hiding now! Stop! Who are you?”