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Emerson Hough was a late 19th century American writer best known for Westerns and historical novels about America. This is one of his most popular books. A fantastic read for anyone with a taste for Westerns!
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THE LAW OF THE LAND
by Emerson Hough
Published 2018 by Blackmore Dennett
All rights reserved. This book or any portion thereof may not be reproduced or used in any manner whatsoever without the express written permission of the publisher except for the use of brief quotations in a book review.
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TABLE OF CONTENTS
BOOK I
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER XI.
CHAPTER XII
CHAPTER XIII
CHAPTER XIV
CHAPTER XV
CHAPTER XVI
CHAPTER XVII
CHAPTER XVIII
BOOK II
CHAPTER I
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER XI
CHAPTER XII
CHAPTER XIII
CHAPTER XIV
CHAPTER XV
CHAPTER XVI
CHAPTER XVII
CHAPTER XVIII
CHAPTER XIX
CHAPTER XX
CHAPTER XXI
CHAPTER XXII
Ah, but it was a sweet and wonderful thing to see Miss Lady dance, a strange and wondrous thing! She was so sweet, so strong, so full of grace, so like a bird in all her motions! Now here, now there, and back again, her feet scarce touching the floor, her loose skirt, held out between her dainty fingers, resembling wings, she swam through the air, up and down the room of the old plantation house, as though she were indeed the creature of an element wherein all was imponderable, light and free of hampering influences. Darting, nodding, beckoning, courtesying to something that she saw—it must have moved you to applause, had you seen Miss Lady dance! You might have been restrained by the feeling that this was almost too unreal, too unusual, this dance of the young girl, all alone, in front of the great mirror which faithfully gave back the passing, flying figure line for line, flush for flush, one bosom-heave for that of the other. Yet the tall white lilies in the corner saw; and the tall white birds, one on each side of the great cheval glass, saw also, but fluttered not; since a lily and a stork and a maiden may each be tall and white, and each may understand the other subtly.
Miss Lady stood at length, tall and white, her cheeks rosy withal, her blown brown hair pushed back a bit, one hand lightly resting on her bosom, looking—looking into the mirror, asking of it some question, getting, indeed, from it some answer—an answer embodying, perhaps, all that youth may mean, all that the morning may bring.
For now the sun of the South came creeping up apace, and saw Miss Lady as it peered in through the rose lattice whereon hung scores of fragrant blossoms. A gentle wind of morning stirred the lace curtains at the windows and touched Miss Lady's hair as she stood there, asking the answer of the mirror. It was morning in the great room, morning for the southern day, morning for the old plantation whose bell now jangled faintly and afar off—morning indeed for Miss Lady, who now had ceased in her self-absorbed dance. At this very moment, as she stood gazing into the mirror, with the sunlight and the roses thus at hand, one might indeed have sworn that it was morning for ever, over all the world!
Miss Lady stood eager, fascinated, before the glass; and in the presence of the tall flowers and the tall birds, saw something which stirred her, felt something which came in at the window out of the blue sky and from the red rose blossoms, on the warm south wind. Impulsively she flung out her arms to the figure in the glass. Perhaps she felt its beauty and its friendliness. And yet, an instant later, her arms relaxed and sank; she sighed, knowing not why she sighed.
Ah, Miss Lady, if only it could be for ever morning for us all! Nay, let us say not so. Let us say rather that this sweet picture of Miss Lady, doubled by the glass, remains to-day imperishably preserved in the old mirror—the picture of Miss Lady dancing as the bird flies, and then standing, plaintive and questioning, before her own image, loving it because it was beautiful and friendly, dreading it because she could not understand.
Miss Lady had forgotten that she was alone, and did not hear the step at the door, nor see the hand which presently pushed back the curtain. There stepped into the room, the tall, somewhat full figure of a lady who stood looking on with eyes at first surprised, then cynically amused. The intruder paused, laughing a low, well-fed, mellow laugh. On the moment she coughed in deprecation. Miss Lady sprang back, as does the wild deer startled in the forest. Her hands went to her cheeks, which burned in swift flame, thence to drop to her bosom, where her heart was beating in a confusion of throbs, struggling with the reversed current of the blood of all her tall young body.
"Mamma!" she cried. "You startled me." "So it seems," said the new- comer. "I beg your pardon. I did not mean to intrude upon your devotions."
She came forward and seated herself-a tall woman, a trifle full of figure now, but still vital of presence. Her figure, deep-chested, rounded and shapely, now began to carry about it a certain air of ease. The mouth, well-bowed and red, had a droop of the same significance. The eyes, deep, dark and shaded by strong brows, held depths not to be fathomed at a glance, but their first message was one of an open and ready self-indulgence. The costume, flowing, loose and easy, carried out the same thought; the piled black hair did not deny it; the smile upon the face, amused, half-cynical, confirmed it. Here was a woman of her own acquaintance with the world, you would have said. And in the next breath you must have asked how she could have been the mother of this tall girl, at whom she now smiled thus mockingly.
"I was just—I was—well, I was dancing, mamma," said Miss Lady. "It is so nice." This somewhat vaguely.
"Yes," said her mother; "why?"
"I do not know," said Miss Lady, frankly, and turning to her with sudden courage. "I was dancing. That is all."
"Yes, I know."
"Well, is it any crime, mamma, I should like to ask?" This with spirit, and with eyes showing themselves able to flash upon occasion.
"Not in the least, my dear. Indeed, I am not at all surprised. I knew it was coming."
"What was coming, mammal? What do you mean?"
"Why, that this was going to happen—that you were going to dance. It was nearly time."
"I do not know what you mean."
"It was always thus with the Ellisons," said the other woman. "All the Ellisons danced this way once in their lives. All the girls do so. They're very strange, these Ellison girls. They dance because they must, I suppose. It's as natural as breathing, for them. You can't help it. It's fate. But listen, child. It is time I took you more in hand. You will be marrying before long—"
"Mamma!" Miss Lady blushed indignantly. "How can you talk so? I don't know—I didn't—I shan't—"
"Tut, tut. Please don't. It is going to be a very warm day. I really can't go into any argument. Take my word, you will marry soon; or if you don't, you will reverse all the known horoscopes of the family. That, too, is the fate of the Ellison girls—certain marriage! Our only hope is in some miracle. It is time for me to take you in hand. Listen, Lady. Let me ask you to sit a trifle farther back upon that chair. So, that is better. Now, draw the skirt a little closer. That is well. Now, sit easily, keep your back from the chair; try to keep your feet concealed. Remember, Lady, you are a woman now, and there are certain rules, certain little things, which will help you so much, so much."
Mrs. Ellison sighed, then yawned, touching her white teeth with the tip of her fan. "Dear me, it certainly is going to be warm," she said at last. "Lady, dear, please run and get my book, won't you? You know your darling mamma is getting so—well, I won't say fat, God forbid! but so—really—well, thank you."
Miss Lady fled gladly and swiftly enough. For an instant she halted, uncertain, on the wide gallery, her face troubled, her attitude undecided. Then, in swift mutiny, she sprang down the steps and was off in open desertion. She fled down the garden walk, and presently was welcomed riotously by a score of dogs and puppies, long since her friends.
Left alone, the elder lady sat for a moment in thought. Her face now seemed harder in outline, more enigmatical. She gazed after the girl who left her, and into her eyes came a look which one must have called strangely unmaternal—a look not tender, but hard, calculating, cold.
"She is pretty," she murmured to herself half-aloud. "She is going to be very pretty—the prettiest of the family in generations, perhaps. Well-handled, that girl could marry anybody. I'll have to be careful she doesn't marry the wrong one. They're headstrong, these Ellisons. Still, I think I can handle this one of them. In fact, I must." She smiled gently and settled down into a half-reverie, purring to herself. "Dear me!" she resumed at length, starting up, "how warm it grows! Where has that girl gone? I do believe she has run away. Delphine! Ah-h-h-h, Delphine!"
There came no audible sound of steps, but presently there stood, just within the parted draperies, the figure of the servant thus called upon. Yet that title sat ill upon this tall young woman who now stood awaiting the orders of her mistress. Garbed as a servant she was, yet held herself rather as a queen. Her hair, black and luxuriant, was straight and strong, and, brushed back smoothly from her temples as it was, contrasted sharply with a skin just creamy enough to establish it as otherwise than pure white. Egyptian, or Greek, or of unknown race, this servant, Delphine, might have been; but had it not been for her station and surroundings, one could never have suspected in her the trace of negro blood. She stood now, a mellow-tinted statue of not quite yellow ivory, silent, turning upon her mistress eyes large, dark and inscrutable as those of a sphinx. One looking upon the two, as they thus confronted each other, must have called them a strange couple. Why they should be mistress and servant was not a matter to be determined upon a first light guess. Indeed, they seemed scarcely such. From dark eye to dark eye there seemed to pass a signal of covert understanding, a signal of doubt, or suspicion, or armed neutrality, yet of mutual comprehension.
"Delphine," said Mrs. Ellison, presently, "bring me a glass of wine. And from now on, Delphine, see to it that you watch that girl. Tell me what she does. There's very little restraint of any kind here on the plantation, and she is just the age—well, you must keep me informed. You may bring the decanter, Delphine. I really don't feel fit for breakfast."
In the warm sun of the southern morning the great plantation lay as though half-asleep, dozing and blinking at the advancing day. The plantation house, known in all the country-side as the Big House, rested calm and self-confident in the middle of a wide sweep of cleared lands, surrounded immediately by dark evergreens and the occasional primeval oaks spared in the original felling of the forest. Wide and rambling galleries of one height or another crawled here and there about the expanses of the building, and again paused, as though weary of the attempt to circumvent it. The strong white pillars, rising from the ground floor straight to the third story, shone white and stately, after that old southern fashion, that Grecian style, simplified and made suitable to provincial purses by those Adams brothers of old England who first set the fashion in early American architecture. White-coated, with wide, cool, green blinds, with ample and wide-doored halls and deep, low windows, the Big House, here in the heart of the warm South-land, was above all things suited to its environment. It was a home taking firm hold upon the soil, its wide roots reaching into traditions of more than one generation. Well toward the head of the vast Yazoo-Mississippi Delta, the richest region on the face of the whole earth, the Big House ruled over these wide acres as of immemorial right. Its owner, Colonel Calvin Blount, was a king, an American king, his right to rule based upon full proof of fitness.
In the heart of the only American part of America, the Big House, careless and confident, could afford to lie blinking at the sun, or at the broad acres which blinked back at it. It was all so safe and sure that there was no need for anxiety. Life here was as it had been for generations, even for the generation following the upheaval of the Civil War. Open-handed, generous, rich, lazily arrogant, kindly always, though upon occasions fiercely savage, this life took hold upon that of a hundred years ago. These strings of blacks, who now, answering the plantation bell, slowly crawled down the lane to the outlying fields, might still have been slaves. This lazy plow, tickling the opulent earth, might have been handled by a slave rather than by this hired servitor, whose quavering, plaintive song, broken mid-bar betimes, now came back across the warm distances which lay trembling in the rays of the advancing sun. These other dark-skinned servants, dawdling along the galleries, or passing here and yonder from the detached quarters of kitchen, and cook-room, and laundry and sleeping-rooms—they also humming musically at their work, too full of the sun and the certainty of comfort to need to hurry even with a song—all these might also have been tenants of an old-time estate, giving slow service in return for a life of carelessness and irresponsibility. This was in the South, in the Delta, the garden of the South, the garden of America; a country crude, primitive, undeveloped in modern ways, as one might say, yet by right entitled to its own assuredness. It asked nothing of all the world.
All this deep rich soil was given to the people of that land by Father Messasebe. Yards deep it lay, anciently rich, kissed by a sun which caused every growing thing to leap into swift fruition. The entire lesson of the scene was one of an absolute fecundity. The grass was deep and green and lush. The sweet peas and the roses and the morning-glories, and the honeysuckles on the lattice, hung ranks deep in blossoms. A hundred flocks of fowl ran clucking and chirping about the yard. Across the lawn a mother swine led her brood of squeaking and squealing young. A half-hundred puppies, toddlers or half-grown, romped about, unused fragments of the great hunting pack of the owner of this kingdom. Life, perhaps short, perhaps rude, perhaps swiftly done, yet after all life—this was the message of it all. The trees grew vast and tall. The corn, where the stalks could still be seen, grew stiff and strong as little trees. The cotton, through which the negroes rode, their black kinky heads level with the old shreds of ungathered bolls, showed plants rank and coarse enough to uphold a man's weight free of the ground. This sun and this soil—what might they not do in brooding fecundity? Growth, reproduction, the multifold—all this was written under that sky which now swept, deep and blue, flecked here and there with soft and fleecy clouds, over these fruitful acres hewn from the primeval forest.
The forest, the deep, vast forest of oak and ash and gum and ghostly sycamore; the forest, tangled with a thousand binding vines and briers, wattled and laced with rank blue cane—sure proof of a soil exhaustlessly rich—this ancient forest still stood, mysterious and forbidding, all about the edges of the great plantation. Here and there a tall white stump, fire-blackened at its foot, stood, even in fields long cultivated, showing how laborious and slow had been the whittling away of this jungle, which even now continually encroached and claimed its own. The rim of the woods, marked white by the deadened trees where the axes of the laborers were reclaiming yet other acres as the years rolled by, now showed in the morning sun distinctly, making a frame for the rich and restful picture of the Big House and its lands. Now and again overhead there swung slowly an occasional great black bird, its shadow not yet falling straight on the sunlit ground, as it would at midday, when the puppies of the pack would begin their daily pastime of chasing it across the fields.
This silent surrounding forest even yet held its ancient creatures— the swift and graceful deer, the soft-footed panther, the shambling black bear, the wild hog, the wolf, all manner of furred creatures, great store of noble wild fowl—all these thriving after the fecund fashion of this brooding land. It was a kingdom, this wild world, a realm in the wilderness; a kingdom fit for a bold man to govern, a man such as might have ruled in days long gone by. And indeed the Big House and its scarcely measured acres kept well their master as they had for many years. The table of this Delta baron was almost exclusively fed from these acres; scarce any item needful in his life required to be imported from the outer world. The government of America might have fallen; anarchy might have prevailed; a dozen states might have been taken over by a foreign foe; a score of states might have been overwhelmed by national calamity, and it all had scarce made a ripple here in this land, apart, rich, self-supporting and content. It had always been thus here.
But if this were a kingdom apart and self-sufficient, what meant this thing which, crossed the head of the plantation—this double line, tenacious and continuous, which shone upon the one hand dark, and upon the other, where the sun touched it, a cold gray in color? What meant this squat little building at the side of these rails which reached out straight as the flight of a bird across the clearing and vanished keenly in the forest wall? This was the road of the iron rails, the white man's perpetual path across the land. It clung close to the ground, at times almost sinking into the embankment now grown scarcely discernible among the concealing grass and weeds, although the track itself had been built but recently. This railroad sought to efface itself, even as the land sought to aid in its effacement, as though neither believed that this was lawful spot for the path of the iron rails. None the less, here was the railroad, ineradicable, epochal, bringing change; and, one might say, it made a blot upon this picture of the morning.
An observer standing upon the broad gallery, looking toward the eastward and the southward, might have seen two figures just emerging from the rim of the forest something like a mile away; and might then have seen them growing slowly more distinct as they plodded up the railway track toward the Big House. Presently these might have been discovered to be a man and a woman; the former tall, thin, dark and stooped; his companion, tall as himself, quite as thin, and almost as bent. The garb of the man was nondescript, neutral, loose; his hat dark and flapping. The woman wore a shapeless calico gown, and on her head was a long, telescopic sunbonnet of faded pink, from which she must perforce peer forward, looking neither to the right nor to the left.
The travelers, indeed, needed not to look to the right or the left, for the path of the iron rails led them directly on. Now and again clods of new-broken earth caused them to stumble as they hobbled loosely along. If the foot of either struck against the rail, its owner sprang aside, as though in fear, toward the middle of the track. Slowly and unevenly, with all the zigzags permissible within the confining inches of the irons, they came on up toward the squat little station-house. Thence they turned aside into the plantation path and, still stumbling and zigzagging, ambled up toward the house. They did not step to the gallery, did not knock at the door, or, indeed, give any evidences of their intentions, but seated themselves deliberately upon a pile of boards that lay near in the broad expanse of the front yard. Here they remained, silent and at rest, fitting well enough into the sleepy scene. No one in the house noticed them for a time, and they, tired by the walk, seemed content to rest under the shade of the evergreens before making known their errand. They sat speechless and content for some moments, until finally a mulatto house-servant, passing from one building to another, cast a look in their direction, and paused uncertainly in curiosity. The man on the board-pile saw her.
"Here, Jinny! Jinny!" he called, just loud enough to be heard, and not turning toward her more than half-way. "Come heah."
"Yassah," said the girl, and slowly approached.
"Get us a little melk, Jinny," said the speaker.
"We're plumb out o' melk down home."
"Yassah," said Jinny; and disappeared leisurely, to be gone perhaps half an hour.
There remained little sign of life on the board-pile, the bonnet tube pointing fixedly toward the railway station, the man now and then slowly shifting one leg across the other, but staring out at nothing, his lower lip drooping laxly. When the servant finally brought back the milk-pail and placed it beside him, he gave no word of thanks. The sunbonnet shifted to include the mulatto girl within its full vision, as the latter stood leaning her weight on one side-bent foot, idly wiping her hands upon her apron.
"Folks all well down to yo' place, Mistah Bowles?" said she, affably.
"Right well."
"Um-h-h." Silence then fell until Jinny again found speech.
"Old Bess, that's the Cunnel's favoright dawg, you-all know, she done have 'leven puppies las' night."
"That so?"
"Yassah. Cunnel, he's off down on the Sun-flowah."
"Um-h-h."
"Yassah; got most all his dawgs wid 'im. We goin' to have b'ah meat now for sho',"—this with a wide grin.
"Reckon so," said the visitor. "When's Cunnel coming back, you reckon?"
"I dunno, suh, but he sho' won't come back lessen he gets a b'ah. If you-all could wait a while, yon-all could take back some b'ah meat, if you wantuh."
"Um-h-h," said the man, and fell again into silence. To all appearances, he was willing to wait here indefinitely, forgetful of the pail of milk, toward which the sun was now creeping ominously close. The way back home seemed long and weary at that moment. His lip drooped still more laxly, as he sat looking out vaguely.
Not so calm seemed his consort, she of the sun-bonnet. Eestored to some extent by her tarrying in the shade, she began to shift and hitch about uneasily upon the board-pile. At length she leaned a bit to one side, reached into a pocket and, taking out a snuff-stick and a parcel of its attendant compound, began to take a dip of snuff, after the habit of certain of the population of that region. This done, she turned with a swift jerk of the head, bringing to bear the tube of her bonnet in full force upon her lord and master.
"Jim Bowles," she said, "this heah is a shame! Hit's a plumb shame!"
There was no answer, save an uneasy hitch on the part of the person so addressed. He seemed to feel the focus of the sunbonnet boring into his system. The voice in the bonnet went on, shot straight toward him, so that he might not escape.
"Hit's a plumb shame," said Mrs. Bowles, again.
"I know it, I know it," said her husband at length, uneasily. "That is, about us having to walk up heah. That whut you mean?"
"Yassir, that's whut I do mean, an' you know it."
"Well, now, how kin I help it? We kain't take the only mewel we got and make the nigger stop wu'k. That ain't reasonable. Besides, you don't think Cunnel Blount is goin' to miss a pail o' melk now and then, do you?"
A snort of indignation greeted this supposition.
"Jim Bowles, you make me sick," replied his wife. "We kin get melk heah as long as we want to, o' co'se; but who wants to keep a-comin' up heah, three mile, for melk? It ain't right."
"Well, now, Sar' Ann, how kin I help it?" said Jim Bowles. "The cow is daid, an' I kain't help it, an' that's all about it. My God, woman!" this with sudden energy, "do you think I kin bring a cow to life that's been kilt by the old railroad kyahs? I ain't no 'vangelist."
"You kain't bring old Muley to life," said Sarah Ann Bowles, "but then—"
"Well, but then! But whut? Whut you goin' to do? I reckon you do whut you do, huh! You just walk the track and come heah after melk, I reckon, if you want it. You ought to be mighty glad I come along to keep you company. 'Tain't every man goin' to do that, I want to tell you. Now, it ain't my fault old Muley done got kilt."
"Ain't yo' fault!"
"No, it ain't my fault. Whut am I goin' to do? I kain't get no otheh cow right now, an' I done tol' you so. You reckon cows grows on bushes?"
"Grows on bushes!"
"Yes, or that they comes for nuthin'?"
"Comes for nuthin'!"
"Yes, Sar' Ann, that's whut I said. I tell you, it ain't so fur to come, ain't so fur up heah, if you take it easy; only three mile. An' Cunnel Blount'll give us melk as long as we want. I reckon he would give us a cow, too, if I ast him. I s'pose I could pay him out o' the next crop, if they wasn't so many things that has to be paid out'n the crop. It's too blame bad 'bout Muley." He scratched his head thoughtfully.
"Yes," responded his spouse, "Muley was a heap better cow than you'll ever git ag'in. Why, she give two quo'ts o' melk the very mawnin' she was kilt—two quo'ts. I reckon we didn't have to walk no three mile that mawnin', did we? An' she that kin' and gentle-like—oh, we ain't goin' to git no new cow like Muley, no time right soon, I want to tell you that, Jim Bowles."
"Well, well, I know all that," said her husband, conciliatingly, a trifle easier now that the sunbonnet was for the moment turned aside. "That's all true, mighty true. But what kin you do?"
"Do? Why, do somethin'! Somebody sho' ought to suffer for this heah. This new fangled railroad a-comin' through heah, a-killin' things, an' a-killin' folks! Why, Bud Sowers said just the other week he heard of three darkies gittin' kilt in one bunch down to Allenville. They standin' on the track, jes' talkin' an' visitin' like. Didn't notice nuthin'. Didn't notice the train a-comin'. 'Biff!' says Bud; an' thah was them darkies."
"Yes," said Mr. Bowles, "that's the way it was with Muley. She just walk up out'n the cane, an' stan' thah in the sun on the track, to sort o' look aroun' whah she could see free fer a little ways. Then, 'long comes the railroad train, an' biff! Thah's Muley!"
"Plumb daid!"
"Plumb daid!"
"An' she a good cow for us for fo'teen yeahs! It don't look exactly right, now, does it? It sho' don't"
"It's a outrage, that's whut it is," said Sar' Ann Bowles.
"Well, we got the railroad," said her husband, tentatively.
"Yes, we got the railroad," said Sar' Ann Bowles, savagely, "an' whut yearthly good is it? Who wants any railroad? Whut use have we-all got fer it? It comes through ouah farm, an' scares ouah mewel, an' it kills ouah cow; an' it's got me so's I'm afeared to set foot outsid'n ouah do', lessen it's goin' to kill me, too. Why, all the way up heah this mawnin', I was skeered every foot of the way, a-fear-in' that there ingine was goin' to come along an' kill us both!"
"Sho'! Sar' Ann," said her husband, with superiority. "It ain't time fer the train yit—leastwise I don't think it is." He looked about uneasily.
"That's all right, Jim Bowles. One of them ingines might come along 'most any time. It might creep up behin' you, then, biff! Thah's Jim Bowles! Whut use is the railroad, I'd like to know? I wouldn't be caught a-climbin' in one o' them thah kyars, not fer big money. Supposin' it run off the track?"
"Oh, well, now," said her husband, "maybe it don't, always."
"But supposin' it did?" The front of the telescope turned toward him suddenly, and so perfect was the focus this time that Mr. Bowles shifted his seat and took refuge upon another board at the other end of the board-pile, out of range, albeit directly in the ardent sunlight, which, warm as it was, did not seem to him so burning as the black eyes in the bonnet, or so troublous as the tongue which went on with its questions.
"Whut made you vote fer this heah railroad?" said Sarah Ann, following him mercilessly with the bonnet tube. "We didn't want no railroad. We never did have one, an' we never ought to a-had one. You listen to me, that railroad is goin' to ruin this country. Thah ain't a woman in these heah bottoms but would be skeered to have a baby grow up in her house. Supposin' you got a baby; nice little baby, never did harm no one. You a-cookin' or somethin'—out to the smoke- house like enough; baby alone fer about two minutes. Baby crawls out on to the railroad track. Along comes the ingine, an' biff! Thah's yo' baby!"
Mrs. Bowles shed tears at this picture which she had conjured up, and even her less imaginative consort became visibly affected, so that for a moment he half straightened up.
"Hit don't look quite right," said he, once more. "But, then, whut you goin' to do? Whut kin we do, woman?" he asked fiercely.
"Why, if the men in these heah parts was half men," said his wife, "I tell you whut they'd do. They'd git out and tear up every foot of this heah cussed railroad track, an' throw it back into the cane. That's whut they'd do."
"Sho' now, would you?" said Jim Bowles.
"Shore I would. You got to do it if things keeps on this-away."
"Well, we couldn't, lessen Cunnel Blount said it was all right, you know. The Cunnel was the friend of the road through these heah bottoms. He 'lowed it would help us all."
"Help? Help us? Huh! Like to know how it helps us, killin' ouah cow an' makin' us walk three mile of a hot mornin' to git a pail o' melk to make up some co'hn bread. You call that a help, do you, Jim Bowles? You may, but I don't an' I hain't a-goin' to. I got some sense, I reckon. Railroad! Help! Huh!"
Jim Bowles crept stealthily a little farther away on his own side of the board-pile, whither it seemed his wife could not quite so readily follow him with her transfixing gaze.
"Well, now, Sar' Ann," said he, "the Cunnel done tol' me hit was all right. He said some of ouah stock like enough git kilt, 'cause you know these heah bottoms is growed up so close like, with cane an' all that, that any sort of critters like to git out where it's open, so's they kin sort o' look around like, you know. Why, I done seen four deer trails whils' we was a-comin' up this mawnin', and I seen whah a b'ah had come out an' stood on the track. Now, as fer cows, an' as fer niggers, why, it stands to reason that some of them is shore goin' to git kilt, that's all."
"An' you men is goin' to stand that from the railroad? Why don't you make them pay for whut gits kilt?"
"Well, now, Sar' Ann," said her husband, conciliatorily, "that's just whut I was goin' to say. The time the fust man come down through heah to talk about buildin' the railroad, he done said, like I tol' you Cunnel Blount said, that we might git some stock kilt fer a little while, till things kind o' got used to it, you know; but he 'lowed that the railroad would sort o' pay for anything that got kilt like, you know."
"Pay! The railroad goin' to pay you!" Again the remorseless sunbonnet followed its victim and fixed him with its focus. "Pay you! I didn't notice no money layin' on the track where we come along this mawnin', did you? Yes, I reckon it's goin' to pay you, a whole heap!" The scorn of this utterance was limitless, and Jim Bowles felt his insignificance in the untenable position which he had assumed.
"Well, I dunno," said he, vaguely, and sighed softly; all of which irritated Mrs. Bowles to such an extent that she flounced suddenly around to get a better gaze upon her master. In this movement, her foot struck the pail of milk which had been sitting near, and overturned it.
"Jinny," she called out, "you, Jinny!"
"Yassam," replied Jinny, from some place on the gallery.
"Come heah," said Mrs. Bowles. "Git me another pail o' melk. I done spilled this one."
"Yassam," replied Jinny, and presently returned with the refilled vessel.
"Well, anyway," said Jim Bowles at length, rising and standing with hands in pockets, inside the edge of the shade line of the evergreens, "I heard that thah was a man come down through heah a few days ago. He was sort of takin' count o' the critters that done got kilt by the railroad kyahs."
"That so?" said Sarah Ann, somewhat mollified.
"I reckon so," said Jim Bowles. "I 'lowed I'd ast Cunnel Blount 'bout that sometime. 0' co'se it don't bring Muley back, but then—-"
"No, hit don't," said Sarah Ann, resuming her original position. "And our little Sim, he just loved that Muley cow, little Sim, he did," she mourned.
"Say, Jim Bowles, do you heah me?"—this with a sudden flirt of the sunbonnet in an agony of actual fear. "Why, Jim Bowles, do you know that ouah little Sim might be a-playin' out thah in front of ouah house, on to that railroad track, at this very minute? S'pose, s'posen—along comes that thah railroad train! Say, man, whut you standin' there in that thah shade fer? We got to go! We got to git home! Come right along this minute, er we may be too late."
And so, smitten by this sudden thought, they gathered themselves together as best they might and started toward the railroad for their return. Even as they did so there appeared upon the northern horizon a wreath of smoke rising above the forest. There was the far-off sound of a whistle, deadened by the heavy intervening vegetation; and presently, there puffed into view one of the railroad trains still new upon this region. Iconoclastic, modern, strenuous, it wabbled unevenly over the new-laid rails up to the station-house, where it paused for a few moments ere it resumed its wheezing way to the southward. The two visitors at the Big House gazed at it open-mouthed for a time, until all at once her former thought crossed the woman's mind. She turned upon her husband.
"Thah it goes! Thah it goes!" she cried. "Right on straight to ouah house! It kain't miss it! An' little Sim, he's sho' to be playin' out thah on the track. Oh, he's daid right this minute, he sho'ly is!"
Her speech exercised a certain force upon Jim Bowles. He stepped on the faster, tripped upon a clod and stumbled, spilling half the milk from the pail.
"Thah, now!" said he. "Thah hit goes ag'in. Done spilt the melk.Well, hit's too far back to the house now fer mo'. But, now, mebbeSim wasn't playin' on the track."
"Mebbe he wasn't!" said Sarah Ann, scornfully. "Why, o' co'se he was."
"Well, if he was," said Jim Bowles, philosophically, "why, Sar' Ann, from whut I done notice about this yeah railroad train, why—it's too late, now."
He might perhaps have pursued this logical course of thought further, had not there occurred an incident which brought the conversation to a close. Looking up, the two saw approaching them across the lawn, evidently coming from the little railway station, and doubtless descended from this very train, the alert, quick-stepping figure of a man evidently a stranger to the place. Jim and Sarah Ann Bowles stepped to one side as he approached and lifted his hat with a pleasant smile.
"Good morning," said the stranger. "It's a fine day, isn't it? Can you tell me whether or not Colonel Blount is at home this morning?"
"Well, suh," said Jim Bowles, rubbing his chin thoughtfully. "He ah, an' he ain't. He's home, o' co'se; that is, he hain't gone away no whah, to co'te er nothin'. But then ag'in, he's out huntin', gone afteh b'ah. I reckon he's likely to be in 'most any day now."
"'Most any day?"
"Yessah. You better go on up to the house. The Cunnel will be right glad to see you. You're a stranger in these parts, I reckon? I'd be glad to have you stop down to my house, but it's three mile down the track, an' we hatter walk. You'd be mo' comfo'table heah, I reckon. Walk on up, and tell 'em to give you a place to set. My woman an' me, I reckon we got to git home now, suh. It's somethin' might be mighty serious."
"Yas, indeed," murmured Mrs. Bowles, "we got to git along."
"Thank you," said the stranger. "I am very much obliged to you, indeed. I believe I will wait here for just a little while, as you say. Good morning, sir. Good morning, madam."
He turned and walked slowly up the path toward the house, as the others pursued their way to the railroad track, down which they presently were plodding on their homeward journey. There was at least a little milk left in the pail when finally they reached their log cabin, with its yard full of pigs and chickens. Eagerly they scanned the sides of the railway embankment as they drew near, looking for signs of what they feared to see. One need not describe the fierce joy with which Sarah Ann Bowles fell upon little Sim, who was presently discovered, safe and dirty, knocking about upon the kitchen floor in abundant company of puppies, cats and chickens. As to the reproaches which she heaped upon her husband in her happiness, it is likewise unnecessary to dwell thereupon.
"I knowed he would be kilt," said Sarah Ann.
"But he hain't," said her husband, triumphantly. And for one time in their married life there seemed to be no possible way in which she might contradict him, which fact for her constituted a situation somewhat difficult.
"Well, 'tain't yo' fault ef he hain't," said she at length. The rest of her revenge she took upon the person of little Sim, whom she alternately chastened and embraced, to the great and grieved surprise of the latter, who remained ignorant of any existing or pending relation upon his part with the methods or the instruments of modern progress.
The new-comer at the Big House was a well-looking figure as he advanced up the path toward the white-pillared galleries. In height just above middle stature, and of rather spare habit of body, alert, compact and vigorous, he carried himself with a half-military self- respect, redeemed from aggressiveness by an open candor of face and the pleasant, forthright gaze of kindly blue-gray eyes. In spite of a certain gravity of mien, his eyes seemed wont to smile upon occasion, as witnessed divers little wrinkles at the corners. He was smooth- shaven, except for a well-trimmed dark mustache; the latter offering a distinct contrast to the color of his hair, which, apparently not in full keeping with his years, was lightly sprinkled with gray. Yet his carriage was assuredly not that of middle age, and indeed, the total of his personality, neither young nor old, neither callow nor acerb, neither lightly unreserved nor too gravely severe, offered certain problems not capable of instant solution. A hurried observer might have guessed his age within ten years but might have been wrong upon either side, and might have had an equal difficulty in classifying his residence or occupation.
Whatever might be said of this stranger, it was evident that he was not ill at ease in this environment; for as he met coming around the corner an old colored man, who, with a rag in one hand and a bottle in the other, seemed intent upon some errand at the dog kennel beyond, the visitor paused not in query or salutation, but tossed his umbrella to the servant and at the same time handed him his traveling-bag. "Take care of these. Bill," said he.
Bill, for that was indeed his name, placed the bag and umbrella upon the gallery floor, and with the air of owning the place himself, invited the visitor to enter the Big House.
"The Cunnel's not to home, suh," said Bill. "But you bettah come in and seddown. I'll go call the folks."
"Never mind," said the visitor. "I reckon I'll just walk around a little outside. I hear Colonel Blount is off on a bear hunt."
"Yassah," said Bill. "An' when he goes he mostly gits b'ah. I'se right 'spondent dis time, though, 'deed I is, suh."
"What's the matter?"
"Why, you see, suh," replied Bill, leaning comfortably back against a gallery post, "it's dis-away. I'm just goin' out to fix up old Hec's foot. He's ouah bestest b'ah-dog, but he got so blame biggoty, las' time he was out, stuck his foot right intoe a b'ah's mouth. Now, Hec's lef' home, an' me lef home to 'ten' to Hec. How kin Cunnel Blount git ary b'ah 'dout me and Hec along? I'se right 'spondent, dat's whut I is."
"Well, now, that's too bad," said the stranger, with a smile.
"Too bad? I reckon it sho' is. Fer, if Cunnel Blount don't git no b'ah—look out den, I kin tell you."
"Gets his dander up, eh?"
"Dandah—dandah! You know him? Th'ain't no better boss, but ef he goes out huntin' b'ah an' don't get no b'ah—why, then th' ain't no reason goin' do foh him."
"Is Mrs. Blount at home, Bill?"
"Th'ain't no Mrs. Blount, and I don't reckon they neveh will be. Cunnel too busy huntin' b'ah to git married. They's two ladies heah, no relation o' him; they done come heah a yeah er so ago, and they- all keeps house fer the Cunnel. That's Mrs. Ellison and her dahteh, Miss Lady. She's a pow'ful fine gal, Miss Lady."
"I don't know them," said the visitor.
"No, sah," said Bill. "They ain't been heah long. Dese heah low-down niggers liken to steal the Cunnel blin', he away so much. One day, he gits right mad. 'Lows he goin' to advehtize fer a housekeepah-lady. Then Mas' Henry 'Cherd—he's gemman been livin' couple o' yeahs 'er so down to near Vicksburg, some'rs; he's out huntin' now with the Cunnel—why, Mas' 'Cherd he 'lows he knows whah thah's a lady, jus' the thing. Law! Cunnel didn't spec' no real lady, you know, jes' wantin' housekeepah. But long comes this heah lady, Mrs. Ellison, an' brings this heah young lady, too—real quality. 'Miss Lady' we-all calls her, right to once. Orto see Cunnel Cal Blount den! 'Now, I reckon I kin go huntin' peaceful,' says he. So dem two tuk holt. Been heah ever since. Mas' 'Cherd, he has in min' this heah yallah gal, Delpheem. Right soon, heah come Delpheem 'long too. Reckon she runs the kitchen all right. Anyways we's got white folks in the parlah, whah they allus orto be white folks."
"Well, you ought to thank your friend—what is his name—Ducherd—Decherd? Seems as though I had heard that name, below somewhere."
"Yas, Mas' Henry 'Cherd. We does thank him. He sut'nly done fix us all up wid women-folks. We couldn't no mo' git erlong 'dout Miss Lady now, 'n we could 'dout me, er the Cunnel. But, law! it don't make no diff'ence to Cunnel Blount who's heah or who ain't heah, he jest gotter hunt b'ah. You come 'long wid me, I could show you b'ah hides up stairs, b'ah hides on de roof, b'ah hides on de sheds, b'ah hides on de barn, and a tame b'ah hitched to the cotton-gin ovah thah."
"He seems to make a sort of specialty of bear, doesn't he? Got a pretty good pack, eh?"