The Old Maid - Edith Wharton - E-Book

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Edith Wharton

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The Old Maid, Originally serialized in The Red Book Magazine in 1922, The Old Maid is an examination of class and society as only Edith Wharton could undertake. The story follows the life of Tina, a young woman caught between the mother who adopted her-the beautiful, upstanding Delia-and her true mother, her plain, unmarried "aunt" Charlotte, who gave Tina up to provide her with a socially acceptable life. The three women live quietly together until Tina's wedding day, when Delia's and Charlotte's hidden jealousies rush to the surface. Says Roxana Robinson in her Introduction, "Wharton weaves her golden, fine-meshed net about her characters with inexorable precision."

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The Old Maid

[The Fifties]

Edith Wharton

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ISBN: 978-625-7120-03-6

E-ISBN: 978-625-7959-90-2

© All rights reserved. No part of this book shell be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or by any information or retrieval system, without written permission form the publisher.

About the Book & Author

Edith Wharton(1862 – 1937) was an American novelist, short story writer, playwright, and designer. Wharton drew upon her insider's knowledge of the upper class New York "aristocracy" to realistically portray the lives and morals of the Gilded Age. In 1921, she was the first woman to win the Pulitzer Prize for Literature. She was inducted into the National Women's Hall of Fame in 1996.

Edith Wharton was born Edith Newbold Jones on January 24, 1862 to George Frederic Jones and Lucretia Stevens Rhinelander at their brownstone at 14 West Twenty-third Street in New York City. To her friends and family she was known as "Pussy Jones." She had two older brothers, Frederic Rhinelander, who was 16, and Henry Edward, who was 12. She was baptized April 20, 1862, Easter Sunday, at Grace Church.

Wharton's paternal family, the Joneses, were a very wealthy and socially prominent family having made their money in real estate. The saying "keeping up with the Joneses" is said to refer to her father's family. She was related to the Rensselaers, the most prestigious of the old patroon families, who had received land grants from the former Dutch government of New York and New Jersey. Her father's first cousin was Caroline Schermerhorn Astor. She had a lifelong friendship with her niece, the landscape architect Beatrix Farrand of Reef Point in Bar Harbor, Maine. Fort Stevens in New York was named for Wharton's maternal great-grandfather, Ebenezer Stevens, a Revolutionary War hero and General.

Wharton was born during the Civil War; although Wharton in describing her family life does not mention the war except that their travels to Europe after the war were due to the depreciation of American currency. From 1866 to 1872, the Jones family visited France, Italy, Germany, and Spain. During her travels, the young Edith became fluent in French, German, and Italian. At the age of nine, she suffered from typhoid fever, which nearly killed her, while the family was at a spa in the Black Forest. After the family returned to the United States in 1872, they spent their winters in New York City and their summers in Newport, Rhode Island. While in Europe, she was educated by tutors and governesses. She rejected the standards of fashion and etiquette that were expected of young girls at the time, which were intended to allow women to marry well and to be put on display at balls and parties. She considered these fashions superficial and oppressive. Edith wanted more education than she received, so she read from her father's library and from the libraries of her father's friends. Her mother forbade her to read novels until she was married, and Edith obeyed this command.

* * *

The Old Maid, Originally serialized inThe Red Book Magazinein 1922,The Old Maidis an examination of class and society as only Edith Wharton could undertake. The story follows the life of Tina, a young woman caught between the mother who adopted her—the beautiful, upstanding Delia—and her true mother, her plain, unmarried “aunt” Charlotte, who gave Tina up to provide her with a socially acceptable life. The three women live quietly together until Tina’s wedding day, when Delia’s and Charlotte’s hidden jealousies rush to the surface. Says Roxana Robinson in her Introduction, “Wharton weaves her golden, fine-meshed net about her characters with inexorable precision.”

* * *

Table of Contents

About the Book & Author

PART I

I

II

III

IV

V

PART II

VI

VII

VIII

IX

X

XI

PART I

I

IN the old New York of the ’fifties a few families ruled, in simplicity and affluence. Of these were the Ralstons.

The sturdy English and the rubicund and heavier Dutch had mingled to produce a prosperous, prudent and yet lavish society. To “do things handsomely” had always been a fundamental principle in this cautious world, built up on the fortunes of bankers, India merchants, shipbuilders and ship-chandlers. Those well-fed slow-moving people, who seemed irritable and dyspeptic to European eyes only because the caprices of the climate had stripped them of superfluous flesh, and strung their nerves a little tighter, lived in a genteel monotony of which the surface was never stirred by the dumb dramas now and then enacted underground. Sensitive souls in those days were like muted key-boards, on which Fate played without a sound.

In this compact society, built of solidly welded blocks, one of the largest areas was filled by the Ralstons and their ramifications. The Ralstons were of middle-class English stock. They had not come to the colonies to die for a creed but to live for a bank-account. The result had been beyond their hopes, and their religion was tinged by their success. An edulcorated Church of England which, under the conciliatory name of the “Episcopal Church of the United States of America,” left out the coarser allusions in the Marriage Service, slid over the comminatory passages in the Athanasian Creed, and thought it more respectful to say “Our Father who” than “which” in the Lord’s Prayer, was exactly suited to the spirit of compromise whereon the Ralstons had built themselves up. There was in all the tribe the same instinctive recoil from new religions as from unaccounted-for people. Institutional to the core, they represented the conservative element that holds new societies together as seaplants bind the seashore.

Compared with the Ralstons, even such traditionalists as the Lovells, the Halseys or the Vandergraves appeared careless, indifferent to money, almost reckless in their impulses and indecisions. Old John Frederick Ralston, the stout founder of the race, had perceived the difference, and emphasized it to his son, Frederick John, in whom he had scented a faint leaning toward the untried and unprofitable.

“You let the Lannings and the Dagonets and the Spenders take risks and fly kites. It’s the county-family blood in ’em: we’ve nothing to do with that. Look how they’re petering out already—the men, I mean. Let your boys marry their girls, if you like (they’re wholesome and handsome); though I’d sooner see my grandsons take a Lovell or a Vandergrave, or any of our own kind. But don’t let your sons go mooning around after their young fellows, horse-racing, and running down south to those d——d Springs, and gambling at New Orleans, and all the rest of it. That’s how you’ll build up the family, and keep the weather out. The way we’ve always done it.”

Frederick John listened, obeyed, married a Halsey, and passively followed in his father’s steps. He belonged to the cautious generation of New York gentlemen who revered Hamilton and served Jefferson, who longed to lay out New York like Washington, and who laid it out instead like a gridiron, lest they should be thought “undemocratic” by people they secretly looked down upon. Shopkeepers to the marrow, they put in their windows the wares there was most demand for, keeping their private opinions for the back-shop, where through lack of use, they gradually lost substance and colour.

The fourth generation of Ralstons had nothing left in the way of convictions save an acute sense of honour in private and business matters; on the life of the community and the state they took their daily views from the newspapers, and the newspapers they already despised. The Ralstons had done little to shape the destiny of their country, except to finance the Cause when it had become safe to do so. They were related to many of the great men who had built the Republic; but no Ralston had so far committed himself as to be great. As old John Frederick said, it was safer to be satisfied with three per cent: they regarded heroism as a form of gambling. Yet by merely being so numerous and so similar they had come to have a weight in the community. People said: “The Ralstons” when they wished to invoke a precedent. This attribution of authority had gradually convinced the third generation of its collective importance, and the fourth, to which Delia Ralston’s husband belonged, had the ease and simplicity of a ruling class.

Within the limits of their universal caution, the Ralstons fulfilled their obligations as rich and respected citizens. They figured on the boards of all the old-established charities, gave handsomely to thriving institutions, had the best cooks in New York, and when they travelled abroad ordered statuary of the American sculptors in Rome whose reputation was already established. The first Ralston who had brought home a statue had been regarded as a wild fellow; but when it became known that the sculptor had executed several orders for the British aristocracy it was felt in the family that this too was a three per cent investment.

Two marriages with the Dutch Vandergraves had consolidated these qualities of thrift and handsome living, and the carefully built-up Ralston character was now so congenital that Delia Ralston sometimes asked herself whether, were she to turn her own little boy loose in a wilderness, he would not create a small New York there, and be on all its boards of directors.

Delia Lovell had married James Ralston at twenty. The marriage, which had taken place in the month of September, 1840, had been solemnized, as was then the custom, in the drawing-room of the bride’s country home, at what is now the corner of Avenue A and Ninety-first Street, overlooking the Sound. Thence her husband had driven her (in Grandmamma Lovell’s canary-coloured coach with a fringed hammer-cloth) through spreading suburbs and untidy elm-shaded streets to one of the new houses in Gramercy Park, which the pioneers of the younger set were just beginning to affect; and there, at five-and-twenty, she was established, the mother of two children, the possessor of a generous allowance of pin-money, and, by common consent, one of the handsomest and most popular “young matrons” (as they were called) of her day.

She was thinking placidly and gratefully of these things as she sat one afternoon in her handsome bedroom in Gramercy Park. She was too near to the primitive Ralstons to have as clear a view of them as, for instance, the son in question might one day command: she lived under them as unthinkingly as one lives under the laws of one’s country. Yet that tremor of the muted key-board, that secret questioning which sometimes beat in her like wings, would now and then so divide her from them that for a fleeting moment she could survey them in their relation to other things. The moment was always fleeting; she dropped back from it quickly, breathless and a little pale, to her children, her house-keeping, her new dresses and her kindly Jim.

She thought of him today with a smile of tenderness, remembering how he had told her to spare no expense on her new bonnet. Though she was twenty-five, and twice a mother, her image was still surprisingly fresh. The plumpness then thought seemly in a young wife stretched the grey silk across her bosom, and caused her heavy gold watch-chain—after it left the anchorage of the brooch of St. Peter’s in mosaic that fastened her low-cut Cluny collar—to dangle perilously in the void above a tiny waist buckled into a velvet waist-band. But the shoulders above sloped youthfully under her Cashmere scarf, and every movement was as quick as a girl’s.

Mrs. Jim Ralston approvingly examined the rosy-cheeked oval set in the blonde ruffles of the bonnet on which, in compliance with her husband’s instructions, she had spared no expense. It was a cabriolet of white velvet tied with wide satin ribbons and plumed with a crystal-spangled marabout—a wedding bonnet ordered for the marriage of her cousin, Charlotte Lovell, which was to take place that week at St. Mark’s-in-the-Bouwerie. Charlotte was making a match exactly like Delia’s own: marrying a Ralston, of the Waverly Place branch, than which nothing could be safer, sounder or more—well, usual. Delia did not know why the word had occurred to her, for it could hardly be postulated, even of the young women of her own narrow clan, that they “usually” married Ralstons; but the soundness, safeness, suitability of the arrangement, did make it typical of the kind of alliance which a nice girl in the nicest set would serenely and blushingly forecast for herself.

Yes—and afterward?

Well—what? And what did this new question mean? Afterward: why, of course, there was the startled puzzled surrender to the incomprehensible exigencies of the young man to whom one had at most yielded a rosy cheek in return for an engagement ring; there was the large double-bed; the terror of seeing him shaving calmly the next morning, in his shirt-sleeves, through the dressing-room door; the evasions, insinuations, resigned smiles and Bible texts of one’s Mamma; the reminder of the phrase “to obey” in the glittering blur of the Marriage Service; a week or a month of flushed distress, confusion, embarrassed pleasure; then the growth of habit, the insidious lulling of the matter-of-course, the dreamless double slumbers in the big white bed, the early morning discussions and consultations through that dressing-room door which had once seemed to open into a fiery pit scorching the brow of innocence.

And then, the babies; the babies who were supposed to “make up for everything,” and didn’t—though they were such darlings, and one had no definite notion as to what it was that one had missed, and that they were to make up for.

Yes: Charlotte’s fate would be just like hers. Joe Ralston was so like his second cousin Jim (Delia’s James), that Delia could see no reason why life in the squat brick house in Waverly Place should not exactly resemble life in the tall brownstone house in Gramercy Park. Only Charlotte’s bedroom would certainly not be as pretty as hers.