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The Oresteia Trilogy, Aeschylus's masterwork, presents a profound exploration of justice, vengeance, and the evolution of societal norms in ancient Greece. Comprising three plays—Agamemnon, The Libation Bearers, and The Eumenides—this unabridged English translation captures the lyrical beauty and intricate construction of Aeschylus's language, while immersing readers in the rich tapestry of myth and tradition. The trilogy is notable for its intricate dialogue and the transition from personal retribution to collective civic responsibility, reflecting the tension between archaic blood feuds and the emerging concept of judicial law, set against the backdrop of the tumultuous aftermath of the Trojan War. Aeschylus, often hailed as the father of tragedy, was deeply influenced by the socio-political landscape of 5th-century BCE Athens. Having witnessed the devastating consequences of war and tyranny, his works grapple with themes of moral complexity and divine justice. The Oresteia trilogy serves as a commentary on the transition from an ancient worldview to a more enlightened rule of law, likely inspired by his engagement in Athenian culture and civic affairs. This seminal work is an essential read for anyone interested in the foundations of Western literature and drama. A compelling blend of intricate character dynamics and philosophical depth, The Oresteia invites readers to ponder the nature of justice through its characters' harrowing journeys. Whether approached as a socio-political critique or a timeless narrative of familial tragedy, it remains profoundly relevant and insightful.
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Veröffentlichungsjahr: 2022
Of the life of Aeschylus, the first of the three great masters of Greek tragedy, only a very meager outline has come down to us. He was born at Eleusis, near Athens, B. C. 525, the son of Euphorion. Before he was twenty-five he began to compete for the tragic prize, but did not win a victory for twelve years. He spent two periods of years in Sicily, where he died in 456, killed, it is said, by a tortoise which an eagle dropped on his head. Though a professional writer, he did his share of fighting for his country, and is reported to have taken part in the battles of Marathon, Salamis, and Plataea.
Of the seventy or eighty plays which he is said to have written, only seven survive: "The Persians," dealing with the defeat of Xerxes at Salamis; "The Seven against Thebes," part of a tetralogy on the legend of Thebes; "The Suppliants," on the daughters of Dana's; "Prometheus Bound," part of a trilogy, of which the first part was probably "Prometheus, the Fire-bringer," and the last, "Prometheus Unbound"; and the "Oresteia," the only example of a complete Greek tragic trilogy which has come down to us, consisting of "Agamemnon," "Choephorae" (The Libation-Bearers), and the "Eumenides" (Furies).
The importance of Aeschylus in the development of the drama is immense. Before him tragedy had consisted of the chorus and one actor; and by introducing a second actor, expanding the dramatic dialogue thus made possible, and reducing the lyrical parts, he practically created Greek tragedy as we understand it. Like other writers of his time, he acted in his own plays, and trained the chorus in their dances and songs; and he did much to give impressiveness to the performances by his development of the accessories of scene and costume on the stage. Of the four plays here reproduced, "Prometheus Bound" holds an exceptional place in the literature of the world. (As conceived by Aeschylus, Prometheus is the champion of man against the oppression of Zeus; and the argument of the drama has a certain correspondence to the problem of the Book of Job.) The Oresteian trilogy on "The House of Atreus" is one of the supreme productions of all literature. It deals with the two great themes of the retribution of crime and the inheritance of evil; and here again a parallel may be found between the assertions of the justice of God by Aeschylus and by the Hebrew prophet Ezekiel. Both contend against the popular idea that the fathers have eaten sour grapes and the children's teeth are set on edge; both maintain that the soul that sinneth, it shall die. The nobility of thought and the majesty of style with which these ideas are set forth give this triple drama its place at the head of the literary masterpieces of the antique world.
Agamemnon is one of four Greek tragedies written by Aeschylus in 450 B.C. collectively known as The Oresteia. This English translation of the original work was performed by E. D. A. Morshead, English classicist and teacher.