The Postmaster of Market Deignton E-Book

E. Phillips Oppenheim

• Herausgeber: Ktoczyta.pl
• Kategorie: Krimi
• Sprache: Englisch
• Veröffentlichungsjahr: 2018

Beschreibung

This early work from the „prince of storytellers” E. Phillips Oppenheim published as a novel in 1897. Mr. Norman Scott is a young, hardworking, distinguished physician with a busy practice in London. He is called to visit a patient, Mr. Humphrey Deignton, who suffers from gout and who is murdered later. Dr. Scott is suspected. Two years later, we meet Mr. John Martin, postmaster and chemist in Market Deignton. A lonely, bitter, impoverished man. He is living near the home of Lady Deignton, seeking revenge upon the person who killed Lord Deignton, and ruined his name and career. There are lots of unexpected turns and twists to the adventure of poor John and the local color of the setting is extremely charming.

Leseprobe

Contents

INTRODUCTION

I. JOHN MARTIN, POSTMASTER AND CHEMIST

II. A VISITOR

III. WHITE ROSES AND ASHES

IV. COMING THROUGH THE PINES

V. "BONDS OF ROSES AND A YOKE OF SAND"

VI. "I HAVE CLIMBED NEARER OUT OF LONELY HELL"

VII. A NIGHT OF HORROR

VIII. FOR AND AGAINST

IX. A VISIT FROM MADEMOISELLE HORTENSE

X. A WOMAN GREY AND GHOSTLY

XI. THE TEMPTRESS

XII. WAS THINE THE HAND?

XIII. MADEMOISELLE HORTENSE'S ADVERTISEMENT

XIV. AT DUBARRI'S RESTAURANT

XV. A COMPACT SEALED

XVI. WHAT DID HE SEE?

XVII. A WOMAN OF MYSTERIES

XVIII. "YOUR LIFE FOR MY SUFFERINGS"

XIX. A WOMAN'S PITY

XX. AN EPISODE AND ITS NARRATION

XXI. THE DISAPPEARANCE OF MRS. MASON

XXII. "— SICK AM I, SICK OF A JEALOUS DREAD"

XXIII. A NIGHT PURSUIT

XXIV. THE WHITE HOUSE

XXV. A RIFT IN THE CLOUDS

XXVI. AN UNSEEN TRAGEDY

XXVII. THE SUN SHINES ON MY HOPES

XXVIII. THE ASHES OF DEAD JOYS

XXIX. IN THE ARMS OF DESPAIR

XXX. "WHOSE GENTLE WILL HAS CHANGED MY FATE"

XXXI. THE END OF JOHN MARTIN, POSTMASTER AND CHEMIST

XXXII. HOPE

XXXIII. LOOKING BACKWARDS

XXXIV. "YOU WILL HAVE NO MERCY NOW?"

XXXV. WHOSE WAS THE FACE?

XXXVI. IS THERE DEATH IN THE CUP?

XXXVII. JOHN RUDD'S LIE

XXXVIII. ESCAPE

XXXIX. ON THE THRESHOLD

XL. THE SECRET OF THE WHITE HOUSE

INTRODUCTION

“If you please, sir!”

“What is it, Morton?”

“There are several patients in the waiting-room, and your appointment with Sir Charles is for half-past one. If any more arrive, I think I had better ask them to come to-morrow.”

“Not to-morrow. Thursday, Morton. I expect to be away all day to-morrow. Dr. Stewart will relieve me, and you must go to him if there is anything special.”

“Very good, sir.”

The assistant withdraws, and the physician returns to his labours. Four more patients in turn occupy that low easy-chair, drawn so that the light from the high windows shall fall as far as possible upon their faces. The physician who listens to the recital of their symptoms, checking them but rarely to ask a few terse questions, sits back in the shadows, his perfectly impassive features and tone thrown into strong relief by the nervousness of the men and women who have come to consult him. In one or two cases he makes a brief examination, and notes the result with a few careless dashes of his pen.

One by one they enter and pass out, unconsciously typifying in their entrances and exits the whole range of human drama. There is one who passes out with a dull pain at the heart-strings and eyes suddenly blurred. No need to ask his sentence! Others find their way out into the street with lightened eyes and hearts suddenly freed from a great load. Their fate or their reprieve is spoken in a few words and in the same tone.

The physician whose counsel they have come to seek is, for a young man, marvellously hardened in his profession, but to-day his stoicism is something more than normal. The patients who have come and gone have seemed to him like moving figures in a curious dream. Behind the mask of set-calm features and stern self-repression smoulders a very furnace of unrest.

They are all gone. As the door closes upon the last, he leans back in his chair with a little gesture of relief. It is like the withdrawal of an iron band. The routine of the morning is over; his brain no longer has any need of its enforced labours. His thoughts are his own.

Gradually the physician falls away, and the man steals out. A tinge of colour usurps the studious pallor of his cheeks, and his deep-set eyes are suddenly bright. He has unlocked a drawer, and a letter and a photograph He before him. The letter is from a man, but the photograph is of a woman.

He reads the former before he glances at the latter–reads it slowly and with knitted brows, as though he expects to find in it something more than appears upon the surface. Yet a simpler or more straightforward letter could scarcely have been written.

Deignton Court, Monday,

My dear Norman,–

Mine old enemy has come upon me like a thief in the dark, and unless you can leave town to-morrow, I must needs hand over my carcase to the village practitioner here, which God forbid! Come to-morrow by the three o’clock train, and bring your gun; you must spare just an hour or two on Wednesday to try your luck with my birds. The best of the covers have not been touched yet, and there is not a man here who can shoot a little bit, so you will have it all your own way.

Don’t fail me, there’s a good fellow! You have never been to Deignton, I believe, and I shall enjoy showing it to you.

My lady bids me say that she adds her commands to my request! I will send to meet the three o’clock train, or any other more convenient to you, if you will wire.

Yours in pain,

Humphrey Deignton.

P.S.–It is in the great toe.

The letter is carefully read, and then pushed aside with a sudden gesture of impatience. For a moment he sits irresolute, then, taking a bunch of keys from his pocket, he unlocks the top drawer on the left-hand side of his cabinet, and from underneath a pile of loose papers draws out a small ivory casket, curiously carved and fastened with a silver padlock. His fingers toy nervously with it for a moment, and then the lid flies open, and a curious faint fragrance steals out into the sombre room. The casket is full of letters in the same handwriting. The one on the top, presumably the latest addition to the pile, he takes out and reads. It bears the same date and heading as the note which he has just discarded:

Deignton Court, Monday.

By this post Sir Humphrey, I am thankful to say, is sending for you professionally. You would not believe, my dear Norman, how long these few days have seemed without even a glimpse of you, or any other civilized person. The country at this time of the year is something horrible. Let nothing stand in the way of your coming, I implore you! Never mind if all your best patients die! I, too, shall feel like that unless you come, and I am–well, more than a patient, am I not?

There is nothing to tell you. This place is deadly dull, and I could not hope to make you understand how much I miss–London! Each day, at five, I have thought of you; yesterday I closed my eyes and almost fancied that I heard your horses in the avenue, and your feet upon the stairs. Tomorrow it will be better than that: I shall see you and have you here. Vive to-morrow! Look out for a line from me in your room, if I do not see you immediately upon your arrival.

Always yours,

Cora.

Word for word he reads it through, and the faint flush in his cheeks grows gradually deeper and deeper. At the end he makes a sudden impulsive gesture, as though to crumple it up in his hand and cast it from him–an impulse which seems to die away almost as swiftly as it came. How could he ever have dreamed of such sacrilege! With firm fingers he replaces the letter in the box, and turns the key.

Then, after a moment’s irresolution, he crosses the room and stands before the window, looking out across the large, dingy square, with a curiously absent gleam in his dark eyes. Something in those few feminine sentences written in bold, distinct characters across the daintiest cream paper seems to stand out like fire before him. They force him to realize what he has kept zealously in the background. There is no longer any possibility of concealment, of self-deception. He is face to face now with that fight which, since the world began, men have fought, and, alas! most often lost. His fixed eyes see nothing of the grey, smoke-begrimed sky, or the bare trees which wave their branches before the window. He looks beyond: down, down into the depths of the precipice which yawns before him, the precipice of guilt, of sin, of shame. There are voices in his ears which have been dead for awhile, voices whose counsel has ever been for his good, and which come back to him now laden with many heart-stirring memories. They will be heard; he must perforce listen to them. What is it they are saying? Dishonour, self-abasement, self-contempt! Bad words; an evil state! Yet, how fair she is, and how strong the web which she has woven! As yet the bonds are of gossamer. Some day, the voice whispers, they may be of iron–iron which eats into the soul, and which no human strength can rend apart.

It is so simple, and yet so terrible. The avenues of history since the world began are thronged with ghostly warnings. And he, too, this tall, stern young physician, he too is in the toils; and the chains which as yet have been roses, are beginning to savour of the metal. It is within his power to cast them off or to rivet them for ever, to seal them with the signet of his own dishonour, or to burst them aside and see no more the woman whose light hand has forged them. He is at the parting of the ways, and the voices in his ears will make themselves heard. To see her no more! Yes; he could do it, he is strong enough. There is fibre enough in his being to make the strain no impossibility. Only it seems to him, as he gazes out into the grey twilight of the early afternoon, that if he should do so, if he should pluck out this evil flower and cast it away, much, if not all, that is sweet to him in life must be rooted up also. It is like choosing to live for ever in the deep shadows where the sunlight may never fall. And, after all, why should he? Right and wrong, honour and dishonour, what are they but abstract states, the creation of an arbitrary code of laws? What will he be the better for following their dictates? His, at any rate, will be the loss. Whose will be the profit?

He raises himself with a conscious effort from the slough of metaphysics in which he had seemed disposed to wander. For awhile his mind moves in a healthier groove. From outside people now and then glance curiously in at the tall figure standing so rigidly before the high window. But he is at no time conscious of their notice. To him it is as though he were for the time removed from the ordinary channels of life, and rendered unconscious of its incidents. He is developing his part in that silent drama in which she and he are the solitary figures. In those few minutes of bitter and uncertain mind, it seems to him that he is shaping the fortunes of two lives.

What is it that helps him to come to that stern, sweeping decision, which from the moment even of its conception seems to remove him so far from all his past life? Is it ambition, self-respect, honour? Or is it that what has seemed love to him is, after all, counterfeit, a thing of sham, to which he has been the more subject from the hard, practical side of his professional life? It is a question which then, at any rate, he does not ask himself. But when at last he is disturbed by the sound of his waiting horses pawing the ground outside in the street, his decision is finally taken. The coffer lies empty upon his table, and its contents are a little mass of fluttering ashes upon the grate.

A few minutes afterwards he is being whirled westwards on an errand of life or death. Then follows the routine work at the hospitals, where the nurses whisper his name respectfully, and the patients follow him with their eyes and half raise themselves to look at him as he passes down the broad avenue between them. Finally, when his work is over, he is driven rapidly to Waterloo, barely in time to catch the train for Market Deignton.

*     *

*

It is dawn when he returns. The square is empty, and the tall, grey houses are gaunt and lifeless. He crosses the street and unlocks the door unnoticed. Even the policeman dozing at the corner has not seen him, and his step in the hall and on the stairs is too light to wake the servants sleeping at the back of the house. Perhaps it is as well. There is a lead-coloured shade in his face, and dark lines under his eyes which he may not wish to be made the gossip of servants’ tongues. He is in need of sleep and quiet, and he goes softly to his bedroom. Strange events have happened within these last few hours, stranger events even than he knows of.

There is not a soul to warn him. All London is sleeping, unconscious of the trembling wires which are flashing terrible messages over their housetops–news which will soon become the theme for millions of men’s tongues. The last sensation is eight days old. Away with it! It is dull and stale in comparison with this morning’s news. Already the great machinery is whirling the story on to the morning papers. In a few hours they will be in the hands of the hordes of City men on the railroads, the ‘buses, and in the streets. Is there none to warn you, Norman Scott? It is your name there in print which men and women are handling lightly, your fair fame and honour–ay, and more than that–which the world is beginning to smirch and daub with gruesome colours! See, the sun is steadily rising higher in the heavens; the morning is growing apace; the clamour of men’s tongues is becoming louder and louder. The sunlight lies across the rush matting of your bed-chamber; it is stealing up the counterpane to your wan face. Awake, Norman Scott, awake! Every hour of sleep adds to your peril. Awake, and find yourself–if not famous, at least notorious!

I. JOHN MARTIN, POSTMASTER AND CHEMIST

It is market-day in the little county town which has become my temporary abode. Out in the cobble-paved, straggling square are half a dozen stalls laden with prints and calicoes, cheap hats, fruit, picture-books, legs of mutton, sides of beef, and many other such uninteresting articles. There seems to be plenty of everything except customers, and they are scarcely expected yet. The housewives of the place are still busy with their weekend’s cleaning, and their lords and masters are away toiling on the land. Later, when the day’s work is over and the oil-lamps are lit, they will come out together to make their little purchases, dressed most likely in their Sunday clothes, and washed to a degree of shininess which, until I came to Market Deignton, I should have thought incredible.

At present most of the stall-holders are engaged displaying their goods, the larger portion of which, by the by, are carried out from the little shops which front the market-place. Strangers are not much fancied at this sleepy, old-world town. It is my friend Mr. Holmes, the linen-draper, who is hanging up a row of felt hats above that wonderful pile of calicoes and cheap sateens, and my worthy friend Mr. Smith, the greengrocer, is likewise engaged in transferring his stock of cabbages, potatoes, and apples to the stall in front of his shop.

Butchering seems to be a more regular business, for Mr. Mann and his stalwart apprentice woke me Tip in the grey hours of the morning, flinging down great joints of beef and mutton upon his deal counter, and two hours ago he was sitting on his stool with last week’s Chronicle in his hand, prepared for anything that might turn up in the shape of stray custom. He is a harmless-looking old man, notwithstanding his blue smock and the shining steel which hangs by his side, but he is an inveterate gossip, as I have cause to know.

At the north end of the market-place there are half a dozen pens, from which arises a continual baaing, varying in key, but uniform in monotony. Things up there are a shade more lively. Mr. Foulds, the agent to the Deignton estate, has just ridden in, and with his riding-whip in his hand is looking over the stock of sheep. A couple of farmers stand by his side, and one or two villainous-looking cattle-drovers are listening to the words of the county oracle at a respectful distance. So far as I can judge, his remarks are disparaging in tone and uncomplimentary to the sheep generally. I may be wrong, of course; I only go by the fact that Farmer Harrison has taken off his broad-brimmed hat, and is scratching his head, a little habit he has when bereft of words or when things go wrong. I had an idea, when those sheep went by as I sat at breakfast this morning, that they were a weedy lot. Not that I know anything about sheep; drugs and postage stamps are my articles of merchandise; that is to say, I hold the proud position of village postmaster and chemist.

Across the market-place from my shop-door to the gateway of the Deignton Arms Inn is exactly ninety-two yards. The view is obstructed a little by a barn-like building of grey stone, built in early days for a market-house, but used now as a storehouse for corn and a repository for the market stalls and pens. However, by going to the extreme corner of my sitting-room window and peering over the wire blind, I can just see the sign. A little corn business is done here to-day, and at twelve o’clock there will be a farmers’ dinner, which my neighbours, Mr. Mann and Mr. Holmes, sometimes attend. Mr. Foulds will take the chair, and towards the close of the repast he will order in a bottle of wine, and various healths will be drunk. At the risk of being thought unsociable, I have hitherto declined to take my chair there, but to-day I have half made up my mind to go. We shall see.

I have said that I am the village postmaster and chemist of Market Deignton; let me add a few more brief remarks concerning myself. First, as to my person. I am tall, although my shoulders have a most unbecoming stoop. I have a red-brown beard streaked with grey, and I wear large and disfiguring glasses. Personally, that disposes of me. I have been at Market Deignton about six months, and I can read men and their ways sufficiently well to tell you exactly in what esteem I am held amongst the village folk. I am considered odd, and blamed a little for my retiring ways; but, on the whole, I have been labelled “harmless,” and I do not think that I am disliked. Of my skill in medicine people have an exaggerated idea, and of my book-learning they speak with unmerited respect. They would prefer a gossip in my place, but, having me, they are good-humouredly inclined to make the best of it. I have a housekeeper, Mrs. Mason by name, who comes in to clean and to get my meals; I have also an assistant, David Holmes, the linen-draper’s second son. They neither of them sleep in the house, and, save for them, I dwell alone.

One word more. I have spoken of Market Deignton as a village, and of its people as village folk. I beg its pardon. It is a town. Henceforth I hope to style it correctly.

To return to Saturday morning, the point at which I have chosen to take up this narrative. My sitting-room is not behind the shop, but alongside it, fronting the street, and from behind its wire blind I can see across the whole of the market-place. At a quarter past eleven precisely I am standing up with my hands in my pocket, looking out and lazily wondering whether Mr. Foulds will buy those sheep after all. I am not particularly interested in the matter, and my speculation is of the very mildest order. I am simply standing there and using my thoughts in that manner because I have for the moment nothing better to do with them or with myself.

Suddenly I see signs of a commotion. Something is about to happen. The quiet dullness of the long autumn morning is going to receive a fillip. Mr. Foulds and his farmer friends hold their hats in their hands, and the cattle-drovers are looking hopelessly about for some further means to express their abject humility. Mr. Holmes is out on the pavement with a pen behind his ear, and there are a score of feminine heads thrust out from the upper-storey windows of the quaint grey stone houses which fringe the market. The children are all running towards the north end of the square, and the heads are all–mine included–turned that way. Ah! this is something worth seeing. No wonder every one has stopped to look. An open carriage–a barouche, I think it is called–with a pair of magnificent dark bay horses, and a coat of arms upon the panel, servants all in mourning, and the horses with black rosettes. What can it be, I wonder? A lady inside alone–a lady dressed in half-mourning, leaning back amongst the cushions, and smiling graciously upon the little group of bare-headed men gathered around the sheep-pen. The carriage stops for a moment whilst Mr. Foulds, hat in hand, says a word or two and then falls back. Who can it be? How foolish I am! The carriage has turned in at the gateway of the Deignton Arms now, and I have seen nothing of her face because of this absurd ridiculous dimness of the eyes and unsteadiness. What is the matter with you, John Martin? Bah! I must be a little bilious, or out of sorts, somehow. David shall prescribe for me. David shall give me a draught. Now I think of it, I had very little sleep last night. David shall certainly make me up a draught. I will go and tell him.

I ought to be in the shop attending to business, but here I am at the window again, wasting my time. It seems to have an odd sort of attraction for me today. I know that Mr. Jones will not feel the same confidence in that cough medicine now that I have left David to mix it, and I know that there is a telegram lying upon my desk winch I ought to despatch. And yet here I am, with my hands in my pocket, and without the shadow of an excuse for my laziness. There is not even the excuse of there being anything to see. The carriage with its prancing horses and solitary occupant has disappeared. Mr. Foulds and the farmers seem to have come to terms, for they have left off prodding those miserable sheep about at last, and have turned away towards the inn. I wonder who that woman was inside the carriage? I wonder–Oh, my God!

I call myself a strong man; but my cheeks are pale, and that beat of the heart is scarcely normal. My fingers are clutching at the window-sill, and my eyes–unspectacled, too!–are riveted upon that tall figure picking her way across the cobbled market place straight–straight, by all that is horrible, by all that is bewildering!–to my shop.

It is over. Just a passing spasm. The weather has been a little trying lately, and I need exercise. My spectacles are on again, and my cheeks are regaining their usual colour. The attack was very brief. I am composed enough to study and admire the lady who seems about to honour my establishment with a visit.

She is no ordinary woman, this. See how regular, almost classical, are her cleanly-cut features, so regular and so pale her cheeks that her face would be cold save for the soft mobile mouth and grey-green eyes. See how she carries herself, too. She is an aristocrat, and she shows it. Watch the poise of her head, and the gracious but amply condescending smile with which she acknowledges the bows and bobs and courtesies which obtrude themselves upon her. She is close to the pavement now, and is raising her skirt with a slight graceful movement as she steps up on to the flags. By the by, is she so very young after all? I am inclined to think not. See that line across the forehead, and level with her lips. She is older than she seems, but she is beautiful. Not a girl’s beauty by any means–too sad, too mature, too listless. But I am mad to linger here, staring at this woman like a moon-struck youth. What is her beauty to me? What concern can it be of mine? Far more to the purpose is it that she is on the point of entering my shop, and I do not think that I should care about waiting upon her. David shall have the pleasure. David will gape at her, and he will be very nervous, but no doubt he will be able to retain enough of his wits to find out what she wants.

I fling open the door separating my sitting-room from the shop.

“David!”

“Yes, sir.”

“I am particularly engaged, mixing drugs. Take the keys.”

I fling them on the counter, and close the door quickly. David will have something to say about this later, I know. Stamps are my department, and he is not allowed to interfere with the post office work. Never mind! Better David’s gossip than the other.

I have my reasons for not attending to this particular customer. What they are is of no consequence. I am a plain man, my description of myself is only a few pages back, and perhaps I am shy of exhibiting my ugliness before so beautiful a woman. There are a host of possible reasons; any one of them will do. But, all the same, I have a sort of curiosity to hear her voice. In order to do so, I must confess that I stand up behind the door and listen. Why not? It is my own shop, and I am my own master.

I hold my breath and wait. There is the jingle of a little bell as the door is pushed open and she enters, a rustle of silken draperies, and a moment’s silence. Then a slow, proud voice, tempered with a moderate amount of graciousness. What is the matter with my pulses, I wonder? I must certainly not forget that draught.

“Oh, good morning, David! David Holmes, isn’t it?”

“Yes, your ladyship. Good morning, your ladyship.”

David went, or had been, to a class–a Sunday-school class, I think–at Deignton Court. I remember his telling me about it, or his mother or some one.

“Won’t your ladyship have a chair? Not that one, please; it only has three legs, and it rattles. Tills one’s all right.”

“Thank you!”

A moment’s pause, and the sound of my cane chair being moved across the stone floor. Then her voice.

“Will you give me ten shillings’ worth of stamps?”

A jingling of keys, David counting softly to himself, and the rattle of a small gold piece upon the counter. Then her voice:

“I want to send a telegram. Where are your forms?–and a pencil, please.”

This is horrible! I alone can work the instrument. After all, I must go out and face her.

“I will fetch Mr. Martin, your ladyship,” David says, and prepares to come to me.

“How do you get on with your new master?” she asks indifferently.

“Pretty well, thank you, your ladyship,” he answers. “People call him queer, but I like him better than Mr. Ashton. He isn’t always nagging one so.”

She does not answer, her interest in the subject being evidently exhausted, and David comes to me. I am trying on my thickest spectacles.

“A telegram, sir. It’s Lady Deignton, sir. She wants to send a telegram.”

“I’m coming directly, David.”

“Yes, sir.”

“My eyes are painful to-day, and I cannot bear the light. Pull down the shop blind.”

He hurries out, and I hear the brown holland blind go down with a rattle. Then I follow him with a bundle of telegraph forms in my hand, which I lay out on the counter before her, and pass on to the instrument. Here I am enclosed in a little mahogany stand with wings, and, unseen myself, can steal a glance at her through the glass.

Ah! she is not writing at all. She is sitting with the pencil in her hand, watching me. I feel a cold shiver travelling upwards through my whole frame. Yet I do not move.

At last she has looked away. She is writing now; evidently she does not find it an easy task. She tears up one form and begins another. I watch her all the time, unseen. I was dreaming when I talked of a girl’s face just now. It must have been a vision. This is a woman’s, and a sad woman’s.

At last she has finished, and is standing up, holding out two telegrams. I go towards her mechanically, holding out my hand for them. As I take them from her she glances up at me and gives a little subdued cry.

I look her in the face mildly, questioningly. I am the new postmaster, and she is the great lady of the place, but hitherto a stranger to me. Her expression is a little curious; I cannot interpret it; I can only discover its principal component. It is fear–breathless, wrapt fear. But my steady, bland gaze does its work.

“I beg your pardon,” she says slowly, her voice a little troubled still. “Your face startled me for the moment. It is a curious reminder of some one I once knew.”

I bow, anxious, if possible, to avoid speech, and calmly adding up the words on the telegrams, hand her the stamps. She affixes them, still watching me half carelessly, half anxiously.

“You can read them?”

I take up a pencil, and read the top one through without a falter.

"TO MISS DEIGNTON, CARE OF MRS. WORTLEY-DENOBLE, DENOBLE MANOR, NEAR EXETER. YOU MUST PLEASE DO AS I DESIRE. HAVE THOUGHT OVER YOUR REQUEST, AND REPLY FINALLY, YOU MUST NOT COME.”

I put it on one side and read the second one. Lady Deignton leans a little over the counter, and beneath an affectation of carelessness, honours me with a very keen scrutiny.

"TO JOHN W. GAY, ENQUIRY AGENT, 10, PARLIAMENT STREET, LONDON, W. REPORT IMMEDIATELY ADDRESS OF DR. NORMAN SCOTT. WIRE REPLY, IF POSSIBLE. DEIGNTON.”

“Is that right?” I ask, idly tapping with my pencil upon the counter.

She puts down the money with a brief assent and rises. I have gained the shelter of my desk, and I can see that she is still looking pale and shaken. I wish that she would go. There is a light in her eyes as of coming trouble.

A rustle of silk skirts and dainty draperies gathered up into her well-gloved hand as she moves across the dusty shop floor. On the threshold a brief “Good morning” to David, who is holding the little half-door open for her, and then–thank Heaven!–she is gone. How dark and cold my little shop seems! Never mind: she is gone.

“Pull up the blind, David; my eyes are better now.”

He obeys me, and the sunshine streams in once more. I stand and watch her out of sight with a curious tightening of my heart-strings. Then I turn to the telegrams and prepare to despatch them. The one to John W. Gay I despatch first. Then I address myself to the other.

"TO MISS DEIGNTON, CARE OF MRS. WORTLEY-DENOBLE, DENOBLE MANOR, NEAR EXETER. YOU MUST PLEASE DO AS I DESIRE. HAVE THOUGHT OVER YOUR REQUEST, AND REPLY FINALLY–”

Here I hesitate. The quick clicking of the instrument ceases, and I look across the little market-place with far-away eyes and bent brows. My resolution is soon taken; I continue my task:

"YOU MUST COME. DEIGNTON.”

Only one word omitted. So simple an error; it might happen any day at any telegraph office. But I go back to my little room and sit there alone with locked door–alone, save for a chamber full of ghosts. My brain is busy weaving out the next scene in the drama of my little life. What a medley it all is! Pale-faced figures and voices raised in agony, soft whisperings and the gleam of brilliant eyes, the snapping of golden cords, and the dull cold burning of that despair which eats away the heart and loosens all the strings of life. What a tangled web it all is woven across my dizzy memory–tangled and confused, yet thrown into some semblance of order by the thunderclap of tragedy. Away into the background with it all! For me memory and madness must move hand in hand. Let me push this giddy weight away. Let me fix my mind upon two things only. First, that I am John Martin, postmaster of Market Deignton. Secondly, that to-day I have taken the first step towards that dim circle of hope which throws a faint, far-away light upon the horizon of my life.

II. A VISITOR

At eight o’clock precisely, following in the footsteps of my predecessors, I close the shop. For the last half-hour Market Deignton has been in an unheard of state of excitement, and David’s hands have been itching for the shutters. There is a concert in the large room behind the inn–an amateur concert for the benefit of the Infirmary, of which her ladyship is the patroness. Carriages have been rolling up by the score, carriages disclosing to the open-mouthed market throng fine ladies in snowy-white opera cloaks, and men in evening clothes. The front seats are half a guinea each, and the high prices and Lady Deignton’s patronage have made the affair fashionable. It is her ladyship’s first appearance after nearly two years’ mourning, and for the last week or two every one has been saying, “How sweet it is of dear Lady Deignton to abandon her own desire for a longer period of seclusion, and ensure success for the concert by her promise to attend.” I have had the privilege of disposing of a good many tickets, and the lady who brought them to me, and who was surprised when I growled at her for offering me a commission, was good enough to suggest my retaining a two-shilling one for myself. I threw it to David, and since then the boy has scarcely been sane.

His time has come at last. The mail-bag, sealed with my own hand, has been called for a few minutes before the hour, and at the first stroke of the church clock David is out with the shutters. In the little sitting-room, to which I retire with a sigh of relief, I find my evening meal prepared for me, and I settle down to enjoy the only part of the day which reconciles me to existences.

My supper itself–I dare not call it dinner, though such it really is–could not by any possible stretch of the imagination be called luxurious. As a rule, I hurry through it, for Mrs. Mason, who “does for me,” is waiting in the kitchen to clear away, and to get rid of her quickly and have the place to myself is usually my chief desire. Tonight I have but little appetite. An indifferently cooked chop and a glass of thin claret are despatched in little more than ten minutes, and in another ten I lock the door upon Mrs. Mason. Then, hey presto! for a transformation scene. For four hours at least, often six, I am the village postmaster no longer. Out comes a tin of finely-scented rich brown mocha, and a wonderful machine imported from Paris, in which practice has taught me how to brew to perfection my favourite beverage. Whilst it is steaming and bubbling in a great glass bowl, I bring out from the same carefully locked cupboard an ivory jar lined with lead, which, being decapitated, discloses a cunning mixture of honeydew and cavendish; and from the shelf at the back comes a deeply-coloured meerschaum, which I fill with loving fingers. An old red chintz arm-chair, high-backed, and with many gaps in its ancient covering, is drawn up to the fire. Hiss goes the coffee, emptying itself with a succession of gulps pleasant to my ears from one glass bowl to the other. While it clears, I bring out an old blue Worcester cup and saucer, and my one silver teaspoon.

My preparations for the evening have now reached their final stage, and it only remains for me to decide of what world I shall choose to become a temporary inhabitant. My bookcases are only of painted deal, but they surround the little room, and they are tolerably well filled. Fortunately for me, no one in Market Deignton has the faintest idea as to the value of those rows of dingy calf-bound volumes, or my reputation for common sense would certainly suffer. As it is, every now and then, generally before quarter day, a small parcel, addressed with most unwilling hand, goes up to Sotheby’s, and a cheque reaches me by return of post. Then for a week I am a morose and miserable man. I try to hide the gaps made by their loss, but it is always in vain. The gap seems to be not only in my bookcases: I have lost friends–friends who have been faithful to me, and my heart aches for them.

To-night I am in no studious mood. I want to escape from myself and from Market Deignton by the easiest possible channel.

I pass over a grim-looking Kant with whom I have spent my last few evenings, and take out De Quincey and an odd volume of Voltaire. Then I pass straight to my poetry shelf and select a small morocco-bound Maud, much the worse for wear, a Byron, Keats, and Shelley. I lay the last on a foostool by the side of my chair, and after a moment’s hesitation retain Maud. Then I pour out my coffee, light my pipe, and down I sink amongst those creaking but easy springs, puffing out volumes of smoke into the room, and with my heart already beating to the music of those passionate stanzas.

It is very seldom that I am interrupted, very seldom that my feet touch once more the solid earth until either chilliness or sleepiness induces me to glance from the handful of dead ashes on the hearth–for my supply of coal is limited–to the little clock on the mantelpiece, and I remember that I am the postmaster of Market Deignton, and that I must be up to receive the mail-bag at seven o’clock in the morning. Now and then there is a ring at the shopbell, and I have to grope my way there through the darkness, to admit some anxious messenger, generally a child, and dispense a simple prescription. That is but seldom, though. People are rarely ill at IMarket Deignton, and when they die it is generally of old age.

But to-night I am scarcely in the middle of my first pipe when an unheard-of thing happens. I sit up with a start, and wonder whether I have been dreaming. No; there it is again! A soft, yet impatient knocking at my sitting-room door, which opens in the old-fashioned way upon the street.

I lay down my pipe, and with my book still in my hand, walk frowning across the room. There is nothing in my surroundings particularly sybaritical, and yet I have all a shy man’s reluctance to expose my tastes and manner of life to the gossips of the place. Hitherto I have kept free from visitors after shop-hours. Some trifling hospitalities offered on my first arrival by Mr. Mann and Mr. Holmes I declined as kindly as possible, but firmly. People have seemed content to take me as I wished to be taken–as a man harmless and unassuming, yet desirous of living his life to himself. So far, I have been able to offend no one, and yet I have my own way. And now, on this night of all others, when every man, woman, and child who has sixpence to spend for a back seat has gone to gape upon his or her betters, there must come this confounded knocking! Shall I open the door at all? Perhaps the person will go away if I keep still.

Vain hope! Another knock–a little less soft now and more imperative. I must accept the inevitable. I lift the latch, and gaze out into the street.

III. WHITE ROSES AND ASHES

The open doorway frames a strange picture–a picture on which I gaze with blank astonishment. There is a section of deep-blue sky lit with stars, the opposite house gable very clear in the bright moonlight, and in the foreground a tall woman, wrapped from head to foot in a soft grey opera-cloak, with a hood drawn closely over her head.

“Let me come in!” she demands impatiently–“quick!”

I am amazed, but I stand aside, and she steps in with the old impetuous grace which I know so well. It is she who closes the door. Something in her voice and sudden appearance has struck me powerless, and I am holding on to a chair-back, watching her, dumb and motionless. The door is closed and locked; then she throws off her heavy cloak, which falls unheeded across my table, and holds out her pearl-gloved hands towards me.

Bah! I have fallen asleep over my book! I am dreaming–dreaming once more of the folly of those old days before their sweetness turned into dust and ashes. Dreaming! How the room spins round with me! How my heart leaps! Dreaming once more of her, once more of those wonderful flashing eyes!–heavens! how distinct they are–of that glorious chestnut hair, of that delicate, quivering mouth! Once more of you, Cora! To-night! Ah, how real it all seems to-night! When have I seen that ivory-grey satin dress with the low corsage, and that great bunch of roses? Never before, I think. Yet I see your bosom rising and falling; the perfume of your roses fills the room; the light of your eyes is shining down into the dark comers of my heart! Ah, how sweet a dream! how bitter will be the awakening!

“Norman, have I frightened you? Are you not glad to see me?”

Am I mad? If so, God keep me mad a little longer! My pulses are beating wildly. It was her voice–I swear it was her voice! I am awake.

“Speak to me, Norman!”

Once and for ever the spell is broken. I look across my little table away into the past, and I know with a sudden rush of relief that all desire to bridge over that dark gulf is dead and gone. I take off my glasses, and look steadily into this woman’s face with a slight frown darkening my own.

“You have found me out, then,” I say slowly. “You knew me this morning.”

She, too, has drawn herself up–a gloriously beautiful woman–and looks at me with the old curious light in her eyes, and a familiar smile, half mocking, half seductive, twitching at the corners of her lips. The old magnificent composure has asserted itself. She is as much at her ease as though she were paying an ordinary afternoon call.