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Mike Kenny's imaginative stage adaptation of E. Nesbit's much-loved children's classic. Famously filmed, this story of a prosperous Edwardian family - mother and three children - forced into near-penury in the rural north of England captures the anxieties and exhilarations of childhood with great tenderness and insight. As Mike Kenny says of his remarkably faithful adaptation, 'You don't need a real train to perform this play… the most powerful prop is the imagination of the audience, the most effective tool the skill of the actors.' So this version of The Railway Children, which offers three plum roles for young performers, is eminently suitable for schools, youth theatres and drama groups - anywhere, in fact, where the cry of 'Daddy! My Daddy!' is likely to provoke a tear. Mike Kenny's version of The Railway Children was first staged at the National Railway Museum in York in 2008, before receiving a major production at Waterloo Station in London in 2010.
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Veröffentlichungsjahr: 2014
E. Nesbit
THE RAILWAYCHILDREN
adapted for the stage by
Mike Kenny
NICK HERN BOOKS
London
www.nickhernbooks.co.uk
Contents
Title Page
Author’s Note
Original Production
Characters
The Railway Children
About the Authors
Copyright and Performing Rights Information
Author’s Note
Before I was a playwright, I was an actor. I worked in a company in Leeds and we devised all our own work. We wrote and acted in our own plays. One of the things I learned very quickly, and which has shaped my writing ever since, is that if I included something in a play – a prop or a piece of furniture –I would have to carry it myself, often up stairs and around corners, then down again after performing the play. I soon realised that the most powerful prop we had was the imagination of the audience, and the most effective tool the skill of the actors. You can make people see things that aren’t there.
Fast forward many years to The Railway Children, which, in its original production, has the biggest prop I’ve ever worked with: the sixty-odd tonnes of the beautiful Sterling Single Engine. However, you don’t need a real train to perform this play. Not many people of my acquaintance have them lying around, nor do they have a railway track to drive it on, nor a qualified driver who can guarantee not to squash an actor waving her petticoats. I wrote it in the way I wrote my very earliest pieces. All it needs is the skill of the actor and the imagination of an audience.
Here’s a helpful tip from the first production. Apart from the train, everything in the production – tables, beds, landslides even – was created from the kinds of things you would find on a station platform: cases, trunks, trolleys and suchlike. These are all you need to tell the story of the journey of this family. It’s actually the journey they take that is most interesting, not the luggage that accompanies them.
Mike Kenny
Mike Kenny’s adaptation of The Railway Children was first performed at the National Railway Museum, York, in association with the York Theatre Royal, on 23 July 2008, with the following cast:
FATHER/DOCTOR
Robert Angell
MRS PERKS/MAID
Elianne Byrne
MOTHER
Andrina Carroll
PERKS
Marshall Lancaster
PHYLLIS
Frances Marshall
MRS VINEY/COOK
Jacqueline Naylor
BOBBIE
Sarah Quintrell
PETER
Jonathan Race
JIM/BUTLER/MR SZEZCPANSKY
Robin Simpson
OLD GENTLEMAN
Colin Tarrant
Director
Damian Cruden
Designer
Joanna Scotcher
Lighting Designer
Richard G Jones
Sound Designer
Craig Vear
Production Managers
Jude Cloke & Paul Veysey
Composer
Christopher Madin
Producers
York Theatre Royal and the National Railway Museum
The production transferred to Platform 24, Waterloo Station, London, on 12 July 2010, with the following cast:
OLD GENTLEMAN
David Baron
PETER
Nicholas Bishop
PHYLLIS
Louisa Clein
MOTHER
Caroline Harker
MRS PERKS/MAID
Elizabeth Keates
JIM/SUPERINTENDANT
Steven Kynman
PERKS
Marshall Lancaster
FATHER
Roger May
MR SZEZCPANSKY/BUTLER/PC
Blair Plant
MRS VINEY/COOK
Amanda Prior
BOBBIE
Sarah Quintrell
With other parts played by Grace Rowe and Mat Ruttle
Director
Damian Cruden
Designer
Joanna Scotcher
Lighting Designer
Richard G Jones
Sound Designer
Craig Vear
Composer
Christopher Madin
Producers
Jenny King and Matthew Gale for the Touring Consortium (RC) 2011 Ltd, Sue Scott Davison for Sue Scott Davison Productions, Jeffrey Latimer, Tristan Baker for Tristan Baker Productions, Peter Wilson and Olly Royds for PW Productions
The production was revived in June 2011, with the following changes to the cast: Peter was played by Tim Lewis, Phyllis by Grace Rowe, Mother by Pandora Clifford, Jim/Superintendant by Mark Holgate, Perks by Marcus Brigstocke, Father/Doctor by Stephen Beckett, Bobbie by Amy Noble, and other parts played by Francesca Ellis, Felicity Houlbrooke and James Rigby.
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!