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Robert Ervin Howard was an American pulp writer of fantasy, horror, historical adventure, boxing, western, and detective fiction. Howard wrote "over three-hundred stories and seven-hundred poems of raw power and unbridled emotion" and is especially noted for his memorable depictions of "a sombre universe of swashbuckling adventure and darkling horror."
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Veröffentlichungsjahr: 2022
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Robert Ervin Howard was an American pulp writer of fantasy, horror, historical adventure, boxing, western, and detective fiction. Howard wrote "over three-hundred stories and seven-hundred poems of raw power and unbridled emotion" and is especially noted for his memorable depictions of "a sombre universe of swashbuckling adventure and darkling horror."
I was out in the blacksmith shop by the corral beating out some shoes for Cap'n Kidd, when my brother John come sa'ntering in. He'd been away for a few weeks up in the Cougar Paw country, and he'd evidently done well, whatever he'd been doing, because he was in a first class humor with hisself, and plumb spilling over with high spirits and conceit. When he feels prime like that he wants to rawhide everybody he meets, especially me. John thinks he's a wit, but I figger he's just half right.
"Air you slavin' over a hot forge for that mangy, flea-bit hunk of buzzard-meat again?" he greeted me. "That broom-tail ain't wuth the iron you wastes on his splayed-out hooves!"
He knows the easiest way to git under my hide is to poke fun at Cap'n Kidd. But I reflected it was just envy on his part, and resisted my natural impulse to bend the tongs over his head. I taken the white-hot iron out of the forge and put it on the anvil and started beating it into shape with the sixteen-pound sledge I always uses. I got no use for the toys which most blacksmiths uses for hammers.
"If you ain't got nothin' better to do than criticize a animal which is a damn sight better hoss than you'll ever be a man," I said with dignerty, between licks, "I calls yore attention to a door right behind you which nobody ain't usin' at the moment."
He bust into loud rude laughter and said: "You call that thing a hossshoe? It's big enough for a snow plow! Here, long as yo're in the business, see can you fit a shoe for that!"
He sot his foot up on the anvil and I give it a good slam with the hammer. John let out a awful holler and begun hopping around over the shop and cussing fit to curl yore hair. I kept on hammering my iron.
Just then pap stuck his head in the door and beamed on us, and said: "You boys won't never grow up! Always playin' yore childish games, and sportin' in yore innercent frolics!"
"He's busted my toe," said John blood-thirstily, "and I'll have his heart's blood if it's the last thing I do."
"Chips off the old block," beamed pap. "It takes me back to the time when, in the days of my happy childhood, I emptied a sawed-off shotgun into the seat of brother Joel's britches for tellin' our old man it was me which put that b'ar-trap in his bunk."
"He'll rue the day," promised John, and hobbled off to the cabin with moans and profanity. A little later, from his yells, I gathered that he had persuaded maw or one of the gals to rub his toe with hoss-liniment. He could make more racket about nothing then any Elkins I ever knowed.
I went on and made the shoes and put 'em on Cap'n Kidd, which is a job about like roping and hawg-tying a mountain cyclone, and by the time I got through and went up to the cabin to eat, John seemed to have got over his mad spell. He was laying on his bunk with his foot up on it all bandaged up, and he says: "Breckinridge, they ain't no use in grown men holdin' a grudge. Let's fergit about it."
"Who's holdin' any grudge?" I ast, making sure he didn't have a bowie knife in his left hand. "I dunno why they should be so much racket over a trifle that didn't amount to nothin', nohow."