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- Herausgeber: Musaicum Books
- Kategorie: Gesellschafts- und Liebesromane
- Sprache: Englisch
- Veröffentlichungsjahr: 2018
'The Toys of Peace & Other Papers: All 33 Tales in One Edition' offers a brilliant showcase of H. H. Munro's (Saki) paradoxical blend of whimsy and satire, tinged with a poignant critique of Edwardian social mores. The collection traverses a spectrum of narrative forms, from biting social commentary to unexpectedly tender reflections on human nature. Esteemed for its incisive irony and the cleverness with which it unveils the absurdities of society, this anthology includes some of Saki's most celebrated tales, effectively capturing the complexities of the era while challenging societal norms with wit and subversion. The anthology reflects the varied intellectual and cultural backgrounds of Saki himself, a storyteller celebrated for his acute social observations and sharp wit. His work, often seen as a bridge between the Victorian and modernist literary traditions, aligns with broader movements questioning established norms and traditions through literature. Saki's stories leverage satire and surrealism to illuminate the ironic truths of human behavior, creating a rich tapestry that resonates with themes of rebellion against societal constraints. This collection is an indispensable exploration for readers interested in the confluence of historical insight, literary brilliance, and provocative satire. 'The Toys of Peace & Other Papers' invites enthusiasts of early 20th-century literature to delve into a world where the comical and the critical merge seamlessly. It promises not only a diverse array of thematic interpretations but also an engaging dialogue across the works, making it a compelling read for both scholars and casual readers intrigued by the dynamics of social satire and cultural critique.
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The Toys of Peace & Other Papers: All 33 Tales in One Edition
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Table of Contents
The Toys of Peace
“Harvey,” said Eleanor Bope, handing her brother a cutting from a London morning paper of the 19th of March, “just read this about children’s toys, please; it exactly carries out some of our ideas about influence and upbringing.”
“In the view of the National Peace Council,” ran the extract, “there are grave objections to presenting our boys with regiments of fighting men, batteries of guns, and squadrons of ‘Dreadnoughts.’ Boys, the Council admits, naturally love fighting and all the panoply of war . . . but that is no reason for encouraging, and perhaps giving permanent form to, their primitive instincts. At the Children’s Welfare Exhibition, which opens at Olympia in three weeks’ time, the Peace Council will make an alternative suggestion to parents in the shape of an exhibition of ‘peace toys.’ In front of a specially-painted representation of the Peace Palace at The Hague will be grouped, not miniature soldiers but miniature civilians, not guns but ploughs and the tools of industry . . . It is hoped that manufacturers may take a hint from the exhibit, which will bear fruit in the toy shops.”
“The idea is certainly an interesting and very well-meaning one,” said Harvey; “whether it would succeed well in practice—”
“We must try,” interrupted his sister; “you are coming down to us at Easter, and you always bring the boys some toys, so that will be an excellent opportunity for you to inaugurate the new experiment. Go about in the shops and buy any little toys and models that have special bearing on civilian life in its more peaceful aspects. Of course you must explain the toys to the children and interest them in the new idea. I regret to say that the ‘Siege of Adrianople’ toy, that their Aunt Susan sent them, didn’t need any explanation; they knew all the uniforms and flags, and even the names of the respective commanders, and when I heard them one day using what seemed to be the most objectionable language they said it was Bulgarian words of command; of course it may have been, but at any rate I took the toy away from them. Now I shall expect your Easter gifts to give quite a new impulse and direction to the children’s minds; Eric is not eleven yet, and Bertie is only nine-and-a-half, so they are really at a most impressionable age.”
“There is primitive instinct to be taken into consideration, you know,” said Harvey doubtfully, “and hereditary tendencies as well. One of their great-uncles fought in the most intolerant fashion at Inkerman—he was specially mentioned in dispatches, I believe—and their great-grandfather smashed all his Whig neighbours’ hot houses when the great Reform Bill was passed. Still, as you say, they are at an impressionable age. I will do my best.”
On Easter Saturday Harvey Bope unpacked a large, promising-looking red cardboard box under the expectant eyes of his nephews. “Your uncle has brought you the newest thing in toys,” Eleanor had said impressively, and youthful anticipation had been anxiously divided between Albanian soldiery and a Somali camel-corps. Eric was hotly in favour of the latter contingency. “There would be Arabs on horseback,” he whispered; “the Albanians have got jolly uniforms, and they fight all day long, and all night, too, when there’s a moon, but the country’s rocky, so they’ve got no cavalry.”
A quantity of crinkly paper shavings was the first thing that met the view when the lid was removed; the most exciting toys always began like that. Harvey pushed back the top layer and drew forth a square, rather featureless building.
“It’s a fort!” exclaimed Bertie.
“It isn’t, it’s the palace of the Mpret of Albania,” said Eric, immensely proud of his knowledge of the exotic title; “it’s got no windows, you see, so that passers-by can’t fire in at the Royal Family.”
“It’s a municipal dust-bin,” said Harvey hurriedly; “you see all the refuse and litter of a town is collected there, instead of lying about and injuring the health of the citizens.”
In an awful silence he disinterred a little lead figure of a man in black clothes.
“That,” he said, “is a distinguished civilian, John Stuart Mill. He was an authority on political economy.”
“Why?” asked Bertie.
“Well, he wanted to be; he thought it was a useful thing to be.”
Bertie gave an expressive grunt, which conveyed his opinion that there was no accounting for tastes.
Another square building came out, this time with windows and chimneys.
“A model of the Manchester branch of the Young Women’s Christian Association,” said Harvey.
“Are there any lions?” asked Eric hopefully. He had been reading Roman history and thought that where you found Christians you might reasonably expect to find a few lions.
“There are no lions,” said Harvey. “Here is another civilian, Robert Raikes, the founder of Sunday schools, and here is a model of a municipal wash-house. These little round things are loaves baked in a sanitary bakehouse. That lead figure is a sanitary inspector, this one is a district councillor, and this one is an official of the Local Government Board.”
“What does he do?” asked Eric wearily.
“He sees to things connected with his Department,” said Harvey. “This box with a slit in it is a ballot-box. Votes are put into it at election times.”
“What is put into it at other times?” asked Bertie.
“Nothing. And here are some tools of industry, a wheelbarrow and a hoe, and I think these are meant for hop-poles. This is a model beehive, and that is a ventilator, for ventilating sewers. This seems to be another municipal dust-bin—no, it is a model of a school of art and public library. This little lead figure is Mrs. Hemans, a poetess, and this is Rowland Hill, who introduced the system of penny postage. This is Sir John Herschel, the eminent astrologer.”
“Are we to play with these civilian figures?” asked Eric.
“Of course,” said Harvey, “these are toys; they are meant to be played with.”
“But how?”
It was rather a poser. “You might make two of them contest a seat in Parliament,” said Harvey, “and have an election—”
“With rotten eggs, and free fights, and ever so many broken heads!” exclaimed Eric.
“And noses all bleeding and everybody drunk as can be,” echoed Bertie, who had carefully studied one of Hogarth’s pictures.
“Nothing of the kind,” said Harvey, “nothing in the least like that. Votes will be put in the ballot-box, and the Mayor will count them—and he will say which has received the most votes, and then the two candidates will thank him for presiding, and each will say that the contest has been conducted throughout in the pleasantest and most straightforward fashion, and they part with expressions of mutual esteem. There’s a jolly game for you boys to play. I never had such toys when I was young.”
“I don’t think we’ll play with them just now,” said Eric, with an entire absence of the enthusiasm that his uncle had shown; “I think perhaps we ought to do a little of our holiday task. It’s history this time; we’ve got to learn up something about the Bourbon period in France.”
“The Bourbon period,” said Harvey, with some disapproval in his voice.
“We’ve got to know something about Louis the Fourteenth,” continued Eric; “I’ve learnt the names of all the principal battles already.”
This would never do. “There were, of course, some battles fought during his reign,” said Harvey, “but I fancy the accounts of them were much exaggerated; news was very unreliable in those days, and there were practically no war correspondents, so generals and commanders could magnify every little skirmish they engaged in till they reached the proportions of decisive battles. Louis was really famous, now, as a landscape gardener; the way he laid out Versailles was so much admired that it was copied all over Europe.”
“Do you know anything about Madame Du Barry?” asked Eric; “didn’t she have her head chopped off?”
“She was another great lover of gardening,” said Harvey, evasively; “in fact, I believe the well known rose Du Barry was named after her, and now I think you had better play for a little and leave your lessons till later.”
Harvey retreated to the library and spent some thirty or forty minutes in wondering whether it would be possible to compile a history, for use in elementary schools, in which there should be no prominent mention of battles, massacres, murderous intrigues, and violent deaths. The York and Lancaster period and the Napoleonic era would, he admitted to himself, present considerable difficulties, and the Thirty Years’ War would entail something of a gap if you left it out altogether. Still, it would be something gained if, at a highly impressionable age, children could be got to fix their attention on the invention of calico printing instead of the Spanish Armada or the Battle of Waterloo.
It was time, he thought, to go back to the boys’ room, and see how they were getting on with their peace toys. As he stood outside the door he could hear Eric’s voice raised in command; Bertie chimed in now and again with a helpful suggestion.
“That is Louis the Fourteenth,” Eric was saying, “that one in knee-breeches, that Uncle said invented Sunday schools. It isn’t a bit like him, but it’ll have to do.”
“We’ll give him a purple coat from my paintbox by and by,” said Bertie.
“Yes, an’ red heels. That is Madame de Maintenon, that one he called Mrs. Hemans. She begs Louis not to go on this expedition, but he turns a deaf ear. He takes Marshal Saxe with him, and we must pretend that they have thousands of men with them. The watchword is Qui vive? and the answer is L’état c’est moi—that was one of his favourite remarks, you know. They land at Manchester in the dead of the night, and a Jacobite conspirator gives them the keys of the fortress.”
Peeping in through the doorway Harvey observed that the municipal dust-bin had been pierced with holes to accommodate the muzzles of imaginary cannon, and now represented the principal fortified position in Manchester; John Stuart Mill had been dipped in red ink, and apparently stood for Marshal Saxe.
“Louis orders his troops to surround the Young Women’s Christian Association and seize the lot of them. ‘Once back at the Louvre and the girls are mine,’ he exclaims. We must use Mrs. Hemans again for one of the girls; she says ‘Never,’ and stabs Marshal Saxe to the heart.”
“He bleeds dreadfully,” exclaimed Bertie, splashing red ink liberally over the façade of the Association building.
“The soldiers rush in and avenge his death with the utmost savagery. A hundred girls are killed”—here Bertie emptied the remainder of the red ink over the devoted building—“and the surviving five hundred are dragged off to the French ships. ‘I have lost a Marshal,’ says Louis, ‘but I do not go back empty-handed.’”
Harvey stole away from the room, and sought out his sister.
“Eleanor,” he said, “the experiment—”
“Yes?”
“Has failed. We have begun too late.”
Louise
“The tea will be quite cold, you’d better ring for some more,” said the Dowager Lady Beanford.
Susan Lady Beanford was a vigorous old woman who had coquetted with imaginary ill-health for the greater part of a lifetime; Clovis Sangrail irreverently declared that she had caught a chill at the Coronation of Queen Victoria and had never let it go again. Her sister, Jane Thropplestance, who was some years her junior, was chiefly remarkable for being the most absent-minded woman in Middlesex.
“I’ve really been unusually clever this afternoon,” she remarked gaily, as she rang for the tea. “I’ve called on all the people I meant to call on; and I’ve done all the shopping that I set out to do. I even remembered to try and match that silk for you at Harrod’s, but I’d forgotten to bring the pattern with me, so it was no use. I really think that was the only important thing I forgot during the whole afternoon. Quite wonderful for me, isn’t it?”
“What have you done with Louise?” asked her sister. “Didn’t you take her out with you? You said you were going to.”
“Good gracious,” exclaimed Jane, “what have I done with Louise? I must have left her somewhere.”
“But where?”
“That’s just it. Where have I left her? I can’t remember if the Carrywoods were at home or if I just left cards. If there were at home I may have left Louise there to play bridge. I’ll go and telephone to Lord Carrywood and find out.”
“Is that you, Lord Carrywood?” she queried over the telephone; “it’s me, Jane Thropplestance. I want to know, have you seen Louise?”
“‘Louise,’” came the answer, “it’s been my fate to see it three times. At first, I must admit, I wasn’t impressed by it, but the music grows on one after a bit. Still, I don’t think I want to see it again just at present. Were you going to offer me a seat in your box?”
“Not the opera ‘Louise’—my niece, Louise Thropplestance. I thought I might have left her at your house.”
“You left cards on us this afternoon, I understand, but I don’t think you left a niece. The footman would have been sure to have mentioned it if you had. Is it going to be a fashion to leave nieces on people as well as cards? I hope not; some of these houses in Berkeley-square have practically no accommodation for that sort of thing.”
“She’s not at the Carrywoods’,” announced Jane, returning to her tea; “now I come to think of it, perhaps I left her at the silk counter at Selfridge’s. I may have told her to wait there a moment while I went to look at the silks in a better light, and I may easily have forgotten about her when Ifound I hadn’t your pattern with me. In that case she’s still sitting there. She wouldn’t move unless she was told to; Louise has no initiative.”
“You said you tried to match the silk at Harrod’s,” interjected the dowager.
“Did I? Perhaps it was Harrod’s. I really don’t remember. It was one of those places where every one is so kind and sympathetic and devoted that one almost hates to take even a reel of cotton away from such pleasant surroundings.”
“I think you might have taken Louise away. I don’t like the idea of her being there among a lot of strangers. Supposing some unprincipled person was to get into conversation with her.”
“Impossible. Louise has no conversation. I’ve never discovered a single topic on which she’d anything to say beyond ‘Do you think so? I dare say you’re right.’ I really thought her reticence about the fall of the Ribot Ministry was ridiculous, considering how much her dear mother used to visit Paris. This bread and butter is cut far too thin; it crumbles away long before you can get it to your mouth. One feels so absurd, snapping at one’s food in mid-air, like a trout leaping at may-fly.”
“I am rather surprised,” said the dowager, “that you can sit there making a hearty tea when you’ve just lost a favourite niece.”
“You talk as if I’d lost her in a churchyard sense, instead of having temporarily mislaid her. I’m sure to remember presently where I left her.”
“You didn’t visit any place of devotion, did you? If you’ve left her mooning about Westminster Abbey or St. Peter’s, Eaton Square, without being able to give any satisfactory reason why she’s there, she’ll be seized under the Cat and Mouse Act and sent to Reginald McKenna.”
“That would be extremely awkward,” said Jane, meeting an irresolute piece of bread and butter halfway; “we hardly know the McKennas, and it would be very tiresome having to telephone to some unsympathetic private secretary, describing Louise to him and asking to have her sent back in time for dinner. Fortunately, I didn’t go to any place of devotion, though I did get mixed up with a Salvation Army procession. It was quite interesting to be at close quarters with them, they’re so absolutely different to what they used to be when I first remember them in the ’eighties. They used to go about then unkempt and dishevelled, in a sort of smiling rage with the world, and now they’re spruce and jaunty and flamboyantly decorative, like a geranium bed with religious convictions. Laura Kettleway was going on about them in the lift of the Dover Street Tube the other day, saying what a lot of good work they did, and what a loss it would have been if they’d never existed. ‘If they had never existed,’ I said, ‘Granville Barker would have been certain to have invented something that looked exactly like them.’ If you say things like that, quite loud, in a Tube lift, they always sound like epigrams.”
“I think you ought to do something about Louise,” said the dowager.
“I’m trying to think whether she was with me when I called on Ada Spelvexit. I rather enjoyed myself there. Ada was trying, as usual, to ram that odious Koriatoffski woman down my throat, knowing perfectly well that I detest her, and in an unguarded moment she said: ‘She’s leaving her present house and going to Lower Seymour Street.’ ‘I dare say she will, if she stays there long enough,’ I said. Ada didn’t see it for about three minutes, and then she was positively uncivil. No, I am certain I didn’t leave Louise there.”
“If you could manage to remember where you did leave her, it would be more to the point than these negative assurances,” said Lady Beanford; “so far, all we know is that she is not at the Carrywoods’, or Ada Spelvexit’s, or Westminster Abbey.”
“That narrows the search down a bit,” said Jane hopefully; “I rather fancy she must have been with me when I went to Mornay’s. I know I went to Mornay’s, because I remember meeting that delightful Malcolm What’s-his-name there—you know whom I mean. That’s the great advantage of people having unusual first names, you needn’t try and remember what their other name is. Of course I know one or two other Malcolms, but none that could possibly be described as delightful. He gave me two tickets for the Happy Sunday Evenings in Sloane Square. I’ve probably left them at Mornay’s, but still it was awfully kind of him to give them to me.”
“Do you think you left Louise there?”
“I might telephone and ask. Oh, Robert, before you clear the tea-things away I wish you’d ring up Mornay’s, in Regent Street, and ask if I left two theatre tickets and one niece in their shop this afternoon.”
“A niece, ma’am?” asked the footman.
“Yes, Miss Louise didn’t come home with me, and I’m not sure where I left her.”
“Miss Louise has been upstairs all the afternoon, ma’am, reading to the second kitchenmaid, who has the neuralgia. I took up tea to Miss Louise at a quarter to five o’clock, ma’am.”
“Of course, how silly of me. I remember now, I asked her to read the Faerie Queene to poor Emma, to try to send her to sleep. I always get some one to read the Faerie Queene to me when I have neuralgia, and it usually sends me to sleep. Louise doesn’t seem to have been successful, but one can’t say she hasn’t tried. I expect after the first hour or so the kitchenmaid would rather have been left alone with her neuralgia, but of course Louise wouldn’t leave off till some one told her to. Anyhow, you can ring up Mornay’s, Robert, and ask whether I left two theatre tickets there. Except for your silk, Susan, those seem to be the only things I’ve forgotten this afternoon. Quite wonderful for me.”
Tea
James Cushat-Prinkly was a young man who had always had a settled conviction that one of these days he would marry; up to the age of thirty-four he had done nothing to justify that conviction. He liked and admired a great many women collectively and dispassionately without singling out one for especial matrimonial consideration, just as one might admire the Alps without feeling that one wanted any particular peak as one’s own private property. His lack of initiative in this matter aroused a certain amount of impatience among the sentimentally-minded women-folk of his home circle; his mother, his sisters, an aunt-in-residence, and two or three intimate matronly friends regarded his dilatory approach to the married state with a disapproval that was far from being inarticulate. His most innocent flirtations were watched with the straining eagerness which a group of unexercised terriers concentrates on the slightest movements of a human being who may be reasonably considered likely to take them for a walk. No decent-souled mortal can long resist the pleading of several pairs of walk-beseeching dog-eyes; James Cushat-Prinkly was not sufficiently obstinate or indifferent to home influences to disregard the obviously expressed wish of his family that he should become enamoured of some nice marriageable girl, and when his Uncle Jules departed this life and bequeathed him a comfortable little legacy it really seemed the correct thing to do to set about discovering some one to share it with him. The process of discovery was carried on more by the force of suggestion and the weight of public opinion than by any initiative of his own; a clear working majority of his female relatives and the aforesaid matronly friends had pitched on Joan Sebastable as the most suitable young woman in his range of acquaintance to whom he might propose marriage, and James became gradually accustomed to the idea that he and Joan would go together through the prescribed stages of congratulations, present-receiving, Norwegian or Mediterranean hotels, and eventual domesticity. It was necessary, however to ask the lady what she thought about the matter; the family had so far conducted and directed the flirtation with ability and discretion, but the actual proposal would have to be an individual effort.
Cushat-Prinkly walked across the Park towards the Sebastable residence in a frame of mind that was moderately complacent. As the thing was going to be done he was glad to feel that he was going to get it settled and off his mind that afternoon. Proposing marriage, even to a nice girl like Joan, was a rather irksome business, but one could not have a honeymoon in Minorca and a subsequent life of married happiness without such preliminary. He wondered what Minorca was really like as a place to stop in; in his mind’s eye it was an island in perpetual half-mourning, with black or white Minorca hens running all over it. Probably it would not be a bit like that when one came to examine it. People who had been in Russia had told him that they did not remember having seen any Muscovy ducks there, so it was possible that there would be no Minorca fowls on the island.
His Mediterranean musings were interrupted by the sound of a clock striking the half-hour. Half-past four. A frown of dissatisfaction settled on his face. He would arrive at the Sebastable mansion just at the hour of afternoon tea. Joan would be seated at a low table, spread with an array of silver kettles and cream-jugs and delicate porcelain tea-cups, behind which her voice would tinkle pleasantly in a series of little friendly questions about weak or strong tea, how much, if any, sugar, milk, cream, and so forth. “Is it one lump? I forgot. You do take milk, don’t you? Would you like some more hot water, if it’s too strong?”
Cushat-Prinkly had read of such things in scores of novels, and hundreds of actual experiences had told him that they were true to life. Thousands of women, at this solemn afternoon hour, were sitting behind dainty porcelain and silver fittings, with their voices tinkling pleasantly in a cascade of solicitous little questions. Cushat-Prinkly detested the whole system of afternoon tea. According to his theory of life a woman should lie on a divan or couch, talking with incomparable charm or looking unutterable thoughts, or merely silent as a thing to be looked on, and from behind a silken curtain a small Nubian page should silently bring in a tray with cups and dainties, to be accepted silently, as a matter of course, without drawn-out chatter about cream and sugar and hot water. If one’s soul was really enslaved at one’s mistress’s feet how could one talk coherently about weakened tea? Cushat-Prinkly had never expounded his views on the subject to his mother; all her life she had been accustomed to tinkle pleasantly at tea-time behind dainty porcelain and silver, and if he had spoken to her about divans and Nubian pages she would have urged him to take a week’s holiday at the seaside. Now, as he passed through a tangle of small streets that led indirectly to the elegant Mayfair terrace for which he was bound, a horror at the idea of confronting Joan Sebastable at her tea-table seized on him. A momentary deliverance presented itself; on one floor of a narrow little house at the noisier end of Esquimault Street lived Rhoda Ellam, a sort of remote cousin, who made a living by creating hats out of costly materials. The hats really looked as if they had come from Paris; the cheques she got for them unfortunately never looked as if they were going to Paris. However, Rhoda appeared to find life amusing and to have a fairly good time in spite of her straitened circumstances. Cushat-Prinkly decided to climb up to her floor and defer by half-an-hour or so the important business which lay before him; by spinning out his visit he could contrive to reach the Sebastable mansion after the last vestiges of dainty porcelain had been cleared away.
Rhoda welcomed him into a room that seemed to do duty as workshop, sitting-room, and kitchen combined, and to be wonderfully clean and comfortable at the same time.
“I’m having a picnic meal,” she announced. “There’s caviare in that jar at your elbow. Begin on that brown bread-and-butter while I cut some more. Find yourself a cup; the teapot is behind you. Now tell me about hundreds of things.”
She made no other allusion to food, but talked amusingly and made her visitor talk amusingly too. At the same time she cut the bread-and-butter with a masterly skill and produced red pepper and sliced lemon, where so many women would merely have produced reasons and regrets for not having any. Cushat-Prinkly found that he was enjoying an excellent tea without having to answer as many questions about it as a Minister for Agriculture might be called on to reply to during an outbreak of cattle plague.
“And now tell me why you have come to see me,” said Rhoda suddenly. “You arouse not merely my curiosity but my business instincts. I hope you’ve come about hats. I heard that you had come into a legacy the other day, and, of course, it struck me that it would be a beautiful and desirable thing for you to celebrate the event by buying brilliantly expensive hats for all your sisters. They may not have said anything about it, but I feel sure the same idea has occurred to them. Of course, with Goodwood on us, I am rather rushed just now, but in my business we’re accustomed to that; we live in a series of rushes—like the infant Moses.”
“I didn’t come about hats,” said her visitor. “In fact, I don’t think I really came about anything. I was passing and I just thought I’d look in and see you. Since I’ve been sitting talking to you, however, rather important idea has occurred to me. If you’ll forget Goodwood for a moment and listen to me, I’ll tell you what it is.”
Some forty minutes later James Cushat-Prinkly returned to the bosom of his family, bearing an important piece of news.
“I’m engaged to be married,” he announced.
A rapturous outbreak of congratulation and self-applause broke out.
“Ah, we knew! We saw it coming! We foretold it weeks ago!”
“I’ll bet you didn’t,” said Cushat-Prinkly. “If any one had told me at lunch-time to-day that I was going to ask Rhoda Ellam to marry me and that she was going to accept me I would have laughed at the idea.”
The romantic suddenness of the affair in some measure compensated James’s women-folk for the ruthless negation of all their patient effort and skilled diplomacy. It was rather trying to have to deflect their enthusiasm at a moment’s notice from Joan Sebastable to Rhoda Ellam; but, after all, it was James’s wife who was in question, and his tastes had some claim to be considered.
On a September afternoon of the same year, after the honeymoon in Minorca had ended, Cushat-Prinkly came into the drawing-room of his new house in Granchester Square. Rhoda was seated at a low table, behind a service of dainty porcelain and gleaming silver. There was a pleasant tinkling note in her voice as she handed him a cup.
“You like it weaker than that, don’t you? Shall I put some more hot water to it? No?”
The Disappearance of Crispina Umberleigh
In a first-class carriage of a train speeding Balkanward across the flat, green Hungarian plain two Britons sat in friendly, fitful converse. They had first foregathered in the cold grey dawn at the frontier line, where the presiding eagle takes on an extra head and Teuton lands pass from Hohenzollern to Habsburg keeping—and where a probing official beak requires to delve in polite and perhaps perfunctory, but always tiresome, manner into the baggage of sleep-hungry passengers. After a day’s break of their journey at Vienna the travellers had again foregathered at the trainside and paid one another the compliment of settling instinctively into the same carriage. The elder of the two had the appearance and manner of a diplomat; in point of fact he was the well-connected foster-brother of a wine business. The other was certainly a journalist. Neither man was talkative and each was grateful to the other for not being talkative. That is why from time to time they talked.
One topic of conversation naturally thrust itself forward in front of all others. In Vienna the previous day they had learned of the mysterious vanishing of a world-famous picture from the walls of the Louvre.
“A dramatic disappearance of that sort is sure to produce a crop of imitations,” said the Journalist.
“It has had a lot of anticipations, for the matter of that,” said the Wine-brother.
“Oh, of course there have been thefts from the Louvre before.”
“I was thinking of the spiriting away of human beings rather than pictures. In particular I was thinking of the case of my aunt, Crispina Umberleigh.”
“I remember hearing something of the affair,” said the Journalist, “but I was away from England at the time. I never quite knew what was supposed to have happened.”
