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- Herausgeber: DigiCat
- Kategorie: Geisteswissenschaft
- Sprache: Englisch
In "The Trysting Place: A Farce in One Act," Booth Tarkington weaves a delightful narrative that juxtaposes humor with sharp social commentary. Set in a singular location, the play unfolds with brisk dialogue and clever misunderstandings, encapsulating the complexities of romantic entanglements and societal expectations of the early 20th century. Tarkington's mastery of farcical elements is evident as he employs wit and irony to explore themes of love, deception, and the fleeting nature of human connections, all while maintaining a light-hearted tone that draws the audience into the unfolding chaos with each turn of phrase. Booth Tarkington, an influential American novelist and playwright, achieved critical acclaim for his incisive portrayals of American life. His deep understanding of human behavior and societal norms, shaped by his experiences in the Midwest, informed his writing. Tarkington's works often reflect a tension between tradition and modernity, a theme prevalent in "The Trysting Place," showcasing his ability to navigate both comic and serious undertones within a familiar social landscape. This play is highly recommended for anyone seeking an engaging exploration of romance and farce within a historical context. Tarkington's keen insights and vibrant characterizations promise a captivating theatrical experience, making it an essential read for enthusiasts of American theatre and anyone interested in the intersection of humor and social critique.
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Veröffentlichungsjahr: 2022
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The Trysting Place: A Farce in One Act
Table of Contents
The professional stage rights of this play are reserved by the Author. The amateur stage rights are held by the Ladies Home Journal. For permission to produce the play application should be made by professional producers to Mr. Booth Tarkington, Indianapolis, Indiana, and by amateur producers to the Editor of the Ladies Home Journal.
Printed in the United States of America
THE PEOPLE AS THEY COME INTO THE PLAY
Mrs. Curtis, The Young Woman, twenty-five or perhaps even a little older.
Lancelot Briggs, The Boy, slim and obviously under twenty.
Mrs. Briggs, his mother, a handsome woman of forty-five or fifty.
Jessie, his sister, a pretty girl of about twenty.
Rupert Smith, The Young Man, about twenty-five.
Mr. Ingoldsby, a man of fifty-five or, possibly, sixty.
The Mysterious Voice, male and adult.
THE TRYSTING PLACE
The scene is a room just off the “lounge” of a hotel in the country. However, this is not a “country hotel;” but, on the contrary, one of those vast and elaborate houses of entertainment that affect an expensive simplicity in what is called the colonial manner, and ask to be visited—by those financially able to do so—in the general interest of health and the outdoor life. The wall at the back of the stage is broken only by symmetrically spaced pilasters of an ivory color; each of the side walls is broken in the same manner; but here the pilasters help to frame two rather broad entrances, one at the right and one at the left, and beyond these entrances, on both sides, we have glimpses of the two corridors that lead to them. There are a few old prints—or new prints from old plates—upon the walls; and there are flowering plants on stands in the corners. The furniture consists of some chintz-covered easy-chairs, a light wicker settee with a chintz cushion and a valance that reaches the floor; and there are two wicker tables with a vase of jonquils upon each of them. In the rear right-hand corner of the room, near the stand of plants, there is a tropical-looking chair, wicker, with a back of monstrous size—a Philippine Island chair—and in the opposite corner is its mate.
