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- Herausgeber: Avia Artis
- Kategorie: Poesie und Drama
- Sprache: Englisch
- Veröffentlichungsjahr: 2021
“Theft” is a book by Jack London, an American novelist. A pioneer of commercial fiction and an innovator in the genre that would later become known as science fiction.
Theft is a political piece set in Washington, DC. A Congressman, Howard Knox, is ready to reveal the corrupt practices of Anthony Starkweather, a wealthy industrialist. To complicate matters, Starkweather's daughter is helping Knox. The play's underlying anti-capitalist theme is also found in some of London's other works. The plot revolves around recovering documents that support Knox's revelations.
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Jack London
THEFT
Avia Artis
2021
Table of contents
Characters
Actors' Description of Characters
Act I
Act II
Act III
Act IV
Credits
Characters
Margaret Chalmers
Howard Knox
Thomas Chalmers
Master Thomas Chalmers
Ellery Jackson Hubbard
Anthony Starkweather
Mrs Starkweather
Connie Starkweather
Felix Dobleman
Linda Davis
Julius Rutland
John Gieford
Matsu Sakari
Dolores Ortega
Senator Dowsett Mrs Dowsett
Housekeeper, Servs
Wife of Senator Chalmers
A Congressman from Oregon
A United States Senator and several times millionaire
Son of Margaret and Senator Chalmers
A Journalist
A great magnate, and father of Margaret Chalmers
His wife
Their younger daughter
Secretary to Anthony Starkweather
Maid to Margaret Chalmers
Episcopalian Minister
Labor Agitator
Secretary of Japanese Embassy
Wife of Peruvian Minister
Agents, etc
Actors' Description of Characters
Margaret Chalmers. Twenty-seven years of age; a strong, mature woman, but quite feminine where her heart or sense of beauty are concerned. Her eyes are wide apart. Has a dazzling smile, which she knows how to use on occasion. Also, on occasion, she can be firm and hard, even cynical An intellectual woman, and at the same time a very womanly woman, capable of sudden tendernesses, flashes of emotion, and abrupt actions. She is a finished product of high culture and refinement, and at the same time possesses robust vitality and instinctive right-promptings that augur well for the future of the race.
Howard Knox. He might have been a poet, but was turned politician. Inflamed with love for humanity. Thirty-five years of age. He has his vision, and must follow it. He has suffered ostracism because of it, and has followed his vision in spite of abuse and ridicule. Physically, a well-built, powerful man. Strong-featured rather than handsome. Very much in earnest, and, despite his university training, a trifle awkward in carriage and demeanor, lacking in social ease. He has been elected to Congress on a reform ticket, and is almost alone in fight he is making. He has no party to back him, though he has a following of a few independents and insurgents.
Thomas Chalmers. Forty-five to fifty years of age. Iron-gray mustache. Slightly stout. A good liver, much given to Scotch and soda, with a weak heart. Is liable to collapse any time. If anything, slightly lazy or lethargic in his emotional life. One of the "owned" senators representing a decadent New England state, himself master of the state political machine. Also, he is nobody's fool. He possesses the brain and strength of character to play his part. His most distinctive feature is his temperamental opportunism.
Master Thomas Chalmers. Six years of age. Sturdy and healthy despite his grandmother's belief to the contrary.
Ellery Jackson Hubbard. Thirty-eight to forty years of age. Smooth-shaven. A star journalist with a national reputation; a large, heavy-set man, with large head, large hands--everything about him is large. A man radiating prosperity, optimism and selfishness. Has no morality whatever. Is a conscious individualist, cold-blooded, pitiless, working only for himself, and believing in nothing but himself.
Anthony Starkweather. An elderly, well preserved gentleman, slenderly built, showing all the signs of a man who has lived clean and has been almost an ascetic. One to whom the joys of the flesh have had little meaning. A cold, controlled man whose one passion is for power. Distinctively a man of power. An eagle-like man, who, by keenness of brain and force of character, has carved out a fortune of hundreds of millions. In short, an industrial and financial magnate of the first water and of the finest type to be found in the United States. Essentially a moral man, his rigid New England morality has suffered a sea change and developed into the morality of the master-man of affairs, equally rigid, equally uncompromising, but essentially Jesuitical in that he believes in doing wrong that right may come of it. He is absolutely certain that civilization and progress rest on his shoulders and upon the shoulders of the small group of men like him.
Mrs. Starkweather. Of the helpless, comfortably stout, elderly type. She has not followed her husband in his moral evolution. She is the creature of old customs, old prejudices, old New England ethics. She is rather confused by the modern rush of life.
Connie Starkweather. Margaret's younger sister, twenty years old. She is nothing that Margaret is, and everything that Margaret is not. No essential evil in her, but has no mind of her own--hopelessly a creature of convention. Gay, laughing, healthy, buxom--a natural product of her care-free environment.
Feux Dobleman. Private secretary to Anthony Starkweather. A young man of correct social deportment, thoroughly and in all things just the sort of private secretary a man like Anthony Starkweather would have. He is a weak-souled creature, timorous, almost effeminate.
Linda Davis. Maid to Margaret. A young woman of twenty-five or so, blond, Scandinavian, though American-born. A cold woman, almost featureless because of her long years of training, but with a hot heart deep down, and characterized by an intense devotion to her mistress. Wild horses could drag nothing from her where her mistress is concerned.
Junus Rutland. Having no strong features about him, the type realizes itself.
John Gifford. A labor agitator. A man of the people, rough-hewn, narrow as a labor-leader may well be, earnest and sincere. He is a proper, better type of labor-leader.
Matsu Sakari. Secretary of Japanese Embassy. He is the perfection of politeness and talks classical book-English. He bows a great deal.
Dolores Ortega. Wife of Peruvian Minister; bright and vivacious, and uses her hands a great deal as she talks, in the Latin-American fashion.
Senator Dowsett. Fifty years of age; well preserved.
Mrs. Dowsett. Stout and middle-aged.
Act I
Scene. In Senator Chalmers' home. It is four o'clock in the afternoon, in a modern living room with appropriate furnishings. In particular, in front, on left, a table prepared for the serving of tea, all excepting the tea urn itself. At rear, right of center, is main entrance to the room. Also, doorways at sides, on left and right. Curtain discloses Chalmers and Hubbard seated loungingly at the right front.
{Hubbard}
( After an apparent pause for cogitation.) I can't understand why an old wheel-horse like Elsworth should kick over the traces that way.
{Chalmers}
Disgruntled. Thinks he didn't get his fair share of plums out of the Tariff Committee. Besides, it's his last term. He's announced that he's going to retire.
{Hubbard}
( Snorting contemptuously, mimicking an old man's pompous enunciation.) "A Resolution to Investigate the High Cost of Living!"--old Senator Elsworth introducing a measure like that! The old buck!---- How are you going to handle it?
{Chalmers}
It's already handled.
{Hubbard}
Yes?
{Chalmers}
( Pulling his mustache.) Turned it over to the Committee to Audit and Control the Contingent Expenses of the Senate.
{Hubbard}
( Grinning his appreciation.) And you're chairman. Poor old Elsworth. This way to the lethal chamber, and the bill's on its way.
{Chalmers}
Elsworth will be retired before it's ever reported. In the meantime, say after a decent interval, Senator Hodge will introduce another resolution to investigate the high cost of living. It will be like Elsworth's, only it won't.
{Hubbard}
( Nodding his head and anticipating.) And it will go to the Committee on Finance and come back for action inside of twenty-four hours.
{Chalmers}
By the way, I see Cartwright's Magazine has ceased muck-raking.
{Hubbard}
Cartwrights never did muck-rake--that is, not the big Interests--only the small independent businesses that didn't advertise.
{Chalmers}
Yes, it deftly concealed its reactionary tendencies.
{Hubbard}
And from now on the concealment will be still more deft. I've gone into it myself. I have a majority of the stock right now.
{Chalmers}
I thought I had noticed a subtle change in the last two numbers.
{Hubbard}
( Nodding.) We're still going on muck-raking. We have a splendid series on Aged Paupers, demanding better treatment and more sanitary conditions. Also we are going to run "Barbarous Venezuela" and show up thoroughly the rotten political management of that benighted country.
{Chalmers}
( Nods approvingly, and, after a pause.) And now concerning Knox. That's what I sent for you about. His speech comes off tomorrow per schedule. At last we've got him where we want him.
{Hubbard}
I have the ins and outs of it pretty well. Everything's arranged. The boys have their cue, though they don't know just what's going to be pulled off; and this time to-morrow afternoon their dispatches will be singing along the wires.
{Chalmers}
( Firmly and harshly.) This man Knox must be covered with ridicule, swamped with ridicule, annihilated with ridicule.
{Hubbard}
It is to laugh. Trust the great American people for that. We'll make those little Western editors sit up. They've been swearing by Knox, like a little tin god. Roars of laughter for them.
{Chalmers}
Do you do anything yourself?
{Hubbard}
Trust me. I have my own article for Cartwright's blocked out. They're holding the presses for it. I shall wire it along hot-footed to-morrow evening. Say----?
{Chalmers}
( After a pause.) Well?
{Hubbard}
Wasn't it a risky thing to give him his chance with that speech?
{Chalmers}
It was the only feasible thing. He never has given us an opening. Our service men have camped on his trail night and day. Private life as unimpeachable as his public life. But now is our chance. The gods have given him into our hands. That speech will do more to break his influence--
{Hubbard}
( Interrupting.) Than a Fairbanks cocktail.
( Both laugh.) But don't forget that this Knox is a live wire. Somebody might get stung. Are you sure, when he gets up to make that speech, that he won't be able to back it up?
{Chalmers}
No danger at all.
{Hubbard}
But there are hooks and crooks by which facts are sometimes obtained.
{Chalmers}
( Positively.) Knox has nothing to go on but suspicions and hints, and unfounded assertions from the yellow press.
( Man-servant enters, goes to tea-table, looks it over, and makes slight rearrangements.) ( Lowering his voice.) He will make himself a laughing stock. His charges will turn into boomerangs. His speech will be like a sheet from a Sunday supplement, with not a fact to back it up. ( Glances at Servant.) We'd better be getting out of here. They're going to have tea.
( The Servant, however, makes exit.) Come to the library and have a high-ball. ( They pause as Hubbard speaks.)
{Hubbard}
( With quiet glee.) And to-morrow Ali Baba gets his.
{Chalmers}
Ali Baba?
{Hubbard}
That's what your wife calls him--Knox.
{Chalmers}
Oh, yes, I believe I've heard it before. It's about time he hanged himself, and now we've given him the rope.
{Hubbard}
( Sinking voice and becoming deprecatingly confidential. )
Oh, by the way, just a little friendly warning, Senator Chalmers. Not so fast and loose up New York way. That certain lady, not to be mentioned--there's gossip about it in the New York newspaper offices. Of course, all such stories are killed. But be discreet, be discreet If Gherst gets hold of it, he'll play it up against the Administration in all his papers.
( Chalmers, who throughout this speech is showing a growing resentment, is about to speak, when voices are heard without and he checks himself.)
( Enter. Mrs. Starkweather, rather flustered and imminently in danger of a collapse, followed by Connie Starkweather, fresh, radiant, and joyous.)
{Mrs. Starkweather}
( With appeal and relief.)
Oh----Tom!
( Chalmers takes her hand sympathetically and protectingly.)
{Connie}
( Who is an exuberant young woman, bursts forth.) Oh, brother-in-law! Such excitement! That's what's the matter with mother. We ran into a go-cart. Our chauffeur was not to blame. It was the woman's fault. She tried to cross just as we were turning the corner. But we hardly grazed it. Fortunately the baby was not hurt--only spilled. It was ridiculous. ( Catching sight of Hubbard.) Oh, there you are, Mr. Hubbard. How de do.
( Steps half way to meet him and shakes hands with him.) ( Mrs. Starkweather looks around helplessly for a chair, and Chalmers conducts her to one soothingly.)
{Mrs. Starkweather}
Oh, it was terrible! The little child might have been killed. And such persons love their babies, I know.
{Connie}
( To Chalmers.) Has father come? We were to pick him up here. Where's Madge?
{Mrs. Starkweather}
( Espying Hubbard, faintly.) Oh, there is Mr. Hubbard.
( Hubbard comes to her and shakes hands.) I simply can't get used to these rapid ways of modern life. The motor-car is the invention of the devil. Everything is too quick. When I was a girl, we lived sedately, decorously. There was time for meditation and repose. But in this age there is time for nothing. How Anthony keeps his head is more than I can understand. But, then, Anthony is a wonderful man.
{Hubbard}
I am sure Mr. Starkweather never lost his head in his life.
{Chalmers}
Unless when he was courting you, mother.
{Mrs. Starkweather}
( A trifle grimly.) I'm not so sure about that.
{Connie}
( Imitating a grave, business-like enunciation.) Father probably conferred first with his associates, then turned the affair over for consideration by his corporation lawyers, and, when they reported no flaws, checked the first spare half hour in his notebook to ask mother if she would have him.
( They laugh.) And looked at his watch at least twice while he was proposing.
{Mrs. Starkweather}
Anthony was not so busy then as all that.
{Hubbard}
He hadn't yet taken up the job of running the United States.
{Mrs. Starkweather}
I'm sure I don't know what he is running, but he is a very busy man--business, politics, and madness; madness, politics, and business.
( She stops breathlessly and glances at tea-table.) Tea. I should like a cup of tea. Connie, I shall stay for a cup of tea, and then, if your father hasn't come, we'll go home. ( To Chalmers.) Where is Tommy?
{Chalmers}
Out in the car with Madge.
( Glances at tea-table and consults watch.) She should be back now.
{Connie}
Mother, you mustn't stay long. I have to dress.
{Chalmers}
Oh, yes, that dinner.
( Yawns.) I wish I could loaf to-night.
{Connie}
( Explaining to Hubbard.) The Turkish Charge d'Affaires--I never can remember his name. But he's great fun--a positive joy. He's giving the dinner to the British Ambassador.
{Mrs. Starkweather}
( Starting forward in her chair and listening intently.) There's Tommy, now.
( Voices of Margaret Chalmers and of Tommy heard from without. Hers is laughingly protesting, while Tommy's is gleefully insistent.) ( Margaret and Tommy appear and pause just outside door, holding each other's hands, facing each other, too immersed in each other to be aware of the presence of those inside the room. Margaret and Tommy are in street costume.)
{Tommy} ( Laughing.)
But mama.
{Margaret}
( Herself laughing, but shaking her head.) No. Tommy First--
{Margaret}
No; you must run along to Linda, now, mother's boy. And we'll talk about that some other time.
( Tommy notices for the first time that there are persons in the room. He peeps in around the door and espies Mrs. Starkweather. At the same moment, impulsively, he withdraws his hands and runs in to Mrs. Starkweather.)
{Tommy}
( Who is evidently fond of his grandmother.) Grandma!
( They embrace and make much of each other.)
THE REST OF THE TEXT IS AVAILABLE IN FULL VERSION.
Act II
TEXT AVAILABLE IN FULL VERSION.
Act III
TEXT AVAILABLE IN FULL VERSION.
Act IV
TEXT AVAILABLE IN FULL VERSION.
Jack London
THEFT
Cover design: Avia Artis
Picture of Jack London was used in the cover design.
Picture by: Genthe Arnold
All rights for this edition are reserved.
©Avia Artis 2021
