Two on a Tower E-Book

Thomas Hardy.

• Herausgeber: Thomas Hardy
• Kategorie: Poesie und Drama
• Sprache: Englisch
• Veröffentlichungsjahr: 2016

Beschreibung

British novelist, short story writer, and poet of the naturalist movement. He captured the epoch just before the railways and the industrial revolution changed the English countryside. His works are pessimistic and bitterly ironic, and his writing is rough but capable of immense power.His first novel, The Poor Man and the Lady, finished by 1867, failed to find a publisher and Hardy destroyed the manuscript. Only parts of the novel remain. He was encouraged to try again by his mentor and friend, Victorian poet and novelist George Meredith. Desperate Remedies [1871] and Under the Greenwood Tree [1872] were published anonymously. In 1873 A Pair of Blue Eyes, a story drawing on Hardy's courtship of his first wife, was published under his own name.In Far from the Madding Crowd [1874], his next (and first important) novel, Hardy introduced Wessex, the "partly-real, partly-dream" county named after the Anglo-Saxon kingdom that existed in the area. The landscape was modelled on the real counties of Berkshire, Devon, Dorset, Hampshire, Somerset and Wiltshire, with fictional places based on real locations.Over the next twenty-five years Hardy produced ten more novels.The Hardys moved from London to Yeovil and then to Sturminster Newton, where he wrote The Return of the Native [1878]. In 1885, they moved for a last time, to Max Gate, a house outside Dorchester designed by Hardy and built by his brother. There he wrote The Mayor of Casterbridge [1886], The Woodlanders [1887], and Tess of the d'Urbervilles [1891], the latter which attracted criticism for its sympathetic portrayal of a "fallen woman" and was initially refused publication. Jude the Obscure, published in 1895, was met with even stronger negative outcries by the Victorian public for its frank treatment of sex.Despite this criticism, Hardy had become a celebrity in English literature by the 1900s, with several blockbuster novels under his belt, yet he was disgusted with the public reception of two of his greatest works. He gave up writing novels altogether

Leseprobe

Two on a Tower

Thomas Hardy

‘Ah, my heart! her eyes and she

Have taught thee new astrology.

Howe’er Love’s native hours were set,

Whatever starry synod met,

’Tis in the mercy of her eye,

If poor Love shall live or die.’

— CRASHAW: Love’s Horoscope.

Preface

This slightly-built romance was the outcome of a wish to set the emotional history of two infinitesimal lives against the stupendous background of the stellar universe, and to impart to readers the sentiment that of these contrasting magnitudes the smaller might be the greater to them as men.

But, on the publication of the book people seemed to be less struck with these high aims of the author than with their own opinion, first, that the novel was an ‘improper’ one in its morals, and, secondly, that it was intended to be a satire on the Established Church of this country. I was made to suffer in consequence from several eminent pens.

That, however, was thirteen years ago, and, in respect of the first opinion, I venture to think that those who care to read the story now will be quite astonished at the scrupulous propriety observed therein on the relations of the sexes; for though there may be frivolous, and even grotesque touches on occasion, there is hardly a single caress in the book outside legal matrimony, or what was intended so to be.

As for the second opinion, it is sufficient to draw attention, as I did at the time, to the fact that the Bishop is every inch a gentleman, and that the parish priest who figures in the narrative is one of its most estimable characters.

However, the pages must speak for themselves. Some few readers, I trust — to take a serious view — will be reminded by this imperfect story, in a manner not unprofitable to the growth of the social sympathies, of the pathos, misery, long-suffering, and divine tenderness which in real life frequently accompany the passion of such a woman as Viviette for a lover several years her junior.

The scene of the action was suggested by two real spots in the part of the country specified, each of which has a column standing upon it. Certain surrounding peculiarities have been imported into the narrative from both sites.

T. H. July 1895.

I

On an early winter afternoon, clear but not cold, when the vegetable world was a weird multitude of skeletons through whose ribs the sun shone freely, a gleaming landau came to a pause on the crest of a hill in Wessex. The spot was where the old Melchester Road, which the carriage had hitherto followed, was joined by a drive that led round into a park at no great distance off.

The footman alighted, and went to the occupant of the carriage, a lady about eight — or nine-and-twenty. She was looking through the opening afforded by a field-gate at the undulating stretch of country beyond. In pursuance of some remark from her the servant looked in the same direction.

The central feature of the middle distance, as they beheld it, was a circular isolated hill, of no great elevation, which placed itself in strong chromatic contrast with a wide acreage of surrounding arable by being covered with fir-trees. The trees were all of one size and age, so that their tips assumed the precise curve of the hill they grew upon. This pine-clad protuberance was yet further marked out from the general landscape by having on its summit a tower in the form of a classical column, which, though partly immersed in the plantation, rose above the tree-tops to a considerable height. Upon this object the eyes of lady and servant were bent.

‘Then there is no road leading near it?’ she asked.

‘Nothing nearer than where we are now, my lady.’

‘Then drive home,’ she said after a moment. And the carriage rolled on its way.

A few days later, the same lady, in the same carriage, passed that spot again. Her eyes, as before, turned to the distant tower.

‘Nobbs,’ she said to the coachman, ‘could you find your way home through that field, so as to get near the outskirts of the plantation where the column is?’

The coachman regarded the field. ‘Well, my lady,’ he observed, ‘in dry weather we might drive in there by inching and pinching, and so get across by Five-and-Twenty Acres, all being well. But the ground is so heavy after these rains that perhaps it would hardly be safe to try it now.’

‘Perhaps not,’ she assented indifferently. ‘Remember it, will you, at a drier time?’

And again the carriage sped along the road, the lady’s eyes resting on the segmental hill, the blue trees that muffled it, and the column that formed its apex, till they were out of sight.