7 best short stories - Black Authors E-Book

Frederick Douglass

• Herausgeber: Tacet Books
• Kategorie: Gesellschafts- und Liebesromane
• Serie: 7 best short stories - specials
• Sprache: Englisch
• Veröffentlichungsjahr: 2022

Seitenzahl: 201

Beschreibung

Welcome to the book series 7 best short stories specials, a selection dedicated to a special subject, featuring works by noteworthy authors. The texts were chosen based on their relevance, renown and interest. This edition is dedicated to Black Authors. Black literature is a literary production in which the subject of the writing is the black people themselves. This cultural phenomena is very significant in countries dominated by white culture and that received forced immigrations from the slavery regime, such as the USA and Brazil. Through black literature, black characters and authors recover their integrity as human beings, breaking the vicious cycle of racism, also rooted in literary practice. In addition to short stories, this book also contains essays, biographical accounts, and poetry by pioneers of black literature, providing a rich and varied content. This book contains the following texts: Short Stories: - Violets by Alice Dunbar-Nelson; - The Boy and The Bayonet by Paul Laurence Dunbar; - The Fortune-Teller by Joaquim Maria Machado de Assis; - A Matter of Principle by Charles W. Chesnutt; - The Two Offers by Frances Harper; - A Bal Masqué by Alexandre Dumas; - The New York Subway by Pauline E. Hopkins. Bonus content: - Industrial Education for the Negro by Booker T. Washington; - My Escape from Slavery by Frederick Douglass; - Bars Fight by Lucy Terry; - On Virtue by Phillis Wheatley; - An Address to the Negroes in the State of New-York by Jupiter Hammon.

Leseprobe

Introduction

Welcome to the book series 7 best short stories specials, a selection dedicated to a special subject, featuring works by noteworthy authors. The texts were chosen based on their relevance, renown and interest.

This edition is dedicated to Black Authors.

Black literature is a literary production in which the subject of the writing is the black people themselves. This cultural phenomena is very significant in countries dominated by white culture and that received forced immigrations from the slavery regime, such as the USA and Brazil.

Through black literature, black characters and authors recover their integrity as human beings, breaking the vicious cycle of racism, also rooted in literary practice.

In addition to short stories, this book also contains essays, biographical accounts, and poetry by pioneers of black literature, providing a rich and varied content.

This book contains the following texts:

Short Stories:

Violets by Alice Dunbar-Nelson;

The Boy and The Bayonet by Paul Laurence Dunbar;

The Fortune-Teller by Joaquim Maria Machado de Assis;

A Matter of Principle by Charles W. Chesnutt;

The Two Offers by Frances Harper;

A Bal Masqué by Alexandre Dumas;

The New York Subway by Pauline E. Hopkins.

Bonus content:

Industrial Education for the Negro by Booker T. Washington;

My Escape from Slavery by Frederick Douglass;

Bars Fight by Lucy Terry;

On Virtue by Phillis Wheatley;

An Address to the Negroes in the State of New-York by Jupiter Hammon.

Violets

Alice Dunbar-Nelson

I

"And she tied a bunch of violets with a tress of her pretty brown hair."

She sat in the yellow glow of the lamplight softly humming these words. It was Easter evening, and the newly risen spring world was slowly sinking to a gentle, rosy, opalescent slumber, sweetly tired of the joy which had pervaded it all day. For in the dawn of the perfect morn, it had arisen, stretched out its arms in glorious happiness to greet the Saviour and said its hallelujahs, merrily trilling out carols of bird, and organ and flower-song. But the evening had come, and rest.

There was a letter lying on the table, it read:

"Dear, I send you this little bunch of flowers as my Easter token. Perhaps you may not be able to read their meaning, so I'll tell you. Violets, you know, are my favorite flowers. Dear, little, human-faced things! They seem always as if about to whisper a love-word; and then they signify that thought which passes always between you and me. The orange blossoms--you know their meaning; the little pinks are the flowers you love; the evergreen leaf is the symbol of the endurance of our affection; the tube-roses I put in, because once when you kissed and pressed me close in your arms, I had a bunch of tube-roses on my bosom, and the heavy fragrance of their crushed loveliness has always lived in my memory. The violets and pinks are from a bunch I wore to-day, and when kneeling at the altar, during communion, did I sin, dear, when I thought of you? The tube-roses and orange-blossoms I wore Friday night; you always wished for a lock of my hair, so I'll tie these flowers with them--but there, it is not stable enough; let me wrap them with a bit of ribbon, pale blue, from that little dress I wore last winter to the dance, when we had such a long, sweet talk in that forgotten nook. You always loved that dress, it fell in such soft ruffles away from the throat and bosom,--you called me your little forget-me-not, that night. I laid the flowers away for awhile in our favorite book,--Byron--just at the poem we loved best, and now I send them to you. Keep them always in remembrance of me, and if aught should occur to separate us, press these flowers to your lips, and I will be with you in spirit, permeating your heart with unutterable love and happiness."

II

It is Easter again. As of old, the joyous bells clang out the glad news of the resurrection. The giddy, dancing sunbeams laugh riotously in field and street; birds carol their sweet twitterings everywhere, and the heavy perfume of flowers scents the golden atmosphere with inspiring fragrance. One long, golden sunbeam steals silently into the white-curtained window of a quiet room, and lay athwart a sleeping face. Cold, pale, still, its fair, young face pressed against the satin-lined casket. Slender, white fingers, idle now, they that had never known rest; locked softly over a bunch of violets; violets and tube-roses in her soft, brown hair, violets in the bosom of her long, white gown; violets and tube-roses and orange-blossoms banked everywhere, until the air was filled with the ascending souls of the human flowers. Some whispered that a broken heart had ceased to flutter in that still, young form, and that it was a mercy for the soul to ascend on the slender sunbeam. To-day she kneels at the throne of heaven, where one year ago she had communed at an earthly altar.

III

Far away in a distant city, a man, carelessly looking among some papers, turned over a faded bunch of flowers tied with a blue ribbon and a lock of hair. He paused meditatively awhile, then turning to the regal-looking woman lounging before the fire, he asked:

"Wife, did you ever send me these?"

She raised her great, black eyes to his with a gesture of ineffable disdain, and replied languidly:

"You know very well I can't bear flowers. How could I ever send such sentimental trash to any one? Throw them into the fire."

And the Easter bells chimed a solemn requiem as the flames slowly licked up the faded violets. Was it merely fancy on the wife's part, or did the husband really sigh,--a long, quivering breath of remembrance?

The Boy and The Bayonet

Paul Laurence Dunbar

It was June, and nearing the closing time of school. The air was full of the sound of bustle and preparation for the final exercises, field day, and drills. Drills especially, for nothing so gladdens the heart of the Washington mother, be she black or white, as seeing her boy in the blue cadet's uniform, marching proudly to the huzzas of an admiring crowd. Then she forgets the many nights when he has come in tired out and dusty from his practice drill, and feels only the pride and elation of the result.

Although Tom did all he could outside of study hours, there were many days of hard work for Hannah Davis, when her son went into the High School. But she took it upon herself gladly, since it gave Bud the chance to learn, that she wanted him to have. When, however, he entered the Cadet Corps it seemed to her as if the first steps toward the fulfilment of all her hopes had been made. It was a hard pull to her, getting the uniform, but Bud himself helped manfully, and when his mother saw him rigged out in all his regimentals, she felt that she had not toiled in vain. And in fact it was worth all the trouble and expense just to see the joy and pride of "little sister," who adored Bud.

As the time for the competitive drill drew near there was an air of suppressed excitement about the little house on "D" Street, where the three lived. All day long "little sister," who was never very well and did not go to school, sat and looked out of the window on the uninteresting prospect of a dusty thoroughfare lined on either side with dull red brick houses, all of the same ugly pattern, interspersed with older, uglier, and viler frame shanties. In the evening Hannah hurried home to get supper against the time when Bud should return, hungry and tired from his drilling, and the chore work which followed hard upon its heels.

Things were all cheerful, however, for as they applied themselves to the supper, the boy, with glowing face, would tell just how his company "A" was getting on, and what they were going to do to companies "B" and "C." It was not boasting so much as the expression of a confidence, founded upon the hard work he was doing, and Hannah and the "little sister" shared that with him.

The child often, listening to her brother, would clap her hands or cry, "Oh, Bud, you're just splendid an' I know you'll beat 'em."

"If hard work'll beat 'em, we've got 'em beat," Bud would reply, and Hannah, to add an admonitory check to her own confidence, would break in with, "Now, don't you be too sho', son; dey ain't been no man so good dat dey wasn't somebody bettah." But all the while her face and manner were disputing what her words expressed.

The great day came, and it was a wonderful crowd of people that packed the great baseball grounds to overflowing. It seemed that all of Washington's coloured population was out, when there were really only about one-tenth of them there. It was an enthusiastic, banner-waving, shouting, hallooing crowd. Its component parts were strictly and frankly partisan, and so separated themselves into sections differentiated by the colours of the flags they carried and the ribbons they wore. Side yelled defiance at side, and party bantered party. Here the blue and white of Company "A" flaunted audaciously on the breeze beside the very seats over which the crimson and gray of "B" were flying, and these in their turn nodded defiance over the imaginary barrier between themselves and "C's" black and yellow.

The band was thundering out "Sousa's High School Cadet's March," the school officials, the judges, and reporters, and some with less purpose were bustling about, discussing and conferring. Altogether doing nothing much with beautiful unanimity. All was noise, hurry, gaiety, and turbulence. In the midst of it all, with blue and white rosettes pinned on their breasts, sat two spectators, tense and silent, while the breakers of movement and sound struck and broke around them. It meant too much to Hannah and "little sister" for them to laugh and shout. Bud was with Company "A," and so the whole programme was more like a religious ceremonial to them. The blare of the brass to them might have been the trumpet call to battle in old Judea, and the far-thrown tones of the megaphone the voice of a prophet proclaiming from the hill-top.

Hannah's face glowed with expectation, and "little sister" sat very still and held her mother's hand save when amid a burst of cheers Company "A" swept into the parade ground at a quick step, then she sprang up, crying shrilly, "There's Bud, there's Bud, I see him," and then settled back into her seat overcome with embarrassment. The mother's eyes danced as soon as the sister's had singled out their dear one from the midst of the blue-coated boys, and it was an effort for her to keep from following her little daughter's example even to echoing her words.

Company "A" came swinging down the field toward the judges in a manner that called for more enthusiastic huzzas that carried even the Freshman of other commands "off their feet." They were, indeed, a set of fine-looking young fellows, brisk, straight, and soldierly in bearing. Their captain was proud of them, and his very step showed it. He was like a skilled operator pressing the key of some great mechanism, and at his command they moved like clockwork. Seen from the side it was as if they were all bound together by inflexible iron bars, and as the end man moved all must move with him. The crowd was full of exclamations of praise and admiration, but a tense quiet enveloped them as Company "A" came from columns of four into line for volley firing. This was a real test; it meant not only grace and precision of movement, singleness of attention and steadiness, but quickness tempered by self-control. At the command the volley rang forth like a single shot. This was again the signal for wild cheering and the blue and white streamers kissed the sunlight with swift impulsive kisses. Hannah and Little Sister drew closer together and pressed hands.

The "A" adherents, however, were considerably cooled when the next volley came out, badly scattering, with one shot entirely apart and before the rest. Bud's mother did not entirely understand the sudden quieting of the adherents; they felt vaguely that all was not as it should be, and the chill of fear laid hold upon their hearts. What if Bud's company, (it was always Bud's company to them), what if his company should lose. But, of course, that couldn't be. Bud himself had said that they would win. Suppose, though, they didn't; and with these thoughts they were miserable until the cheering again told them that the company had redeemed itself.

Someone behind Hannah said, "They are doing splendidly, they'll win, they'll win yet in spite of the second volley."

Company "A," in columns of fours, had executed the right oblique in double time, and halted amid cheers; then formed left halt into line without halting. The next movement was one looked forward to with much anxiety on account of its difficulty. The order was marching by fours to fix or unfix bayonets. They were going at a quick step, but the boys' hands were steady—hope was bright in their hearts. They were doing it rapidly and freely, when suddenly from the ranks there was the bright gleam of steel lower down than it should have been. A gasp broke from the breasts of Company "A's" friends. The blue and white drooped disconsolately, while a few heartless ones who wore other colours attempted to hiss. Someone had dropped his bayonet. But with muscles unquivering, without a turned head, the company moved on as if nothing had happened, while one of the judges, an army officer, stepped into the wake of the boys and picked up the fallen steel.

No two eyes had seen half so quickly as Hannah and Little Sister's who the blunderer was. In the whole drill there had been but one figure for them, and that was Bud, Bud, and it was he who had dropped his bayonet. Anxious, nervous with the desire to please them, perhaps with a shade too much of thought of them looking on with their hearts in their eyes, he had fumbled, and lost all that he was striving for. His head went round and round and all seemed black before him.

He executed the movements in a dazed way. The applause, generous and sympathetic, as his company left the parade ground, came to him from afar off, and like a wounded animal he crept away from his comrades, not because their reproaches stung him, for he did not hear them, but because he wanted to think what his mother and "Little Sister" would say, but his misery was as nothing to that of the two who sat up there amid the ranks of the blue and white holding each other's hands with a despairing grip. To Bud all of the rest of the contest was a horrid nightmare; he hardly knew when the three companies were marched back to receive the judges' decision. The applause that greeted Company "B" when the blue ribbons were pinned on the members' coats meant nothing to his ears. He had disgraced himself and his company. What would his mother and his "Little Sister" say?

To Hannah and "Little Sister," as to Bud, all of the remainder of the drill was a misery. The one interest they had had in it failed, and not even the dropping of his gun by one of Company "E" when on the march, halting in line, could raise their spirits. The little girl tried to be brave, but when it was all over she was glad to hurry out before the crowd got started and to hasten away home. Once there and her tears flowed freely; she hid her face in her mother's dress, and sobbed as if her heart would break.

"Don't cry, Baby! don't cry, Lammie, dis ain't da las' time da wah goin' to be a drill. Bud'll have a chance anotha time and den he'll show 'em somethin'; bless you, I spec' he'll be a captain." But this consolation of philosophy was nothing to "Little Sister." It was so terrible to her, this failure of Bud's. She couldn't blame him, she couldn't blame anyone else, and she had not yet learned to lay all such unfathomed catastrophes at the door of fate. What to her was the thought of another day; what did it matter to her whether he was a captain or a private? She didn't even know the meaning of the words, but "Little Sister," from the time she knew Bud was a private, knew that that was much better than being captain or any of those other things with a long name, so that settled it.

Her mother finally set about getting the supper, while "Little Sister" drooped disconsolately in her own little splint-bottomed chair. She sat there weeping silently until she heard the sound of Bud's step, then she sprang up and ran away to hide. She didn't dare to face him with tears in her eyes. Bud came in without a word and sat down in the dark front room.

"Dat you, Bud?" asked his mother.

"Yassum."

"Bettah come now, supper's puty 'nigh ready."

"I don' want no supper."

"You bettah come on, Bud, I reckon you mighty tired."

He did not reply, but just then a pair of thin arms were put around his neck and a soft cheek was placed close to his own.

"Come on, Buddie," whispered "Little Sister," "Mammy an' me know you didn't mean to do it, an' we don' keer."

Bud threw his arms around his little sister and held her tightly.

"It's only you an' ma I care about," he said, "though I am sorry I spoiled the company's drill; they say "B" would have won anyway on account of our bad firing, but I did want you and ma to be proud."

"We is proud," she whispered, "we's mos' prouder dan if you'd won," and pretty soon she led him by the hand out to supper.

Hannah did all she could to cheer the boy and to encourage him to hope for next year, but he had little to say in reply, and went to bed early.

In the morning, though it neared school time, Bud lingered around and seemed in no disposition to get ready to go.

"Bettah git ready fer school," said Hannah cheerily to him.

"I don't believe I want to go any more," Bud replied.

"Not go any more? Why ain't you shamed to talk that way! O' cose you a goin' to school."

"I'm ashamed to show my face to the boys."

"What you say about de boys? De boys ain't a-goin' to give you no edgication when you need it."

"Oh, I don't want to go, ma; you don't know how I feel."

"I'm kinder sorry I let you go into dat company," said Hannah musingly; "'cause it was de teachin' I wanted you to git, not de prancin' and steppin'; but I did t'ink it would make mo' of a man of you, an' it ain't. Yo' pappy was a po' man, ha'd wo'kin', an' he wasn't high-toned neither, but from the time I first see him to the day of his death I nevah seen him back down because he was afeared of anything," and Hannah turned to her work.

"Little Sister" went up to Bud and slipped her hand in his. "You ain't a-goin' to back down, is you, Buddie?" she said.

"No," said Bud stoutly, as he braced his shoulders, "I'm a-goin'."

But no persuasion could make him wear his uniform.

The boys were a little cold to him, and some were brutal. But most of them recognised the fact that what had happened to Tom Harris might have happened to any one of them. Besides, since the percentage had been shown, it was found that "B" had outpointed them in many ways, and so their loss was not due to the one grave error. Bud's heart sank when he dropped into his seat in the Assembly Hall to find seated on the platform one of the blue-coated officers who had acted as judge the day before. After the opening exercises were over he was called upon to address the school. He spoke readily and pleasantly, laying especial stress upon the value of discipline; toward the end of his address he said: "I suppose Company 'A' is heaping accusations upon the head of the young man who dropped his bayonet yesterday." Tom could have died. "It was most regrettable," the officer continued, "but to me the most significant thing at the drill was the conduct of that cadet afterward. I saw the whole proceeding; I saw that he did not pause for an instant, that he did not even turn his head, and it appeared to me as one of the finest bits of self-control I had ever seen in any youth; had he forgotten himself for a moment and stopped, however quickly, to secure the weapon, the next line would have been interfered with and your whole movement thrown into confusion." There were a half hundred eyes glancing furtively at Bud, and the light began to dawn in his face. "This boy has shown what discipline means, and I for one want to shake hands with him, if he is here."

When he had concluded the Principal called Bud forward, and the boys, even his detractors, cheered as the officer took his hand.

"Why are you not in uniform, sir?" he asked.

"I was ashamed to wear it after yesterday," was the reply.

"Don't be ashamed to wear your uniform," the officer said to him, and Bud could have fallen on his knees and thanked him.

There were no more jeers from his comrades now, and when he related it all at home that evening there were two more happy hearts in that South Washington cottage.

"I told you we was more prouder dan if you'd won," said "Little Sister."

"An' what did I tell you 'bout backin' out?" asked his mother.

Bud was too happy and too busy to answer; he was brushing his uniform.

The Fortune-Teller

Joaquim Maria Machado de Assis1

Hamlet observes to Horatio that there are more things in heaven and earth than are dreamt of in our philosophy. This was the selfsame explanation that was given by beautiful Rita to her lover, Camillo, on a certain Friday of November, 1869, when Camillo laughed at her for having gone, the previous evening, to consult a fortune-teller. The only difference is that she made her explanation in other words.

"Laugh, laugh. That's just like you men; you don't believe in anything. Well, let me tell you, I went there and she guessed the reason for my coming before I ever spoke a word. Scarcely had she begun to lay out the cards when she said to me: 'The lady likes a certain person ...' I confessed that it was so, and then she continued to rearrange the cards in various combinations, finally telling me that I was afraid you would forget me, but that there were no grounds for my fear."

"She was wrong!" interrupted Camillo with a laugh.

"Don't say that, Camillo. If you only realized in what anguish I went there, all on account of you. You know. I've told you before. Don't laugh at me; don't poke fun at me...."