7 best short stories - Paris - E.T.A. Hoffmann - E-Book

7 best short stories - Paris E-Book

E.T.A. Hoffmann

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Beschreibung

The city of Paris is part of the world's fantasy. Whether as the birthplace of democratic revolutions, or as the capital of love and romance. Writers and artists from all over the world have always looked to Paris for inspiration. In this book you will find seven short stories that have the city of Paris as their setting and inspiration: - Mademoiselle De Scudéri - E. T. A. Hoffmann - The Murders in the Rue Morgue Edgar Allan Poe - A Queer Night in Paris by Guy de Maupassant - A New Leaf - F. Scott Fitzgerald - Babylon Revisited by F. Scott Fitzgerald - A Street of Paris and Its - Jean Monette By Eugene Francois Vidocq For more books with interesting themes, be sure to check the other books in this collection!

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Table of Contents

Title Page

Mademoiselle De Scudéri

The Murders in the Rue Morgue

A Queer Night in Paris

A New Leaf

Babylon Revisited

A Street of Paris and Its Inhabitant

Authors

About the Publisher

Mademoiselle De Scudéri

BY E. T. A. HOFFMANN

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THE LITTLE HOUSE IN which lived Madeleine de Scudéri,[1] well known for her pleasing verses, and the favour of Louis XIV. and the Marchioness de Maintenon, was situated in the Rue St. Honorée.

One night almost at midnight — it would be about the autumn, of the year 1680 — there came such a loud and violent knocking at the door of her house that it made the whole entrance-passage ring again. Baptiste, who in the lady’s small household discharged at one and the same time the offices of cook, footman, and porter, had with his mistress’s permission gone into the country to attend his sister’s wedding; and thus it happened that La Martinière, Mademoiselle’s lady-maid was alone, and the only person awake in the house. The knockings were repeated. She suddenly remembered that Baptiste had gone for his holiday, and that she and her mistress were left in the house without any further protection. All the outrages burglaries, thefts, and murders — which were then so common in Paris, crowded upon her mind; she was sure it was a band of cut-throats who were making all this disturbance outside; they must be well aware how lonely the house stood, and if let in would perpetrate some wicked deed against her mistress; and so she remained in her room, trembling and quaking with fear, and cursing Baptiste and his sister’s wedding as well.

Meanwhile the hammering at the door was being continued; and she fancied she heard a voice shouting at intervals, “Oh! do open the door! For God’s sake, do open the door!” At last La Martinière’s anxiety rose to such a pitch that, taking up the lighted candle, she ran out into the passage. There she heard quite plainly the voice of the person knocking, “For God’s sake! do open the door, please!” “Certainly,” thought she, “that surely is not the way a robber would knock. Who knows whether it is not some poor man being pursued and wants protection from Mademoiselle, who is always ready to do an act of kindness? But let us be cautious.” Opening a window, she called out, asking who was down making such a loud noise at the house-door so late at night, awakening everybody up out of their sleep; and she endeavoured to give her naturally deep voice as manly a tone as she possibly could.

By the glimmer of the moon, which now broke through the dark clouds, she could make out a tall figure, enveloped in a light-grey mantle, having his broad-brimmed hat pulled down right over his eyes. Then she shouted in a loud voice, so as to be heard by the man below, “Baptiste, Claude, Pierre, get up and go and see who this good-for-nothing vagabond is, who is trying to break into the house.” But the voice from below made answer gently, and in a tone that had a plaintive ring in it, “Oh! La Martinière, I know quite well that it is you, my good woman, however much you try to disguise your voice; I also know that Baptiste has gone into the country, and that you are alone in the house with your mistress. You may confidently undo the door for me; you need have no fear. For I must positively speak with your mistress, and this very minute.” “Whatever are you thinking about?” replied La Martinière. “You want to speak to Mademoiselle in the middle of the night? Don’t you know that she has been gone to bed a long time, and that for no price would I wake her up out of her first sound sleep, which at her time of life she has so much need of?” The person standing below said, “But I know that your mistress has only just laid aside her new romance Clélie, at which she labours so unremittingly; and she is now writing certain verses which she intends to read to the Marchioness de Maintenon[2] tomorrow. I implore you, Madame Martinière, have pity and open me the door. I tell you the matter involves the saving of an unfortunate man from ruin — that the honour, freedom, nay, that the life of a man is dependent upon this moment, and I mustspeak to Mademoiselle. Recollect how your mistress’s anger would rest upon you for ever, if she learned that you had had the hard-heartedness to turn an unfortunate man away from her door when he came to supplicate her assistance.” “But why do you come to appeal to my mistress’s compassion at this unusual hour? Come again early in the morning,” said La Martinière. The person below replied, “Does Destiny, then, heed times and hours when it strikes, like the fatal flash, fraught with destruction? When there is but a single moment longer in which rescue is still possible, ought assistance to be delayed? Open me the door; you need have nothing to fear from a poor defenceless wretch, who is deserted of all the world, pursued and distressed by an awful fate, when he comes to beseech Mademoiselle to save him from threatening danger?” La Martinière heard the man below moaning and sobbing with anguish as he said these words, and at the same time the voice was the voice of a young man, gentle, and gifted with the power of appealing straight to the heart She was greatly touched; without much further deliberation she fetched the keys.

But hardly had she got the door opened when the figure enveloped in the mantle burst tumultuously in, and striding past Martinière into the passage, cried wildly, “Lead me to your mistress!” In terror Martinière lifted up the candle, and its light fell upon a young man’s face, deathly pale and fearfully agitated. Martinière almost dropped on the floor with fright, for the man now threw open his mantle and showed the bright hilt of a stiletto sticking out of the bosom of his doublet. His eyes flashed fire as he fixed them upon her, crying still more wildly than before, “Lead me to your mistress, I tell you.” Martinière now believed Mademoiselle was in the most imminent danger; and her affection for her beloved mistress, whom she honoured, moreover, as her good and faithful mother, burnt up stronger in her heart, enkindling a courage which she had not conceived herself capable of showing. Hastily pulling to the door of her chamber, which she had left standing open, she planted herself before it, and said in a strong firm voice, “I tell you what, your mad behaviour in the house here, corresponds but ill with your plaintive words outside; I see clearly that I let my pity be excited on a wrong occasion. You neither ought to, nor shall you, speak to my mistress now. If your intentions are not evil, you need not fear daylight; so come again tomorrow and state your business then. Now, begone with you out of the house.” The man heaved a deep and painful sigh, and fixing Martinière with a formidable look, grasped his stiletto. She silently commended her soul to Heaven, but manfully stood her ground, and boldly met the man’s gaze, at the same time drawing herself closer to the door, for through it the man would have to go to get to her mistress’s chamber. “Let me go to your mistress, I tell you!” cried the man again. “Do what you will,” replied Martinière, “I shall not stir from this place. Go on and finish your wicked deed; but remember that you also will die a shameful death at the Place Grève, like your atrocious partners in crime.” “Ah! yes, you are right, La Martinière,” replied the man, “I do look like a villainous robber and cut-throat, and am armed like one, but my partners have not been executed — no, not yet.” Therewith, hurling looks of furious wrath at the poor woman, who was almost dead with terror, he drew his stiletto. “O God! O God!” she exclaimed, expecting her death-blow; but at this moment there was heard a rattle of arms in the street, and the hoof-strokes of horses. “The Maréchaussée![3] the Maréchaussée! Help! Help!” screamed Martinière. “You abominable woman, you are determined to ruin me. All is lost now — it’s all over. But here, here — take this. Give that to your mistress this very night — tomorrow if you like.” Whispering these words, he snatched the light from La Martinière, extinguished it, and then forced a casket into her hands. “By your hopes of salvation, I conjure you, give this casket to Mademoiselle,” cried the man; and he rushed out of the house.

Martinière fell to the floor; at length she rose up with difficulty, and groped her way back in the darkness to her own room, where she sank down in an arm-chair completely exhausted, unable to utter a sound. Then she heard the keys rattle, which she had left in the lock of the street-door. The door was closed and locked, and she heard cautious, uncertain footsteps approaching her room. She sat riveted to the chair without power to move, expecting something terrible to happen. But her sensations may be imagined when the door opened, and by the light of the night-taper she recognised at the first glance that it was honest Baptiste, looking very pale and greatly troubled. “In the name of all the saints!” he began, “tell me, Dame Martinière, what has happened? Oh! the anxiety and fear I have had! I don’t know what it was, but something drove me away from the wedding last evening. I couldn’t help myself; I had to come. On getting into our street, I thought. Dame Martinière sleeps lightly, she’ll be sure to hear me, thinks I, if I tap softly and gently at the door, and will come out and let me in. Then there comes a strong patrol on horseback as well as on foot, all armed to the teeth, and they stop me and won’t let me go on. But luckily Desgrais the lieutenant of the Maréchaussée, is amongst them, who knows me quite well; and when they put their lanterns under my nose, he says, ‘Why, Baptiste, where are you coming from at this time o’ night? You’d better stay quietly in the house and take care of it There’s some deviltry at work, and we are hoping to make a good capture to-night.’ You wouldn’t believe how heavy these words fell on my heart. Dame Martinière. And then when I put my foot on the threshold, there comes a man, all muffled up, rushing out of the house with a drawn dagger in his hand, and he runs over me — head over heels. The door was open, and the keys sticking in the lock. Oh! tell me what it all means.” Martinière, relieved of her terrible fear and anxiety, related all that had taken place.

Then she and Baptiste went out into the passage, and there they found the candlestick lying on the floor where the stranger had thrown it as he ran away. “It is only too certain,” said Baptiste, “that our Mademoiselle would have been robbed, ay, and even murdered, I make no doubt. The fellow knew, as you say, that you were alone with Mademoiselle — why, he also knew that she was awake with her writings. I would bet anything it was one of those cursed rogues and thieves who force their way right into the houses, cunningly spying out everything that may be of use to them in carrying out their infernal plans. And as for that little casket, Dame Martinière-I think we’d better throw it into the Seine where it’s deepest. Who can answer for it that there’s not some wicked monster got designs on our good lady’s life, and that if she opens the box she won’t fall down dead like old Marquis de Tournay did, when he opened a letter that came from somebody he didn’t know?”

After a long consultation the two faithful souls made up their minds to tell their mistress everything next morning, and also to place the mysterious casket in her hands, for of course it could be opened with proper precautions. After minutely weighing every circumstance connected with the suspicious stranger’s appearance, they were both of the same opinion, namely, that there was some special mystery connected with the matter, which they durst not attempt to control single-handed; they must leave it to their good lady to unriddle.

Baptiste’s apprehensions were well founded. Just at that time Paris was the scene of the most abominable atrocities, and exactly at the same period the most diabolical invention of Satan was made, to offer the readiest means for committing these deeds.

Glaser, a German apothecary, the best chemist of his age, had busied himself, as people of his profession were in the habit of doing, with alchemistical experiments. He had made it the object of his endeavour to discover the Philosopher’s Stone. His coadjutor was an Italian of the name of Exili. But this man only practised alchemy as a blind. His real object was to learn all about the mixing and decoction and sublimating of poisonous compounds, by which Glaser on his part hoped to make his fortune; and at last he succeeded in fabricating that subtle poison[4] that is without smell and without taste, that kills either on the spot or gradually and slowly, without ever leaving the slightest trace in the human body, and that deceives all the skill and art of the physicians, since, not suspecting the presence of poison, they fail not to ascribe the death to natural causes. Circumspectly as Exili[5] went to work, he nevertheless fell under the suspicion of being a seller of poison, and was thrown into the Bastille. Soon afterwards Captain Godin de Sainte Croix was confined in the same dungeon. This man had for a long time been living in relations with the Marchioness de Brinvillier,[6] which brought disgrace on all the family; so at last, as the Marquis continued indifferent to his wife’s shameful conduct, her father, Dreux d’Aubray, Civil Lieutenant of Paris, compelled the guilty pair to part by means of a warrant which was executed upon the Captain. Passionate, unprincipled, hypocritically feigning to be pious, and yet inclined from his youth up to all kinds of vice, jealous, revengeful even to madness, the Captain could not have met with any more welcome information than that contained in Exili’s diabolical secret, since it would give him the power to annihilate all his enemies. He became an eager scholar of Exili, and soon came to be as clever as his master, so that, on being liberated from the Bastille, he was in a position to work on unaided.

Before an abandoned woman, De Brinvillier became through Sainte Croix’s instrumentality a monster. He contrived to induce her to poison successively her own father, with whom she was living, tending with heartless hypocrisy his declining days, and then her two brothers, and finally her sister — her father out of revenge, and the others on account of the rich family inheritance. From the histories of several poisoners we have terrible examples how the commission of crimes of this class becomes at last an all-absorbing passion. Often, without any further purpose than the mere vile pleasure of the thing, just as chemists make experiments for their own enjoyment, have poisoners destroyed persons whose life or death must have been to them a matter of perfect indifference.

The sudden decease of several poor people in the Hotel Dieu some time afterwards excited the suspicion that the bread had been poisoned which Brinvillier, in order to acquire a reputation for piety and benevolence, used to distribute there every week. At any rate, it is undoubtedly true that she was in the habit of serving the guests whom she invited to her house with poisoned pigeon pie. The Chevalier de Guet and several other persons fell victims to these hellish banquets. Sainte Croix, his confederate La Chaussée,[7] and Brinvillier were able for a long time to enshroud their horrid deeds behind an impenetrable veil. But of what avail is the infamous cunning of reprobate men when the Divine Power has decreed that punishment shall overtake the guilty here on earth?

The poisons which Sainte Croix prepared were of so subtle a nature that if the powder (called by the Parisians Pondre de Succession, or Succession Powder) were prepared with the face exposed, a single inhalation of it might cause instantaneous death. Sainte Croix therefore, when engaged in its manufacture, always wore a mask made of fine glass. One day, just as he was pouring a prepared powder into a phial, his mask fell off, and, inhaling the fine particles of the poison, he fell down dead on the spot. As he had died without heirs, the officers of the law hastened to place his effects under seal. Amongst them they found a locked box, which contained the whole of the infernal arsenal of poisons that the abandoned wretch Sainte Croix had had at command; they also found Brinvillier’s letters, which left no doubt as to her atrocious crimes. She fled to Liége, into a convent there. Desgrais, an officer of the Maréchaussée, was sent after her. In the disguise of a monk he arrived at the convent where she had concealed herself, and contrived to engage the terrible woman in a love intrigue, and finally, under the pretext of a secret meeting, to entice her out to a lonely garden beyond the precincts of the town. Directly she arrived at the appointed place she was surrounded by Desgrais’ satellites, whilst her monkish lover was suddenly converted into an officer of the Maréchaussée, who compelled her to get into the carriage which stood ready near the garden; and, surrounded by the police troop, she was driven straight off to Paris. La Chaussée had been already beheaded somewhat earlier; Brinvillier suffered the same death, after which her body was burned and the ashes scattered to the winds.

Now that the monster who had been able to direct his secret murderous weapons against both friend and foe alike unpunished was out of the world, the Parisians breathed freely once more. But it soon became known abroad that the villain Sainte Croix’s abominable art had been handed down to certain successors. Like a malignant invisible spirit, murder insinuated itself into the most intimate circles, even the closest of those formed by relationship and love and friendship, and laid a quick sure grasp upon its unfortunate victims. He who was seen one day in the full vigour of health, tottered about the next a weak wasting invalid, and no skill of the physician could save him from death. Wealth, a lucrative office, a beautiful and perhaps too young a wife — any of these was sufficient to draw down upon the possessor this persecution unto death. The most sacred ties were severed by the cruellest mistrust. The husband trembled at his wife, the father at his son, the sister at the brother. The dishes remained untouched, and the wine at the dinner, which a friend put before his friends; and there where formerly jest and mirth had reigned supreme, savage glances were now spying about for the masked murderer. Fathers of families were observed buying provisions in remote districts with uneasy looks and movements, and preparing them themselves in the first dirty cook-shop they came to, since they feared diabolical treachery in their own homes. And yet even the greatest and most well-considered precautions were in many cases of no avail.

In order to put a stop to this iniquitous state of things, which continued to gain ground and grow greater day by day, the king appointed a special court of justice for the exclusive purpose of inquiring into and punishing these secret crimes. This was the so-called Chambre Ardente, which held its sittings not far from the Bastille, its acting president being La Regnie.[8] For a considerable period all his efforts, however zealously they were prosecuted, remained fruitless; it was reserved for the crafty Desgrais to discover the most secret haunts of the criminals. In the Faubourg St. Germain there lived an old woman called Voisin, who made a regular business of fortune-telling and raising departed spirits; and with the help of her confederates Le Sage and Le Vigoureux, she managed to excite fear and astonishment in the minds of persons who could not be called exactly either weak or credulous. But she did more than this. A pupil of Exili, like La Croix, she, like him, concocted the same subtle poison that killed and left no trace behind it; and so she helped in this way profligate sons to get early possession of their inheritance, and depraved wives to another and younger husband. Desgrais wormed his way into her secret; she confessed all; the Chambre Ardente condemned her to be burned alive, and the sentence was executed in the Place Grève.

Amongst her effects was found a list of all the persons who had availed themselves of her assistance; and hence it was that not only did execution follow upon execution, but grave suspicion fell even upon persons of high position. Thus it was believed that Cardinal Bonzy had obtained from La Voisin the means of bringing to an untimely end all those persons to whom, as Archbishop of Narbonne, he was obliged to pay annuities. So also the Duchess de Bouillon, and the Countess de Soissons,[9] whose names were found on the list, were accused of having had dealings with the diabolical woman; and even Francois Henri de Montmorenci, Boudebelle, Duke of Luxemburg,[10] peer and marshal of the kingdom, was not spared. He too was prosecuted by the terrible Chambre Ardente. He voluntarily gave himself up to be imprisoned in the Bastille, where through Louvois’[11] and La Regnie’s hatred he was confined in a cell only six feet long. Months passed before it was made out satisfactorily that the Duke’s transgression did not deserve any blame: he had once had his horoscope cast by Le Sage.

It is certain that the President La Regnie was betrayed by his blind zeal into acts of cruelty and arbitrary violence. The tribunal acquired the character of an Inquisition; the most trifling suspicion was sufficient to entail strict incarceration; and it was left to chance to establish the innocence of a person accused of a capital crime. Moreover, La Regnie was hideous in appearance, and of a malicious temperament, so that he soon drew down upon himself the hatred of those whose avenger or protector he was appointed to be. The Duchess de Bouillon, being asked by him during her trial if she had seen the devil, replied, “I fancy I can see him at this moment.”[12]

But whilst the blood of the guilty and the suspected alike was flowing in streams in the Place Grève, and after a time the secret poisonings became less and less frequent, a new kind of outrage came to light, and again filled the city with dismay. It seemed as if a band of miscreant robbers were in league together for the purpose of getting into their possession all the jewellery they could. No sooner was any valuable ornament purchased than, no matter how or where kept, it vanished in an inconceivable way. But what was still worse, any one who ventured to wear jewellery on his person at night was robbed, and often murdered even, either in the public street or in the dark passage of a house. Those who escaped with their lives declared that they had been knocked down by a blow on the head, which felled them like a lightning flash, and that on awaking from their stupor they had found that they had been robbed and were lying in quite a different place from that where they had received the blow. All who were murdered, some of whom were found nearly every morning lying either in the streets or in the houses, had all one and the same fatal wound — a dagger-thrust in the heart, killing, according to the judgment of the surgeons, so instantaneously and so surely that the victim would drop down like a stone, unable to utter a sound. Who was there at the voluptuous court of Louis XIV. who was not entangled in some clandestine intrigue, and stole to his mistress at a late hour, often carrying a valuable present about him? The robbers, as if they were in league with spirits, knew almost exactly when anything of this sort was on foot. Often the unfortunate did not reach the house where he expected to meet with the reward of his passion; often he fell on the threshold, nay, at the very chamber door of his mistress, who was horrified at finding the bloody corpse.

In vain did Argenson, the Minister of Police, order the arrest of every person from amongst the populace against whom there was the least suspicion; in vain did La Regnie rage and try to extort confessions; in vain did they strengthen their watch and their patrols; — they could not find a trace of the evil-doers. The only thing that did to a certain extent avail was to take the precaution of going armed to the teeth and have a torch carried before one; and yet instances were not wanting in which the servant was annoyed by stones thrown at him, whilst at the same moment his master was murdered and robbed. It was especially remarkable that, in spite of all inquiries in every place where traffic in jewellery was in any way possible, not the smallest specimen of the stolen ornaments ever came to light, and so in this way also no clue was found which might have been followed.

Desgrais was furious that the miscreants should thus baffle all his cunning. The quarter of the town in which he happened to be stationed was spared; whilst in the others, where nobody apprehended any evil, these robberies and murders claimed their richest victims.

Desgrais hit upon the ruse of making several Desgrais one after the other, so exactly alike in gait, posture, speech, figure, and face, that the myrmidons of the police themselves did not know which was the real Desgrais. Meanwhile, at the risk of his own life, he used to watch alone in the most secret haunts and lairs of crime, and follow at a distance first this man and then that, who at his own instance carried some valuable jewellery about his person. These men, however, were not attacked; and hence the robbers must be acquainted with this contrivance also. Desgrais absolutely despaired.

One morning Desgrais came to President La Regnie pale and perturbed, quite distracted in fact. “What’s the matter? What news? Have you got a clue?” cried the President “Oh! your excellency,” began Desgrais, stammering with rage, “oh! your excellency — last night — not far from the Louvre — the Marquis de la Fare[13] was attacked in my presence.” “By Heaven then!” shouted La Regnie, exultant with joy, “we have them.” “But first listen to me,” interrupted Desgrais with a bitter smile, “and hear how it all came about. Well then, I was standing near the Louvre on the watch for these devils who mock me, and my heart was on fire with fury. Then there came a figure close past me without noticing me, walking with unsteady steps and looking behind him. By the faint moonlight I saw that it was Marquis de la Fare. I was not surprised to see him; I knew where he was stealing to. But he had not gone more than ten or twelve paces past me when a man started up right out of the earth as it seemed and knocked him down, and stooped over him. In the sudden surprise and on the impulse of the moment, which would else have delivered the murderer into my hands, I was thoughtless enough to cry out; and I was just bursting out of my hiding-place with a rush, intending to throw myself upon him, when I got entangled in my mantle and fell down. I saw the man hurrying away on the wings of the wind; I made haste and picked myself up and ran after him; and as I ran I blew my horn; from the distance came the answering whistles of the man; the streets were all alive; there was a rattle of arms and a trampling of horses in all directions. ‘Here! here! Desgrais! Desgrais!’ I shouted till the streets echoed. By the bright moonlight I could always see the man in front of me, doubling here and there to deceive me. We came to the Rue Nicaise, and there his strength appeared to fail him: I redoubled my efforts; and he only led me by fifteen paces at the most”—— “You caught him up; you seized him; the patrol came up?” cried La Regnie, his eyes flashing, whilst he seized Desgrais by the arm as though he were the flying murderer. “Fifteen paces,” continued Desgrais in a hollow voice and with difficulty drawing his breath —“fifteen paces from me the man sprang aside into the shade and disappeared through the wall.” “Disappeared? — through the wall? Are you mad?” cried La Regnie, taking a couple of steps backwards and striking his hands together.

“From this moment onwards,” continued Desgrais, rubbing his brow like a man tormented by hateful thoughts, “your excellency may call me a madman or an insane ghost-seer, but it was just as I have told you. I was standing staring at the wall like one petrified when several men of the patrol hurried up breathless, and along with them Marquis de la Fare, who had picked himself up, with his drawn sword in his hand. We lighted the torches, and sounded the wall backwards and forwards — not an indication of a door or a window or an opening. It was a strong stone wall bounding a yard, and was joined on to a house in which live people against whom there has never risen the slightest suspicion. To-day I have again taken a careful survey of the whole place. It must be the Devil himself who is mystifying us.”

Desgrais’ story became known in Paris. People’s heads were full of the sorceries and incantations and compacts with Satan of Voisin, Vigoureuse, and the reprobate priest Le Sage; and as in the eternal nature of us men, the leaning to the marvellous and the wonderful so often outweighs all the authority of reason, so the public soon began to believe simply and solely that as Desgrais in his mortification had said, Satan himself really did protect the abominable wretches, who must have sold their souls to him. It will readily be believed that Desgrais’ story received all sorts of ornamental additions. An account of the adventure, with a woodcut on the title-page representing a grim Satanic form before which the terrified Desgrais was sinking in the earth, was printed and largely sold at the street corners. This alone was enough to overawe the people, and even to rob the myrmidons of the police of their courage, who now wandered about the streets at night trembling and quaking, hung about with amulets and soaked in holy water.

Argenson perceived that the exertions of the Chambre Ardente were of no avail, and he appealed to the king to appoint a tribunal with still more extensive powers to deal with this new epidemic of crime, to hunt up the evil-doers, and to punish them. The king, convinced that he had already vested too much power in the Chambre Ardente and shaken with horror at the numberless executions which the bloodthirsty La Regnie had decreed, flatly refused to entertain the proposed plan.

Another means was chosen to stimulate the king’s interest in the matter.

Louis was in the habit of spending the afternoon in Madame de Maintenon’s salons, and also despatching state business therewith his ministers until a late hour at night. Here a poem was presented to him in the name of the jeopardised lovers, complaining that, whenever gallantry bid them honour their mistress with a present, they had always to risk their lives on the fulfilment of the injunction. There was always both honour and pleasure to be won in shedding their blood for their lady in a knightly encounter; but it was quite another thing when they had to deal with a stealthy malignant assassin, against whom they could not arm themselves. Would Louis, the bright polar star of all love and gallantry, cause the resplendent beams of his glory to shine and dissipate this dark night, and so unveil the black mystery that was concealed within it? The god-like hero, who had broken his enemies to pieces, would now (they hoped) draw his sword glittering with victory, and, as Hercules did against the Lernean serpent, or Theseus the Minotaur, would fight against the threatening monster which was gnawing away all the raptures of love, and darkening all their joy and converting it into deep pain and grief inconsolable.

Serious as the matter was, yet the poem did not lack clever and witty turns, especially in the description of the anxieties which the lovers had to endure as they stole by secret ways to their mistresses, and of how their apprehensions proved fatal to all the rapturous delights of love and to every dainty gallant adventure before it could even develop into blossom. If it be added that the poem was made to conclude with a magniloquent panegyric upon Louis XIV., the king could not fail to read it with visible signs of satisfaction. Having reached the end of it, he turned round abruptly to Madame de Maintenon, without lifting his eyes from the paper, and read the poem through again aloud; after which he asked her with a gracious smile what was her opinion with respect to the wishes of the jeopardised lovers.

De Maintenon, faithful to the serious bent of her mind, and always preserving a certain colour of piety, replied that those who walked along secret and forbidden paths were not worthy of any special protection, but that the abominable criminals did call for special measures to be taken for their destruction. The king, dissatisfied with this wavering answer, folded up the paper, and was going back to the Secretary of State, who was working in the next room, when on casting a glance sideways his eye fell upon Mademoiselle de Scudéri, who was present in the salon and had taken her seat in a small easy-chair not far from De Maintenon. Her he now approached, whilst the pleasant smile which at first had played about his mouth and on his cheeks, but had then disappeared, now won the upper hand again. Standing immediately in front of Mademoiselle, and unfolding the poem once more, he said softly, “Our Marchioness will not countenance in any way the gallantries of our amorous gentlemen, and give us evasive answers of a kind that are almost quite forbidden. But you, Mademoiselle, what is your opinion of this poetic petition?” De Scudéri rose respectfully from her chair, whilst a passing blush flitted like the purple sunset rays in evening across the venerable lady’s pale cheeks, and she said, bowing gently and casting down her eyes,

“Un amant qui craint les voleurs

N’est point digne d’amour.”

(A lover who is afraid of robbers is not worthy of love.)

The king, greatly struck by the chivalric spirit breathed in these few words, which upset the whole of the poem with its yards and yards of tirades, cried with sparkling eyes, “By St. Denis, you are right. Mademoiselle! Cowardice shall not be protected by any blind measures which would affect the innocent along with the guilty; Argenson and La Regnie must do their best as they are.”

All these horrors of the day La Martinière depicted next morning in startling colours when she related to her mistress the occurrence of the previous night; and she handed over to her the mysterious casket in fear and trembling. Both she and Baptiste, who stood in the corner as pale as death, twisting and doubling up his night-cap, and hardly able to speak in his fear and anxiety — both begged Mademoiselle in the most piteous terms and in the names of all the saints, to use the utmost possible caution in opening the box. De Scudéri, weighing the locked mystery in her hand, and subjecting it to a careful scrutiny, said smiling, “You are both of you ghost-seers! That I am not rich, that there are not sufficient treasures here to be worth a murder, is known to all these abandoned assassins, who, you yourself tell me, spy out all that there is in a house, as well as it is to me and you. You think they have designs upon my life? Who could make capital out of the death of an old lady of seventy-three, who never did harm to anybody in the world except the miscreants and peace-breakers in the romances which she writes herself, who makes middling verses which can excite nobody’s envy, who will have nothing to leave except the state dresses of an old maid who sometimes went to court, and a dozen or two well-bound books with gilt edges? And then you, Martinière — you may describe the stranger’s appearance as frightful as you like, yet I cannot believe that his intentions were evil. So then ——”

La Martinière recoiled some paces, and Baptiste, uttering a stifled “Oh!” almost sank upon his knees as Mademoiselle proceeded to press upon a projecting steel knob; then the lid flew back with a noisy jerk.

But how astonished was she to see a pair of gold bracelets, richly set with jewels, and a necklace to match. She took them out of the case; and whilst she was praising the exquisite workmanship of the necklace, Martinière was eyeing the valuable bracelets, and crying time after time, that the vain Lady Montespan herself had no such ornaments as these. “But what is it for? what does it all mean?” said De Scudéri. But at this same moment she observed a small slip of paper folded together, lying at the bottom of the casket. She hoped, and rightly, to find in it an explanation of the mystery. She had hardly finished reading the contents of the scrip when it fell from her trembling hands. She sent an appealing glance towards Heaven, and then fell back almost fainting into her chair. Terrified, Martinière sprang to her assistance, and so also did Baptiste. “Oh! what an insult!” she exclaimed, her voice half-choked with tears, “Oh! what a burning shame! Must I then endure this in my old age? Have I then gone and acted with wrong and foolish levity like some young giddy thing? O God, are words let fall half in jest capable of being stamped with such an atrocious interpretation? And am I, who have been faithful to virtue, and of blameless piety from my earliest childhood until now — am I to be accused of the crime of making such a diabolical compact?”

Mademoiselle held her handkerchief to her eyes and wept and sobbed bitterly, so that Martinière and Baptiste were both of them confused and rendered helpless by embarrassed constraint, not knowing what to do to help their mistress in her great trouble.

Martinière picked up the ominous strip of paper from the floor. Upon it was written —

“Un amant qui craint les voleurs

N’est point digne d’amour.

“Your sagacious mind, honoured lady, has saved us from great persecution. We only exercise the right of the stronger over the weak and the cowardly in order to appropriate to ourselves treasures that would else be disgracefully squandered. Kindly accept these jewels as a token of our gratitude. They are the most brilliant that we have been enabled to meet with for a long time; and yet you, honoured lady, ought to be adorned with jewellery even still finer than this is. We trust you will not withdraw from us your friendship and kind remembrance.

“THE INVISIBLES.”[14]