7 best short stories - Vampire E-Book

Samuel Taylor Coleridge

• Herausgeber: Tacet Books
• Kategorie: Abenteuer, Thriller, Horror
• Serie: 7 best short stories - specials
• Sprache: Englisch
• Veröffentlichungsjahr: 2020

Seitenzahl: 354

Beschreibung

7 Best Short Stories – Vampires is a fascinating collection of stories that explores the mythical figure of the vampire in various facets, combining horror, suspense, and romance. Each story in this selection immerses the reader in dark and atmospheric narratives, where the supernatural intertwines with the psychological, creating characters and situations that challenge the boundary between fear and desire.

Complementing the stories, the collection includes the poems The Giaour, by Lord Byron, and Christabel, by Samuel Taylor Coleridge, both rich in melancholic and supernatural atmospheres, exploring the seduction and terror associated with vampires.

This book contains the following stories:

The Vampyre - John William Polidori
Aubrey, a young Englishman, travels across Europe with the mysterious Lord Ruthven, only to discover his true nature as a vampire. This story is a landmark in vampire literature, defining many of the elements that would shape the genre.

Mrs. Amworth - E. F. Benson
The arrival of Mrs. Amworth in a quiet village raises suspicions, especially when disturbing events begin to occur. Is she a supernatural threat? This story explores the dangers hidden behind a friendly facade.

Dracula's Guest - Bram Stoker
An English traveler ignores warnings and faces supernatural events during Walpurgis Night near Munich. This story serves as an atmospheric prologue to the classic Dracula.

Ligeia - Edgar Allan Poe
A man recalls his obsession with Ligeia, a woman of extraordinary beauty and intellect, as love and death intertwine in a poetic and dark narrative.

Clarimonde - Théophile Gautier
The young priest Romuald is seduced by the courtesan Clarimonde, who drags him into a world where desire and spiritual damnation merge. A tale of lust and spiritual conflict.

Wake not the Dead - Ernst Raupach
Walter brings his deceased wife back to life, but soon discovers the terrifying consequences of defying the forces beyond. This story delves into the horror of obsessive love.

The Tomb of Sarah - F. G. Loring
When an ancient tomb is opened, strange events lead those involved to question whether Sarah, supposedly a vampire, is truly at rest. A story that blends mystery and supernatural terror.

Leseprobe

Introduction

The vampire is one of the most fascinating and enduring figures in both literature and world folklore. From ancient legends of creatures returning from the dead to drain the blood of the living, to modern representations of vampires as romantic and tragic beings, this figure has undergone countless transformations throughout the centuries.

In the selected stories for this collection, readers will encounter a rich diversity of approaches to the vampire myth, from early monstrous depictions, like John William Polidori’s The Vampyre, to darker, more psychological ones, such as Edgar Allan Poe’s Ligeia. These stories are essential to understanding how the vampire figure has been shaped and reinterpreted by authors over time.

Historically, vampires were depicted as feared monsters, symbols of terror that embodied humanity's deepest fears: death, disease, and the loss of control over one’s own body. Tales like The Tomb of Sarah by F.G. Loring and Wake not the Dead by Ernst Raupach reflect these anxieties, with vampires rising from their graves to haunt the living, defying the natural order.

However, over time, the image of the vampire underwent a metamorphosis. By the late 19th and early 20th centuries, vampires began to acquire a more tragic and romantic dimension. This can be seen in stories like Clarimonde by Théophile Gautier, where vampirism is linked to desire and loss, or in Dracula’s Guest by Bram Stoker, which foreshadows the emotional complexity of Count Dracula, later immortalized in popular culture.

According to theorists like Carl Jung, the vampire can be viewed as a personification of the "Shadow archetype"—the dark side of the human psyche, housing our repressed desires and deepest fears1. As society evolved and began to explore individual psychology, the vampire also took on more complex traits, representing both the external monster and the internal conflicts within the human mind.

This transformation reflects the shift from viewing the vampire as purely evil to a more ambiguous figure, often portrayed as a victim of their own fate, as seen in the romantic vampire that emerged in the late 19th century and continues to evolve today2. Furthermore, this shift highlights how works by Gothic authors like Polidori and Poe laid the foundation for the development of the vampire figure in later centuries.

Each story in this collection offers a unique facet of vampirism, exploring different themes and historical contexts. Readers will be transported to worlds where the supernatural and human intersect, creating narratives that, although rooted in fear and mystery, also address universal questions about mortality, desire, and the nature of evil.

This volume is a celebration of the vampire’s versatility in literature. It shows how the myth, born from ancient superstitions, has continued to adapt and transform, evolving alongside cultural and psychological shifts in society. Thus, the stories gathered in 7 Best Short Stories - Vampires not only entertain with horror and suspense but also offer a profound glimpse into the vampire’s evolution as a timeless symbol of human imagination.

The Vampyre

By John William Polidori

Extract of a Letter from Geneva.

“I breathe freely in the neighbourhood of this lake; the ground upon which I tread has been subdued from the earliest ages; the principal objects which immediately strike my eye, bring to my recollection scenes, in which man acted the hero and was the chief object of interest. Not to look back to earlier times of battles and sieges, here is the bust of Rousseau3 — here is a house with an inscription denoting that the Genevan philosopher first drew breath under its roof. A little out of the town is Ferney, the residence of Voltaire4; where that wonderful, though certainly in many respects contemptible, character, received, like the hermits of old, the visits of pilgrims, not only from his own nation, but from the farthest boundaries of Europe. Here too is Bonnet’s abode, and, a few steps beyond, the house of that astonishing woman Madame de Stael5: perhaps the first of her sex, who has really proved its often claimed equality with, the nobler man. We have before had women who have written interesting-novels and poems, in which their tact at observing drawing-room characters has availed them; but never since the days of Heloise have those faculties which arc peculiar to man, been developed as the possible inheritance of woman. Though even here, as in the case of Heloise, our sex have not been backward in alledging the existence of an Abeilard6 in the person of M. Schlegel as the inspirer of her works. But to proceed: upon the same side of the lake, Gibbon7, Bonnivard8, Bradshaw, and others mark, as it were, the stages for our progress; whilst upon the other side there is one house, built by Diodati9, the friend of Milton, which has contained within its walls, for several months, that poet whom we have so often read together, and who — if human passions remain the same, and human feelings, like. chords, on being swept by nature’s impulses shall vibrate as before — will be placed by posterity in the first rank of our English Poets. You must have heard, or the Third Canto of Childe Harold10 will have informed you, that Lord Byron11 resided many months in this neighbourhood. I went with some friends a few days ago, after having seen Ferney, to view this mansion. I trod the floors with the same feelings of awe and respect as we did, together, those of Shakespeare’s dwelling at Stratford. I sat down in a chair of the saloon, and satisfied myself that I was resting on what he had made his constant scat. I found a servant there who had lived with him; she, however, gave me but little information. She pointed out his bed-chamber upon the same level as the saloon and dining-room, and informed me that he retired to rest at three, got up at two, and employed himself a long time over his toilette; that he never went to sleep without a pair of pistols and a dagger by his side, and that he never eat animal food. He apparently spent some part of every day upon the lake in an English boat. There is a balcony from the saloon which looks upon the lake and the mountain Jura; and I imagine, that it must have been hence, he contemplated the storm BO magnificently described in the Third Canto; for you have from here a most extensive view of all the points he has therein depicted. I can fancy him like the scathed pine, whilst all around was sunk to repose, still waking to observe, what gave but a weak image of the storms which had desolated his own breast.

The sky is changed! — and such a change; Oh, night!And storm and darkness, ye are wond’rous strong,Yet lovely in your strength, as is the lightOf a dark eye in woman! Far alongFrom peak to peak, the rattling crags among,Leaps the lire thunder! Not from one lone cloud,But every mountain now hath found a tongue,And Jura answers thro’ her misty shroud,Back to the joyous Alps who call to her aloud!And this is in the night:— Most glorious night!Thou wer’t not sent for slumber! let me beA sharer in thy far and fierce delight, —A portion of the tempest and of me!How the lit lake shines a phosphoric sea,And the big rain comet dancing to the earth!And now again ’tis black, — and now the gleeOf the loud hills shakes with its mountain mirth,As if they did rejoice o’er a young; earthquake’s birth,Now where the swift Rhine cleaves his way betweenHeights which appear, as lovers who have partedIn haste, whose mining depths so intervene,That they can meet no more, tho’ broken hearted;Tho’ in their souls which thus each other thwarted,Love was the very root of the fond rageWhich blighted their life’s bloom, and then departed —Itself expired, but leaving; them an ageOf years all winter — war within themselves to wage.

I went down to the little port, if I may use the expression, wherein his vessel used to lay, and conversed with the cottager, who had the care of it. You may smile, but I have my pleasure in thus helping my personification of the individual I admire, by attaining to the knowledge of those circumstances which were daily around him. I have made numerous enquiries in the town concerning him, but can learn nothing. He only went into society there once, when M. Pictet took him to the house of a lady to spend the evening. They say he is a very singular man, and seem to think him very uncivil. Amongst other things they relate, that having invited M. Pictet and Bonstetten12 to dinner, he went on the lake to Chillon, leaving a gentleman who travelled with him to receive them and make his apologies. Another evening, being invited to the house of Lady D—— H— —13 he promised to attend, but upon approaching the windows of her ladyship’s villa, and perceiving the room to be full of company, he set down his friend, desiring him to plead his excuse, and immediately returned home. This will serve as a contradiction to the report which yon tell me is current in England, of his having been avoided by his countrymen on the continent. The case happens to be directly the reverse, as he has been generally sought by them, though on most occasions, apparently without success. It is said, indeed, that upon paying his first visit at Coppet, following the servant who had announced his name, he was surprised to meet a lady carried oat fainting; but before he had been seated many minutes, the same lady, who had been so affected at the sound of his name, returned and conversed with him a considerable time — such is female curiosity and affectation! He visited Coppet frequently, and of course associated there with several of his countrymen, who evinced no reluctance to moot him whom his enemies alone would represent as au outcast.

Though I have been so unsuccessful in this town, I have been more fortunate in my enquiries elsewhere. There is a society three or four miles from Geneva, the centre of which is the Countess of Breuss, a Russian lady, well acquainted with the agrémens de la Société, and who has collected them round herself at her mansion. It was chiefly here, I find, that the gentleman who travelled with Lord Byron, as physician, sought for society. He used almost every day to cross the lake by himself, in one of their flat-bottomed boats, and return after passing the evening with his friends, about eleven or twelve at night, often whilst the storms were raging in the circling summits of the mountains around. As he became intimate, from long acquaintance, with several of the families in this neighbourhood, I have gathered from their accounts some excellent traits of his lordship’s character, which I will relate to you at some future opportunity. I must, however, free him from one imputation attached to him — of having in his house two sisters as the partakers of his revels. This is, like many other charges which have been brought against his lordship, entirely destitute of truth. His only companion was the physician I have already mentioned. The report originated from the following circumstance: Mr. Percy Bysshe Shelly14, a gentleman well known for extravagance of doctrine, and for his daring, in their profession, even to sign himself with the title of Atheos in the Album at Chamouny, having taken a house below, in which he resided with Miss M. W. Godwin and Miss Clermont15, (the daughters of the celebrated Mr. Godwin) they were frequently visitors at Diodati, and were often seen upon the lake with his Lordship, which gave rise to the report, the truth of which is here positively denied.

Among other things which the lady, from whom I procured these anecdotes, related to me, she mentioned tho outline of a ghost story by Lord Byron. It appears that one evening Lord B., Mr. P. B. Shelly, the two ladies and the gentleman before alluded to, after having perused a German work, which was entitled Phantasmagoriana16, began relating ghost stories; when his lordship having recited the beginning of Christabel, then unpublished, the whole took so strong a hold of Mr. Shelly’s mind, that he suddenly started up and ran out of the room. The physician and Lord Byron followed, and discovered him leaning against a mantle-piece, with cold drops of perspiration trickling down his face. After having given him something to refresh him, upon enquiring into the cause of his alarm, they found that his wild imagination having pictured to him the bosom of one of the ladies with eyes (which was reported of a lady in the neighbourhood where he lived) he was obliged to leave the room in order to destroy the impression. It was afterwards proposed, in the course of conversation, that each of the company present should write a tale depending upon some supernatural agency, which was undertaken by Lord B., the physician, and Miss M. W. Godwin.17 My friend, the lady above referred to, had in her possession the outline of each of these stories; I obtained them as a great favour, and herewith Forward them to you, as I was assured you would feel as much curiosity as myself, to peruse the ebauches of so great a genius, and those immediately under his influence.”

Introduction

The superstition upon which this tale is founded is very general in the East. Among the Arabians it appears to be common: it did not, however, extend itself to the Greeks until after the establishment of Christianity; and it has only assumed its present form since the division of the Latin and Greek churches; at which time, the idea becoming prevalent, that a Latin body could not corrupt if buried in their territory, it gradually increased, and formed the subject of many wonderful stories, still extant, of the dead rising from their graves, and feeding upon the blood of the young and beautiful. In the West it spread, with some slight variation, all over Hungary, Poland, Austria, and Lorraine, where the belief existed, that vampyres nightly imbibed a certain portion of the blood of their victims, who became emaciated, lost their strength, and speedily died of consumptions; whilst these human blood-suckers fattened — and their veins became distended to such a state of repletion, as to cause the blood to flow from all the passages of their bodies, and even from the very pores of their skins.

In the London Journal, of March, 1732, is a curious, and, of course, credible account of a particular case of vampyrism, which is stated to have occurred at Madreyga, in Hungary. It appears, that upon an examination of the commander-in-chief and magistrates of the place, they positively and unanimously affirmed, that, about five years before, a certain Heyduke, named Arnold Paul, had been heard to say, that, at Cassovia, on the frontiers of the Turkish Servia, he had been tormented by a vampyre, but had found a way to rid himself of the evil, by eating some of the earth out of the vampyre’s grave, and rubbing himself with his blood. This precaution, however, did not prevent him from becoming a vampyre himself18; for, about twenty or thirty days after his death and burial, many persons complained of having been tormented by him, and a deposition was made, that four persons had been deprived of life by his attacks. To prevent further mischief, the inhabitants having consulted their Hadagni,19 took up the body, and found it (as is supposed to be usual in cases of vampyrism) fresh, and entirely free from corruption, and emitting at the mouth, nose, and ears, pure and florid blood. Proof having been thus obtained, they resorted to the accustomed remedy. A stake was driven entirely through the heart and body of Arnold Paul, at which he is reported to have cried out as dreadfully as if he had been alive. This done, they cut off his head, burned his body, and threw the ashes into his grave. The same measures were adopted with the corpses of those persons who had previously died from vampyrism, lest they should, in their turn, become agents upon others who survived them.

This monstrous rodomontade is here related, because it seems better adapted to illustrate the subject of the present observations than any other instance which could be adduced. In many parts of Greece it is considered as a sort of punishment after death, for some heinous crime committed whilst in existence, that the deceased is not only doomed to vampyrise, but compelled to confine his infernal visitations solely to those beings he loved most while upon earth — those to whom he was bound by ties of kindred and affection. — A supposition alluded to in the “Giaour.”

But first on earth, as Vampyre sent,Thy corse shall from its tomb be rent;Then ghastly haunt the native place,And suck the blood of all thy race;There from thy daughter, sister, wife,At midnight drain the stream of life;Yet loathe the banquet which perforceMust feed thy livid living corse,Thy victims, ere they yet expire,Shall know the demon for their sire;As cursing thee, thou cursing them,Thy flowers are withered on the stem.But one that for thy crime must fall,The youngest, best beloved of all,Shall bless thee with a father’s name —That word shall wrap thy heart in flame!Yet thou must end thy task and markHer cheek’s last tinge — her eye’s last spark,And the last glassy glance must viewWhich freezes o’er its lifeless blue;Then with unhallowed hand shall tearThe tresses of her yellow hair,Of which, in life a lock when shornAffection’s fondest pledge was worn —But now is borne away by theeMemorial of thine agony!Yet with thine own best blood shall drip;Thy gnashing tooth, and haggard lip;Then stalking to thy sullen grave,Go — and with Gouls and Afrits rave,Till these in horror shrink awayFrom spectre more accursed than they.

Mr. Southey has also introduced in his wild but beautiful poem of “Thalaba,” the vampyre corse of the Arabian maid Oneiza, who is represented as having returned from the grave for the purpose of tormenting him she best loved whilst in existence. But this cannot be supposed to have resulted from the sinfulness of her life, she being pourtrayed throughout the whole of the tale as a complete type of purity and innocence. The veracious Tournefort gives a long account in his travels of several astonishing cases of vampyrism, to which he pretends to have been an eyewitness; and Calmet, in his great work upon this subject, besides a variety of anecdotes, and traditionary narratives illustrative of its effects, has put forth some learned dissertations, tending to prove it to be a classical, as well as barbarian error.

Many curious and interesting notices on this singularly horrible superstition might be added; though the present may suffice for the limits of a note, necessarily devoted to explanation, and which may now be concluded by merely remarking, that though the term Vampyre is the one in most general acceptation, there are several others synonimous with it, made use of in various parts of the world: as Vroucolocha, Vardoulacha, Goul, Broucoloka, &c.

The Vampyre

It happened that in the midst of the dissipations attendant upon a London winter, there appeared at the various parties of the leaders of the ton a nobleman, more remarkable for his singularities, than his rank. He gazed upon the mirth around him, as if he could not participate therein. Apparently, the light laughter of the fair only attracted his attention, that he might by a look quell it, and throw fear into those breasts where thoughtlessness reigned. Those who felt this sensation of awe, could not explain whence it arose: some attributed it to the dead grey eye, which, fixing upon the object’s face, did not seem to penetrate, and at one glance to pierce through to the inward workings of the heart; but fell upon the cheek with a leaden ray that weighed upon the skin it could not pass. His peculiarities caused him to be invited to every house; all wished to see him, and those who had been accustomed to violent excitement, and now felt the weight of ennui, were pleased at having something in their presence capable of engaging their attention. In spite of the deadly hue of his face, which never gained a warmer tint, either from the blush of modesty, or from the strong emotion of passion, though its form and outline were beautiful, many of the female hunters after notoriety attempted to win his attentions, and gain, at least, some marks of what they might term affection: Lady Mercer, who had been the mockery of every monster shewn in drawing-rooms since her marriage, threw herself in his way, and did all but put on the dress of a mountebank, to attract his notice:— though in vain:— when she stood before him, though his eyes were apparently fixed upon her’s, still it seemed as if they were unperceived; — even her unappalled impudence was baffled, and she left, the field. But though the common adultress could not influence even the guidance of his eyes, it was not that the female sex was indifferent to him: yet such was the apparent caution with which he spoke to the virtuous wife and innocent daughter, that few knew he ever addressed himself to females. He had, however, the reputation of a winning tongue; and whether it was that it even overcame the dread of his singular character, or that they were moved by his apparent hatred of vice, he was as often among those females who form the boast of their sex from their domestic virtues, as among those who sully it by their vices.

About the same time, there came to London a young gentleman of the name of Aubrey: he was an orphan left with an only sister in the possession of great wealth, by parent» who died while he was yet in childhood. Left also to himself by guardians, who thought it their duty merely to take care of his fortune, while they relinquished the more important charge of his mind to the care of mercenary subalterns, he cultivated more his imagination than his judgment. He had, hence, that high romantic feeling of honour and candour, which daily ruins so many milliners’ apprentices. He believed all to sympathise with virtue, and thought that vice was thrown in by Providence merely for the picturesque effect of the scene, as we see in romances: he thought that the misery of a cottage merely consisted in the vesting of clothes, which were as warm, but which were better adapted to the painter’s eye by their irregular folds and various coloured patches. Me thought, in fine, that the dreams of poets were the realities of life. He was handsome, frank, and rich: for these reasons, upon his entering into the gay circles, many mothers surrounded him, striving which should describe with least truth their languishing or romping favourites: the daughters at the same time, by their brightening countenances when he approached, and by their sparkling eyes, when he opened his lips, soon led him into false notions of his talents and his merit. Attached as lie was to the romance of his solitary hours, he was startled at finding, that, except in the tallow and wax candles that flickered, not from the presence of a ghost, but from want of snuffing, there was no foundation in real life for any of that congeries of pleasing pictures and descriptions contained in those volumes, from which he had formed his study. Finding, however, some compensation in his gratified vanity, he was about to relinquish his dreams, when the extraordinary being we have above described, crossed him in his career.

He watched him; and the very impossibility of forming an idea of the character of a man entirely absorbed in himself, who gave few other signs of his observation of external objects, than the tacit assent to their existence, implied by the avoidance of their contact: allowing his imagination to picture every thing that flattered its propensity to extravagant ideas, he soon formed this object into the hero of a romance, and determined to observe the offspring of his fancy, rather than the person before him. He became acquainted with him, paid him attentions, and so far advanced upon his notice, that his presence was always recognised. He gradually learnt that Lord Ruthven’s affairs were embarrassed, and soon found, from the notes of preparation in —— Street, that he was about to travel. Desirous of gaining some information respecting this singular character, who, till now, had only whetted his curiosity, he hinted to his guardians, that it was time for him to perform the tour, which for many generations has been thought necessary to enable the young to take some rapid steps in the career of vice towards putting themselves upon an equality with the aged, and not allowing them to appear as if fallen from the skies, whenever scandalous intrigues are mentioned as the subjects of pleasantry or of praise, according to the degree of skill shewn in carrying them on. They consented: and Aubrey immediately mentioning his intentions to Lord Ruthven, was surprised to receive from him a proposal to join him. Flattered by such a mark of esteem from him, who, apparently, had nothing in common with other men, he gladly accepted it, and in a few days they hail passed the circling waters.

Hitherto, Aubrey had had no opportunity of studying Lord Ruthven’s character, and now he found, that, though many more of his actions were exposed to his view, the results offered different conclusions from (lie apparent motives to his conduct. His companion was profuse in his liberality; — the idle, the vagabond, and the beggar, received from his hand more than enough to relieve their immediate wants. But Aubrey could not avoid remarking, that it was not upon the virtuous, reduced to indigence by the misfortunes attendant even upon virtue, that he bestowed his alms; — these were sent from the door with hardly suppressed sneers; but when the profligate came to ask something, not to relieve his wants, but to allow him to wallow in his lust, or to sink him still deeper in his iniquity, he was sent away with rich charity. This was, however, attributed by him to the greater importunity of the vicious, which generally prevails over the retiring bashfulness of the virtuous indigent. There was one circumstance about the charity of his Lordship, which was still more impressed upon his mind: all those upon whom it was bestowed, inevitably found that there was a curse upon it, for they were all either led to the scaffold, or sunk to the lowest and the most abject misery. At Brussels and other towns through which they passed, Aubrey was surprized at the apparent eagerness with which his companion sought for the centres of all fashionable vice; there he entered into all the spirit of the faro table: he betted, and always gambled with success, except where the known sharper was his antagonist, and then he lost even more than he gained; but it was always with the same unchanging face, with which he generally watched the society around: it was not, however, so when he encountered the rash youthful novice, or the luckless father of a numerous family; then his very wish seemed fortune’s law — this apparent abstractedness of mind was laid aside, and his eyes sparkled with more fire than that of the cat whilst dallying with lire half-dead mouse. In every town, he left the formerly affluent youth, torn from the circle he adorned, cursing, in the solitude of a dungeon, the fate that had drawn him within the reach of this fiend; whilst many a father sat frantic, amidst the speaking looks of mute hungry children, without a single farthing of his late immense wealth, wherewith to buy even sufficient to satisfy their present craving. Yet he took no money from tho gambling table; but immediately lost, to the ruiner of many, the last gilder he had just snatched from the convulsive grasp of the innocent: this might but be the result of a certain degree of knowledge, which was not, however, capable of combating the cunning of the more experienced. Aubrey often wished to represent this to his friend, and beg him to resign that charity and pleasure which proved the ruin of all, and did not tend to his own profit; — but he delayed it — for each day ho hoped his friend would give him some opportunity of speaking frankly and openly to him; however, this never occurred. Lord Ruthven in his carriage, and amidst the various wild and rich scenes of nature, was always the same: his eye spoke less than his lip; and though Aubrey was near the object of his curiosity, he obtained no greater gratification from it than the constant excitement of vainly wishing to break that mystery, which to his exalted imagination began to assume the appearance of something supernatural.

They soon arrived at Rome, and Aubrey for a time lost sight of his companion; he left him in daily attendance upon the morning circle of an Italian countess, whilst he went in search of the memorials of another almost deserted city. Whilst he was thus engaged, letters arrived from England, which he opened with eager impatience; the first was from his sister, breathing nothing but affection; the others were from his guardians, the latter astonished him; if it had before entered into his imagination that there was an evil power resident in his companion, these seemed to give him sufficient reason for the belief. His guardians insisted upon his immediately leaving his friend, and urged, that his character was dreadfully vicious, for that the possession of irresistible powers of seduction, rendered his licentious habits more dangerous to society. It had been discovered, that his contempt for the adultress had not originated in hatred of her character; but that he had required, to enhance his gratification, that his victim, the partner of his guilt, should be hurled from the pinnacle of unsullied virtue, down to the lowest abyss of infamy and degradation: in fine, that all those females whom he had sought, apparently on account of their virtue, had, since his departure, thrown even the mask aside, and had not scrupled to expose the whole deformity of their vices to the public gaze.

Aubrey determined upon leaving one, whose character had not yet shown a single bright point on which to rest the eye. He resolved to invent some plausible pretext for abandoning him altogether, purposing, in the mean while, to watch him more closely, and to let no slight circumstances pass by unnoticed. He entered into the same circle, and soon perceived, that his Lordship was endeavouring to work upon the inexperience of the daughter of the lady whose house he chiefly frequented. In Italy, it is seldom that an unmarried female is met with in society; he was therefore obliged to carry on his plans in secret; but Aubrey’s eye followed him in all his windings, and soon discovered that an assignation had been appointed, which would most likely end in the ruin of an innocent, though thoughtless girl. Losing no time, he entered the apartment of Lord Ruthven, and abruptly asked him his intentions with respect to the lady, informing him at the same time that he was aware of his being about to meet her that very night. Lord Ruthven answered, that his intentions were such as he supposed all would have upon such an occasion; and upon being pressed whether he intended to marry her, merely laughed. Aubrey retired; and, immediately writing a note, to say, that from that moment he must decline accompanying his Lordship in the remainder of their proposed tour, ho ordered his servant to seek other apartments, and calling upon tho mother of the lady, informed her of all he knew, not only with regard to her daughter, but also concerning the character of his Lordship. The assignation was prevented. Lord Ruthven next day merely sent his servant to notify his complete assent to a separation; but did not hint any suspicion of his plans having been foiled by Aubrey’s interposition.

Having left Rome, Aubrey directed his steps towards Greece, and crossing the Peninsula, soon found himself at Athens. He then fixed his residence in the house of a Greek; and soon occupied himself in tracing the faded records of ancient glory upon monuments that apparently, ashamed of chronicling the deeds of freemen only before slaves, had hidden themselves beneath the sheltering soil or many coloured lichen. Under the same roof as himself, existed a being, so beautiful and delicate, that she might have formed the model for a painter, wishing; to pourtray oil canvass the promised hope of the faithful in Mahomet’s paradise, save that her eyes spoke too much mind for any one to think she could belong to those who had no souls. As she danced upon the plain, or tripped along the mountain’s side, one would have thought the gazelle a poor type of her beauties; for who would have exchanged her eye, apparently the eye of animated nature, for that sleepy luxurious look of the animal suited but to the taste of an epicure. The light step of Ianthe often accompanied Aubrey in his search after antiquities, and often would the unconscious girl, engaged in the pursuit of a Kashmere butterfly, show the whole beauty of her form, floating as it were upon the wind, to the eager gaze of him, who forgot the letters he had just decyphered upon an almost effaced tablet, in tho contemplation of her sylph-like figure. Often would her tresses falling, as she flitted around, exhibit in the sun’s ray such delicately brilliant and swiftly fading hues, its might well excuse the forgetfulness of the antiquary, who let escape from his mind the very object he had before thought of vital importance to the proper interpretation of a passage in Pausanias. But why attempt to describe charms which all feel, but none can appreciate? — It was innocence, youth, and beauty, unaffected by crowded drawing-rooms and stifling — balls. Whilst he drew those remains of which lie wished to preserve a memorial for his future hours, she would stand by, and watch the magic effects of his pencil, in tracing the scenes of her native place; she would then describe to him the circling dance upon the open plain, would paint, to him in all the glowing colours of youthful memory, the marriage pomp she remembered viewing in her infancy; and then, turning to subjects that had evidently made a greater impression upon her mind, would tell him all the supernatural tales of her nurse. Her earnestness and apparent belief of what she narrated, excited the interest even of Aubrey; and often as she told him the tale of the living vampyre, who had passed years amidst his friends, and dearest ties, forced every year, by feeding upon the life of a lovely female to prolong his existence for the ensuing months, his blood would run cold, whilst he attempted to laugh her out of such idle and horrible fantasies; > but lathe cited to him the names of old men, who had at last detected one living among themselves, after several of their near relatives and children had been found marked with the stamp of the fiend’s appetite,; and when she found him so incredulous, she begged of him to believe her, for it had been, remarked, that those who had dared to question their existence, always had some proof given, which obliged them, with grief and heartbreaking, to confess it was true. She detailed to him the traditional appearance of these monsters, and his horror was increased, by hearing a pretty accurate description of Lord Ruthven; he, however, still persisted in persuading her, that there could be no truth in her fears, though at the same time he wondered at the many coincidences which had all tended to excite a belief in the supernatural power of Lord Ruthven.

Aubrey began to attach himself more and more to Ianthe; her innocence, so contrasted with all the affected virtues of the women among whom he had sought for his vision of romance, won his heart; and while he ridiculed the idea of a young man of English habits, marrying an uneducated Greek girl, still he found himself more and more attached to the almost fairy form before him. He would tear himself at times from her, and, forming a plan for some antiquarian research, he would depart, determined not to return until his object was attained; but he always found it impossible to fix his attention upon the ruins around him, whilst in his mind he retained an image that seemed alone the rightful possessor of his thoughts. Ianthe was unconscious of his love, and was ever the same frank infantile being he had find: known. She always seemed to part from him with reluctance; but it was because she had no longer any one with whom she could visit her favourite haunts, whilst her guardian was occupied in sketching or uncovering some fragment which had yet escaped the destructive hand of time. She had appealed to her parents on the subject of Vampyres, and they both, with several present, affirmed their existence, pale with horror at the very name. Soon after, Aubrey determined to proceed upon one of his excursions, which was to detain him for a few hours; when they heard the name of the place, they all at once begged of him not to return at night, as he must necessarily pass through a wood, where no Greek would ever remain, after the day had closed, upon any consideration. They described it as the resort of the vampyres in their nocturnal orgies, and denounced the most heavy evils as impending upon him who dared to cross their path. Aubrey made light of their representations, and tried to laugh them out of the idea; but when he saw them shudder at his daring thus to mock a superior, infernal power, the very name of which apparently made their blood freeze, he was silent.