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A House of Pomegranates is a collection of whimisical short stories by Oscar Wilde. This collections includes the following tales: The Young King, The Birthday of the Infanta, The Fisherman and his Soul, and The Star-child. Readers of all ages will be delighted by these fanciful tales.
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OSCAR WILDE
CONTENTS
THE YOUNG KING
THE BIRTHDAY OF THE INFANTA
THE FISHERMAN AND HIS SOUL
THE STAR-CHILD
[TO MARGARET LADY BROOKE—THE RANEE OF SARAWAK]
It was the night before the day fixed for his coronation, and the
young King was sitting alone in his beautiful chamber. His
courtiers had all taken their leave of him, bowing their heads to
the ground, according to the ceremonious usage of the day, and had
retired to the Great Hall of the Palace, to receive a few last
lessons from the Professor of Etiquette; there being some of them
who had still quite natural manners, which in a courtier is, I need
hardly say, a very grave offence.
The lad—for he was only a lad, being but sixteen years of age—was
not sorry at their departure, and had flung himself back with a
deep sigh of relief on the soft cushions of his embroidered couch,
lying there, wild-eyed and open-mouthed, like a brown woodland
Faun, or some young animal of the forest newly snared by the
hunters.
And, indeed, it was the hunters who had found him, coming upon him
almost by chance as, bare-limbed and pipe in hand, he was following
the flock of the poor goatherd who had brought him up, and whose
son he had always fancied himself to be. The child of the old
King’s only daughter by a secret marriage with one much beneath her
in station—a stranger, some said, who, by the wonderful magic of
his lute-playing, had made the young Princess love him; while
others spoke of an artist from Rimini, to whom the Princess had
shown much, perhaps too much honour, and who had suddenly
disappeared from the city, leaving his work in the Cathedral
unfinished—he had been, when but a week old, stolen away from his
mother’s side, as she slept, and given into the charge of a common
peasant and his wife, who were without children of their own, and
lived in a remote part of the forest, more than a day’s ride from
the town. Grief, or the plague, as the court physician stated, or,
as some suggested, a swift Italian poison administered in a cup of
spiced wine, slew, within an hour of her wakening, the white girl
who had given him birth, and as the trusty messenger who bare the
child across his saddle-bow stooped from his weary horse and
knocked at the rude door of the goatherd’s hut, the body of the
Princess was being lowered into an open grave that had been dug in
a deserted churchyard, beyond the city gates, a grave where it was
said that another body was also lying, that of a young man of
marvellous and foreign beauty, whose hands were tied behind him
with a knotted cord, and whose breast was stabbed with many red
wounds.
Such, at least, was the story that men whispered to each other.
Certain it was that the old King, when on his deathbed, whether
moved by remorse for his great sin, or merely desiring that the
kingdom should not pass away from his line, had had the lad sent
for, and, in the presence of the Council, had acknowledged him as
his heir.
And it seems that from the very first moment of his recognition he
had shown signs of that strange passion for beauty that was
destined to have so great an influence over his life. Those who
accompanied him to the suite of rooms set apart for his service,
often spoke of the cry of pleasure that broke from his lips when he
saw the delicate raiment and rich jewels that had been prepared for
him, and of the almost fierce joy with which he flung aside his
rough leathern tunic and coarse sheepskin cloak. He missed,
indeed, at times the fine freedom of his forest life, and was
always apt to chafe at the tedious Court ceremonies that occupied
so much of each day, but the wonderful palace—Joyeuse, as they
called it—of which he now found himself lord, seemed to him to be
a new world fresh-fashioned for his delight; and as soon as he
could escape from the council-board or audience-chamber, he would
run down the great staircase, with its lions of gilt bronze and its
steps of bright porphyry, and wander from room to room, and from
corridor to corridor, like one who was seeking to find in beauty an
anodyne from pain, a sort of restoration from sickness.
Upon these journeys of discovery, as he would call them—and,
indeed, they were to him real voyages through a marvellous land, he
would sometimes be accompanied by the slim, fair-haired Court
pages, with their floating mantles, and gay fluttering ribands; but
more often he would be alone, feeling through a certain quick
instinct, which was almost a divination, that the secrets of art
are best learned in secret, and that Beauty, like Wisdom, loves the
lonely worshipper.
Many curious stories were related about him at this period. It was
said that a stout Burgo-master, who had come to deliver a florid
oratorical address on behalf of the citizens of the town, had
caught sight of him kneeling in real adoration before a great
picture that had just been brought from Venice, and that seemed to
herald the worship of some new gods. On another occasion he had
been missed for several hours, and after a lengthened search had
been discovered in a little chamber in one of the northern turrets
of the palace gazing, as one in a trance, at a Greek gem carved
with the figure of Adonis. He had been seen, so the tale ran,
pressing his warm lips to the marble brow of an antique statue that
had been discovered in the bed of the river on the occasion of the
building of the stone bridge, and was inscribed with the name of
the Bithynian slave of Hadrian. He had passed a whole night in
noting the effect of the moonlight on a silver image of Endymion.
All rare and costly materials had certainly a great fascination for
him, and in his eagerness to procure them he had sent away many
merchants, some to traffic for amber with the rough fisher-folk of
the north seas, some to Egypt to look for that curious green
turquoise which is found only in the tombs of kings, and is said to
possess magical properties, some to Persia for silken carpets and
painted pottery, and others to India to buy gauze and stained
ivory, moonstones and bracelets of jade, sandal-wood and blue
enamel and shawls of fine wool.
But what had occupied him most was the robe he was to wear at his
coronation, the robe of tissued gold, and the ruby-studded crown,
and the sceptre with its rows and rings of pearls. Indeed, it was
of this that he was thinking to-night, as he lay back on his
luxurious couch, watching the great pinewood log that was burning
itself out on the open hearth. The designs, which were from the
hands of the most famous artists of the time, had been submitted to
him many months before, and he had given orders that the artificers
were to toil night and day to carry them out, and that the whole
world was to be searched for jewels that would be worthy of their
work. He saw himself in fancy standing at the high altar of the
cathedral in the fair raiment of a King, and a smile played and
lingered about his boyish lips, and lit up with a bright lustre his
dark woodland eyes.
After some time he rose from his seat, and leaning against the
carved penthouse of the chimney, looked round at the dimly-lit
room. The walls were hung with rich tapestries representing the
Triumph of Beauty. A large press, inlaid with agate and lapis-lazuli, filled one corner, and facing the window stood a curiously
wrought cabinet with lacquer panels of powdered and mosaiced gold,
on which were placed some delicate goblets of Venetian glass, and a
cup of dark-veined onyx. Pale poppies were broidered on the silk
coverlet of the bed, as though they had fallen from the tired hands
of sleep, and tall reeds of fluted ivory bare up the velvet canopy,
from which great tufts of ostrich plumes sprang, like white foam,
to the pallid silver of the fretted ceiling. A laughing Narcissus
in green bronze held a polished mirror above its head. On the
table stood a flat bowl of amethyst.
Outside he could see the huge dome of the cathedral, looming like a
bubble over the shadowy houses, and the weary sentinels pacing up
and down on the misty terrace by the river. Far away, in an
orchard, a nightingale was singing. A faint perfume of jasmine
came through the open window. He brushed his brown curls back from
his forehead, and taking up a lute, let his fingers stray across
the cords. His heavy eyelids drooped, and a strange languor came
over him. Never before had he felt so keenly, or with such
exquisite joy, the magic and the mystery of beautiful things.
When midnight sounded from the clock-tower he touched a bell, and
his pages entered and disrobed him with much ceremony, pouring
rose-water over his hands, and strewing flowers on his pillow. A
few moments after that they had left the room, he fell asleep.
And as he slept he dreamed a dream, and this was his dream.
He thought that he was standing in a long, low attic, amidst the
whir and clatter of many looms. The meagre daylight peered in
through the grated windows, and showed him the gaunt figures of the
weavers bending over their cases. Pale, sickly-looking children
were crouched on the huge crossbeams. As the shuttles dashed
through the warp they lifted up the heavy battens, and when the
shuttles stopped they let the battens fall and pressed the threads
together. Their faces were pinched with famine, and their thin
hands shook and trembled. Some haggard women were seated at a
table sewing. A horrible odour filled the place. The air was foul
and heavy, and the walls dripped and streamed with damp.
The young King went over to one of the weavers, and stood by him
and watched him.
And the weaver looked at him angrily, and said, ‘Why art thou
watching me? Art thou a spy set on us by our master?’
‘Who is thy master?’ asked the young King.
‘Our master!’ cried the weaver, bitterly. ‘He is a man like
myself. Indeed, there is but this difference between us—that he
wears fine clothes while I go in rags, and that while I am weak
from hunger he suffers not a little from overfeeding.’
‘The land is free,’ said the young King, ‘and thou art no man’s
slave.’
‘In war,’ answered the weaver, ‘the strong make slaves of the weak,
and in peace the rich make slaves of the poor. We must work to
live, and they give us such mean wages that we die. We toil for
them all day long, and they heap up gold in their coffers, and our
children fade away before their time, and the faces of those we
love become hard and evil. We tread out the grapes, and another
drinks the wine. We sow the corn, and our own board is empty. We
have chains, though no eye beholds them; and are slaves, though men
call us free.’
‘Is it so with all?’ he asked,
‘It is so with all,’ answered the weaver, ‘with the young as well
as with the old, with the women as well as with the men, with the
little children as well as with those who are stricken in years.
The merchants grind us down, and we must needs do their bidding.
The priest rides by and tells his beads, and no man has care of us.
Through our sunless lanes creeps Poverty with her hungry eyes, and
Sin with his sodden face follows close behind her. Misery wakes us
in the morning, and Shame sits with us at night. But what are
these things to thee? Thou art not one of us. Thy face is too
happy.’ And he turned away scowling, and threw the shuttle across
the loom, and the young King saw that it was threaded with a thread
of gold.
And a great terror seized upon him, and he said to the weaver,
‘What robe is this that thou art weaving?’
‘It is the robe for the coronation of the young King,’ he answered;
‘what is that to thee?’
And the young King gave a loud cry and woke, and lo! he was in his
own chamber, and through the window he saw the great honey-coloured
moon hanging in the dusky air.
And he fell asleep again and dreamed, and this was his dream.
He thought that he was lying on the deck of a huge galley that was
being rowed by a hundred slaves. On a carpet by his side the
master of the galley was seated. He was black as ebony, and his
turban was of crimson silk. Great earrings of silver dragged down
the thick lobes of his ears, and in his hands he had a pair of
ivory scales.
The slaves were naked, but for a ragged loin-cloth, and each man
was chained to his neighbour. The hot sun beat brightly upon them,
and the negroes ran up and down the gangway and lashed them with
whips of hide. They stretched out their lean arms and pulled the
heavy oars through the water. The salt spray flew from the blades.
At last they reached a little bay, and began to take soundings. A
light wind blew from the shore, and covered the deck and the great
lateen sail with a fine red dust. Three Arabs mounted on wild
asses rode out and threw spears at them. The master of the galley
took a painted bow in his hand and shot one of them in the throat.
He fell heavily into the surf, and his companions galloped away. A
woman wrapped in a yellow veil followed slowly on a camel, looking
back now and then at the dead body.
As soon as they had cast anchor and hauled down the sail, the
negroes went into the hold and brought up a long rope-ladder,
heavily weighted with lead. The master of the galley threw it over
the side, making the ends fast to two iron stanchions. Then the
negroes seized the youngest of the slaves and knocked his gyves
off, and filled his nostrils and his ears with wax, and tied a big
stone round his waist. He crept wearily down the ladder, and
disappeared into the sea. A few bubbles rose where he sank. Some
of the other slaves peered curiously over the side. At the prow of
the galley sat a shark-charmer, beating monotonously upon a drum.
After some time the diver rose up out of the water, and clung
panting to the ladder with a pearl in his right hand. The negroes
seized it from him, and thrust him back. The slaves fell asleep
over their oars.
Again and again he came up, and each time that he did so he brought
with him a beautiful pearl. The master of the galley weighed them,
and put them into a little bag of green leather.
The young King tried to speak, but his tongue seemed to cleave to
the roof of his mouth, and his lips refused to move. The negroes
chattered to each other, and began to quarrel over a string of
bright beads. Two cranes flew round and round the vessel.
Then the diver came up for the last time, and the pearl that he
brought with him was fairer than all the pearls of Ormuz, for it
was shaped like the full moon, and whiter than the morning star.
But his face was strangely pale, and as he fell upon the deck the
blood gushed from his ears and nostrils. He quivered for a little,
and then he was still. The negroes shrugged their shoulders, and
threw the body overboard.
And the master of the galley laughed, and, reaching out, he took
the pearl, and when he saw it he pressed it to his forehead and
bowed. ‘It shall be,’ he said, ‘for the sceptre of the young
King,’ and he made a sign to the negroes to draw up the anchor.
And when the young King heard this he gave a great cry, and woke,
and through the window he saw the long grey fingers of the dawn
clutching at the fading stars.
And he fell asleep again, and dreamed, and this was his dream.
He thought that he was wandering through a dim wood, hung with
strange fruits and with beautiful poisonous flowers. The adders
hissed at him as he went by, and the bright parrots flew screaming
from branch to branch. Huge tortoises lay asleep upon the hot mud.
The trees were full of apes and peacocks.
On and on he went, till he reached the outskirts of the wood, and
there he saw an immense multitude of men toiling in the bed of a
dried-up river. They swarmed up the crag like ants. They dug deep
pits in the ground and went down into them. Some of them cleft the
rocks with great axes; others grabbled in the sand.
They tore up the cactus by its roots, and trampled on the scarlet
blossoms. They hurried about, calling to each other, and no man
was idle.
From the darkness of a cavern Death and Avarice watched them, and
Death said, ‘I am weary; give me a third of them and let me go.’
But Avarice shook her head. ‘They are my servants,’ she answered.
And Death said to her, ‘What hast thou in thy hand?’
‘I have three grains of corn,’ she answered; ‘what is that to
thee?’
‘Give me one of them,’ cried Death, ‘to plant in my garden; only
one of them, and I will go away.’
‘I will not give thee anything,’ said Avarice, and she hid her hand
in the fold of her raiment.
And Death laughed, and took a cup, and dipped it into a pool of
water, and out of the cup rose Ague. She passed through the great
multitude, and a third of them lay dead. A cold mist followed her,
and the water-snakes ran by her side.
And when Avarice saw that a third of the multitude was dead she
beat her breast and wept. She beat her barren bosom, and cried