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It seems like Casey Bailey has been adjusting all his life. Adapting to the harsh realities of his Nechells upbringing – the drugs, the weapons, the lost friends, the lost hope. Finding ways to assimilate and swallow injustices and ways of being treated that no-one should have to tolerate. Finding a way to make meaning of his life – a way to contribute. And to some extent, he succeeded. He made the moves he needed to make and began to find his place. And then 2017 happened – when within a year he lost his mother and became a father and was forced to deal with extreme loss and joy, pride and pain, as life-sized as they get and all at the same time. This book is about Casey's journey, and is an attempt to tell the story of this last tumultuous year, when sky-high highs and lows as low as ocean beds combined to form something else entirely; when a whole new raft of adjustments, bigger than any he'd made before, were asking to happen. Casey's poetry is up to the challenge of capturing all this. He has an uncanny ability to make simple poetic statements about things which remain resolutely complex. He can capture the extreme highs and the godawful lows of the life of a young man losing big and gaining large. His poems should break under the weight of the joy they contain and the grief they depict. But they don't. They look at their subject with the steadfast glare of one who refuses to be beaten and is resolute in his duty and desire to protect those he cares about most. Casey is a glorious performer, whose words refuse to falter in the face of the wild emotions they seek to communicate. But it is here on the page that the true depth of Casey's vision comes through. Lows as clear as crystal – highs as detailed and fragile as hearts made of glass. Casey recently had two videos of his work filmed and broadcast by BBC3, each amassing over 200,000 views on facebook.
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Casey Bailey is a writer, poet, spoken word performer, rapper and secondary school senior leader from Birmingham, with a Masters in Education pulling together his passion for the development of people and academia. He provides social commentary and analysis through his poetry, lyrics and articles.
Casey is most comfortable when he is consciously expressing his thoughts and feelings, with the hope that they will go on to have an impact on the thoughts and feelings of others.
Casey released the short poetry collection Waiting At Bloomsbury Park with Big White Shed in 2017.
Twitter: @MrCaseyBailey
www.baileysrapandpoetry.com
www.facebook.com/baileysrapandpoetry
www.soundcloud.com/baileys-rap-and-poetry
PUBLISHED BY VERVE POETRY PRESS
Birmingham, West Midlands, UK
www.vervepoetrypress.com
All rights reserved
© 2018 Casey Bailey
The right of Casey Bailey to be identified as author if this work has been asserted in accordance with section 77 of the Copyright, Designs and
Patents Act 1988.
No part of this work may be reproduced, stored or transmitted in any form or by any means, graphic, electronic, recorded or mechanical, without the prior written permission of the publisher.
FIRST PUBLISHED APR 2018
Printed and bound in the UK
by TJ International, Padstow
ISBN: 978-1-912565-02-3
ePub ISBN: 978-1-912565-71-9
This book is dedicated toEarl Bailey, the greatestman I’ve ever known
and
Xander Jay Bailey, the boywho I hope will surpasshim.
i) Lost & Found
Lost In Foundness
We Drink To Them
The Last Time I Cried
Crack In The Pavement
Spirit
Best
The Diary Entry Before Your Suicide Note
I Know How I’m Supposed To Feel
Ignorance Ignored
Last Drink
Mutual
Glass Heart
Him. Her.. You...
Rise And Fall
Step Step
ii) Two Blue Lines
Two Blue Lines
Thumping
Nail Marks
Best Work
Beautiful Disasters
Apples And Trees
Search History
I Want My Mom
Pre-empted
See Saw
Questions
Footprints
iii) Midnight Theory
In The End
Multiple Choice
I Have
Crumbling
Shadow Of The Day
Numb
Forever
Casey Introduces Hannah Swings, Sophie Wheeler and Reuben Field.
Adjusted
I am found,
in an independent coffee shop
discussing the Arab-Israeli conflict
with a homeless woman
I just met outside.
She is not going to let
the caramel macchiato
that I have just bought her
sway her to agree with me.
I am growing out of
wearied ideologies
that I never really believed,
growing into fresh spaces
I’ve always belonged in.
I am one more paradox
in a world of inconsistencies.
I am a teacher in a school
that would have kicked
me out as a pupil.
I am trapped between
ghetto kids need more to do
and
ghetto kids need to do more.
A dove brandishing
an olive branch like a knife,
I have transitioned
from fighting for a piece
to petitioning for peace
so quickly that I am
equipped for both,
prepared for neither.
The bull made from china,
I dare not move, knowing
I am more likely to break
myself than anything else.
In this world of red rags
I am a time bomb with a
broken clock.
Watch me,
but don’t look at me
like you know me.
I am lost;
unsure of who
or where I am
but I know where
I belong now.
We stand heads bowed on a street corner
that he used to stand on, his head up, shoulders back.
A passer-by might think that we’re praying.
We don’t pray.
I grab the back of your neck and clutch it like you were him,
you hold me like you recognise that I’m not.
My dry palms, heavy on your sweat-wet skin,
my eye contact, exposes me to an agony
in your eyes that I’m petrified to share.
We’re passing a bottle of Steamers around, no cups,
chests getting warmer as our hearts grow colder.
Alcohol has always been medicine here, never a cure.
Two empty bottles on the floor, as we dive again
the bottle is faster, we swim deeper.
You pour a little to the ground dead homies gotta drink.
We manage a mmmmm, keep tipping.
Tip it for the boy raised in a grim cul-de-sac.
Tip it for the boy in the middle of a ghetto, crumbling.
Tip it for the boy who lost his dad to crime
and lost his life to criminals.
Tip it.
There are only so many ways you can say dead end
before it becomes a self-fulfilling prophecy.
Now we listen as you share your philosophy,
everybody has to die, nobody likes it
but either way we all have to live with it
till we don’t.
You simplify complex pain,
bridging deep wounds with shallow words.
We accept it, he was your brother.