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Joseph Conrad (born Józef Teodor Konrad Korzeniowski; 3 December 1857 – 3 August 1924) was a Polish-British writer regarded as one of the greatest novelists to write in the English language.He was granted British nationality in 1886 but always considered himself a Pole.Though he did not speak English fluently until he was in his twenties (and always with a marked accent), he was a master prose stylist who brought a distinctly non-English sensibility into English literature.He wrote stories and novels, many with a nautical setting, that depict trials of the human spirit in the midst of an impassive, inscrutable universe.Joseph Conrad is considered an early modernist, though his works still contain elements of nineteenth-century realism. His narrative style and anti-heroic characters have influenced many authors, including T. S. Eliot, William Faulkner, Graham Greene,[6] and more recently Salman Rushdie. Many films have been adapted from, or inspired by, Conrad's works.Writing in the heyday of the British Empire, Conrad drew on his native Poland's national experiences and on his personal experiences in the French and British merchant navies to create short stories and novels that reflect aspects of a European-dominated world, while profoundly exploring human psychology. Appreciated early on by literary critics, his fiction and nonfiction have since been seen as almost prophetic, in the light of subsequent national and international disasters of the 20th and 21st centuries.
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Pues el delito mayor
Del hombre es haber nacito
CALDERON
TO EDWARD LANCELOT SANDERSON
“An Outcast of the Islands” is my second novel in the absolute sense of the word; second in conception, second in execution, second as it were in its essence. There was no hesitation, half-formed plan, vague idea, or the vaguest reverie of anything else between it and “Almayer’s Folly.” The only doubt I suffered from, after the publication of “Almayer’s Folly,” was whether I should write another line for print. Those days, now grown so dim, had their poignant moments. Neither in my mind nor in my heart had I then given up the sea. In truth I was clinging to it desperately, all the more desperately because, against my will, I could not help feeling that there was something changed in my relation to it. “Almayer’s Folly,” had been finished and done with. The mood itself was gone. But it had left the memory of an experience that, both in thought and emotion was unconnected with the sea, and I suppose that part of my moral being which is rooted in consistency was badly shaken. I was a victim of contrary stresses which produced a state of immobility. I gave myself up to indolence. Since it was impossible for me to face both ways I had elected to face nothing. The discovery of new values in life is a very chaotic experience; there is a tremendous amount of jostling and confusion and a momentary feeling of darkness. I let my spirit float supine over that chaos.
A phrase of Edward Garnett’s is, as a matter of fact, responsible for this book. The first of the friends I made for myself by my pen it was but natural that he should be the recipient, at that time, of my confidences. One evening when we had dined together and he had listened to the account of my perplexities (I fear he must have been growing a little tired of them) he pointed out that there was no need to determine my future absolutely. Then he added: “You have the style, you have the temperament; why not write another?” I believe that as far as one man may wish to influence another man’s life Edward Garnett had a great desire that I should go on writing. At that time, and I may say, ever afterwards, he was always very patient and gentle with me. What strikes me most however in the phrase quoted above which was offered to me in a tone of detachment is not its gentleness but its effective wisdom. Had he said, “Why not go on writing,” it is very probable he would have scared me away from pen and ink for ever; but there was nothing either to frighten one or arouse one’s antagonism in the mere suggestion to “write another.” And thus a dead point in the revolution of my affairs was insidiously got over. The word “another” did it. At about eleven o’clock of a nice London night, Edward and I walked along interminable streets talking of many things, and I remember that on getting home I sat down and wrote about half a page of “An Outcast of the Islands” before I slept. This was committing myself definitely, I won’t say to another life, but to another book. There is apparently something in my character which will not allow me to abandon for good any piece of work I have begun. I have laid aside many beginnings. I have laid them aside with sorrow, with disgust, with rage, with melancholy and even with self-contempt; but even at the worst I had an uneasy consciousness that I would have to go back to them.
“An Outcast of the Islands” belongs to those novels of mine that were never laid aside; and though it brought me the qualification of “exotic writer” I don’t think the charge was at all justified.
For the life of me I don’t see that there is the slightest exotic spirit in the conception or style of that novel. It is certainly the most TROPICAL of my eastern tales. The mere scenery got a great hold on me as I went on, perhaps because (I may just as well confess that) the story itself was never very near my heart.
It engaged my imagination much more than my affection. As to my feeling for Willems it was but the regard one cannot help having for one’s own creation. Obviously I could not be indifferent to a man on whose head I had brought so much evil simply by imagining him such as he appears in the novel — and that, too, on a very slight foundation.
The man who suggested Willems to me was not particularly interesting in himself. My interest was aroused by his dependent position, his strange, dubious status of a mistrusted, disliked, worn-out European living on the reluctant toleration of that Settlement hidden in the heart of the forest-land, up that sombre stream which our ship was the only white men’s ship to visit. With his hollow, clean-shaved cheeks, a heavy grey moustache and eyes without any expression whatever, clad always in a spotless sleeping suit much be-frogged in front, which left his lean neck wholly uncovered, and with his bare feet in a pair of straw slippers, he wandered silently amongst the houses in daylight, almost as dumb as an animal and apparently much more homeless. I don’t know what he did with himself at night. He must have had a place, a hut, a palm-leaf shed, some sort of hovel where he kept his razor and his change of sleeping suits. An air of futile mystery hung over him, something not exactly dark but obviously ugly. The only definite statement I could extract from anybody was that it was he who had “brought the Arabs into the river.” That must have happened many years before. But how did he bring them into the river? He could hardly have done it in his arms like a lot of kittens. I knew that Almayer founded the chronology of all his misfortunes on the date of that fateful advent; and yet the very first time we dined with Almayer there was Willems sitting at table with us in the manner of the skeleton at the feast, obviously shunned by everybody, never addressed by any one, and for all recognition of his existence getting now and then from Almayer a venomous glance which I observed with great surprise. In the course of the whole evening he ventured one single remark which I didn’t catch because his articulation was imperfect, as of a man who had forgotten how to speak. I was the only person who seemed aware of the sound. Willems subsided. Presently he retired, pointedly unnoticed — into the forest maybe? Its immensity was there, within three hundred yards of the verandah, ready to swallow up anything. Almayer conversing with my captain did not stop talking while he glared angrily at the retreating back. Didn’t that fellow bring the Arabs into the river! Nevertheless Willems turned up next morning on Almayer’s verandah. From the bridge of the steamer I could see plainly these two, breakfasting together, tete a tete and, I suppose, in dead silence, one with his air of being no longer interested in this world and the other raising his eyes now and then with intense dislike. It was clear that in those days Willems lived on Almayer’s charity. Yet on returning two months later to Sambir I heard that he had gone on an expedition up the river in charge of a steam-launch belonging to the Arabs, to make some discovery or other. On account of the strange reluctance that everyone manifested to talk about Willems it was impossible for me to get at the rights of that transaction. Moreover, I was a newcomer, the youngest of the company, and, I suspect, not judged quite fit as yet for a full confidence. I was not much concerned about that exclusion. The faint suggestion of plots and mysteries pertaining to all matters touching Almayer’s affairs amused me vastly. Almayer was obviously very much affected. I believe he missed Willems immensely. He wore an air of sinister preoccupation and talked confidentially with my captain. I could catch only snatches of mumbled sentences. Then one morning as I came along the deck to take my place at the breakfast table Almayer checked himself in his low-toned discourse. My captain’s face was perfectly impenetrable. There was a moment of profound silence and then as if unable to contain himself Almayer burst out in a loud vicious tone:
“One thing’s certain; if he finds anything worth having up there they will poison him like a dog.”
Disconnected though it was, that phrase, as food for thought, was distinctly worth hearing. We left the river three days afterwards and I never returned to Sambir; but whatever happened to the protagonist of my Willems nobody can deny that I have recorded for him a less squalid fate.
J. C. 1919.
When he stepped off the straight and narrow path of his peculiar honesty, it was with an inward assertion of unflinching resolve to fall back again into the monotonous but safe stride of virtue as soon as his little excursion into the wayside quagmires had produced the desired effect. It was going to be a short episode — a sentence in brackets, so to speak — in the flowing tale of his life: a thing of no moment, to be done unwillingly, yet neatly, and to be quickly forgotten. He imagined that he could go on afterwards looking at the sunshine, enjoying the shade, breathing in the perfume of flowers in the small garden before his house. He fancied that nothing would be changed, that he would be able as heretofore to tyrannize good-humouredly over his half-caste wife, to notice with tender contempt his pale yellow child, to patronize loftily his dark-skinned brother-in-law, who loved pink neckties and wore patent-leather boots on his little feet, and was so humble before the white husband of the lucky sister. Those were the delights of his life, and he was unable to conceive that the moral significance of any act of his could interfere with the very nature of things, could dim the light of the sun, could destroy the perfume of the flowers, the submission of his wife, the smile of his child, the awe-struck respect of Leonard da Souza and of all the Da Souza family. That family’s admiration was the great luxury of his life. It rounded and completed his existence in a perpetual assurance of unquestionable superiority. He loved to breathe the coarse incense they offered before the shrine of the successful white man; the man that had done them the honour to marry their daughter, sister, cousin; the rising man sure to climb very high; the confidential clerk of Hudig & Co. They were a numerous and an unclean crowd, living in ruined bamboo houses, surrounded by neglected compounds, on the outskirts of Macassar. He kept them at arm’s length and even further off, perhaps, having no illusions as to their worth. They were a half-caste, lazy lot, and he saw them as they were — ragged, lean, unwashed, undersized men of various ages, shuffling about aimlessly in slippers; motionless old women who looked like monstrous bags of pink calico stuffed with shapeless lumps of fat, and deposited askew upon decaying rattan chairs in shady corners of dusty verandahs; young women, slim and yellow, big-eyed, long-haired, moving languidly amongst the dirt and rubbish of their dwellings as if every step they took was going to be their very last. He heard their shrill quarrellings, the squalling of their children, the grunting of their pigs; he smelt the odours of the heaps of garbage in their courtyards: and he was greatly disgusted. But he fed and clothed that shabby multitude; those degenerate descendants of Portuguese conquerors; he was their providence; he kept them singing his praises in the midst of their laziness, of their dirt, of their immense and hopeless squalor: and he was greatly delighted. They wanted much, but he could give them all they wanted without ruining himself. In exchange he had their silent fear, their loquacious love, their noisy veneration. It is a fine thing to be a providence, and to be told so on every day of one’s life. It gives one a feeling of enormously remote superiority, and Willems revelled in it. He did not analyze the state of his mind, but probably his greatest delight lay in the unexpressed but intimate conviction that, should he close his hand, all those admiring human beings would starve. His munificence had demoralized them. An easy task. Since he descended amongst them and married Joanna they had lost the little aptitude and strength for work they might have had to put forth under the stress of extreme necessity. They lived now by the grace of his will. This was power. Willems loved it. In another, and perhaps a lower plane, his days did not want for their less complex but more obvious pleasures. He liked the simple games of skill — billiards; also games not so simple, and calling for quite another kind of skill — poker. He had been the aptest pupil of a steady-eyed, sententious American, who had drifted mysteriously into Macassar from the wastes of the Pacific, and, after knocking about for a time in the eddies of town life, had drifted out enigmatically into the sunny solitudes of the Indian Ocean. The memory of the Californian stranger was perpetuated in the game of poker — which became popular in the capital of Celebes from that time — and in a powerful cocktail, the recipe for which is transmitted — in the Kwang-tung dialect — from head boy to head boy of the Chinese servants in the Sunda Hotel even to this day. Willems was a connoisseur in the drink and an adept at the game. Of those accomplishments he was moderately proud. Of the confidence reposed in him by Hudig — the master — he was boastfully and obtrusively proud. This arose from his great benevolence, and from an exalted sense of his duty to himself and the world at large. He experienced that irresistible impulse to impart information which is inseparable from gross ignorance. There is always some one thing which the ignorant man knows, and that thing is the only thing worth knowing; it fills the ignorant man’s universe. Willems knew all about himself. On the day when, with many misgivings, he ran away from a Dutch East-Indiaman in Samarang roads, he had commenced that study of himself, of his own ways, of his own abilities, of those fate-compelling qualities of his which led him toward that lucrative position which he now filled. Being of a modest and diffident nature, his successes amazed, almost frightened him, and ended — as he got over the succeeding shocks of surprise — by making him ferociously conceited. He believed in his genius and in his knowledge of the world. Others should know of it also; for their own good and for his greater glory. All those friendly men who slapped him on the back and greeted him noisily should have the benefit of his example. For that he must talk. He talked to them conscientiously. In the afternoon he expounded his theory of success over the little tables, dipping now and then his moustache in the crushed ice of the cocktails; in the evening he would often hold forth, cue in hand, to a young listener across the billiard table. The billiard balls stood still as if listening also, under the vivid brilliance of the shaded oil lamps hung low over the cloth; while away in the shadows of the big room the Chinaman marker would lean wearily against the wall, the blank mask of his face looking pale under the mahogany marking-board; his eyelids dropped in the drowsy fatigue of late hours and in the buzzing monotony of the unintelligible stream of words poured out by the white man. In a sudden pause of the talk the game would recommence with a sharp click and go on for a time in the flowing soft whirr and the subdued thuds as the balls rolled zig-zagging towards the inevitably successful cannon. Through the big windows and the open doors the salt dampness of the sea, the vague smell of mould and flowers from the garden of the hotel drifted in and mingled with the odour of lamp oil, growing heavier as the night advanced. The players’ heads dived into the light as they bent down for the stroke, springing back again smartly into the greenish gloom of broad lamp-shades; the clock ticked methodically; the unmoved Chinaman continuously repeated the score in a lifeless voice, like a big talking doll — and Willems would win the game. With a remark that it was getting late, and that he was a married man, he would say a patronizing good-night and step out into the long, empty street. At that hour its white dust was like a dazzling streak of moonlight where the eye sought repose in the dimmer gleam of rare oil lamps. Willems walked homewards, following the line of walls overtopped by the luxuriant vegetation of the front gardens. The houses right and left were hidden behind the black masses of flowering shrubs. Willems had the street to himself. He would walk in the middle, his shadow gliding obsequiously before him. He looked down on it complacently. The shadow of a successful man! He would be slightly dizzy with the cocktails and with the intoxication of his own glory. As he often told people, he came east fourteen years ago — a cabin boy. A small boy. His shadow must have been very small at that time; he thought with a smile that he was not aware then he had anything — even a shadow — which he dared call his own. And now he was looking at the shadow of the confidential clerk of Hudig & Co. going home. How glorious! How good was life for those that were on the winning side! He had won the game of life; also the game of billiards. He walked faster, jingling his winnings, and thinking of the white stone days that had marked the path of his existence. He thought of the trip to Lombok for ponies — that first important transaction confided to him by Hudig; then he reviewed the more important affairs: the quiet deal in opium; the illegal traffic in gunpowder; the great affair of smuggled firearms, the difficult business of the Rajah of Goak. He carried that last through by sheer pluck; he had bearded the savage old ruler in his council room; he had bribed him with a gilt glass coach, which, rumour said, was used as a hen-coop now; he had over-persuaded him; he had bested him in every way. That was the way to get on. He disapproved of the elementary dishonesty that dips the hand in the cash-box, but one could evade the laws and push the principles of trade to their furthest consequences. Some call that cheating. Those are the fools, the weak, the contemptible. The wise, the strong, the respected, have no scruples. Where there are scruples there can be no power. On that text he preached often to the young men. It was his doctrine, and he, himself, was a shining example of its truth. Night after night he went home thus, after a day of toil and pleasure, drunk with the sound of his own voice celebrating his own prosperity. On his thirtieth birthday he went home thus. He had spent in good company a nice, noisy evening, and, as he walked along the empty street, the feeling of his own greatness grew upon him, lifted him above the white dust of the road, and filled him with exultation and regrets. He had not done himself justice over there in the hotel, he had not talked enough about himself, he had not impressed his hearers enough. Never mind. Some other time. Now he would go home and make his wife get up and listen to him. Why should she not get up? — and mix a cocktail for him — and listen patiently. Just so. She shall. If he wanted he could make all the Da Souza family get up. He had only to say a word and they would all come and sit silently in their night vestments on the hard, cold ground of his compound and listen, as long as he wished to go on explaining to them from the top of the stairs, how great and good he was. They would. However, his wife would do — for to-night.
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!
Lesen Sie weiter in der vollständigen Ausgabe!