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It feels like this incredible pamphlet from Geraldine has been ages arriving. We're so glad it is finally here in all its foxy glory! Crucifox is more a state of mind than a particular creature or person. The collection circles rebellion, emergence from disappointment and fasting, new beginnings, recreation following destruction; soulwork; inspiration and the act of writing itself. There is a focus on female desire and feral impulses behind polite exteriors; assumed responsibilities and pre-packed creeds; the role of women within close-knit community, the silent and marginalised aspects of women, their masking and unveiling and the stilling of their tongues. There is no shortage either of vermin and sleaze, crime, including murder; along with curlicues, cleaners, clowns, gambling, lotteries, and a lot of luck… These poems are intricate poetry masterpieces – breathtakingly beautiful, stomach churningly real. We know you will love this wonderful work!
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PUBLISHED BY VERVE POETRY PRESS
https://vervepoetrypress.com
All rights reserved
© 2021 Geraldine Clarkson
The right of Geraldine Clarkson to be identified as author of this work has been asserted in accordance with section 77 of the Copyright, Designs and Patents Act 1988.
No part of this work may be reproduced, stored or transmitted in any form or by any means, graphic, electronic, recorded or mechanical, without the prior written permission of the publisher.
FIRST PUBLISHED MAY 2021
Printed and bound in the UKby Positive Print, Birmingham
ISBN: 978-1-912565-59-7
ePub ISBN: 978-1-912565-99-3
a fox sees all that there is to be seen,
And from all sides
—Marianne Moore
Janus
The flowers you gave me started speaking
On a Hill
Christmas Surgery
Apple Snow
My spirit broke her fast on you
Fainting Room
In Old Mr Spence’s Kitchen
FILTH
Fox, the Prisoner
Fox, the Prisoner II
FOX NEWS : CREATRIX
CROSSFOX : CROSSBOX
After ‘IF—’
lemonjim: brittle england
Compliments of the Patron
St Osburga’s Surprise
Brood
Bell-ringer’s Knee
In Praise of the Office Cleaner
Labials of a Half-Remembered Lover
BOOK OF BLUE
éclat & cast lots
I could murder a prose poem
winding down
The Three Felicities
Acknowledgements & Thanks
Crucifox
‘Geraldine Clarkson is—quietly, attentively, humbly—writing some of the best poems of our time.’ - Kathryn Maris
For all that December left with pinched lips,
and interminable evenings of the soul,
January burst onto the scene all hips
and buttocks, with mornings of grey silk
and angora-bedjacketed frost,
presaging something else
entirely. I’d had years of the turn,
a hateful hagiography of dragging winters
with incipient springs, word-ugly
and black-fasted, on the poorer side
of my life, and now the worm was feeding
at the lintel, ready to rear up.
on the second or third morning after.
First, a Rose choked out some syllables,
inchoate, but I wasn’t tuned in
and mistook it for thirst. Then a Gerbera
got of her chest a whole theory
of irreconcilable mismatch
between what you thought
and what I thought—
as distinct, in her opinion,
as tips of her opposing petals.
Freesias were easy about backing her up,
promiscuous scent lingering for hours
in my lounge after they had unburdened
themselves. But it was the Cheerfulness
(Narcissi)— with serried heads nodding
and dipping—who let loose the volley
of breezy hearsay (Her place…Passion…
Perhaps) that finally shook me
and took my tongue.
When the sun had set and darkness had fallen, behold,
a smoking firepot and a flaming torch appeared
and passed between the halves of the carcasses.
—Genesis 15:17
On a hill, I always thought, I’d have an encounter, woman
to God; or in the candled calm of some huge-statued
basilica, its sparkling dark. Perhaps at a tree-
starved shrine, with pilgrims stretched in crocodile;
or in bed—through the night—like in Psalm 63.
Maybe via an angel, masquerading
as a stranger. Or in the bath,
public or private—it’s not unheard of.
But—en la poesía—how could it happen?—
pen and paper prodding to prayer—to prepare.
Just as father Abram—with promise of offspring
plenty as stars—offered sacrifice:
animals caught, blood-let, slaughtered, halved, set out in a line.
Before the flames came.
The waiting-room ceiling was hung with twisted
paper chains and frowning angels on gold twine.
I took the required number of tablets
and turned towards the beige-faced nurse
with the velvet hands and hunky-dory feet:
Please may I leave now