Extreme Hauntings E-Book

Paul Adams

• Herausgeber: The History Press
• Kategorie: Ratgeber
• Sprache: Englisch

Veröffentlichungsjahr: 2013

Beschreibung

The most terrifying British ghosts are brought together in this, a unique and original compilation of spine-chilling true encounters both ancient and modern. Not for the faint of heart, this book contains over thirty compelling experiences that reveal a dark and disturbing reality to the realm of the paranormal – deadly curses and murderous ghosts, violent poltergeists, haunted relics and spirit possession – all unsettling insights into a frightening supernatural world. From the mysterious happenings at Hinton Ampner to the eerie Black Monk of Pontefract, the celebrated Enfield Poltergeist and the sinister power of the Hexham Heads, paranormal historian Paul Adams and writer and photographer Eddie Brazil have opened case files spanning over 250 years, from the eighteenth century to the present day, in order to carry out a detailed and chilling examination of the extreme hauntings of Britain.

Leseprobe

For Colin Wilson.

ACKNOWLEDGEMENTS

Several people have assisted with the writing and production of this book, and we would like to take this opportunity to thank the following: Guy N. Smith, the master of British horror, for writing the foreword; Peter Underwood, for the use of illustrations and for generously providing information from his files; Bowen Pearse, Paul Cawthorne and Alan Murdie, who helped with information on the late Andrew Green and also assisted with photographs; Paul Screeton, who shared information on his investigation into the Hexham Head mystery; Darren W. Ritson and Michael Hallowell, for information and feedback on our examination of the South Shields Poltergeist case; Sean Tudor and Richard Bramall, who assisted with photographs of haunted roads; Michael Briant for recollecting his experiences at Wookey Hole and Chris Goodchild of Wookey Hole Ltd who provided illustrations; Damien O’Dell for information on the haunting of Flitwick Manor and William King for helping with photographs; Guy Playfair for providing the photograph of Maurice Grosse; and last but by no means least, our editor Matilda Richards at The History Press. On the home fronts we would also like to thank Sue and Rebecca Brazil, and Aban, Idris, Isa and Sakina Adams, for their patience and support.

In connection with photographs, we have made every attempt to clear copyright information on the illustrations used in this book and apologise if any have been inadvertently omitted. If you feel your copyright has been infringed, please contact the publisher and we would be pleased to amend the credits in any future edition.

CONTENTS

Title

Dedication

Acknowledgements

About the Book

Foreword by Guy N. Smith

Introduction

1. MILESTONES OF THE PARANORMAL: A COLLECTION OF CLASSIC HAUNTINGS

The Many Ghosts of Berkeley Square (1800s)

Willington Mill: Doorway to the Unknown (1835-41)

The Woman in Black (1882-93)

The Dark Shades of Borley Rectory (1946-55)

The Haunting of Ardachie Lodge (1953)

2. ROOMS OF FEAR: HAUNTED HOUSES, CHURCHES AND OTHER BUILDINGS

The Ghosts of the Theatre Royal (1920s-Present)

Legacy of Doom: The Strange Case of Langenhoe (1937-62)

The Northfleet Horror (1962)

A Memory of the Future (1960s)

The Child on the Stairs (1966)

A Clawing Terror (1975)

The Weeping Woman of Flitwick Manor (1994)

3. SPECTRES OF VIOLENCE: SUICIDE GHOSTS AND OTHER TROUBLED SPIRITS

Three Lingering Deaths (1927 & 1970s)

The Face at the Window (1944-70)

Of Ghosts and Murder: The Killing of Charles Walton (1945)

Steeped in Violence: The Haunting of Killakee (1968-70)

The Strangling Hands (1976)

4. OUT OF THE EARTH: GHOSTS OF WOODS, FIELDS AND HIGHWAYS

A Walk in Glydwish Wood (1930s)

The Silent Hitch-Hikers (1970s)

Stocksbridge Bypass: The Road to Nowhere (1987-Present)

5. DISTURBING THE PAST: HAUNTED STONES AND OTHER STRANGE OBJECTS

On the Wings of the Pharaohs (1936)

The Curse of the Caves (1940s & 1974)

Tooth and Claw: The Sinister Story of the Hexham Heads (1971)

6. TALES OF DESTRUCTION: THE POLTERGEIST ENIGMA IN BRITAIN

Mary Ricketts’ Legacy: The Ghosts of Hinton Ampner (1764-71)

‘There’s evil here…’: The Black Monk of Pontefract (1966-69)

The House of Strange Happenings: The Case of the Enfield Poltergeist (1977-78)

Fear in the North: The South Shields Poltergeist (2006)

About the Authors

Bibliography & Further Reading

Copyright

From the Collins English Dictionary

Extreme [adj.] Being of a high or of the highest degree or intensity.

Haunt [verb] To visit (a person or place) in the form of a ghost.

From the Authors

Extreme Haunting [noun] An intense and or prolonged encounter with the paranormal, often involving apparitions, physical violence, and intense fear…

FOREWORD

by Guy N. Smith

I have known Paul Adams as a personal friend and a researcher of the paranormal for several years. Whilst he claims that there are no ‘experts’ on the subject, in my opinion he comes pretty close. Paul has several published works to his credit: The Borley Rectory Companion (2009) and Shadows in the Nave (2011), both co-written with Eddie Brazil. This year saw his first solo book Ghosts and Gallows and now we have another collaboration with Brazil. All this in a space of just three years and I have no doubt that there will be more.

This book leaves me with a sense of unease, far more so than any spooky novel or film has ever done. One of the reasons is that the happenings are true, or purported to be, and that these mysterious events are not solved which would put the mind at rest.

Most disconcerting of all for myself is the episode of the Hexham Heads, about which I had read elsewhere. What exactly were they and do such creatures as werewolves exist? Strangely, last year the press reported the finding of a rectangular tablet, engraved with a star and strange writing, buried in Hopwas Wood, Staffordshire, unearthed by investigators from the West Midlands Ghost Club. Nobody knows what this find represents or how old it is. This ancient woodland is reputed to be haunted so one cannot help wondering if the tablet is associated with the paranormal. The events following the discovery of the Hexham Heads, and now this latest find, send shivers up my spine. I certainly would not care to be in possession of either of them.

Extreme Hauntings has revived memories of a couple of my own strange experiences. The first took place around 1956 adjacent to the old Snow Hill Station in Birmingham. On my way home from work early one foggy November evening (we had real fog in those days), I decided to make a call at the adjoining gent’s toilet. A man preceded me; I didn’t take much notice of him, just one of many thronging the street. It was only when I entered that I became aware that the interior was empty, there was not another soul in sight.

I had not imagined this figure in the fog and he had definitely entered those toilets.

My second experience also occurred on a fogbound November afternoon, this time in 1972. My wife and I had only been married a couple of months and our first home was a large, two-floor flat in Lichfield.

On the day in question my wife had gone to visit her mother and I was alone in the flat. I was working at my desk when suddenly I heard heavy footsteps directly above me in the main bedroom.

Nobody could have gone up there without passing in full view of my desk. The only other vague possibility was that some agile and reckless person might have shinned up the drainpipe, but even then they would surely have attracted my attention through the window.

Basically, the only route to the upper floor was via the stairs. I mounted these stealthily, burst open the bedroom door and shouted, ‘All right, let’s have you!’ There was nobody in the room, nor in the adjoining rooms. I checked everywhere, under beds, inside fitted cupboards, behind doors. Nothing.

This was certainly scary and on my wife’s return she looked at me and asked, ‘Are you alright? You look like you’ve seen a ghost!’

Well, I believe I had certainly heard one. A few weeks later we moved from that flat to a house – and not just because we needed more space.

Extreme Hauntings brings back that sense of fear of the unknown. A truly fascinating read… but I prefer to read it during the daylight hours!

Guy N. Smith

Shropshire, 2013

INTRODUCTION

This book is a survey of true paranormal cases spanning a period of nearly 250 years, from the beginning of the second half of the eighteenth century through to the opening years of the New Millennium. These supernatural dramas, just over thirty in number, play out in a disparate variety of settings: a Tudor manor house, a rural Victorian rectory, an Edinburgh townhouse, lonely woods and highways, council houses, a Northumberland flour mill, a seaside theatre. The players cover the widest range of British society: titled gentry, the affluent and the working class, country vicars, journalists, ordinary suburban families. The ghosts and psychical phenomena that spans the years and binds them all together is something that we have termed ‘extreme hauntings’, i.e. spontaneous paranormal experiences that are characterised by their intense and often disturbing nature.

This intensity can be represented in many ways: the longevity of the haunting, as at the notorious Borley Rectory; strange and disturbing apparitions, such as the ghosts of Willington Mill; extraordinary violence and physical destruction, chillingly demonstrated by the poltergeist cases of Enfield and South Shields; strange forces associated with ancient relics, like the Seton sacrum bone and the buried Celtic heads at Hexham. All of these cases and many others like them await the reader in the pages that follow.

In Britain, we are fortunate that our country, evocatively described by the novelist and historian Peter Ackroyd as ‘a land engulfed by mist and twilight’, has an extraordinarily rich supernatural heritage that we as writers and researchers have been able to draw upon, although, interestingly enough, the majority of our cases are of twentieth-century origin, proof that the most turbulent and eventful period in human history has seemingly given rise to the most frightening and extreme of our native ghosts. Fittingly, this haunted land is the birthplace of organised psychical research and investigation, and this strong and pioneering ghost-hunting tradition traces a long and distinguished lineage through the work of organisations such as The Ghost Club, the Society for Psychical Research, Harry Price’s old National Laboratory of Psychical Research and its successor, the University of London Council for Psychical Investigation, to the Unitarian Society for Psychical Studies and the Association for the Scientific Study of Anomalous Phenomena (ASSAP), through to the many regional and local paranormal groups active in the country today, to whom the contents of this book will undoubtedly be of interest.

Those who become more than superficially involved in the investigation of the paranormal soon find themselves walking a tightrope that crosses a yawning canyon of conflict and opposites: critical study verses sensationalism and media exploitation, scientific method and scepticism as opposed to uncritical belief and acceptance, practical experimentation and research compared with unfounded theory and speculation. It must also be said that there are no ‘experts’ where the paranormal is concerned: there are many well-informed, knowledgeable and experienced researchers and investigators, but despite 130 years of organised investigation and study (since the founding of the Society for Psychical Research in 1882), both in this country and abroad, the mystery remains – we still do not know why houses become haunted, why there appear to be different ‘types’ of ghost, how a poltergeist can levitate and throw an object across a room, or how mediums and psychics can seemingly communicate with the dead; or even if survival after death is a reality, or simply the ultimate item on the wish-list of humanity. There is also the issue of scepticism and the backlash against the belief of and research into the subject of the paranormal by the scientific mainstream.

Much of the criticism levelled against the reality of paranormal phenomena gains support from the lack of ability on the part of ghost hunters and psychical researchers to recreate psychic phenomena as repeatable experiments under laboratory conditions. This scepticism achieved a semi-professional status in the mid-1970s with the foundation, by American secularist and humanist writer Paul Kurtz, of CSICOP, the Committee for the Scientific Investigation of Claims of the Paranormal, known today as the Committee for Skeptical Enquiry, or CSI. In the early 1980s, the torch was also taken up by retired stage magician and illusionist, James ‘The Amazing’ Randi, known for his controversial ‘One Million Dollar Challenge’ and summary dismissal as ‘flim-flam’ of a wide range of alleged supernormal phenomena, from the Geller effect, psychic healing and mediumship, through to astrology, ghosts, hauntings and possessions. In 1996, Randi set up his own CSICOP-inspired body, the James Randi Educational Foundation, that continues to promote, as the late American psychical researcher D. Scott Rogo once described it, the former entertainer’s ‘holy war against psychics and parapsychologists’, that has now entered its fourth crusading decade.

A factor that compounds the problem of repeatable experimentation for ghost hunters and psychical researchers is something that writer Colin Wilson, in his book Afterlife, has described as ‘James’ Law’ (after William James, the American psychologist), i.e. no paranormal phenomenon is ever 100 per cent convincing. This can lead over time to a sensation of frustration on the part of dedicated researchers and those genuinely interested in finding the truth and solving the mysteries behind the enigmatic psi-universe, who gradually loose the feelings of youthful enthusiasm and excitement that in the beginning, contact with the world of ghosts and hauntings through books and literature, can create.

Which brings us to the reasons behind the compilation of the present work. In this project, we have attempted to produce the kind of book that, if we were able to wind back the clock (through more years than we both would care to admit), would be the kind of book that we would want to pull off the shelf and read. In it we have tried to include a broad range of cases: there are some personal favourites, some well-known ghosts, as well as rarities from the vast psychic literature of this country, plus personal experiences and new hauntings. The cases are grouped in sections in date order, and for each of our extreme hauntings we have included preliminary comments plus individual bibliographies for further research and study.

Will the mysteries ever be solved? Possibly, one day, but when that will be is a mystery in itself. In the meantime, we hope that you enjoy our book of ‘extreme’ ghosts and poltergeists. If seasoned ghost hunters who are kind enough to look through another addition to the steadily increasing body of paranormal literature come away with a renewed sense of enthusiasm for this, the most challenging of disciplines, and if those new to parapsychology and the supernatural find it stimulating enough to take the first steps on the road to practical investigation, we will have succeeded in our aims in writing it. But, before you begin the journey, perhaps it is advisable to sign off with an interesting quotation by the late British science-fiction writer and futurist thinker, Arthur C. Clarke, who often paraphrased the biologist J.B.S. Haldane, when asked about his views on hauntings and the paranormal: ‘The universe is not only stranger than we imagine, it’s stranger than we can imagine.’

Paul Adams & Eddie Brazil

Luton & Hazlemere, 2013

Chapter One

MILESTONES OF THE PARANORMAL

A Collection of Classic Hauntings

The Many Ghosts of Berkeley Square (1800s)

One of the most famous haunted houses in London, the ‘Electric Horror’ of Berkeley Square has secured its place as one of Britain’s most enigmatic hauntings. The case remains unsolved.

If this survey of extreme hauntings was being compiled at the beginning of the twentieth century, one case that would feature high up on the list is what was undoubtedly regarded for many years as the most haunted house in London, a ghost story ‘firmly believed by society dandies and East End costermongers alike’. In his book Haunted Houses, a forerunner to today’s popular gazetteer guides and issued by Chapman and Hall in 1907, author Charles G. Harper observed that ‘[t]he famous “haunted house in Berkeley Square” was long one of those things that no country cousin coming up from the provinces to London on sight-seeing bent, ever willingly missed’, so perhaps it is fitting that we begin the present work here with a classic British haunting that has been in existence for well over 200 years.

The Bridlington-born designer and landscape architect William Kent laid out the plans for Berkeley Square in the mid-1700s. Many of the original Georgian buildings have now been replaced, but the famous plane trees planted at the time of the French Revolution and familiar to both visitors and Londoners alike, are now among the oldest trees in central London, and some of the original atmosphere of the area’s former days are rekindled in the lyrics of Eric Maschwitz’s romantic song ‘A Nightingale Sang in Berkeley Square’, written shortly before the outbreak of war in 1939.

Over the years, this particular part of Mayfair has seen many distinguished residents: Horace Walpole (1717-1797), the art historian and Whig politician, lived at No.11; Sarah Sophia Child became the Countess of Jersey when she married George Villiers, the 5th Earl of Jersey, in the drawing room of 38 Berkeley Square in 1804, and died in the same house in 1867; Robert Clive of India committed suicide in his rooms at No.48 on 22 November 1774; while as a child, the very young Winston Spencer-Churchill lived for a time at No.48. Another British Prime Minister, George Canning, who held office for the shortest period in history (119 days in 1827), owned for some years a five-storey Georgian terraced mansion containing some fine Adam fireplaces on the south-west side of Berkeley Square: this building still stands and has been described in the past as having ‘at least one room of which the atmosphere is supernaturally fatal to body and mind’ and whose walls ‘when touched, are found saturated with electric horror’: this is No.50, home of the ‘Ghost of Berkeley Square’.

The origins of this famous Mayfair haunting are obscure. Many of the alleged incidents of paranormal activity are anecdotal in nature but most of the reported happenings that were to lay the foundations for the building’s sinister reputation date from the first half of the nineteenth century, in a block of years beginning with the death of George Canning and ending sometime in the mid-1800s; following on from this, a late-Victorian period involving some attempts at investigation together with reports of additional experiences seemingly brought the ‘horror’ of Berkeley Square to an end in the late 1880s. Accounts of ghostly phenomena at No.50 after this time are almost non-existent, although an isolated incident was reported as having taken place in 1937, the same year that the property was occupied by Maggs Brothers Ltd, a long-established firm of antiquarian booksellers whose notable acquisitions include two copies of the Gutenberg Bible and the preserved penis of Napoleon Bonaparte. Maggs continue to operate from No.50 today and they have consistently denied experiencing anything out of the ordinary during their long period of residence.

No.50 Berkeley Square, photographed in the 1970s. At one time, stories of strange happenings and inexplicable deaths gave it the reputation as being the most haunted house in London. (Chris Underwood)

Accounts of the many ghosts said to have been seen here over the years are varied and like many haunted houses across Britain, one particular room has become the focus of much of the phenomena said to have taken place. In this particular case, the ‘haunted room’ is located on the top floor, with a single sash window looking out onto the square. Several writers with an interest in the supernormal have looked at the Berkeley Square case and found evidence of unusual happenings taking place in this particular area of the building. Spiritualist author Jessie Adelaide Middleton compiled three collections of paranormal material covering hauntings, prophetic dreams and vampirism in the years leading up to the First World War. The Grey Ghost Book appeared in 1912 and was followed by a sequel, Another Grey Ghost Book (1914) and, two years later, a final instalment, The White Ghost Book (1916). In the first of these, Middleton recounts one reported ghost said to haunt No.50, the sad and lonely spirit of a small Scottish child. According to the author, the haunted room at the top of the house was used as the little girl’s nursery, and it was here that the poor child was frightened to death, or possibly even tortured by a sadistic nanny. After her death, the girl’s ‘pathetic little wraith’ dressed in a kilt or Scotch plaid frock is said to have been seen in the upper part of the building, sobbing and wringing its hands in grief. The apparition was so unsettling that the house was abandoned and for many years the building remained empty and untenanted. According to Middleton, who entered into correspondence with a relative of a former occupier of No.50, Berkeley Square, this haunting appeared to date from the latter part of the 1700s, not long after the house had been built.

During her research into the haunting, Middleton uncovered a further two anecdotal accounts, again involving the mysterious room under the attics. One of these, the ghost of a suicide, is that of a young woman named Adela or Adeline, who jumped to her death from the top-floor window into the street below in order to escape being raped by a ‘wicked uncle’, also her guardian, who lived with her in the same house. This ‘screaming girl’ apparition is said to have re-enacted its fatal fall on occasion and has been seen clinging to the window ledge before dropping away and vanishing. This has an interesting parallel with a similar apparition alleged to have appeared at the window of the sinister Blue Room at Borley Rectory, the ‘most haunted house in England’ that we will visit in a later part of the present survey. How mainstream this particular aspect of the Berkeley Square haunting became is unclear, but due to the notoriety of the case during the nineteenth century, the possibility that it inspired its counterpart at the lonely Essex rectory (alleged to have taken place shortly after the house was built in the early 1860s) is distinctly possible.

In a similar vein to a much later aspect of the Borley case is another facet of the haunting of No.50 Berkeley Square, namely the appearance of supernatural writing on the walls of the building. Details are scant and the phenomenon is most likely an anecdotal offshoot from the spirit-writing craze that formed part of the early years of Modern Spiritualism in Britain in the mid-1800s. Physical mediums, such as ‘Dr’ Henry Slade, an American quack physician, claimed to be able to contact and obtain communication from the spirits of the departed who left messages written in chalk on simple slate boards and Slade, who arrived in England in July 1876, was one of the greatest exponents of this particular ability. Other astonishing physical phenomena were said to take place in Slade’s presence, including poltergeist-type knocking and the materialisation of solid spirit hands, but he was caught fraudulently using specially prepared slates in London in October 1876 and narrowly escaped a sentence of three months’ hard labour by fleeing to the Continent. The drop-leaf table owned and used by Henry Slade later became part of the psychic museum at the National Laboratory of Psychical Research in South Kensington and Slade himself, who died penniless in an asylum in Michigan in 1905, is today one of the controversial celebrity personalities allegedly materialised by the modern physical medium David Thompson and his Sydney-based Circle of the Silver Cord. At Berkeley Square, a tenant of the building is said to have waited for a certain spirit message to appear on the wall of the haunted room, but despite much supernatural correspondence, the correct message never arrived and the unhappy Spiritualist later died insane and went on to haunt the building himself.

Despite being located in what soon became a highly regarded residential district of London, one fact that becomes clear is that for long periods of time throughout the 1800s, No.50 Berkeley Square remained tenantless and unfurnished. Perhaps then it is unsurprising that the unlit and empty building gained a reputation for being a haunted house, but the fact that this reputation appears to have been established as early as the beginning of the nineteenth century, not long after the house was built, makes it likely that there was a real reason rather than simply local rumour or gossip, and that this may well have been incidents of a paranormal nature.

The English ghost hunter Harry Price (1881-1948), whose unique career in psychical research we will encounter several times during the course of this book, like many researchers of his generation, became interested in the history of the haunting, and was of the opinion that at least some aspects of the alleged phenomena could be put down to genuine poltergeist activity. Today, only one building in Berkeley Square is used as a private dwelling, but Price, who was born in Holborn and knew London well, was able to interview several residents, one of whom recalled hearing about a series of incidents that took place in the early 1840s, when No.50 was closed and empty. At night time, on several occasions, local people were disturbed by loud noises from within the house as of heavy items of furniture or packing cases being dragged across bare floorboards, accompanied on occasion by the violent ringing of the servant bells. As well as auditory phenomena, these disturbances were also accompanied by the materialisation or transportation of solid physical objects, a common aspect of poltergeist hauntings also found in spiritualist séances, that have become known as ‘apports’. Small objects such as stones and pebbles, books and even a pair of metal spurs, would clatter down onto the pavement in front of the building, as though they had been dropped or thrown out of the windows. Price was told that on a number of occasions, the house was searched immediately following the disturbances but the entire building was found to be deserted and empty – nothing that could conceivably cause the mysterious noises was present inside, although the bells in the butler’s pantry were seen in motion following at least one incident – and following one night of mysterious activity, all the windows in the front elevation of the house facing the street were discovered to be broken. Harry Price, an experienced investigator, considered this to be ‘good Poltergeist stuff running true to type’, but another explanation, and one considered by Jessie Middleton in The Grey Ghost Book, is that these periods of nocturnal ‘phenomena’ were actually created purposefully by a coining gang in order to scare away inquisitive neighbours and mask their illegal activities. As most researchers today consider the presence of an adolescent child to be necessary for true poltergeist phenomena to take place in a given environment, perhaps this period of haunting at No.50 can be put down to such a bold and clever ploy, but this would only explain one period of what can be considered to be a protracted and persistent haunting, and there exists other evidence, both for and against, genuine psychical activity at Berkeley Square.

The ‘poltergeist’ disturbances that so intrigued Harry Price took place during the ownership of the Hon. Miss Curzon, who bought the house in 1827 following the death of George Canning in an apartment at Chiswick House on 8 August. Miss Curzon lived intermittently at Berkeley Square until her own death at the age of ninety in 1859, following which the house was let by the executors of her estate to a London gentleman named Myers, who carried out extensive refurbishment of the building in preparation for his forthcoming wedding. Unfortunately, the bride called off the wedding at the very last moment, and the jilted Mr Myers appears to have descended rapidly into the life of a recluse, ‘a curiously Dickensian character, part Scrooge, part Miss Haversham’, living alone, apart from a man-servant, in the ‘haunted’ room at the top of the house, shunning company and, like a precursor to Stoker’s Dracula, sleeping by day and wandering the rooms candle in hand, vampire-like, at night. In 1873, the eccentric Myers was taken to court by Westminster Council for the non-payment of rates on his now dilapidated and once fine residence, and he appears to have died not long after, a mysterious figure who appears to have contributed much to the mythology of the case.

It was around this period of time – the 1870s – that the haunting of Berkeley Square received a certain amount of publicity in the journals and periodicals of the day, particularly Notes and Queries, an academic correspondence magazine founded in 1849 with an emphasis on the discussion of history and folklore. In November 1872, during the last years of Myers’ tenancy, Notes and Queries published a request for information from a reader, asking for details of the alleged haunting, an enquiry that elicited a response from George Lyttelton, the 4th Baron Lyttelton, of Hagley Hall in Worcestershire. ‘It is quite true that there is a house in Berkeley Square said to be haunted, and long unoccupied on that account,’ Lord Lyttelton confirmed. ‘There are strange stories about it, into which this deponent cannot enter.’ Although he was less than forthcoming with information, the 4th Baron’s opinion was based on personal experience, as he was one investigator into the mystery who had in fact set foot inside the house. During the intermittent occupation by Miss Curzon, Lord Lyttelton had entered into a wager to spend a night in the haunted room and appears to have bribed the resident caretaker to be allowed access inside. Unlike the specialist gadgetry of organised paranormal researchers of today, Lyttelton’s ghost-hunting kit comprised of a pair of loaded blunderbusses (see also the investigations of Captain Luttrell at Hinton Ampner on p.178) whose ammunition was made up of a mixture of buckshot and silver sixpences, the coins representing a long-held belief in European folklore of the power of silver to ward off and kill evil spirits. During his night-time vigil, Lord Lyttelton claimed to have seen a strange black shape that seemed to leap out from the shadows and promptly fired one of his weapons in its direction. Despite hearing something fall to the floor, a quickly struck match revealed no trace of the fallen phantom, and in the cold light of morning, all that remained of the amateur ghost hunter’s adventures was a section of sundered floor boarding.

Perhaps the unknown horror that allegedly menaced Lord Lyttelton was the same mysterious ‘something’ that forms the basis of probably the most famous supernormal experience said to have taken place at No.50 Berkeley Square, this time during the 1870s following the death of the reclusive Mr Myers. According to the story, two penniless sailors passing by the house one evening while looking for a place to shelter, saw its empty and dilapidated condition and decided to risk breaking in. After forcing open a basement window, the two men made their way through the building and decided to spend the night in one of the top-floor rooms that faced onto the Square. After settling down, the two men became aware of mysterious banging noises and footsteps, which gradually began to rise up through the building and approach the room where they were resting. Heavy footfalls came up to the closed door and then halted, following which the door handle turned and, almost in the manner of a short story by horror master H.P. Lovecraft, a hideous, shapeless mass slid into the room and surged towards them. One sailor managed to escape past the apparition and ran screaming out of the house, where he was confronted by a passing policeman. When the constable, who accompanied the rating back to Berkeley Square, arrived at No.50, he found the building deserted and the second seaman dead, impaled on the spiked railings adjacent to the front entrance, as though he had fallen or been pushed through an open window while trying to flee from the house. Unfortunately for the psychical researcher, despite its notoriety, no report or newspaper article confirming this startling happening has been forthcoming, and this Lovecraftian addition to the haunting of Berkeley Square is most likely an embellished tale that may, or may not, have some grain of truth at its centre.

Many of the old houses in Charles Street, which runs from the south-west side of Berkeley Square, still stand and it was into a flat in one of these building that Mrs Mary Balfour, a Scottish clairvoyant, moved in the early weeks of 1937. Later the same year, in the period between Christmas and New Year, Mrs Balfour was called to the kitchen window at the rear of the apartment by her maid, who pointed out a man that both women could see standing in one of the windows of a house diagonally opposite. The back additions of the houses in Charles Street overlooked the rear of several properties in the neighbouring square and in what turned out to be one of the back rooms for No.50 was a man dressed in what was clearly an eighteenth-century costume complete with a silver-coloured coat, breeches and a periwig. The figure, whose face was somewhat drawn and pale in appearance, stood unmoving and the Scotswoman felt a distinct aura of melancholy about his person. Assuming it was a New Year reveller in fancy dress who ‘either had a hangover or some personal trouble’, Mrs Balfour chastised her servant for staring and the two women moved away; later, when she went back into the kitchen, the sad-looking figure was no longer there. ‘It was only afterwards that I discovered that the house was number fifty,’ Mary Balfour, who had originally moved to London from the Highlands, now aged eighty, told a reporter many years later in 1969, ‘Believe it or not, I had not until that time heard of the reputation of the house.’

Over the years, the ‘horror’ of Berkeley Square has proved inspirational to a number of artists and writers. In 1859, the English politician and novelist Edward Bulwer-Lytton, the 1st Baron Lytton, author of Godolphin (1833) and The Last Days of Pompeii (1834), wrote a much admired short ghost story, ‘The Haunted and the Haunters’, which first appeared in Blackwood’s Magazine. Although no name is given, Bulwer-Lytton’s ‘haunted house in the midst of London’, home of the sinister ‘Shadow’, is undoubtedly based on the Berkeley Square case, while there is no ambiguity concerning another piece of Victorian literature, Rudyard Kipling’s 1884 poem ‘Tomlinson’, which begins with the sinister lines: ‘Now Tomlinson gave up the ghost in his house in Berkeley Square, And a spirit came to his bedside and gripped him by the hair…’. Respected ghost hunters researching the case have also visited the house in search of clues to supernormal happenings: as well as Harry Price, they include Peter Underwood in 1970 and Frank Smyth in 1981. On each occasion, the occupiers have fielded questions with ease and reported no unusual happenings, particularly in the notorious ‘haunted room’, where staff at Maggs Brothers watched for falling incendiaries during the Second World War, and which has been used as a book store and office for many years.

If the truth behind the first of our extreme hauntings is lost in the mists of time, then the next case is almost the complete opposite, and represents a compelling body of evidence for the workings of a paranormal universe at present totally unexplainable by modern science…

Consult:Charles G. Harper,Haunted Houses(Chapman & Hall, London, 1907); Jessie A. Middleton,The Grey Ghost Book(Eveleigh Nash, London, 1912); Harry Price,Poltergeist Over England(Country Life Ltd, London, 1945); Peter Underwood,Haunted London(George G. Harrap Ltd, London, 1973).

Willington Mill: Doorway to the Unknown (1835-41)

The haunting of a mill house on the north bank of the River Tyne during the first half of the nineteenth century is now regarded as one of the most important cases from the early years of organised psychical research. The reported phenomena, experienced over a period of several years by a number of independent witnesses, include poltergeist effects, paranormal sounds, and the appearance of strange animal-like apparitions.

The former village of Willington Quay, now part of a corridor of urbanised and developed land along the banks of the River Tyne heading eastwards towards the open sea at the coastal towns of North and South Shields, lies five miles north-west of the centre of Newcastle. Often remembered today for its association with the engineer George Stephenson, builder of the famous ‘Rocket’, in the latter years of the eighteenth century a watermill was located here on a small river known as Willington Gut which flows through the north bank of the Tyne, and at a point where, in the late 1830s, the newly built Newcastle and North Shields railway line would cross the water on an impressive multi-arched viaduct. In 1800, the old mill was demolished and replaced with a modern steam mill as part of a new flour business formed in a partnership between the original mill owner, William Brown, and two other local men, Joseph Procter and Joseph Unthank. As part of the development, a four-storey mill house was built close to the factory buildings as a residence for the mill staff, and this was quickly occupied as the new business got underway. In these pioneering days of change and development, happening as they did midway through the century of social and manufacturing upheaval brought about by the Industrial Revolution, it is inconceivable that the thoughts of these Northumberland businessmen would have at any point turned to bear on the twilight world of ghosts and the supernatural: yet the newly built Willington Mill was soon to become the focus of a wealth of bizarre and frightening paranormal activity that today ranks it as being one of the most haunted buildings in Britain.

The march of progress no doubt would have also dispelled any superstitious belief in a number of local tales which perhaps still clung to the area around Willington Quay at that time, namely tales of witchcraft, possibly involving a midwife from nearby Newcastle named Mrs Pepper. In 1665, a local witch-hunt saw the Newcastle woman on trial, accused by Sir Francis Riddle, the local mayor, of sorcery: luckily for Mrs Pepper she was acquitted and there is some suggestion that she was in fact the ‘notorious witch’ for whom a cottage was built by a man named Oxon at Willington the same year. Ghost stories involving curses and the appearance of a mysterious female apparition became common knowledge in this part of the village, and around 1780, this cottage originally belonging to the ‘Willington Witch’ was demolished by William Brown to make way for the first of the two flour mills to be built on the site.

Joseph Procter and Joseph Unthank, both Quakers, were related by marriage: in 1791, Joseph Unthank had married Margaret Richardson, the sister of Procter’s wife, Elizabeth. Following their marriage, the Unthanks had moved to Whitby on the North Yorkshire coast, but Margaret Unthank, originally from North Shields, grew unhappy with her new home and the couple made a decision to return to Tyneside, where Joseph Unthank’s brother-in-law proposed a business venture involving William Brown and his mill on the Willington Gut. Following the building of the new Willington Mill, the Brown family moved into the newly constructed mill house and lived there until 1806, during which time the business thrived. The following year, perhaps tiring of the albeit successful three-way partnership, William Brown sold his share of the business and moved out of Willington Mill, now able financially to set up an independent business of his own in North Shields and nearby Sunderland. With the departure of the Browns, Joseph and Margaret Unthank together with their children made the mill house their home, and went on to live in the immediate shadow of the imposing seven-storey factory buildings that surrounded the property on two sides for an unbroken period of twenty-five years; finally leaving Willington in 1831. By this time, Joseph Procter had died (in 1813) and his young son, also called Joseph, had taken his place in the family business alongside Joseph Unthank’s own son, Edmund.

Joseph Unthank, one of the original founders of the business, died in 1842 and the Procters continued to live on in the mill house for a further five years before finally leaving Willington Mill in 1847 and moving to Camp Villa at North Shields. The flour business continued on for nearly twenty years until 1865 when Joseph Proctor Jr, now the sole proprietor, decided to close the mill permanently; Joseph died ten years later on 6 November 1875. The mill premises were partly dismantled, including the mill house which, after being divided into flats, was demolished, and the buildings used for warehousing. Today, the site of the former Willington Mill forms part of a modern industrial estate and the one surviving factory building from the time of Joseph Procter and Joseph Unthank, now much altered, is used by the Bridon Ropes Company, an amalgamation of several businesses that have operated on the site since the early 1920s.

The early Victorian success story of Willington Mill would have been consigned to the pages of provincial history if it had not been for what amounted to a protracted haunting of, at times, astonishing intensity and variety that affected the original mill house residence on the bank of Willington Gut for many years. Much of what is known about the case comes from a document described as the ‘Procter Diary’, an allegedly contemporary account of the disturbances compiled by Joseph Procter Jr and later edited for publication (in 1892 in the Journal of the Society for Psychical Research) by Procter’s son, Edmund. The case also received publicity during Joseph Procter’s lifetime when it was included in the book The Night Side of Nature (1852), a seminal collection of true paranormal encounters compiled by the Victorian novelist and pioneering psychic investigator Catherine Crowe, a spiritualist investigator who, until recent years, has been one of the unsung heroes of organised psychical research. Later researchers who have investigated the case include Harry Price (1945), Alan Gauld (1979), Andrew MacKenzie (1982), and Colin Wilson (1985). The first full-length study of the case was undertaken by two local researchers, Michael Hallowell and Darren Ritson, and published as The Haunting of Willington Mill in 2011.

Willington Mill, Tyneside: The haunted house of the Procter family, where bizarre apparitions including phantom animals and the figure of an eyeless woman were seen by several people over a period of many years. (Bridon Ropes Ltd)

The Procter narrative covers a period of time lasting just over five and a half years, beginning in early 1835 and ending in the middle of August 1841. However, there are gaps in the chronology and Edmund Procter notes that manifestations continued to occur in the haunted mill house right up until the time the family left Willington in 1847; while Hallowell and Ritson suggest that the haunting spanned a much longer period and may in fact have begun almost immediately after the building was constructed at the beginning of the 1800s, with the phenomena possibly being the reason behind the departure of William Brown and his family in 1806. Whatever the true duration of the events, even a cursory glance through the ‘Procter Diary’ will show that this respectable and enterprising Quaker household appeared to be living not only at the beginning of the new Victorian age of social and political change, but also on the threshold of a chilling and unseen world completely beyond our present-day knowledge and understanding. Unleashed inside the mill house and its immediate environs was a relentless onslaught of sinister and inexplicable phenomena that included the sound of voices and heavy footsteps, raps, knocks and rustling noises, the appearance of apparitions and quasi-animal forms, bell-ringing, the physical movement of objects, disembodied heads and faces, as well as coughing, moaning and tapping sounds.

One particular room in the upper part of the house located directly above the children’s nursery appeared to be the focus of many of the extraordinary happenings. In the early weeks of January 1835, the Procter’s nursemaid became frightened by strange noises as she sat each evening in the nursery: despite the room overhead being unfurnished and unoccupied, heavy footsteps that at times made the sashes in the nursery window shake, paced the floor above; the phenomenon would last for ten minutes at a time and then fade away. Soon Elizabeth Procter and other members of staff became aware of the sounds, ‘a step as of a man with a strong shoe or boot going towards the window and returning’. Knocks and raps ‘as of a mallet on a block of wood’ began to affect the household at night; on one particular occasion, Joseph Procter heard a tapping sound coming from the direction of a child’s crib and felt the vibrations of invisible blows on the woodwork.

The strange noises were not restricted to the interior of the mill house at Willington. On several occasions, Joseph Procter and a number of the servants claimed to have heard the sound of someone following them down the gravel path outside at night: on each occasion there was no person visible to account for the noises. The mill foreman, Thomas Mann, a trusted employee who at the time had been working for the Procters for just over two years, also claimed to have heard strange noises at night. On one occasion, in the early hours of the morning, as he went to fill a coal barrow to fuel the mill’s boiler, he heard a loud creaking and grinding noise which he immediately recognised as being the familiar sound of a wheeled horse-drawn cistern, used to water the mill horses, which normally stood in a particular location in the yard outside. Assuming that the cistern was being stolen, Mann rushed out into the yard, upon which the sounds instantly ceased, and the foreman was amazed to see the closed yard locked and empty, and the heavy cistern (which would have taken several people to move by hand) standing in its usual place apparently undisturbed. Despite searching the mill yard thoroughly with a lantern, Mann could find no physical cause for the sounds, which he subsequently regarded as being of supernatural origin.

Soon apparitions began to be seen at Willington Mill. A neighbour of the Procters passing by the mill house saw what he described as a transparent white figure that he took to be of a woman, standing at one of the upper-floor windows. A short time afterwards, Elizabeth Procter’s sister, Mrs Christiana Wright, who lived at Mansfield, came to stay and was given accommodation in the foreman’s house which stood a short distance from the mill house itself, separated by a small kitchen garden and a narrow road. One evening at around half past nine, Mrs Mann went out to a coal bunker and, happening to look across towards the mill house, was amazed to see a glowing transparent figure like ‘a priest in a white surplice’ floating at the same window. She went to fetch her husband and ultimately Thomas Mann, together with his daughter and Mrs Wright, all collectively saw the apparition, which lasted nearly a quarter of an hour before gradually fading away from the top downwards. It was a dark, moonless night and by this time the Procters had retired and there were no lights showing in any other parts of the building. The mill foreman was able to view the figure from a close vantage point in the cottage garden and all three witnesses described it as being suspended in the air, seemingly around 3ft above the floor of the room, while as it walked and alternated between periods of movement and rest, the apparition appeared to pass through the window itself and obscure the sash and blind behind it.