Historical Mysteries E-Book

Andrew Lang

• Herausgeber: Jazzybee Verlag
• Kategorie: Geisteswissenschaft
• Sprache: Englisch
• Veröffentlichungsjahr: 2012

Seitenzahl: 385

Beschreibung

A collection of 12 essays on historical mysteries. This book is annotated with a rare extensive biographical sketch of the author, Andrew Lang, written by Sir Edmund Gosse, CB, a contemporary poet and writer. Contents: I - The Case Of Elizabeth Canning Ii - The Murder Of Escovedo Iii - The Campden Mystery Iv - The Case Of Allan Breck V - The Cardinal's Necklace Vi - The Mystery Of Kaspar Hauser: The Child Of Europe Vii - The Gowrie Conspiracy Viii - The Strange Case Of Daniel Dunglas Home Ix - The Case Of Captain Green X - Queen Oglethorpe Xi - The Chevalier D'éon Xii - Saint-Germain The Deathless Xiii - The Mystery Of The Kirks Xiv - The End Of Jeanne De La Motte

Leseprobe

Historical Mysteries

Andrew Lang

Contents:

Andrew Lang (1844-1912)

Historical Mysteries

I - The Case Of Elizabeth Canning

Ii - The Murder Of Escovedo

Iii - The Campden Mystery

Iv - The Case Of Allan Breck

V - The Cardinal's Necklace

Vi - The Mystery Of Kaspar Hauser: The Child Of Europe

Vii - The Gowrie Conspiracy

Viii - The Strange Case Of Daniel Dunglas Home

Ix - The Case Of Captain Green

X - Queen Oglethorpe

Xi - The Chevalier D'éon

Xii - Saint-Germain The Deathless

Xiii - The Mystery Of The Kirks

Xiv - The End Of Jeanne De La Motte

Historical Mysteries, A. Lang

Jazzybee Verlag Jürgen Beck

86450 Altenmünster, Loschberg 9

Germany

ISBN: 9783849606893

www.jazzybee-verlag.de

[email protected]

ANDREW LANG (1844-1912)

Biographical Sketch from "Portraits And Sketches" by Edmund Gosse

INVITED to note down some of my recollections of Andrew Lang, I find myself suspended between the sudden blow of his death and the slow development of memory, now extending in unbroken friendship over thirty-five years. The magnitude and multitude of Lang's performances, public and private, during that considerable length of time almost paralyse expression; it is difficult to know where to begin or where to stop. Just as his written works are so extremely numerous as to make a pathway through them a formidable task in bibliography, no one book standing out predominant, so his character, intellectual and moral, was full -of so many apparent inconsistencies, so many pitfalls for rash assertion, so many queer caprices of impulse, that in a whole volume of analysis, which would be tedious, one could scarcely do justice to them all. I will venture to put down, almost at haphazard, what I remember that seems to me to have been overlooked, or inexactly stated, by those who wrote, often very sympathetically, at the moment of his death, always premising that I speak rather of a Lang of from 1877 to 1890, when I saw him very frequently, than of a Lang whom younger people met chiefly in Scotland.

When he died, all the newspapers were loud in proclaiming his "versatility." But I am not sure that he was not the very opposite of versatile. I take "versatile" to mean changeable, fickle, constantly ready to alter direction with the weather-cock. The great instance of versatility in literature is Ruskin, who adopted diametrically different views of the same subject at different times of his life, and defended them with equal ardour. To be versatile seems to be unsteady, variable. But Lang was through his long career singularly unaltered; he never changed his point of view; what he liked and admired as a youth he liked and admired as an elderly man. It is true that his interests and knowledge were vividly drawn along a surprisingly large number of channels, but while there was abundance there does not seem to me to have been versatility. If a huge body of water boils up from a crater, it may pour down a dozen paths, but these will always be the same; unless there is an earthquake, new cascades will not form nor old rivulets run dry. In some authors earthquakes do take place as in Tolstoy, for instance, and in S. T. Coleridge but nothing of this kind was ever manifest in Lang, who was extraordinarily multiform, yet in his varieties strictly consistent from Oxford to the grave. As this is not generally perceived, I will take the liberty of expanding my view of his intellectual development.

To a superficial observer in late life the genius of Andrew Lang had the characteristics which we are in the habit of identifying with precocity. Yet he had not been, as a writer, precocious in his youth. One slender volume of verses represents all that he published in book-form before his thirty-fifth year. No doubt we shall learn in good time what he was doing before he flashed upon the world of journalism in all his panoply of graces, in 1876, at the close of his Merton fellowship. He was then, at all events, the finest finished product of his age, with the bright armour of Oxford burnished on his body to such a brilliance that humdrum eyes could hardly bear the radiance of it. Of the terms behind, of the fifteen years then dividing him from St. Andrews, we know as yet but little; they were years of insatiable acquirement, incessant reading, and talking, and observing gay preparation for a life to be devoted, as no other life in our time has been, to the stimulation of other people's observation and talk and reading. There was no cloistered virtue about the bright and petulant Merton don. He was already flouting and jesting, laughing with Ariosto in the sunshine, performing with a snap of his fingers tasks which might break the back of a pedant, and concealing under an affectation of carelessness a literary ambition which knew no definite bounds.

In those days, and when he appeared for the first time in London, the poet was paramount in him. Jowett is said to have predicted that he would be greatly famous in this line, but I know not what evidence Jowett had before him. Unless I am much mistaken, it was not until Lang left Balliol that his peculiar bent became obvious. Up to that time he had been a promiscuous browser upon books, much occupied, moreover, in the struggle with ancient Greek, and immersed in Aristotle and Homer. But in the early days of his settlement at Merton he began to concentrate his powers, and I think there were certain influences which were instant and far-reaching. Among them one was pre-eminent. When Andrew Lang came up from St. Andrews he had found Matthew Arnold occupying the ancient chair of poetry at Oxford. He was a listener at some at least of the famous lectures which, in 1865, were collected as "Essays in Criticism"; while one of his latest experiences as a Balliol undergraduate was hearing Matthew Arnold lecture on the study of Celtic literature. His conscience was profoundly stirred by "Culture and Anarchy" (1869); his sense of prose-form largely determined by "Friendship's Garland" (1871). I have no hesitation in saying that the teaching and example of Matthew Arnold prevailed over all other Oxford influences upon the intellectual nature of Lang, while, although I think that his personal acquaintance with Arnold was very slight, yet in his social manner there was, in early days, not a little imitation of Arnold's aloofness and superfine delicacy of address. It was unconscious, of course, and nothing would have enraged Lang more than to have been accused of "imitating Uncle Matt."

The structure which his own individuality now began to build on the basis supplied by the learning of Oxford, and in particular by the study of the Greeks, and "dressed" by courses of Matthew Arnold, was from the first eclectic. Lang eschewed as completely what was not sympathetic to him as he assimilated what was attractive to him. Those who speak of his "versatility" should recollect what large tracts of the literature of the world, and even of England, existed outside the dimmest apprehension of Andrew Lang. It is, however, more useful to consider what he did apprehend; and there were two English books, published in his Oxford days, which permanently impressed him: one of these was "The Earthly Paradise," the other D. G. Rossetti's " Poems." In after years he tried to divest himself of the traces of these volumes, but he had fed upon their honey-dew and it had permeated his veins.

Not less important an element in the garnishing of a mind already prepared for it by academic and aesthetic studies was the absorption of the romantic part of French literature. Andrew Lang in this, as in everything else, was selective. He dipped into the wonderful lucky-bag of France wherever he saw the glitter of romance. Hence his approach, in the early seventies, was threefold: towards the mediaeval lais and chansons, towards the sixteenth-century Pleiade, and towards the school of which Victor Hugo was the leader in the nineteenth century. For a long time Ronsard was Lang's poet of intensest predilection; and I think that his definite ambition was to be the Ronsard of modern England, introducing a new poetical dexterity founded on a revival of pure humanism. He had in those days what he lost, or at least dispersed, in the weariness and growing melancholia of later years a splendid belief in poetry as a part of the renown of England, as a heritage to be received in reverence from our fathers, and to be passed on, if possible, in a brighter flame. This honest and beautiful ambition to shine as one of the permanent benefactors to national verse, in the attitude so nobly sustained four hundred years ago by Du Bellay and Ronsard, was unquestionably felt by Andrew Lang through his bright intellectual April, and supported him from Oxford times until 1882, when he published " Helen of Troy." The cool reception of that epic by the principal judges of poetry caused him acute disappointment, and from that time forth he became less eager and less serious as a poet, more and more petulantly expending his wonderful technical gift on fugitive subjects. And here again, when one comes to think of it, the whole history repeated itself, since in " Helen of Troy " Lang simply suffered as Ronsard had done in the "Franciade." But the fact that 1882 was his year of crisis, and the tomb of his brightest ambition, must be recognised by every one who closely followed his fortunes at that time. Lang's habit of picking out of literature and of life the plums of romance, and these alone, comes to be, to the dazzled observer of his extraordinarily vivid intellectual career, the principal guiding line. This determination to dwell, to the exclusion of all other sides of any question, on its romantic side is alone enough to rebut the charge of versatility. Lang was in a sense encyclopaedic; but the vast dictionary of his knowledge had blank pages, or pages pasted down, on which he would not, or could not, read what experience had printed. Absurd as it sounds, there was always something maidenly about his mind, and he glossed over ugly matters, sordid and dull conditions, so that they made no impression whatever upon him. He had a trick, which often exasperated his acquaintances, of declaring that he had " never heard " of things that everybody else was very well aware of. He had " never heard the name " of people he disliked, of books that he thought tiresome, of events that bored him; but, more than this, he used the formula for things and persons whom he did not wish to discuss. I remember meeting in the street a famous professor, who advanced with uplifted hands, and greeted me with " What do you think Lang says now? That he has never heard of Pascal! " This merely signified that Lang, not interested (at all events for the moment) in Pascal nor in the professor, thus closed at once all possibility of discussion.

It must not be forgotten that we have lived to see him, always wonderful indeed, and always passionately devoted to perfection and purity, but worn, tired, harassed by the unceasing struggle, the lifelong slinging of sentences from that inexhaustible ink-pot. In one of the most perfect of his poems, " Natural Theology," Lang speaks of Cagn, the great hunter, who once was kind and good, but who was spoiled by fighting many things. Lang was never " spoiled," but he was injured; the surface of the radiant coin was rubbed by the vast and interminable handling of journalism. He was jaded by the toil of writing many things. Hence it is not possible but that those who knew him intimately in his later youth and early middle-age should prefer to look back at those years when he was the freshest, the most exhilarating figure in living literature, when a star seemed to dance upon the crest of his already silvering hair. Baudelaire exclaimed of Theophile Gautier: " Homme heureux! homme digne d'envie! il n'a jamais aimé que le Beau!" and of Andrew Lang in those brilliant days the same might have been said. As long as he had confidence in beauty he was safe and strong; and much that, with all affection and all respect, we must admit was rasping and disappointing in his attitude to literature in his later years, seems to have been due to a decreasing sense of confidence in the intellectual sources of beauty. It is dangerous, in the end it must be fatal, to sustain the entire structure of life and thought on the illusions of romance. But that was what Lang did he built his house upon the rainbow.

The charm of Andrew Lang's person and company was founded upon a certain lightness, an essential gentleness and elegance which were relieved by a sharp touch; just as a very dainty fruit may be preserved from mawkishness by something delicately acid in the rind of it. His nature was slightly inhuman; it was unwise to count upon its sympathy beyond a point which was very easily reached in social intercourse. If any simple soul showed an inclination, in eighteenth-century phrase, to " repose on the bosom " of Lang, that support was immediately withdrawn, and the confiding one fell among thorns. Lang was like an Angora cat, whose gentleness and soft fur, and general aspect of pure amenity, invite to caresses, which are suddenly met by the outspread paw with claws awake. This uncertain and freakish humour was the embarrassment of his friends, who, however, were preserved from despair by the fact that no malice was meant, and that the weapons were instantly sheathed again in velvet. Only, the instinct to give a sudden slap, half in play, half in fretful caprice, was incorrigible. No one among Lang's intimate friends but had suffered from this feline impulse, which did not spare even the serenity of Robert Louis Stevenson. But, tiresome as it sometimes was, this irritable humour seldom cost Lang a friend who was worth preserving. Those who really knew him recognised that he was always shy and usually tired.

His own swift spirit never brooded upon an offence, and could not conceive that any one else should mind what he himself minded so little and forgot so soon. Impressions swept over him very rapidly, and injuries passed completely out of his memory. Indeed, all his emotions were too fleeting, and in this there was something fairy-like; quick and keen and blithe as he was, he did not seem altogether like an ordinary mortal, nor could the appeal to gross human experience be made to him with much chance of success. This, doubtless, is why almost all imaginative literature which is founded upon the darker parts of life, all squalid and painful tragedy, all stories that " don't end well" all religious experiences, all that is not superficial and romantic, was irksome to him. He tried sometimes to reconcile his mind to the consideration of real life; he concentrated his matchless powers on it; but he always disliked it. He could persuade himself to be partly just to Ibsen or Hardy or Dostoieffsky, but what he really enjoyed was Dumas pêre, because that fertile romance-writer rose serene above the phenomena of actual human experience. We have seen more of this type in English literature than the Continental nations have in theirs, but even we have seen no instance of its strength and weakness so eminent as Andrew Lang. He was the fairy in our midst, the wonder-working, incorporeal, and tricksy fay of letters, who paid for all his wonderful gifts and charms by being not quite a man of like passions with the rest of us. In some verses which he scribbled to R.L.S. and threw away, twenty years ago, he acknowledged this unearthly character, and, speaking of the depredations of his kin, he said:

Faith, they might steal me, w? ma will,

And, ken'd I ony fairy hill

I#d lay me down there, snod and still,

Their land to win;

For, man, I maistly had my fill

O' this world's din

His wit had something disconcerting in its impishness. Its rapidity and sparkle were dazzling, but it was not quite human; that is to say, it conceded too little to the exigencies of flesh and blood. If we can conceive a seraph being fanny, it would be in the manner of Andrew Lang. Moreover, his wit usually danced over the surface of things, and rarely penetrated them. In verbal parry, in ironic misunderstanding, in breathless agility of topsy-turvy movement, Lang was like one of Milton's " yellow-skirted fays," sporting with the helpless, moon-bewildered traveller. His wit often had a depressing, a humiliating effect, against which one's mind presently revolted. I recollect an instance which may be thought to be apposite: I was passing through a phase of enthusiasm for Emerson, whom Lang very characteristically detested, and I was so ill-advised as to show him the famous epigram called " Brahma." Lang read it with a snort of derision (it appeared to be new to him), and immediately he improvised this parody:

If the wild bowler thinks he bowls,

Or if the batsman thinks he's bowled,

They know not, poor misguided souls,

They, too, shall perish unconsoled.

I am the batsman and the bat,

I am the bowler and the ball,

The umpire, the pavilion cat,

The roller, pitch and stumps, and all

This would make a pavilion cat laugh, and I felt that Emerson was done for. But when Lang had left me, and I was once more master of my mind, I reflected that the parody was but a parody, wonderful for its neatness and quickness, and for its seizure of what was awkward in the roll of Emerson's diction, but essentially superficial. However, what would wit be if it were profound? I must leave it there, feeling that I have not explained why Lang's extraordinary drollery in conversation so often left on the memory a certain sensation of distress.

But this was not the characteristic of his humour at its best, as it was displayed throughout the happiest period of his work. If, as seems possible, it is as an essayist that he will ultimately take his place in English literature, this element will continue to delight fresh generations of enchanted readers. I cannot imagine that the preface to his translation of " Theocritus," "Letters to Dead Authors," "In the Wrong Paradise," " Old Friends," and " Essays in Little " will ever lose their charm; but future admirers will have to pick their way to them through a tangle of history and anthropology and mythology, where there may be left no perfume and no sweetness. I am impatient to see this vast mass of writing reduced to the limits of its author's delicate, true, but somewhat evasive and ephemeral. genius. However, as far as the circumstances of his temperament permitted, Andrew Lang has left with us the memory of one of our most surprising contemporaries, a man of letters who laboured without cessation from boyhood to the grave, who pursued his ideal with indomitable activity and perseverance, and who was never betrayed except by the loftiness of his own endeavour. Lang's only misfortune was not to be completely in contact with life, and his work will survive exactly where he was most faithful to his innermost illusions.

HISTORICAL MYSTERIES

PREFACE

These Essays, which appeared, with two exceptions, in The Cornhill Magazine, 1904, have been revised, and some alterations, corrections, and additions have been made in them. 'Queen Oglethorpe,' in which Miss Alice Shield collaborated, doing most of the research, is reprinted by the courteous permission of the editor, from Blackwood's Magazine. A note on 'The End of Jeanne de la Motte,' has been added as a sequel to 'The Cardinal's Necklace:' it appeared in The Morning Post, the Editor kindly granting leave to republish.

The author wishes to acknowledge the able assistance of Miss E.M. Thompson, who made researches for him in the British Museum and at the Record Office.

I-THE CASE OF ELIZABETH CANNING

Don't let your poor little Lizzie be blamed! Thackeray.

'Everyone has heard of the case of Elizabeth Canning,' writes Mr. John Paget; and till recently I agreed with him. But five or six years ago the case of Elizabeth Canning repeated itself in a marvellous way, and then but few persons of my acquaintance had ever heard of that mysterious girl.

The recent case, so strange a parallel to that of 1753, was this: In Cheshire lived a young woman whose business in life was that of a daily governess. One Sunday her family went to church in the morning, but she set off to skate, by herself, on a lonely pond. She was never seen of or heard of again till, in the dusk of the following Thursday, her hat was found outside of the door of her father's farmyard. Her friend discovered her further off in a most miserable condition, weak, emaciated, and with her skull fractured. Her explanation was that a man had seized her on the ice, or as she left it, had dragged her across the fields, and had shut her up in a house, from which she escaped, crawled to her father's home, and, when she found herself unable to go further, tossed her hat towards the farm door. Neither such a man as she described, nor the house in which she had been imprisoned, was ever found. The girl's character was excellent, nothing pointed to her condition being the result d'une orgie échevelée; but the neighbours, of course, made insinuations, and a lady of my acquaintance, who visited the girl's mother, found herself almost alone in placing a charitable construction on the adventure.

My theory was that the girl had fractured her skull by a fall on the ice, had crawled to and lain in an unvisited outhouse of the farm, and on that Thursday night was wandering out, in a distraught state, not wandering in. Her story would be the result of her cerebral condition—concussion of the brain.

It was while people were discussing this affair, a second edition of Elizabeth Canning's, that one found out how forgotten was Elizabeth.

On January 1, 1753, Elizabeth was in her eighteenth year. She was the daughter of a carpenter in Aldermanbury; her mother, who had four younger children, was a widow, very poor, and of the best character. Elizabeth was short of stature, ruddy of complexion, and, owing to an accident in childhood—the falling of a garret ceiling on her head—was subject to fits of unconsciousness on any alarm. On learning this, the mind flies to hysteria, with its accompaniment of diabolical falseness, for an explanation of her adventure. But hysteria does not serve the turn. The girl had been for years in service with a Mr. Wintlebury, a publican. He gave her the highest character for honesty and reserve; she did not attend to the customers at the bar, she kept to herself, she had no young man, and she only left Wintlebury's for a better place—at a Mr. Lyon's, a near neighbour of her mother. Lyon, a carpenter, corroborated, as did all the neighbours, on the points of modesty and honesty.

On New Year's Day, 1753, Elizabeth wore her holiday best—'a purple masquerade stuff gown, a white handkerchief and apron, a black quilted petticoat, a green undercoat, black shoes, blue stockings, a white shaving hat with green ribbons,' and 'a very ruddy colour.' She had her wages, or Christmas-box, in her pocket—a golden half guinea in a little box, with three shillings and a few coppers, including a farthing. The pence she gave to three of her little brothers and sisters. One boy, however, 'had huffed her,' and got no penny. But she relented, and, when she went out, bought for him a mince-pie. Her visit of New Year's Day was to her maternal aunt, Mrs. Colley, living at Saltpetre Bank (Dock Street, behind the London Dock). She meant to return in time to buy, with her mother, a cloak, but the Colleys had a cold early dinner, and kept her till about 9 p.m. for a hot supper.

Already, at 9 p.m., Mr. Lyon had sent to Mrs. Canning's to make inquiries; the girl was not wont to stay out so late on a holiday. About 9 p.m., in fact, the two Colleys were escorting Elizabeth as far as Houndsditch.

The rest is mystery!

On Elizabeth's non-arrival Mrs. Canning sent her lad, a little after ten, to the Colleys, who were in bed. The night was passed in anxious search, to no avail; by six in the morning inquiries were vainly renewed. Weeks went by. Mrs. Canning, aided by the neighbours, advertised in the papers, mentioning a report of shrieks heard from a coach in Bishopsgate Street in the small morning hours of January 2. The mother, a Churchwoman, had prayers put up at several churches, and at Mr. Wesley's chapel. She also consulted a cheap 'wise man,' whose aspect alarmed her, but whose wisdom took the form of advising her to go on advertising. It was later rumoured that he said the girl was in the hands of 'an old black woman,' and would return; but Mrs. Canning admitted nothing of all this. Sceptics, with their usual acuteness, maintained that the disappearance was meant to stimulate charity, and that the mother knew where the daughter was; or, on the other hand, the daughter had fled to give birth to a child in secret, or for another reason incident to 'the young and gay,' as one of the counsel employed euphemistically put the case. The medical evidence did not confirm these suggestions. Details are needless, but these theories were certainly improbable. The character of La Pucelle was not more stainless than Elizabeth's.

About 10.15 p.m. on January 29, on the Eve of the Martyrdom of King Charles—as the poor women dated it—Mrs. Canning was on her knees, praying—so said her apprentice—that she might behold even if it were but an apparition of her daughter; such was her daily prayer. It was as in Wordsworth's Affliction of Margaret:

I look for ghosts, but none will force Their way to me; 'tis falsely said That ever there was intercourse Between the living and the dead!

At that moment there was a sound at the door. The 'prentice opened it, and was aghast; the mother's prayer seemed to be answered, for there, bleeding, bowed double, livid, ragged, with a cloth about her head, and clad in a dirty dressing-jacket and a filthy draggled petticoat, was Elizabeth Canning. She had neglected her little brother that 'huffed her' on New Year's Day, but she had been thinking of him, and now she gave her mother for him all that she had—the farthing!

You see that I am on Elizabeth's side: that farthing touch, and another, with the piety, honesty, loyalty, and even the superstition of her people, have made me her partisan, as was Mr. Henry Fielding, the well-known magistrate.

Some friends were sent for, Mrs. Myers, Miss Polly Lyon, daughter of her master, and others; while busybodies flocked in, among them one Robert Scarrat, a toiler, who had no personal knowledge of Elizabeth. A little wine was mulled; the girl could not swallow it, emaciated as she was. Her condition need not be described in detail, but she was very near her death, as the medical evidence, and that of a midwife (who consoled Mrs. Canning on one point), proves beyond possibility of cavil.

The girl told her story; but what did she tell? Mr. Austin Dobson, in The Dictionary of National Biography, says that her tale 'gradually took shape under the questions of sympathising neighbours,' and certainly, on some points, she gave affirmative answers to leading questions asked by Robert Scarrat. The difficulty is that the neighbours' accounts of what Elizabeth said in her woful condition were given when the girl was tried for perjury in April-May 1754. We must therefore make allowance for friendly bias and mythopœic memory. On January 31, 1753, Elizabeth made her statement before Alderman Chitty, and the chief count against her is that what she told Chitty did not tally with what the neighbours, in May 1754, swore that she told them when she came home on January 29, 1753. This point is overlooked by Mr. Paget in his essay on the subject.[1]

On the other hand, by 1754 the town was divided into two factions, believers and disbelievers in Elizabeth; and Chitty was then a disbeliever. Chitty took but a few notes on January 31, 1753. 'I did not make it so distinct as I could wish, not thinking it could be the subject of so much inquiry,' he admitted in 1754. Moreover, the notes which he then produced were not the notes which he made at the time, 'but what I took since from that paper I took then' (January 31, 1753) 'of hers and other persons that were brought before me.' This is not intelligible, and is not satisfactory. If Elizabeth handed in a paper, Chitty should have produced it in 1754. If he took notes of the evidence, why did he not produce the original notes?

These notes, made when, and from what source, is vague, bear that Elizabeth's tale was this: At a dead wall by Bedlam, in Moorfields, about ten p.m., on January 1, 1753, two men stripped her of gown, apron, and hat, robbed her of thirteen shillings and sixpence, 'struck her, stunned her, and pushed her along Bishopsgate Street.' She lost consciousness—one of her 'fits'—and recovered herself (near Enfield Wash). Here she was taken to a house, later said to be 'Mother Wells's,' where 'several persons' were. Chitty, unluckily, does not say what sort of persons, and on that point all turns. She was asked 'to do as they did,' 'a woman forced her upstairs into a room, and cut the lace of her stays,' told her there were bread and water in the room, and that her throat would be cut if she came out. The door was locked on her. (There was no lock; the door was merely bolted.) She lived on fragments of a quartern loaf and water 'in a pitcher,' with the mince-pie bought for her naughty little brother. She escaped about four in the afternoon of January 29. In the room were 'an old stool or two, an old picture over the chimney,' two windows, an old table, and so on. She forced a pane in a window, 'and got out on a small shed of boards or penthouse,' and so slid to the ground. She did not say, the alderman added, that there was any hay in the room. Of bread there were 'four or five' or 'five or six pieces.' 'She never mentioned the name of Wells.' Some one else did that at a venture. 'She said she could tell nothing of the woman's name.' The alderman issued a warrant against this Mrs. Wells, apparently on newspaper suggestion.

The chief points against Elizabeth were that, when Wells's place was examined, there was no penthouse to aid an escape, and no old picture. But, under a wretched kind of bed, supporting the thing, was a picture, on wood, of a Crown. Madam Wells had at one time used this loyal emblem as a sign, she keeping a very ill-famed house of call. But, in December 1745, when certain Highland and Lowland gentlemen were accompanying bonny Prince Charlie towards the metropolis, Mrs. Wells removed into a room the picture of the Crown, as being apt to cause political emotions. This sign may have been 'the old picture.' As to hay, there was hay in the room later searched; but penthouse there was none.

That is the worst point in the alderman's notes, of whatever value these enigmatic documents may be held.

One Nash, butler to the Goldsmiths' Company, was present at the examination before Chitty on January 31, 1753. He averred, in May 1754, what Chitty did not, that Elizabeth spoke of the place of her imprisonment as 'a little, square, darkish room,' with 'a few old pictures.' Here the one old picture of the notes is better evidence, if the notes are evidence, than Nash's memory. But I find that he was harping on 'a few old pictures' as early as March 1753. Elizabeth said she hurt her ear in getting out of the window, and, in fact, it was freshly cut and bleeding when she arrived at home.

All this of Nash is, so far, the better evidence, as next day, February 1, 1753, when a most tumultuous popular investigation of the supposed house of captivity was made, he says that he and others, finding the dungeon not to be square, small, and darkish, but a long, narrow slit of a loft, half full of hay, expressed disbelief. Yet it was proved that he went on suggesting to Lyon, Elizabeth's master, that people should give money to Elizabeth, and 'wished him success.' The proof was a letter of his, dated February 10, 1753. Also, Nash, and two like-minded friends, hearing Elizabeth perjure herself, as they thought, at the trial of Mrs. Wells (whom Elizabeth never mentioned to Chitty), did not give evidence against her—on the most absurdly flimsy excuses. One man was so horrified that, in place of denouncing the perjury, he fled incontinent! Another went to a dinner, and Nash to Goldsmiths' Hall, to his duties as butler. Such was then the vigour of their scepticism.

On the other hand, at the trial in 1754 the neighbours reported Elizabeth's tale as told on the night when she came home, more dead than alive. Mrs. Myers had known Elizabeth for eleven years, 'a very sober, honest girl as any in England.' Mrs. Myers found her livid, her fingers 'stood crooked;' Mrs. Canning, Mrs. Woodward, and Polly Lyon were then present, and Mrs. Myers knelt beside Elizabeth to hear her story. It was as Chitty gave it, till the point where she was carried into a house. The 'several persons' there, she said, were 'an elderly woman and two young ones.' Her stays were cut by the old woman. She was then thrust upstairs into a room, wherein was hay, a pitcher of water, and bread in pieces. Bread may have been brought in, water too, while she slept, a point never noted in the trials. She 'heard the name of Mother Wills, or Wells, mentioned.'

Now Scarrat, in 1754, said that he, being present on January 29, 1753, and hearing of the house, 'offered to bet a guinea to a farthing that it was Mother Wells's.' But Mrs. Myers believed that Elizabeth had mentioned hearing that name earlier; and Mrs. Myers must have heard Scarrat, if he suggested it, before Elizabeth named it. The point is uncertain.

Mrs. Woodward was in Mrs. Canning's room a quarter of an hour after Elizabeth's arrival. The girl said she was almost starved to death in a house on the Hertfordshire road, which she knew by seeing the Hertford coach, with which she was familiar, go by. The woman who cut her stays was 'a tall, black, swarthy woman.' Scarrat said 'that was not Mrs. Wells,' which was fair on Scarrat's part. Elizabeth described the two young women as being one fair, the other dark; so Scarrat swore. Wintlebury, her old master, and several others corroborated.

If these accounts by Mrs. Myers, Mrs. Woodward, Scarrat, Wintlebury, and others are trustworthy, then Elizabeth Canning's narrative is true, for she found the two girls, the tall, swarthy woman, the hay, and the broken water-pitcher, and almost everything else that she had mentioned on January 29, at Mother Wells's house when it was visited on February 1. But we must remember that most accounts of what Elizabeth said on January 29 and on January 31 are fifteen months after date, and are biassed on both sides.

To Mother Wells's the girl was taken on February 1, in what a company! The coach, or cab, was crammed full, some friends walked, several curious citizens rode, and, when Elizabeth arrived at the house, Nash, the butler, and other busybodies had made a descent on it. The officer with the warrant was already there. Lyon, Aldridge, and Hague were with Nash in a cab, and were met by others 'riding hard,' who had seized the people found at Mrs. Wells's. There was a rabble of persons on foot and on horse about the door.

On entering the doorway the parlour was to your left, the house staircase in front of you, on your right the kitchen, at the further end thereof was a door, and, when that was opened, a flight of stairs led to a long slit of a loft which, Nash later declared, did not answer to Elizabeth's description, especially as there was hay, and, before Chitty, Elizabeth had mentioned none. There was a filthy kind of bed, on which now slept a labourer and his wife, Fortune and Judith Natus. Nash kept talking about the hay, and one Adamson rode to meet Elizabeth, and came back saying that she said there was hay. By Adamson's account he only asked her, 'What kind of place was it?' and she said, 'A wild kind of place with hay in it,' as in the neighbours' version of her first narrative. Mrs. Myers, who was in the coach, corroborated Adamson.

The point of the sceptics was that till Adamson rode back to her on her way to Wells's house she had never mentioned hay. They argued that Adamson had asked her, 'Was there hay in the room?' and that she, taking the hint, had said 'Yes!' By May 1754 Adamson and Mrs. Myers, who was in the cab with Elizabeth, would believe that Adamson had asked 'What kind of place is it?' and that Elizabeth then spoke, without suggestion, of the hay. The point would be crucial, but nobody in 1754 appears to have remembered that on February 21, three weeks after the event, at the trial of Mother Wells, Adamson had given exactly the same evidence as in May 1754. 'I returned to meet her, and asked her about the room. She described the room with some hay in it ... an odd sort of an empty room.'

Arriving at Mother Wells's, Elizabeth, very faint, was borne in and set on a dresser in the kitchen. Why did she not at once say, 'My room was up the stairs, beyond the door at the further end of the room'? I know not, unless she was dazed, as she well might be. Next she, with a mob of the curious, was carried into the parlour, where were all the inmates of the house. She paid no attention to Mrs. Wells, but at once picked out a tall old woman huddled over the fire smoking a pipe. She did this, by the sceptical Nash's evidence, instantly and without hesitation. The old woman rose. She was 'tall and swarthy,' a gipsy, and according to all witnesses inconceivably hideous, her underlip was 'the size of a small child's arm,' and she was marked with some disease. 'Pray look at this face,' she said; 'I think God never made such another.' She was named Mary Squires. She added that on January 1 she was in Dorset—'at Abbotsbury,' said her son George, who was present.

In 1754 thirty-six people testified to Mary Squires's presence in Dorset, or to meeting her on her way to London, while twenty-seven, at Enfield alone, swore as positively that they had seen her and her daughter at or near Mrs. Wells's, and had conversed with her, between December 18, 1752, and the middle of January. Some of the Enfield witnesses were of a more prosperous and educated class than the witnesses for the gipsy. Many, on both sides, had been eager to swear, indeed, many had made affidavits as early as March 1753.

This business of the cross-swearing is absolutely inexplicable; on both sides the same entire certainty was exhibited, as a rule, yet the woman was unmistakable, as she justly remarked. The gipsy, at all events, had her alibi ready at once; her denial was as prompt and unhesitating as Elizabeth's accusation. But, if guilty, she had enjoyed plenty of time since the girl's escape to think out her line of defence. If guilty, it was wiser to allege an alibi than to decamp when Elizabeth made off, for she could not hope to escape pursuit. George Squires, her son, so prompt with his 'at Abbotsbury on January 1,' could not tell, in May 1754, where he had passed the Christmas Day before that New Year's Day, and Christmas is a notable day. Elizabeth also recognised in Lucy Squires, the gipsy's daughter, and in Virtue Hall, the two girls, dark and fair, who were present when her stays were cut.

After the recognition, Elizabeth was carried through the house, and, according to Nash, in the loft up the stairs from the kitchen she said, in answer to his question, 'This is the room, for here is the hay I lay upon, but I think there is more of it.' She also identified the pitcher with the broken mouth, which she certainly mentioned to Chitty, as that which held her allowance of water. A chest, or nest, of drawers she declared that she did not remember. An attempt was made to suggest that one of her party brought the pitcher in with him to confirm her account. This attempt failed; but that she had mentioned the pitcher was admitted. Mrs. Myers, in May 1754, quoted Elizabeth's words as to there being more hay exactly in the terms of Nash. Mrs. Myers was present in the loft, and added that Elizabeth 'took her foot, and put the hay away, and showed the gentlemen two holes, and said they were in the room when she was in it before.'

On February 7, Elizabeth swore to her narrative, formally made out by her solicitor, before the author of Tom Jones, and Mr. Fielding, by threats of prosecution if she kept on shuffling, induced Virtue Hall to corroborate, after she had vexed his kind heart by endless prevarications. But as Virtue Hall was later 'got at' by the other side and recanted, we leave her evidence on one side.

On February 21-26 Mary Squires was tried at the Old Bailey and condemned to death, Virtue Hall corroborating Elizabeth. Mrs. Wells was branded on the hand. Three Dorset witnesses to the gipsy's alibi were not credited, and Fortune and Judith Natus did not appear in court, though subpœnaed. In 1754 they accounted for this by their fear of the mob. The three sceptics, Nash, Hague, and Aldridge, held their peace. The Lord Mayor, Sir Crispin Gascoyne, who was on the bench at the trial of Squires and Wells, was dissatisfied. He secured many affidavits which seem unimpeachable, for the gipsy's alibi, and so did the other side for her presence at Enfield. He also got at Virtue Hall, or rather a sceptical Dr. Hill got at her and handed her over to Gascoyne. She, as we saw, recanted. George Squires, the gipsy's son, with an attorney, worked up the evidence for the gipsy's alibi; she received a free pardon, and on April 29, 1754, there began the trial of Elizabeth Canning for 'wilful and corrupt perjury.'

Mr. Davy, opening for the Crown, charitably suggested that Elizabeth had absconded 'to preserve her character,' and had told a romantic story to raise money! 'And, having by this time subdued all remains of virtue, she preferred the offer of money, though she must wade through innocent blood'—that of the gipsy—'to attain it.'

These hypotheses are absurd; her character certainly needed no saving.

Mr. Davy then remarked on the gross improbabilities of the story of Elizabeth. They are glaring, but, as Fielding said, so are the improbabilities of the facts. Somebody had stripped and starved and imprisoned the girl; that is absolutely certain. She was brought 'within an inch of her life.' She did not suffer all these things to excite compassion; that is out of the question. Had she plunged into 'gaiety' on New Year's night, the consequences would be other than instant starvation. They might have been 'guilty splendour.' She had been most abominably misused, and it was to the last degree improbable that any mortal should so misuse an honest quiet lass. But the grossly improbable had certainly occurred. It was next to impossible that, in 1856, a respectable-looking man should offer to take a little boy for a drive, and that, six weeks later, the naked body of the boy, who had been starved to death, should be found in a ditch near Acton. But the facts occurred.[2]To Squires and Wells a rosy girl might prove more valuable than a little boy to anybody.

That Elizabeth could live for a month on a loaf did not surprise Mrs. Canning. 'When things were very hard with her,' said Mrs. Canning, 'the child had lived on half a roll a day.' This is that other touch which, with the story of the farthing, helps to make me a partisan of Elizabeth.

Mr. Davy said that on January 31, before Chitty, Elizabeth 'did not pretend to certainty' about Mrs. Wells. She never did at any time; she neither knew, nor affected to know, anything about Mrs. Wells. She had only seen a tall, swarthy woman, a dark girl, and a fair girl, whom she recognised in the gipsy, her daughter, and Virtue Hall. Mr. Davy preferred Nash's evidence to that of all the neighbours, and even to Chitty's notes, when Nash and Chitty varied. Mr. Davy said that Nash 'withdrew his assistance' after the visit to the house. It was proved, we saw, by his letter of February 10, that he did not withdraw his assistance, which, like that of Mr. Tracy Tupman, took the form of hoping that other people would subscribe money.

Certain varieties of statement as to the time when Elizabeth finished the water proved fatal, and the penthouse of Chitty's notes was played for all that it was worth. It was alleged, as matter of fact, that Adamson brought the broken pitcher into the house—this by Mr. Willes, later Solicitor-General. Now, for three months before February 1, Adamson had not seen Elizabeth Canning, nor had he heard her description of the room. He was riding, and could not carry a gallon pitcher in his coat pocket. He could not carry it in John Gilpin's fashion; and, whatever else was denied, it was admitted that from the first Elizabeth mentioned the pitcher. The statement of Mr. Willes, that Adamson brought in the pitcher, was one that no barrister should have made.