Homer's Odyssey E-Book

Homer

• Herausgeber: Seltzer Books
• Kategorie: Poesie und Drama
• Sprache: Englisch
• Veröffentlichungsjahr: 2018

Seitenzahl: 714

Beschreibung

Verse translation. According to Wikipedia: "Homer is a legendary ancient Greek epic poet, traditionally said to be the author of the epic poems the Iliad and the Odyssey. The ancient Greeks generally believed that Homer was a historical individual, but modern scholars are skeptical: no reliable biographical information has been handed down from classical antiquity, and the poems themselves manifestly represent the culmination of many centuries of oral story-telling and a well-developed "formulaic" system of poetic composition."

Leseprobe

THE ODYSSEY OF HOMER, DONE INTO ENGLISH PROSE BY S. H. BUTCHER AND A. LANG

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PREFACE.

There would have been less controversy about the proper method of Homeric translation, if critics bad recognised that the question is a purely relative one, that of Homer there can be no final translation. The taste and the literary habits of each age demand different qualities in poetry, and therefore a different sort of rendering of Homer. To the men of the time of Elizabeth, Homer would have appeared bald, it seems, and lacking in ingenuity, if he had been presented in his antique simplicity. For the Elizabethan age, Chapman supplied what was then necessary,  and the mannerisms that were then deemed of the essence of poetry, namely, daring and luxurious conceits. Thus in Chapman's verse Troy must 'shed her towers for tears of overthrow,' and when the winds toss Odysseus about, their sport must be called 'the horrid tennis.'

In the age of Anne, 'dignity' and 'correctness' had to be given to Homer, and Pope gave them by aid of his dazzling rhetoric, his antitheses, his nettete, his command of every conventional and favourite artifice. Without Chapman's conceits, Homer's poems would hardly have been what the Elizabethans took for poetry; without Pope's smoothness, and Pope's points, the Iliad and Odyssey would have seemed rude, and harsh in the age of Anne. These great translations must always live as English poems. As transcripts of Homer they are like pictures drawn from a lost point of view. Chaque siecle depuis le xvi a ue de ce cote son belveder different. Again, when Europe woke to a sense, an almost exaggerated and certainly uncritical sense, of the value of her songs of the people, of all the ballads that Herder, Scott, Lonnrot, and the rest collected, it was commonly said that Homer was a ballad-minstrel, that the translator must imitate the simplicity, and even adopt the formulae of the ballad. Hence came the renderings of Maginn, the experiments of Mr. Gladstone, and others. There was some excuse for the error of critics who asked for a Homer in ballad rhyme. The Epic poet, the poet of gods and heroes, did indeed inherit some of the formulae of the earlier Volks-lied. Homer, like the author of The Song of Roland, like the singers of the Kalevala, uses constantly recurring epithets, and repeats, word for word, certain emphatic passages, messages, and so on. That custom is essential in the ballad, it is an accident not the essence of the epic. The epic is a poem of complete and elaborate art, but it still bears some birthmarks, some signs of the early popular chant, out of which it sprung, as the garden-rose springs from the wild stock, When this is recognised the demand for ballad-like simplicity and 'ballad-slang' ceases to exist, and then all Homeric translations in the ballad manner cease to represent our conception of Homer. After the belief in the ballad manner follows the recognition of the romantic vein in Homer, and, as a result, came Mr. Worsley's admirable Odyssey. This masterly translation does all that can be done for the Odyssey in the romantic style. The smoothness of the verse, the wonderful closeness to the original, reproduce all of Homer, in music and in meaning, that can be rendered in English verse. There still, however, seems an aspect Homeric poems, and a demand in connection with Homer to be recognised, and to be satisfied.

Sainte-Beuve says, with reference probably to M. Leconte de Lisle's prose version of the epics, that some people treat the epics too much as if the were sagas. Now the Homeric epics are sagas, but then they are the sagas of the divine heroic age of Greece, and thus are told with an art which is not the art of the Northern poets. The epics are stories about the adventures of men living in most respects like the men of our own race who dwelt in Iceland, Norway, Denmark, and Sweden. The epics are, in a way, and as far as manners and institutions are concerned, historical documents. Whoever regards them in this way, must wish to read them exactly as they have reached us, without modern ornament, with nothing added or omitted. He must recognise, with Mr. Matthew Arnold, that what he now wants, namely, the simple truth about the matter of the poem, can only be given in prose, 'for in a verse translation no original work is any longer recognisable.' It is for this reason that we have attempted to tell once more, in simple prose, the story of Odysseus. We have tried to transfer, not all the truth about the poem, but the historical truth, into English. In this process Homer must lose at least half his charm, his bright and equable speed, the musical current of that narrative, which, like the river of Egypt, flows from an indiscoverable source, and mirrors the temples and the palaces of unforgotten gods and kings. Without this music of verse, only a half truth about Homer can be told, but then it is that half of the truth which, at this moment, it seems most necessary to tell. This is the half of the truth that the translators who use verse cannot easily tell. They MUST be adding to Homer, talking with Pope about 'tracing the mazy lev'ret o'er the lawn,' or with Mr. Worsley about the islands that are 'stars of the blue Aegaean,' or with Dr. Hawtrey about 'the earth's soft arms,' when Homer says nothing at all about the 'mazy lev'ret,' or the 'stars of the blue Aegaean,' or the 'soft arms' of earth. It would be impertinent indeed to blame any of these translations in their place. They give that which the romantic reader of poetry, or the student of the age of Anne, looks for in verse; and without tags of this sort, a translation of Homer in verse cannot well be made to hold together.

There can be then, it appears, no final English translation of Homer. In each there must be, in addition to what is Greek and eternal, the element of what is modern, personal, and fleeting. Thus we trust that there may be room for 'the pale and far-off shadow of a prose translation,' of which the aim is limited and humble. A prose translation cannot give the movement and the fire of a successful translation

 in verse; it only gathers, as it were, the crumbs which fall from the richer table, only tells the story, without the song. Yet to a prose translation is permitted, perhaps, that close adherence to the archaisms of the epic, which in verse become mere oddities. The double epithets, the recurring epithets of Homer, if rendered into verse, delay and puzzle the reader, as the Greek does not delay or puzzle him. In prose he may endure them, or even care to study them as the survivals of a stage of taste, which is to be found in its prime in the sagas. These double and recurring epithets of Homer are a softer form of the quaint Northern periphrases, which make the sea the 'swan's bath,' gold, the 'dragon's hoard,' men, the 'ring-givers,' and so on. We do not know whether it is necessary to defend our choice of a somewhat antiquated prose. Homer has no ideas which cannot be expressed in words that are 'old and plain,' and to words that are old and plain, and, as a rule, to such terms as, being used by the Translators of the Bible, are still not unfamiliar, we have tried to restrict ourselves. It may be objected, that the employment of language which does not come spontaneously to the lips, is an affectation out of place in a version of the Odyssey. To this we may answer that the Greek Epic dialect, like the English of our Bible, was a thing of slow growth and composite nature, that it was never a spoken language, nor, except for certain poetical purposes, a written language. Thus the Biblical English seems as nearly analogous to the Epic Greek, as anything that our tongue has to offer.

The few foot-notes in this book are chiefly intended to make clear some passages where there is a choice of reading. The notes at the end, which we would like to have written in the form of essays, and in company with more complete philological and archaeological studies, are chiefly meant to elucidate the life of Homer's men. We have received much help from many friends, and especially from Mr. R. W. Raper, Fellow of Trinity College, Oxford and Mr. Gerald Balfour, Fellow of Trinity College, Cambridge, who has aided us with many suggestions while the book was passing through the press.

In the interpretation of B. i.411, ii.191, v.90, and 471, we have departed from the received view, and followed Mr. Raper, who, however, has not been able to read through the proof-sheets further than Book xii.

We have adopted La Roche's text (Homeri Odyssea, J. La Roche, Leipzig, 1867), except in a few cases where we mention our reading in a foot-note.

The Arguments prefixed to the Books are taken, with very slight alterations, from Hobbes' Translation of the Odyssey.

It is hoped that the Introduction added to the second edition may illustrate the growth of those national legends on which Homer worked, and may elucidate the plot of the Odyssey.

 PREFACE TO THE THIRD EDITION.

Wet owe our thanks to the Rev. E. Warre, of Eton College, for certain corrections on nautical points. In particular, he has convinced us that the raft of Odysseus in B. v. is a raft strictly so called, and that it is not, under the poet's description, elaborated into a ship, as has been commonly supposed. The translation of the passage (B. v.246-261) is accordingly altered.

 INTRODUCTION

COMPOSITION AND PLOT OF THE ODYSSEY.

The Odyssey is generally supposed to be somewhat the later in date of the two most ancient Greek poems which are concerned with the events and consequences of the Trojan war. As to the actual history of that war, it may be said that nothing is known. We may conjecture that some contest between peoples of more or less kindred stocks, who occupied the isles and the eastern and western shores of the Aegean, left a strong impression on the popular fancy. Round the memories of this contest would gather many older legends, myths, and stories, not peculiarly Greek or even 'Aryan,' which previously floated unattached, or were connected with heroes whose fame was swallowed up by that of a newer generation. It would be the work of minstrels, priests, and poets, as the national spirit grew conscious of itself, to shape all these materials into a definite body of tradition. This is the rule of development--first scattered stories, then the union of these into a NATIONAL legend. The growth of later national legends, which we are able to trace, historically, has generally come about in this fashion. To take the best known example, we are able to compare the real history of Charlemagne with the old epic poems on his life and exploits. In these poems we find that facts are strangely exaggerated, and distorted; that purely fanciful additions are made to the true records, that the more striking events of earlier history are crowded into the legend of Charles, that mere fairy tales, current among African as well as European peoples, are transmuted into false history, and that the anonymous characters of fairy tales are converted into historical personages. We can also watch the process by which feigned genealogies were constructed, which connected the princely houses of France with the imaginary heroes of the epics. The conclusion is that the poetical history of Charlemagne has only the faintest relations to the true history. And we are justified in supposing that, quite as little of the real history of events can be extracted from the tale of Troy, as from the Chansons de Geste.

By the time the Odyssey was composed, it is certain that a poet had before him a well-arranged mass of legends and traditions from which he might select his materials. The author of the Iliad has an extremely full and curiously consistent knowledge of the local traditions of Greece, the memories which were cherished by Thebans, Pylians, people of Mycenae, of Argos, and so on. The Iliad and the Odyssey assume this knowledge in the hearers of the poems, and take for granted some acquaintance with other legends, as with the story of the Argonautic Expedition. Now that story itself is a tissue of popular tales,--still current in many distant lands,--but all woven by the Greek genius into the history of Iason.

The history of the return of Odysseus as told in the Odyssey, is in the same way, a tissue of old marchen. These must have existed for an unknown length of time before they gravitated into the cycle of the tale of Troy.

The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the Odyssey, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem. We now go on to sketch the plot, which is a marvel of construction.

Odysseus was the King of Ithaca, a small and rugged island on the western coast of Greece. When he was but lately married to Penelope, and while his only son Telemachus was still an infant, the Trojan war began. It is scarcely necessary to say that the object of this war, as conceived

 of by the poets, was to win back Helen, the wife of Menelaus, from Paris, the son of Priam, King of Troy. As Menelaus was the brother of Agamemnon, the Emperor, so to speak, or recognised chief of the petty kingdoms of 'Greece, the whole force of these kingdoms was at his disposal. No prince came to the leaguer of Troy from a home more remote than that of Odysseus. When Troy was taken, in the tenth year of the war, his homeward voyage was the longest and most perilous.

The action of the Odyssey occupies but the last six weeks of the ten years during which Odysseus was wandering. Two nights in these six weeks are taken up, however, by his own narrative of his adventures (to the Phaeacians, p. xx) in the previous ten years. With this explanatory narrative we must begin, before coming to the regular action of the poem.

After the fall of Troy, Odysseus touched at Ismarus, the city of a Thracian people, whom he attacked and plundered, but by whom he was at last repulsed. The north wind then

 carried his ships to Malea, the extreme southern point of Greece. Had he doubled Malea safely, he would probably have reached Ithaca in a few days, would have found Penelope unvexed by wooers, and Telemachus a boy of ten years old. But this was not to be.

The 'ruinous winds' drove Odysseus and his ships for ten days, and on the tenth they touched the land of the Lotus- Eaters, whose flowery food causes sweet forgetfulness. Lotus-land was possibly in Western Libya, but it is more probable that ten days' voyage from the southern point of Greece, brought Odysseus into an unexplored region of fairy-land. Egypt, of which Homer had some knowledge, was but five days' sail from Crete.

Lotus-land, therefore, being ten days' sail from Malea, was well over the limit of the discovered world. From this country Odysseus went on till he reached the land of the lawless Cyclopes, a pastoral people of giants. Later Greece feigned that the Cyclopes dwelt near Mount Etna, in Sicily. Homer leaves their place of abode in the vague.  Among the Cyclopes, Odysseus had the adventure on which his whole fortunes hinged. He destroyed the eye of the cannibal giant, Polyphemus, a son of Poseidon, the God of the Sea. To avenge this act, Poseidon drove Odysseus wandering for ten long years, and only suffered him to land in Ithaca, 'alone, in evil case, to find troubles in his house.' This is a very remarkable point in the plot. The story of the crafty adventurer and the blinding of the giant, with the punning device by which the hero escaped, exists in the shape of a detached marchen or fairy-tale among races who never heard of Homer. And when we find the story among Oghuzians, Esthonians, Basques, and Celts, it seems natural to suppose that these people did not break a fragment out of the Odyssey, but that the author of the Odyssey took possession of a legend out of the great traditional store of fiction. From the wide distribution of the tale, there is reason to suppose that it is older than Homer, and that it was not originally told of Odysseus, but was attached to his legend, as floating jests of unknown authorship are attributed to eminent wits. It has been remarked with truth that in this episode Odysseus acts out of character, that he is foolhardy as well as cunning. Yet the author of the Odyssey, so far from merely dove-tailing this story at random into his narrative, has made his whole plot turn on the injury to the Cyclops. Had he not foolishly exposed himself and his companions, by his visit to the Cyclops, Odysseus would never have been driven wandering for ten weary years. The prayers of the blinded Cyclops were heard and fulfilled by Poseidon.

From the land of the Cyclops, Odysseus and his company sailed to the Isle of Aeolus, the king of the winds. This place too is undefined; we only learn that, even with the most favourable gale, it was ten days' sail from Ithaca. In the Isle of Aeolus Odysseus abode for a month, and then received from the king a bag in which all the winds were bound, except that which was to waft the hero to his home. This sort of bag was probably not unfamiliar to superstitious Greek sailors who had dealings with witches, like the modern wise women of the Lapps. The companions of the hero opened the bag when Ithaca was in sight, the winds rushed out, the ships were borne back to the Aeolian Isle, and thence the hero was roughly dismissed by Aeolus. Seven days' sail brought him to Lamos, a city of the cannibal  Laestrygonians. Their country, too, is in No-man's-land, and nothing can be inferred from the fact that their fountain was called Artacia, and that there was an Artacia in Cyzicus. In Lamos a very important adventure befel Odysseus. The cannibals destroyed all his fleet, save one ship, with which he made his escape to the Isle of Circe. Here the enchantress turned part of the crew into swine, but Odysseus, by aid of the god Hermes, redeemed them, and became the lover of Circe. This adventure, like the story of the Cyclops, is a fairy tale of great antiquity. Dr. Gerland, in his Alt Griechische Marchen in der Odyssee, his shown that the story makes part of the collection of Somadeva, a store of Indian tales, of which 1200 A.D. is the approximate date. Circe appears as a Yackshini, and is conquered when an adventurer seizes her flute whose magic music turns men into beasts. The Indian Circe had the habit of eating the animals into which she transformed men.

We must suppose that the affairs with the Cicones, the Lotus-eaters, the Cyclops, Aeolus, and the Laestrygonians, occupied most of the first year after the fall of Troy. A year was then spent in the Isle of Circe, after which the sailors were eager to make for home. Circe commanded them to go down to Hades, to learn the homeward way from the ghost of the Theban prophet Teiresias. The descent into hell, for some similar purpose, is common in the epics of other races, such as the Finns, and the South-Sea Islanders. The narrative of Odysseus's visit to the dead (book xi) is one of the most moving passages in the whole poem.

From Teiresias Odysseus learned that, if he would bring his companions home, he must avoid injuring the sacred cattle of the Sun, which pastured in the Isle of Thrinacia.  If these were harmed, he would arrive in Ithaca alone, or in the words of the Cyclops's prayer, I in evil plight, with loss of all his company, on board the ship of strangers, to find sorrow in his house.' On returning to the Isle Aeaean, Odysseus was warned by Circe of the dangers he would encounter. He and his friends set forth, escaped the Sirens (a sort of mermaidens), evaded the Clashing Rocks, which close on ships (a fable known to the Aztecs), passed Scylla (the pieuvre of antiquity) with loss of some of the company, and reached Thrinacia, the Isle of the Sun. Here the company of Odysseus, constrained by hunger, devoured the sacred kine of the Sun, for which offence they were punished by a shipwreck, when all were lost save Odysseus. He floated ten days on a raft, and then reached the isle of the goddess Calypso, who kept him as her lover for eight years.

The first two years after the fall of Troy are now accounted for. They were occupied, as we have seen, by adventures with the Cicones, the Lotus-eaters, the Cyclops, Aeolus, the Laestrygonians, by a year's residence with Circe, by the descent into Hades, the encounters with the Sirens, and Scylla, and the fatal sojourn in the isle of Thrinacia. We leave Odysseus alone, for eight years, consuming his own heart, in the island paradise of Calypso.

In Ithaca, the hero's home, things seem to have passed smoothly till about the sixth year after the fall of Troy. Then the men of the younger generation, the island chiefs, began to woo Penelope, and to vex her son Telemachus. Laertes, the father of Odysseus, was too old to help, and Penelope only gained time by her famous device of weaving and unweaving the web. The wooers began to put compulsion on the Queen, quartering themselves upon her, devouring her substance, and insulting her by their relations with her handmaids. Thus Penelope pined at home, amidst her wasting possessions. Telemachus fretted in vain, and Odysseus was devoured by grief and home-sickness in the isle of Calypso. When he had lain there for nigh eight years, the action of the Odyssey begins, and occupies about six weeks.

  DAY 1 (Book i).

The ordained time has now arrived, when by the counsels of the Gods, Odysseus is to be brought home to free his house, to avenge himself on the wooers, and recover his kingdom. The chief agent in his restoration is Pallas Athene; the first book opens with her prayer to Zeus that Odysseus may be delivered. For this purpose Hermes is to be sent to Calypso to bid her release Odysseus, while Pallas Athene in the shape of Mentor, a friend of Odysseus, visits  Telemachus in Ithaca. She bids him call an assembly of the people, dismiss the wooers to their homes, and his mother to her father's house, and go in quest of his own father, in Pylos, the city of Nestor, and Sparta, the home of Menelaus. Telemachus recognises the Goddess, and the first day closes.

  DAY 2 (Book ii).

Telemachus assembles the people, but he has not the heart to carry out Athene's advice. He cannot send the wooers away, nor turn his mother out of her house. He rather weakly appeals to the wooers' consciences, and announces his intention of going to seek his father. They answer with scorn, but are warned of their fate, which is even at the doors, by Halitherses. His prophecy (first made when Odysseus set out for Troy) tallies with the prophecy of Teiresias, and the prayer of the Cyclops. The reader will observe a series of portents, prophecies, and omens, which grow more numerous and admonishing as their doom draws nearer to the wooers. Their hearts, however, are hardened, and they mock at Telemachus, who, after an interview with Athene, borrows a ship and secretly sets out for Pylos. Athene accompanies him, and his friends man his galley.

  DAY 3 (Book iii).

They reach Pylos, and are kindly received by the aged Nestor, who has no news about Odysseus. After sacrifice, Athene disappears.

  DAY 4 (Book iii).

The fourth day is occupied with sacrifice, and the talk of Nestor. In the evening Telemachus (leaving his ship and friends at Pylos) drives his chariot into Pherae, half way to Sparta; Peisistratus, the soil of Nestor, accompanies him.

  DAY 5 (Book iv).

Telemachus and Peisistratus arrive at Sparta, where Menelaus and Helen receive them kindly.

  DAY 6 (Book iv).

Menelaus tells how he himself came home in the eighth year after the fall of Troy. He had heard from Proteus, the Old Man of the Sea, that Odysseus was alive, and a captive on an island of the deep. Menelaus invites Telemachus to Stay with him for eleven days or twelve, which Telemachus declines to do. it will later appear that he made an even longer stay at Sparta, though whether he changed his mind, or whether we have here an inadvertence of the poet's it is hard to determine. This blemish has been used as an argument against the unity of authorship, but writers of all ages have made graver mistakes.

On this same day (the sixth) the wooers in Ithaca learned that Telemachus had really set out to I cruise after his father.' They sent some of their number to lie in ambush for him, in a certain strait which he was likely to pass on his return to Ithaca. Penelope also heard of her son's departure, but was consoled by a dream.

  DAY 7 (Book v).

The seventh day finds us again in Olympus. Athene again urges the release of Odysseus; and Hermes is sent to bid Calypso let the hero go. Zeus prophecies that after twenty days sailing, Odysseus will reach Scheria, and the hospitable Phaeacians, a people akin to the Gods, who will convey him to Ithaca. Hermes accomplishes the message to Calypso.

  DAYS 8-12-32 (Book v).

These days are occupied by Odysseus in making and launching a raft; on the twelfth day from the beginning of the action he leaves Calypso's isle. He sails for eighteen days, and on the eighteenth day of his voyage (the twenty- ninth from the beginning of the action), he sees Scheria. Poseidon raises a storm against him, and it is not till the thirty-second day from that in which Athene visited  Telemachus, that he lands in Scheria, the country of the Phaeacians. Here be is again in fairy land. A rough, but perfectly recognisable form of the Phaeacian myth, is found in an Indian collection of marchen (already referred to) of the twelfth century A.D. Here the Phaeacians are the Vidyidhiris, and their old enemies the Cyclopes, are the Rakshashas, a sort of giants. The Indian Odysseus, who seeks the city of gold, passes by the home of an Indian Aeolus, Satyavrata. His later adventures are confused, and the Greek version retains only the more graceful fancies of the marchen.

  DAY 33 (Book vi).

Odysseus meets Nausicaa, daughter of Alcinous, the Phaeacian King, and by her aid, and that of Athene, is favourably received at the palace, and tells how he came from Calypso's island. His name is still unknown to his hosts.

  DAY 34 (Books vii, viii, ix, x, xi, xii).

The Phaeacians and Odysseus display their skill in sports. Nausicaa bids Odysseus farewell. Odysseus recounts to Alcinous, and Arete, the Queen, those adventures in the two years between the fall of Troy and his captivity in the island of Calypso, which we have already described (pp. xiii-xvii).

  DAY 35 (Book xiii).

Odysseus is conveyed to Ithaca, in the evening, on one of the magical barques of the Phaeacians.

  DAY 36 (Books xiii, xiv, xv).

He wakens in Ithaca, which be does not at first recognise He learns from Athene, for the first time, that the wooers beset his house. She disguises him as an old man, and bids him go to the hut of the swineherd Eumaeus, who is loyal to his absent lord. Athene then goes to Lacedaemon, to bring back Telemachus, who bas now resided there for a month. Odysseus won the heart of Eumaeus, who of course did not recognise him, and slept in the swineherd's hut, while Athene was waking Telemachus, in Lacedaemon, and bidding him 'be mindful of his return.'

  DAY 37 (Book xv).

Is spent by Odysseus in the swineherd's hut. Telemachus reaches Pherae, half-way to Pylos.

   DAY 38 (Book xv).

Telemachus reaches Pylos, but does not visit Nestor. To save time he goes at once on board ship, taking with him an unfortunate outlaw, Theoclymenus, a second-sighted man, or the family of Melampus, in which the gift of prophecy was hereditary. The ship passed the Elian coast at night, and evaded the ambush of the wooers. Meanwhile Odysseus was sitting up almost till dawn, listening to the history of Eumaeus, the swineherd.

  DAY 39 (Books xv, xvi).

Telemachus reaches the Isle of Ithaca, sends his ship to the city, but himself, by advice of Athene, makes for the hut of Eumaeus, where he meets, but naturally does not recognise, his disguised father. He sends Eumaeus to Penelope with news of his arrival, and then Athene reveals Odysseus to Telemachus. The two plot the death of the wooers. Odysseus bids Telemachus remove, on a favourable opportunity, the arms which were disposed as trophies on the walls of the hall at home. (There is a slight discrepancy between the words of this advice and the manner in which it is afterwards executed.) During this interview, the ship of Telemachus, the wooers who had been in ambush, and Eumaeus, all reached the town of Ithaca. In the evening Eumaeus returned to his hut, where Athene had again disguised Odysseus.

  DAY 40 (Books xvii, xviii, xix, xx).

The story is now hastening to its close, and many events are crowded into the fortieth day. Telemachus goes from the swineherd's hut to the city, and calls his guest,  Theoclymenus, to the palace. The second-sighted man prophesies of the near revenge of Odysseus. In the afternoon, Odysseus (still disguised) and Eumaeus reach the city, the dog Argos recognises the hero, and dies. Odysseus goes begging through his own hall, and is struck by Antinous, the proudest of the wooers. Late in the day Eumaeus goes home, and Odysseus fights with the braggart beggar Irus. Still later, Penelope appears among the wooers, and receives presents from them. When the wooers have withdrawn, Odysseus and Telemachus remove the weapons from the hall to the armoury. Afterwards Odysseus has an interview with Penelope (who does not recognise him), but he is recognised by his old nurse Eurycleia. Penelope mentions her purpose to wed the man who on the following day, the feast of the Archer-god Apollo, shall draw the bow of Odysseus, and send an arrow through the holes in twelve axe-blades, set up in a row. Thus the poet shows that Odysseus has arrived in Ithaca not a day too soon. Odysseus is comforted by a vision of Athene, and

  DAY 41 (Books xx, xxi, xxii, xxiii).

by the ominous prayer uttered by a weary woman grinding at the mill. The swineherd and the disloyal Melanthius arrive at the palace. The wooers defer the plot to kill Telemachus, as the day is holy to Apollo. Odysseus is led up from his seat near the door to a place beside Telemachus at the chief 's table. The wooers mock Telemachus, and the second- sighted Theoclymenus sees the ominous shroud of death covering their bodies, and the walls dripping with blood. He leaves the doomed company. In the trial of the bow, none of the wooers can draw it; meanwhile Odysseus has declared himself to the neatherd and the swineherd. The former bars and fastens the outer gates of the court, the latter bids Eurycleia bar the doors of the womens' chambers which lead out of the hall. Odysseus now gets the bow into his hands, strings it, sends the arrow through the axe-blades, and then leaping on the threshold of stone, deals his shafts among the wooers. Telemachus, the neatherd, and Eumaeus, aiding him, he slaughters all the crew, despite the treachery of Melanthius. The paramours of the wooers are hanged, and Odysseus, after some delay, is recognised by Penelope.

  DAY 42 (Books xxiii, xxiv).

This day is occupied with the recognition of Odysseus by his aged father Laertes, and with the futile attempt of the kinsfolk of the wooers to avenge them on Odysseus. Athene reconciles the feud, and the toils of Odysseus are accomplished.

The reader has now before him a chronologically arranged sketch of the action of the Odyssey. It is, perhaps, apparent, even from this bare outline, that the composition is elaborate and artistic, that the threads of the plot are skilfully separated and combined. The germ of the whole epic is probably the popular tale, known all over the world, of the warrior who, on his return from a long expedition, has great difficulty in making his prudent wife recognise him. The incident occurs as a detached story in China, and in most European countries it is told of a crusader. 'We may suppose it to be older than the legend of Troy, and to have gravitated into the cycle of that legend. The years of the hero's absence are then filled up with adventures (the Cyclops, Circe, the Phaeacians, the Sirens, the descent into hell) which exist as scattered tales, or are woven into the more elaborate epics of Gaels, Aztecs, Hindoos, Tartars, South-Sea Islanders, Finns, Russians, Scandinavians, and Eskimo. The whole is surrounded with the atmosphere of the kingly age of Greece, and the result is the Odyssey, with that unity of plot and variety of character which must have been given by one masterly constructive genius. The date at which the poet of the Odyssey lived may be approximately determined by his consistent descriptions of a peculiar and definite condition of society, which had ceased to exist in the ninth century B.C., and of a stage of art in which Phoenician and Assyrian influences predominated. (Die Kunst bei Homer. Brunn.) As to the mode of composition, it would not be difficult to show that at least the a priori Wolfian arguments against the early use of writing for literary purposes have no longer the cogency which they were once thought to possess. But this is matter for a separate investigation.

The Odyssey

Book I

In a Council of the Gods, Poseidon absent, Pallas procureth an order for the restitution of Odysseus; and appearing to his son Telemachus, in human shape, adviseth him to complain of the Wooers before the Council of the people, and then go to Pylos and Sparta to inquire about his father.

Tell me, Muse, of that man, so ready at need, who wandered far and wide, after he had sacked the sacred citadel of Troy, and many were the men whose towns he saw and whose mind he learnt, yea, and many the woes he suffered in his heart upon the deep, striving to win his own life and the return of his company.  Nay, but even so he saved not his company, though he desired it sore. For through the blindness of their own hearts they perished, fools, who devoured the oxen of Helios Hyperion: but the god took from them their day of returning. Of these things, goddess, daughter of Zeus, whencesoever thou hast heard thereof, declare thou even unto us.

Now all the rest, as many as fled from sheer destruction, were at home, and had escaped both war and sea, but Odysseus only, craving for his wife and for his homeward path, the lady nymph Calypso held, that fair goddess, in her hollow caves, longing to have him for her lord. But when now the year had come in the courses of the seasons, wherein the gods had ordained that he should return home to Ithaca, not even there was he quit of labours, not even among his own; but all the gods had pity on him save Poseidon, who raged continually against godlike Odysseus, till be came to his own country. Howbeit Poseidon had now departed for the distant Ethiopians, the Ethiopians that are sundered in twain, the uttermost of men, abiding some where Hyperion sinks and some where he rises.  There he looked to receive his hecatomb of bulls and rams, there he made merry sitting at the feast, but the other gods were gathered in the halls of Olympian Zeus. Then among them the father of gods and men began to speak, for he bethought him in his heart of noble Aegisthus, whom the son of Agamemnon, far-famed Orestes, slew. Thinking upon him he spake out among the Immortals:

'Lo you now, how vainly mortal men do blame the gods! For of us they say comes evil, whereas they even of themselves, through the blindness of their own hearts, have sorrows beyond that which is ordained. Even as of late Aegisthus, beyond that which was ordained, took to him the wedded wife of the son of Atreus, and killed her lord on his return, and that with sheer doom before his eyes, since we had warned him by the embassy of Hermes the keen-sighted, the slayer of Argos, that he should neither kill the man, nor woo his wife. For the son of Atreus shall be avenged at the hand of Orestes, so soon as he shall come to man's estate and long for his own country. So spake Hermes, yet he prevailed not on the heart of Aegisthus, for all his good will; but now hath he paid one price for all.'

And the goddess, grey-eyed Athene, answered him, saying: 'O father, our father Cronides, throned in the highest; that man assuredly lies in a death that is his due; so perish likewise all who work such deeds! But my heart is rent for wise Odysseus, that hapless one, who far from his friends this long while suffereth affliction in a seagirt isle, where is the navel of the sea, a woodland isle, and therein a goddess hath her habitation, the daughter of the wizard Atlas, who knows the depths of every sea, and himself upholds the tall pillars which keep earth and sky asunder. His daughter it is that holds the hapless man in sorrow: and ever with soft and guileful tales she is wooing him to forgetfulness of Ithaca. But Odysseus yearning to see if it were but the smoke leap upwards from his own land, hath a desire to die. As for thee, thine heart regardeth it not at all, Olympian! What! did not Odysseus by the ships of the Argives make thee free offering of sacrifice in the wide Trojan land? Wherefore wast thou then so wroth with him, O Zeus?'

And Zeus the cloud-gatherer answered her, and said, 'My child, what word hath escaped the door of thy lips? Yea, how should I forget divine Odysseus, who in understanding is beyond mortals and beyond all men hath done sacrifice to the deathless gods, who keep the wide heaven? Nay, but it is Poseidon, the girdler of the earth, that hath been wroth continually with quenchless anger for the Cyclops' sake whom he blinded of his eye, even godlike Polyphemus whose power is mightiest amongst all the Cyclopes. His mother was the nymph Thoosa, daughter of Phorcys, lord of the unharvested sea, and in the hollow caves she lay with Poseidon. From that day forth Poseidon the earth-shaker doth not indeed slay Odysseus, but driveth him wandering from his own country. But come, let us here one and all take good counsel as touching his returning, that he may be got home; so shall Poseidon let go his displeasure, for he will in no wise be able to strive alone against all, in despite of all the deathless gods.'

Then the goddess, grey-eyed Athene, answered him, and said: 'O father, our father Cronides, throned in the highest, if indeed this thing is now well pleasing to the blessed gods, that wise Odysseus should return to his own home, let us then speed Hermes the Messenger, the slayer of Argos, to the island of Ogygia. There with all speed let him declare to the lady of the braided tresses our unerring counsel, even the return of the patient Odysseus, that so he may come to his home. But as for me I will go to Ithaca that I may rouse his son yet the more, planting might in his heart, to call an assembly of the long-haired Achaeans and speak out to all the wooers who slaughter continually the sheep of his thronging flocks, and his kine with trailing feet and shambling gait. And I will guide him to Sparta and to sandy Pylos to seek tidings of his dear father's return, if peradventure he may hear thereof and that so he may be had in good report among men.'

She spake and bound beneath her feet her lovely golden sandals that wax not old, and bare her alike over the wet sea and over the limitless land, swift as the breath of the wind. And she seized her doughty spear, shod with sharp bronze, weighty and huge and strong, wherewith she quells the ranks of heroes with whomsoever she is wroth, the daughter of the mighty sire. Then from the heights of Olympus she came glancing down, and she stood in the land of Ithaca, at the entry of the gate of Odysseus, on the threshold of the courtyard, holding in her hand the spear of bronze, in the semblance of a stranger, Mentes the captain of the Taphians. And there she found the lordly wooers: now they were taking their pleasure at draughts in front of the doors, sitting on hides of oxen, which themselves had slain. And of the henchmen and the ready squires, some were mixing for them wine and water in bowls, and some again were washing the tables with porous sponges and were setting them forth, and others were carving flesh in plenty.

And godlike Telemachus was far the first to descry her, for he was sitting with a heavy heart among the wooers dreaming on his good father, if haply he might come somewhence, and make a scattering of the wooers there throughout the palace, and himself get honour and bear rule among his own possessions. Thinking thereupon, as he sat among wooers, he saw Athene--and he went straight to the outer porch, for he thought it blame in his heart that a stranger should stand long at the gates: and halting nigh her he clasped her right hand and took from her the spear of bronze, and uttered his voice and spake unto her winged words:

'Hail, stranger, with us thou shalt be kindly entreated, and thereafter, when thou hast tasted meat, thou shalt tell us that whereof thou hast need.'

Therewith he led the way, and Pallas Athene followed. And when they were now within the lofty house, he set her spear that he bore against a tall pillar, within the polished spear-stand, where stood many spears besides, even those of Odysseus of the hardy heart; and he led the goddess and seated her on a goodly carven chair, and spread a linen cloth thereunder, and beneath was a footstool for the feet. For himself he placed an inlaid seat hard by, apart from the company of the wooers, lest the stranger should be disquieted by the noise and should have a loathing for the meal, being come among overweening men, and also that he might ask him about his father that was gone from his home.

Then a handmaid bare water for the washing of hands in a goodly golden ewer, and poured it forth over a silver basin to wash withal, and drew to their side a polished table. And a grave dame bare wheaten bread and set it by them, and laid on the board many dainties, giving freely of such things as she had by her. And a carver lifted and placed by them platters of divers kinds of flesh, and nigh them he set golden bowls, and a henchman walked to and fro pouring out to them the wine.

Then in came the lordly wooers; and they sat them down in rows on chairs, and on high seats, and henchmen poured water on their hands, and maidservants piled wheaten bread by them in baskets, and pages crowned the bowls with drink; and they stretched forth their hands upon the good cheer spread before them. Now when the wooers had put from them the desire of meat and drink, they minded them of other things, even of the song and dance: for these are the crown of the feast. And a henchman placed a beauteous lyre in the hands of Phemius, who was minstrel to the wooers despite his will. Yea and as he touched the lyre he lifted up his voice in sweet songs.{*}

{* Or, according to the ordinary interpretation of [Greek]: So he touched the chords in prelude to his sweet singing.}

But Telemachus spake unto grey-eyed Athene, holding his head close to her that those others might not hear: 'Dear stranger, wilt thou of a truth be wroth at the word that I shall say? Yonder men verily care for such things as these, the lyre and song, lightly, as they that devour the livelihood of another without atonement, of that man whose white bones, it may be, lie wasting in the rain upon the mainland, or the billow rolls them in the brine. Were but these men to see him returned to Ithaca, they all would pray rather for greater speed of foot than for gain of gold and raiment. But now he hath perished, even so, an evil doom, and for us is no comfort, no, not though any of earthly men should say that he will come again. Gone is the day of his returning! But come declare me this, and tell me all plainly: Who art thou of the sons of men, and whence? Where is thy city, where are they that begat thee? Say, on what manner of ship didst thou come, and how did sailors bring thee to Ithaca, and who did they avow themselves to be, for in nowise do I deem that thou camest hither by land.  And herein tell me true, that I may know for a surety whether thou art a newcomer, or whether thou art a guest of the house, seeing that many were the strangers that came to our home, for that HE too had voyaged much among men.'

Then the goddess, grey-eyed Athene, answered him: 'Yea now, I will plainly tell thee all. I avow me to be Mentes, son of wise Anchialus, and I bear rule among the Taphians, lovers of the oar. And now am I come to shore, as thou seest, with ship and crew, sailing over the wine-dark sea, unto men of strange speech, even to Temesa, {*} in quest of copper, and my cargo is shining iron. And there my ship is lying toward the upland, away from the city, in the harbour of Rheithron beneath wooded Neion: and we declare ourselves to be friends one of the other, and of houses friendly, from of old. Nay, if thou wouldest be assured, go ask the old man, the hero Laertes, who they say no more comes to the city, but far away toward the upland suffers affliction, with an ancient woman for his handmaid, who sets by him meat and drink, whensoever weariness takes hold of his limbs, as he creeps along the knoll of his vineyard plot.  And now am I come; for verily they said that HE, thy father, was among his people; but lo, the gods withhold him from his way. For goodly Odysseus hath not yet perished on the earth; but still, methinks, he lives and is kept on the wide deep in a seagirt isle, and hard men constrain him, wild folk that hold him, it may be, sore against his will.  But now of a truth will I utter my word of prophecy, as the Immortals bring it into my heart and as I deem it will be accomplished, though no soothsayer am I, nor skilled in the signs of birds. Henceforth indeed for no long while shall he be far from his own dear country, not though bonds of iron bind him; he will advise him of a way to return, for he is a man of many devices. But come, declare me this, and tell me all plainly, whether indeed, so tall as thou art, thou art sprung from the loins of Odysseus. Thy head surely and they beauteous eyes are wondrous like to his, since full many a time have we held converse together ere he embarked for Troy, whither the others, aye the bravest of the Argives, went in hollow ships. From that day forth neither have I seen Odysseus, nor he me.'

{* Tamasia, in the mountainous centre of Cyprus.}

Then wise Telemachus answered her, and said: 'Yea, sir, now will I plainly tell thee all. My mother verily saith that I am his; for myself I know not, for never man yet knew of himself his own descent. O that I had been the son of some blessed man, whom old age overtook among his own possessions! But now of him that is the most hapless of mortal men, his son they say that I am, since thou dost question me hereof.'

Then the goddess, grey-eyed Athene, spake unto him, and said: 'Surely no nameless lineage have the gods ordained for thee in days to come, since Penelope bore thee so goodly a man. But come, declare me this, and tell it all plainly. What feast, nay, what rout is this? What hast thou to do therewith? Is it a clan drinking, or a wedding feast, for here we have no banquet where each man brings his share? In such wise, flown with insolence, do they seem to me to revel wantonly through the house: and well might any man be wroth to see so many deeds of shame, whatso wise man came among them.'

Then wise Telemachus answered her, and said: 'Sir, forasmuch as thou questionest me of these things and inquirest thereof, our house was once like to have been rich and honourable, while yet that man was among his people. But now the gods willed it otherwise, in evil purpose, who have made him pass utterly out of sight as no man ever before.  Truly I would not even for his death make so great sorrow, had he fallen among his fellows in the land of the Trojans, or in the arms of his friends when he had wound up the clew of war. Then would the whole Achaean host have builded him a barrow, and even for his son would he have won great glory in the after days. But now the spirits of the storm have swept him away inglorious. He is gone, lost to sight and hearsay, but for me hath he left anguish and lamentation; nor henceforth is it for him alone that I mourn and weep, since the gods have wrought for me other sore distress. For all the noblest that are princes in the isles, in Dulichium and Same and wooded Zacynthus, and as many as lord it in rocky Ithaca, all these woo my mother and waste my house. But as for her she neither refuseth the hated bridal, nor hath the heart to make an end: so they devour and minish my house, and ere long will they make havoc likewise of myself.'

Then in heavy displeasure spake unto him Pallas Athene: 'God help thee! thou art surely sore in need of Odysseus that is afar, to stretch forth his hands upon the shameless wooers.  If he could but come now and stand at the entering in of the gate, with helmet and shield and lances twain, as mighty a man as when first I marked him in our house drinking and making merry what time he came up out of Ephyra from Ilus son of Mermerus! For even thither had Odysseus gone on his swift ship to seek a deadly drug, that he might have wherewithal to smear his bronze-shod arrows: but Ilus would in nowise give it to him, for he had in awe the everliving gods. But my father gave it him, for he bare him wondrous love. O that Odysseus might in such strength consort with the wooers: so should they all have swift fate and bitter wedlock! Howbeit these things surely lie on the knees of the gods, whether he shall return or not, and take vengeance in his halls. But I charge thee to take counsel how thou mayest thrust forth the wooers from the hall. Come now, mark and take heed unto my words. On the morrow call the Achaean lords to the assembly, and declare thy saying to all, and take the gods to witness. As for the wooers bid them scatter them each one to his own, and for thy mother, if her heart is moved to marriage, let her go back to the hall of that mighty man her father, and her kinsfolk will furnish a wedding feast, and array the gifts of wooing exceeding many, all that should go back with a daughter dearly beloved. And to thyself I will give a word of wise counsel, if perchance thou wilt hearken. Fit out a ship, the best thou hast, with twenty oarsmen, and go to inquire concerning thy father that is long afar, if perchance any man shall tell thee aught, or if thou mayest hear the voice from Zeus, which chiefly brings tidings to men. Get thee first to Pylos and inquire of goodly Nestor, and from thence to Sparta to Menelaus of the fair hair, for he came home the last of the mail-coated Achaeans. If thou shalt hear news of the life and the returning of thy father, then verily thou mayest endure the wasting for yet a year. But if thou shalt hear that he is dead and gone, return then to thine own dear country and pile his mound, and over it pay burial rites, full many as is due, and give thy mother to a husband. But when thou hast done this and made an end, thereafter take counsel in thy mind and heart, how thou mayest slay the wooers in thy halls, whether by guile or openly; for thou shouldest not carry childish thoughts, being no longer of years thereto. Or hast thou not heard what renown the goodly Orestes gat him among all men in that he slew the slayer of his father, guileful Aegisthus, who killed his famous sire? And thou, too, my friend, for I see that thou art very comely and tall, be valiant, that even men unborn may praise thee. But I will now go down to the swift ship and to my men, who methinks chafe much at tarrying for me; and do thou thyself take heed and give ear unto my words.'

Then wise Telemachus answered her, saying: 'Sir, verily thou speakest these things out of a friendly heart, as a father to his son, and never will I forget them. But now I pray thee abide here, though eager to be gone, to the end that after thou hast bathed and had all thy heart's desire, thou mayest wend to the ship joyful in spirit, with a costly gift and very goodly, to be an heirloom of my giving, such as dear friends give to friends.'

Then the goddess, grey-eyed Athene, answered him: 'Hold me now no longer, that am eager for the way. But whatsoever gift thine heart shall bid thee give me, when I am on my way back let it be mine to carry home: bear from thy stores a gift right goodly, and it shall bring thee the worth thereof in return.'

So spake she and departed, the grey-eyed Athene, and like an eagle of the sea she flew away, but in his spirit she planted might and courage, and put him in mind of his father yet more than heretofore. And he marked the thing and was amazed, for he deemed that it was a god; and anon he went among the wooers, a godlike man.

Now the renowned minstrel was singing to the wooers, and they sat listening in silence; and his song was of the pitiful return of the Achaeans, that Pallas Athene laid on them as they came forth from Troy. And from her upper chamber the daughter of Icarius, wise Penelope, caught the glorious strain, and she went down the high stairs from her chamber, not alone, for two of her handmaids bare her company. Now when the fair lady had come unto the wooers, she stood by the pillar of the well-builded roof holding up her glistening tire before her face; and a faithful maiden stood on either side her. Then she fell a weeping, and spake unto the divine minstrel:

'Phemius, since thou knowest many other charms for mortals, deeds of men and gods, which bards rehearse, some one of these do thou sing as thou sittest by them, and let them drink their wine in silence; but cease from this pitiful strain, that ever wastes my heart within my breast, since to me above all women hath come a sorrow comfortless. So dear a head do I long for in constant memory, namely, that man whose fame is noised abroad from Hellas to mid Argos.'