HOP-FROG - Edgar Allan Poe - E-Book

HOP-FROG E-Book

Edgar Allan Poe

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Beschreibung

"Hop-Frog" by Edgar Allan Poe explores themes of revenge and freedom. It follows the story of a jester, Hop-Frog, and his close companion, Trippetta, both mistreated by a cruel king and his court. The narrative delves into the limits of endurance and the lengths one will go to reclaim dignity and autonomy.

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Hop-Frog

Edgar Allan Poe

SYNOPSIS

"Hop-Frog" by Edgar Allan Poe explores themes of revenge and freedom. It follows the story of a jester, Hop-Frog, and his close companion, Trippetta, both mistreated by a cruel king and his court. The narrative delves into the limits of endurance and the lengths one will go to reclaim dignity and autonomy.

Keywords

Revenge, Horror, Irony

NOTICE

This text is a work in the public domain and reflects the norms, values and perspectives of its time. Some readers may find parts of this content offensive or disturbing, given the evolution in social norms and in our collective understanding of issues of equality, human rights and mutual respect. We ask readers to approach this material with an understanding of the historical era in which it was written, recognizing that it may contain language, ideas or descriptions that are incompatible with today's ethical and moral standards.

Names from foreign languages will be preserved in their original form, with no translation.

 

Hop-Frog

 

I never knew anyone so keenly alive to a joke as the king was. He seemed to live only for joking. To tell a good story of the joke kind, and to tell it well, was the surest road to his favor. Thus it happened that his seven ministers were all noted for their accomplishments as jokers. They all took after the king, too, in being large, corpulent, oily men, as well as inimitable jokers. Whether people grow fat by joking, or whether there is something in fat itself which predisposes to a joke, I have never been quite able to determine; but certain it is that a lean joker is a rara avis in terris.

About the refinements, or, as he called them, the “ghost” of wit, the king troubled himself very little. He had an especial admiration for breadth in a jest, and would often put up with length, for the sake of it. Over-niceties wearied him. He would have preferred Rabelais’ “Gargantua” to the “Zadig” of Voltaire: and, upon the whole, practical jokes suited his taste far better than verbal ones.