Italian Hours E-Book

Henry James

• Herausgeber: Youcanprint Self-Publishing
• Kategorie: Gesellschafts- und Liebesromane
• Sprache: Englisch

Veröffentlichungsjahr: 2016

Beschreibung

“Italian Hours” is a travel book written by Henry James trough several years of exploration of Italy. James loved very much Venice, Rome, Ravenna and many other Tuscany cities. This collection of his experience as a forty-year traveler in Italy was published in 1909 in London by William Heineman. This book contains a special note on Henry James by Joseph Conrad (Henry James. An appreciation, 1905) and a detailed bibliography including all the publications of the Author. This interactive digital edition includes: Interactive Notes and Chapters, News about the Author, News about the Book, a very interesting Tag cloud of the Book and a link to connect to the Goodreads community to ask questions and share comments and opinions.

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Author's Best Works

Henry James

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FdBooks offers in the series Author’s Best Works a selection of great authors of World Literature, at a very affordable price. Each book has interactive notes and chapters and is paginated so elegant and clear. Because Culture is priceless, almost always…

“Italian Hours” is a travel book written by Henry James trough several years of exploration of Italy. James loved very much Venice, Rome, Ravenna and many other Tuscany cities. This collection of his experience as a forty-year traveler in Italy was published in 1909 in London by William Heineman.

This book contains a special note on Henry James by Joseph Conrad (Henry James. An appreciation, 1905) and a detailed bibliography including all the publications of the Author.

This interactive digital edition includes: Interactive Notes and Chapters, News about the Author, News about the Book, a very interesting Tag cloud of the Book and a link to connect to the Goodreads community to ask questions and share comments and opinions.

Henry James (1843–1916), who was nominated for the Nobel Prize in Literature in 1911, 1912 and 1916, was american but he spent the most of his career in Britain. He is still one of the most important writers of the 19th-century.

The text of this book is available on www.gutenberg.org

© Fabio Di Benedetto, 2015. Edition 3.0

All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law.

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Italian Hours

With an Appreciation by Joseph Conrad

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Henry James

Italian Hours

With an Appreciation by Joseph Conrad

Preface

The chapters of which this volume is composed have with few exceptions already been collected, and were then associated with others commemorative of other impressions of (no very extensive) excursions and wanderings. The notes on various visits to Italy are here for the first time exclusively placed together, and as they largely refer to quite other days than these — the date affixed to each paper sufficiently indicating this — I have introduced a few passages that speak for a later and in some cases a frequently repeated vision of the places and scenes in question. I have not hesitated to amend my text, expressively, wherever it seemed urgently to ask for this, though I have not pretended to add the element of information or the weight of curious and critical insistence to a brief record of light inquiries and conclusions. The fond appeal of the observer concerned is all to aspects and appearances — above all to the interesting face of things as it mainly used to be.

H. J.

Henry James

Italian Hours

Venice

It is a great pleasure to write the word; but I am not sure there is not a certain impudence in pretending to add anything to it. Venice has been painted and described many thousands of times, and of all the cities of the world is the easiest to visit without going there. Open the first book and you will find a rhapsody about it; step into the first picture-dealer’s and you will find three or four high-coloured “views” of it. There is notoriously nothing more to be said on the subject. Every one has been there, and every one has brought back a collection of photographs. There is as little mystery about the Grand Canal as about our local thoroughfare, and the name of St. Mark is as familiar as the postman’s ring. It is not forbidden, however, to speak of familiar things, and I hold that for the true Venice-lover Venice is always in order. There is nothing new to be said about her certainly, but the old is better than any novelty. It would be a sad day indeed when there should be something new to say. I write these lines with the full consciousness of having no information whatever to offer. I do not pretend to enlighten the reader; I pretend only to give a fillip to his memory; and I hold any writer sufficiently justified who is himself in love with his theme.

I.

Mr. Ruskin has given it up, that is very true; but only after extracting half a lifetime of pleasure and an immeasurable quantity of fame from it. We all may do the same, after it has served our turn, which it probably will not cease to do for many a year to come. Meantime it is Mr. Ruskin who beyond anyone helps us to enjoy. He has indeed lately produced several aids to depression in the shape of certain little humorous — ill-humorous — pamphlets (the series of St. Mark’s Rest) which embody his latest reflections on the subject of our city and describe the latest atrocities perpetrated there. These latter are numerous and deeply to be deplored; but to admit that they have spoiled Venice would be to admit that Venice may be spoiled — an admission pregnant, as it seems to us, with disloyalty. Fortunately one reacts against the Ruskinian contagion, and one hour of the lagoon is worth a hundred pages of demoralised prose. This queer late-coming prose of Mr. Ruskin (including the revised and condensed issue of the Stones of Venice, only one little volume of which has been published, or perhaps ever will be) is all to be read, though much of it appears addressed to children of tender age. It is pitched in the nursery-key, and might be supposed to emanate from an angry governess. It is, however, all suggestive, and much of it is delightfully just. There is an inconceivable want of form in it, though the author has spent his life in laying down the principles of form and scolding people for departing from them; but it throbs and flashes with the love of his subject — a love disconcerted and abjured, but which has still much of the force of inspiration. Among the many strange things that have befallen Venice, she has had the good fortune to become the object of a passion to a man of splendid genius, who has made her his own and in doing so has made her the world’s. There is no better reading at Venice therefore, as I say, than Ruskin, for every true Venice-lover can separate the wheat from the chaff. The narrow theological spirit, the moralism à tout propos, the queer provincialities and pruderies, are mere wild weeds in a mountain of flowers. One may doubtless be very happy in Venice without reading at all — without criticising or analysing or thinking a strenuous thought. It is a city in which, I suspect, there is very little strenuous thinking, and yet it is a city in which there must be almost as much happiness as misery. The misery of Venice stands there for all the world to see; it is part of the spectacle — a thoroughgoing devotee of local colour might consistently say it is part of the pleasure. The Venetian people have little to call their own — little more than the bare privilege of leading their lives in the most beautiful of towns. Their habitations are decayed; their taxes heavy; their pockets light; their opportunities few. One receives an impression, however, that life presents itself to them with attractions not accounted for in this meagre train of advantages, and that they are on better terms with it than many people who have made a better bargain. They lie in the sunshine; they dabble in the sea; they wear bright rags; they fall into attitudes and harmonies; they assist at an eternal conversazione. It is not easy to say that one would have them other than they are, and it certainly would make an immense difference should they be better fed. The number of persons in Venice who evidently never have enough to eat is painfully large; but it would be more painful if we did not equally perceive that the rich Venetian temperament may bloom upon a dog’s allowance. Nature has been kind to it, and sunshine and leisure and conversation and beautiful views form the greater part of its sustenance. It takes a great deal to make a successful American, but to make a happy Venetian takes only a handful of quick sensibility. The Italian people have at once the good and the evil fortune to be conscious of few wants; so that if the civilisation of a society is measured by the number of its needs, as seems to be the common opinion to-day, it is to be feared that the children of the lagoon would make but a poor figure in a set of comparative tables. Not their misery, doubtless, but the way they elude their misery, is what pleases the sentimental tourist, who is gratified by the sight of a beautiful race that lives by the aid of its imagination. The way to enjoy Venice is to follow the example of these people and make the most of simple pleasures. Almost all the pleasures of the place are simple; this may be maintained even under the imputation of ingenious paradox. There is no simpler pleasure than looking at a fine Titian, unless it be looking at a fine Tintoret or strolling into St. Mark’s, — abominable the way one falls into the habit, — and resting one’s light-wearied eyes upon the windowless gloom; or than floating in a gondola or than hanging over a balcony or than taking one’s coffee at Florian’s. It is of such superficial pastimes that a Venetian day is composed, and the pleasure of the matter is in the emotions to which they minister. These are fortunately of the finest — otherwise Venice would be insufferably dull. Reading Ruskin is good; reading the old records is perhaps better; but the best thing of all is simply staying on. The only way to care for Venice as she deserves it is to give her a chance to touch you often — to linger and remain and return.