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EXCERPT:
"This book contains all poetry not in dramatic form that I have written between my seven-and-twentieth year and the year 1921. I have included one long poem in dramatic form, of which a much shortened version, intended for stage representation, is in my book of plays. I have left out nearly all the long notes which seemed necessary before the work of various writers, but especially of my friend Lady Gregory, had made the circumstantial origins of my verse, in ancient legend or in the legends of the country side, familiar to readers of poetry.
THOOR BALLYLEE,
May 1922."
William Butler Yeats (1865 – 1939) was an Irish poet and one of the foremost figures of 20th-century literature. A pillar of the Irish literary establishment, he helped to found the Abbey Theatre, and in his later years served two terms as a Senator of the Irish Free State. He was a driving force behind the Irish Literary Revival along with Lady Gregory, Edward Martyn and others.
William Butler Yeats is widely considered to be one of the greatest poets of the 20th century.
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LATER POEMS
Preface
THE WIND AMONG THE REEDS (1899)
The Hosting Of The Sidhe
The Everlasting Voices
The Moods
The Lover Tells Of The Rose In His Heart
The Host Of The Air
The Fisherman
A Cradle Song
Into The Twilight
The Song Of Wandering Aengus
The Song Of The Old Mother
The Heart Of The Woman
The Lover Mourns For The Loss Of Love
He Mourns For The Change That Has Come Upon Him And His Beloved And Longs For The End Of The World
He Bids His Beloved Be At Peace
He Reproves The Curlew
He Remembers Forgotten Beauty
A Poet To His Beloved
He Gives His Beloved Certain Rhymes
To His Heart, Bidding It Have No Fear
The Cap And Bells
The Valley Of The Black Pig
The Lover Asks Forgiveness Because Of His Many Moods
He Tells Of A Valley Full Of Lovers
He Tells Of The Perfect Beauty
He Hears The Cry Of The Sedge
He Thinks Of Those Who Have Spoken Evil Of His Beloved
The Blessed
The Secret Rose
Maid Quiet
The Travail Of Passion
The Lover Pleads With His Friend For Old Friends
A Lover Speaks To The Hearers Of His Songs In Coming Days
The Poet Pleads With The Elemental Powers
He Wishes His Beloved Were Dead
He Wishes For The Cloths Of Heaven
He Thinks Of His Past Greatness When A Part Of The Constellations Of Heaven
The Fiddler Of Dooney
The Old Age Of Queen Maeve (1903)
Baile And Aillinn (1903)
IN THE SEVEN WOODS (1904)
In The Seven Woods
The Arrow
The Folly Of Being Comforted
Old Memory
Never Give All The Heart
The Withering Of The Boughs
Adam's Curse
Red Hanrahan's Song About Ireland
The Old Men Admiring Themselves In The Water
Under The Moon
The Ragged Wood
O Do Not Love Too Long
The Players Ask For A Blessing On The Psalteries And On Themselves
The Happy Townland
THE SHADOWY WATERS (1906)
Dedication To Lady Gregory
The Harp Of Aengus
The Shadowy Waters
FROM THE GREEN HELMET AND OTHER POEMS (1912)
His Dream
A Woman Homer Sung
The Consolation
No Second Troy
Reconciliation
King And No King
Peace
Against Unworthy Praise
The Fascination Of What's Difficult
A Drinking Song
The Coming Of Wisdom With Time
On Hearing That The Students Of Our New University Have Joined The Agitation Against Immoral Literature
To A Poet, Who Would Have Me Praise Certain Bad Poets, Imitators Of His And Mine
The Mask
Upon A House Shaken By The Land Agitation
At The Abbey Theatre
These Are The Clouds
At Galway Races
A Friend's Illness
All Things Can Tempt Me
The Young Man's Song
RESPONSIBILITIES (1914)
Responsibilities
The Grey Rock
The Two Kings
To A Wealthy Man Who Promised A Second Subscription To The Dublin Municipal Gallery If It Were Proved The People Wanted Pictures
September 1913
To A Friend Whose Work Has Come To Nothing
Paudeen
To A Shade
When Helen Lived
On Those That Hated "The Playboy Of The Western World," 1907
The Three Beggars
The Three Hermits
Beggar To Beggar Cried
Running To Paradise
The Hour Before Dawn
A Song From The Player Queen
The Realists
I. The Witch
II. The Peacock
The Mountain Tomb
I. To A Child Dancing In The Wind
II. Two Years Later
A Memory Of Youth
Fallen Majesty
Friends
The Cold Heaven
That The Night Come
An Appointment
I. The Magi
II. The Dolls
A Coat
CODA
THE WILD SWANS AT COOLE (1919)
The Wild Swans At Coole
In Memory Of Major Robert Gregory
An Irish Airman Foresees His Death
Men Improve With The Years
The Collar-Bone Of A Hare
Under The Round Tower
Solomon To Sheba
The Living Beauty
A Song
To A Young Beauty
To A Young Girl
The Scholars
Tom O'roughley
The Sad Shepherd
Lines Written In Dejection
The Dawn
On Woman
The Fisherman
The Hawk
Memory
Her Praise
The People
His Phoenix
A Thought From Propertius
Broken Dreams
A Deep-Sworn Vow
Presences
The Balloon Of The Mind
To A Squirrel At Kyle-Na-Gno
On Being Asked For A War Poem
In Memory Of Alfred Pollexfen
Upon A Dying Lady
Ego Dominus Tuus
A Prayer On Going Into My House
The Phases Of The Moon
The Cat And The Moon
The Saint And The Hunchback
Two Songs Of A Fool
Another Song Of A Fool
The Double Vision Of Michael Robartes
MICHAEL ROBARTES AND THE DANCER (1921)
Michael Robartes And The Dancer
Solomon And The Witch
An Image From A Past Life
Under Saturn
Easter, 1916
Sixteen Dead Men
The Rose Tree
On A Political Prisoner
The Leaders Of The Crowd
Towards Break Of Day
Demon And Beast
The Second Coming
A Prayer For My Daughter
A Meditation In Time Of War
To Be Carved On A Stone At Thoor Ballylee
Notes
THIS book contains all poetry not in dramatic form that I have written between my seven-and-twentieth year and the year 1921. I have included one long poem in dramatic form, of which a much shortened version, intended for stage representation, is in my book of plays. I have left out nearly all the long notes which seemed necessary before the work of various writers, but especially of my friend Lady Gregory, had made the circumstantial origins of my verse, in ancient legend or in the legends of the country side, familiar to readers of poetry.
THOOR BALLYLEE, May 1922.
THE host is riding from Knocknarea And over the grave of Clooth-na bare; Caolte tossing his burning hair And Niamh calling Away, come away: Empty your heart of its mortal dream. The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes are agleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed of his hand, We come between him and the hope of his heart. The host is rushing ’twixt night and day, And where is there hope or deed as fair? Caolte tossing his burning hair, And Niamh calling Away, come away.
O SWEET everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore? O sweet everlasting Voices, be still.
TIME drops in decay, Like a candle burnt out, And the mountains and woods Have their day, have their day; What one in the rout Of the fire-born moods Has fallen away?
ALL things uncomely and broken, all things worn out and old, The cry of a child by the roadway, the creak of a lumbering cart, The heavy steps of the ploughman, splashing the wintry mould, Are wronging your image that blossoms a rose in the deeps of my heart.
The wrong of unshapely things is a wrong too great to be told; I hunger to build them anew and sit on a green knoll apart, With the earth and the sky and the water, remade, like a casket of gold For my dreams of your image that blossoms a rose in the deeps of my heart.
O'DRISCOLL drove with a song The wild duck and the drake From the tall and the tufted reeds Of the drear Hart Lake.
And he saw how the reeds grew dark At the coming of night tide, And dreamed of the long dim hair Of Bridget his bride.
He heard while he sang and dreamed A piper piping away, And never was piping so sad, And never was piping so gay.
And he saw young men and young girls Who danced on a level place And Bridget his bride among them, With a sad and a gay face.
The dancers crowded about him, And many a sweet thing said, And a young man brought him red wine And a young girl white bread.
But Bridget drew him by the sleeve, Away from the merry bands, To old men playing at cards With a twinkling of ancient hands.
The bread and the wine had a doom, For these were the host of the air; He sat and played in a dream Of her long dim hair.
He played with the merry old men And thought not of evil chance, Until one bore Bridget his bride Away from the merry dance.
He bore her away in his arms, The handsomest young man there, And his neck and his breast and his arms Were drowned in her long dim hair.
O'Driscoll scattered the cards And out of his dream awoke: Old men and young men and young girls Were gone like a drifting smoke;
But he heard high up in the air A piper piping away, And never was piping so sad, And never was piping so gay.
ALTHOUGH you hide in the ebb and flow Of the pale tide when the moon has set, The people of coming days will know About the casting out of my net, And how you have leaped times out of mind Over the little silver cords, And think that you were hard and unkind, And blame you with many bitter words.
THE Danaan children laugh, in cradles of wrought gold, And clap their hands together, and half close their eyes, For they will ride the North when the ger-eagle flies, With heavy whitening wings, and a heart fallen cold: I kiss my wailing child and press it to my breast, And hear the narrow graves calling my child and me. Desolate winds that cry over the wandering sea; Desolate winds that hover in the flaming West; Desolate winds that beat the doors of Heaven, and beat The doors of Hell and blow there many a whimpering ghost; O heart the winds have shaken; the unappeasable host Is comelier than candles at Mother Mary's feet.
OUT-WORN heart, in a time out-worn, Come clear of the nets of wrong and right; Laugh, heart, again in the grey twilight, Sigh, heart, again in the dew of the morn.
Your mother Eire is always young, Dew ever shining and twilight grey; Though hope fall from you and love decay, Burning in fires of a slanderous tongue.
Come, heart, where hill is heaped upon hill: For there the mystical brotherhood Of sun and moon and hollow and wood And river and stream work out their will;
And God stands winding His lonely horn, And time and the world are ever in flight; And love is less kind than the grey twilight, And hope is less dear than the dew of the morn.
I WENT out to the hazel wood, Because a fire was in my head, And cut and peeled a hazel wand, And hooked a berry to a thread; And when white moths were on the wing, And moth-like stars were flickering out, I dropped the berry in a stream And caught a little silver trout.
When I had laid it on the floor I went to blow the fire a-flame, But something rustled on the floor, And some one called me by my name: It had become a glimmering girl With apple blossom in her hair Who called me by my name and ran And faded through the brightening air.
Though I am old with wandering Through hollow lands and hilly lands, I will find out where she has gone, And kiss her lips and take her hands; And walk among long dappled grass, And pluck till time and times are done The silver apples of the moon, The golden apples of the sun.
I RISE in the dawn, and I kneel and blow Till the seed of the fire flicker and glow; And then I must scrub and bake and sweep Till stars are beginning to blink and peep; And the young lie long and dream in their bed Of the matching of ribbons for bosom and head, And their day goes over in idleness, And they sigh if the wind but lift a tress: While I must work because I am old, And the seed of the fire gets feeble and cold.
O WHAT to me the little room That was brimmed up with prayer and rest; He bade me out into the gloom, And my breast lies upon his breast.
O what to me my mother's care, The house where I was safe and warm; The shadowy blossom of my hair Will hide us from the bitter storm.
O hiding hair and dewy eyes, I am no more with life and death, My heart upon his warm heart lies, My breath is mixed into his breath.
PALE brows, still hands and dim hair, I had a beautiful friend And dreamed that the old despair Would end in love in the end: She looked in my heart one day And saw your image was there; She has gone weeping away.
Do you not hear me calling, white deer with no horns! I have been changed to a hound with one red ear; I have been in the Path of Stones and the Wood of Thorns, For somebody hid hatred and hope and desire and fear Under my feet that they follow you night and day. A man with a hazel wand came without sound; He changed me suddenly; I was looking another way; And now my calling is but the calling of a hound; And Time and Birth and Change are hurrying by. I would that the Boar without bristles had come from the West And had rooted the sun and moon and stars out of the sky And lay in the darkness, grunting, and turning to his rest.
I HEAR the Shadowy Horses, their long manes a-shake, Their hoofs heavy with tumult, their eyes glimmering white; The North unfolds above them clinging, creeping night, The East her hidden joy before the morning break, The West weeps in pale dew and sighs passing away, The South is pouring down roses of crimson fire: O vanity of Sleep, Hope, Dream, endless Desire, The Horses of Disaster plunge in the heavy clay: Beloved, let your eyes half close, and your heart beat Over my heart, and your hair fall over my breast, Drowning love's lonely hour in deep twilight of rest, And hiding their tossing manes and their tumultuous feet.
O, CURLEW, cry no more in the air, Or only to the water in the West; Because your crying brings to my mind Passion-dimmed eyes and long heavy hair That was shaken out over my breast: There is enough evil in the crying of wind.
WHEN my arms wrap you round I press My heart upon the loveliness That has long faded from the world; The jewelled crowns that kings have hurled In shadowy pools, when armies fled; The love-tales wrought with silken thread By dreaming ladies upon cloth That has made fat the murderous moth; The roses that of old time were Woven by ladies in their hair, The dew-cold lilies ladies bore Through many a sacred corridor Where such grey clouds of incense rose That only the gods' eyes did not close: For that pale breast and lingering hand Come from a more dream-heavy land, A more dream-heavy hour than this; And when you sigh from kiss to kiss I hear white Beauty sighing, too, For hours when all must fade like dew, But flame on flame, and deep on deep, Throne over throne where in half sleep, Their swords upon their iron knees, Brood her high lonely mysteries.