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- Herausgeber: Booksell-Verlag
- Kategorie: Wissenschaft und neue Technologien
- Sprache: Englisch
- Veröffentlichungsjahr: 2019
In 'Nature Near London', Richard Jefferies offers a meditative exploration of the natural world that permeates the suburbs of Victorian England. Through richly crafted prose and eloquent observations, Jefferies captures the intricate balance between humanity and nature, illustrating how urban encroachment can both inspire awe and evoke melancholy. The literary style is characterized by a lyrical quality, drawing upon elements of Romanticism while seamlessly integrating natural history, philosophical contemplation, and personal reflection, thereby situating Jefferies firmly within the tradition of nature writers who sought to illuminate the importance of the natural realm amid industrial change. Richard Jefferies (1848-1887) was a pioneering naturalist and writer whose upbringing in the English countryside profoundly influenced his worldview. Having experienced the rapid transformation of rural spaces due to industrialization, Jefferies became an ardent advocate for nature conservation and appreciation, which is vividly evident in this work. His background as a farmer's son endowed him with a deep understanding of the relationship between Earth and society, shaping his purpose in writing not only as a reflection of eco-consciousness but also as a plea for a return to nature. Readers who seek a deeper understanding of the interplay between nature and urban life will find 'Nature Near London' to be an enlightening and enriching experience. Jefferies' blend of personal introspection and keen observational skills makes this book not only a work of literature but also a vital commentary on the societal shifts impacting the natural world. This book is highly recommended for anyone interested in nature writing, environmental philosophy, or the subtleties of human connection to the land.
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Nature Near London
Table of Contents
PREFACE
It is usually supposed to be necessary to go far into the country to find wild birds and animals in sufficient numbers to be pleasantly studied. Such was certainly my own impression till circumstances led me, for the convenience of access to London, to reside for awhile about twelve miles from town. There my preconceived views on the subject were quite overthrown by the presence of as much bird-life as I had been accustomed to in distant fields and woods.
First, as the spring began, came crowds of chiffchaffs and willow-wrens, filling the furze with ceaseless flutterings. Presently a nightingale sang in a hawthorn bush only just on the other side of the road. One morning, on looking out of window, there was a hen pheasant in the furze almost underneath. Rabbits often came out into the spaces of sward between the bushes.
The furze itself became a broad surface of gold, beautiful to look down upon, with islands of tenderest birch green interspersed, and willows in which the sedge-reedling chattered. They used to say in the country that cuckoos were getting scarce, but here the notes of the cuckoo echoed all day long, and the birds often flew over the house. Doves cooed, blackbirds whistled, thrushes sang, jays called, wood-pigeons uttered the old familiar notes in the little copse hard by. Even a heron went over now and then, and in the evening from the window I could hear partridges calling each other to roost.
Along the roads and lanes the quantity and variety of life in the hedges was really astonishing. Magpies, jays, woodpeckers—both green and pied—kestrels hovering overhead, sparrow-hawks darting over gateways, hares by the clover, weasels on the mounds, stoats at the edge of the corn. I missed but two birds, the corncrake and the grasshopper lark, and found these another season. Two squirrels one day ran along the palings and up into a guelder-rose tree in the garden. As for the finches and sparrows their number was past calculation. There was material for many years' observation, and finding myself so unexpectedly in the midst of these things, I was led to make the following sketches, which were published in The Standard, and are now reprinted by permission.
The question may be asked: Why have you not indicated in every case the precise locality where you were so pleased? Why not mention the exact hedge, the particular meadow? Because no two persons look at the same thing with the same eyes. To me this spot may be attractive, to you another; a third thinks yonder gnarled oak the most artistic. Nor could I guarantee that every one should see the same things under the same conditions of season, time, or weather. How could I arrange for you next autumn to see the sprays of the horse-chestnut, scarlet from frost, reflected in the dark water of the brook? There might not be any frost till all the leaves had dropped. How could I contrive that the cuckoos should circle round the copse, the sunlight glint upon the stream, the warm sweet wind come breathing over the young corn just when I should wish you to feel it? Every one must find their own locality. I find a favourite wild-flower here, and the spot is dear to me; you find yours yonder. Neither painter nor writer can show the spectator their originals. It would be very easy, too, to pass any of these places and see nothing, or but little. Birds are wayward, wild creatures uncertain. The tree crowded with wood-pigeons one minute is empty the next. To traverse the paths day by day, and week by week; to keep an eye ever on the fields from year's end to year's end, is the one only method of knowing what really is in or comes to them. That the sitting gambler sweeps the board is true of these matters. The richest locality may be apparently devoid of interest just at the juncture of a chance visit.
Though my preconceived ideas were overthrown by the presence of so much that was beautiful and interesting close to London, yet in course of time I came to understand what was at first a dim sense of something wanting. In the shadiest lane, in the still pinewoods, on the hills of purple heath, after brief contemplation there arose a restlessness, a feeling that it was essential to be moving. In no grassy mead was there a nook where I could stretch myself in slumberous ease and watch the swallows ever wheeling, wheeling in the sky. This was the unseen influence of mighty London. The strong life of the vast city magnetised me, and I felt it under the calm oaks. The something wanting in the fields was the absolute quiet, peace, and rest which dwells in the meadows and under the trees and on the hilltops in the country. Under its power the mind gradually yields itself to the green earth, the wind among the trees, the song of birds, and comes to have an understanding with them all. For this it is still necessary to seek the far-away glades and hollow coombes, or to sit alone beside the sea. That such a sense of quiet might not be lacking, I have added a chapter or so on those lovely downs that overlook the south coast.R. J.
NATURE NEAR LONDON
WOODLANDS
The tiny white petals of the barren strawberry open under the April sunshine which, as yet unchecked by crowded foliage above, can reach the moist banks under the trees. It is then that the first stroll of the year should be taken in Claygate Lane. The slender runners of the strawberries trail over the mounds among the moss, some of the flowers but just above the black and brown leaves of last year which fill the shallow ditch. These will presently be hidden under the grass which is pushing up long blades, and bending over like a plume.
Crimson stalks and leaves of herb Robert stretch across the little cavities of the mound; lower, and rising almost from the water of the ditch, the wild parsnip spreads its broad fan. Slanting among the underwood, against which it leans, the dry white "gix" (cow-parsnip) of last year has rotted from its root, and is only upheld by branches.
Yellowish green cup-like leaves are forming upon the brown and drooping heads of the spurge, which, sheltered by the bushes, has endured the winter's frosts. The lads pull them off, and break the stems, to watch the white "milk" well up, the whole plant being full of acrid juice. Whorls of woodruff and grass-like leaves of stitchwort are rising; the latter holds but feebly to the earth, and even in snatching the flower the roots sometimes give way and the plant is lifted with it.
Upon either hand the mounds are so broad that they in places resemble covers rather than hedges, thickly grown with bramble and briar, hazel and hawthorn, above which the straight trunks of young oaks and Spanish chestnuts stand in crowded but careless ranks. The leaves which dropped in the preceding autumn from these trees still lie on the ground under the bushes, dry and brittle, and the blackbirds searching about among them cause as much rustling as if some animal were routing about.
As the month progresses these wide mounds become completely green, hawthorn and bramble, briar and hazel put forth their leaves, and the eye can no longer see into the recesses. But above, the oaks and edible chestnuts are still dark and leafless, almost black by contrast with the vivid green beneath them. Upon their bare boughs the birds are easily seen, but the moment they descend among the bushes are difficult to find. Chaffinches call and challenge continually—these trees are their favourite resort—and yellowhammers flit along the underwood.
Behind the broad hedge are the ploughed fields they love, alternating with meadows down whose hedges again a stream of birds is always flowing to the lane. Bright as are the colours of the yellowhammer, when he alights among the brown clods of the ploughed field he is barely visible, for brown conceals like vapour. A white butterfly comes fluttering along the lane, and as it passes under a tree a chaffinch swoops down and snaps at it, but rises again without doing apparent injury, for the butterfly continues its flight.
From an oak overhead comes the sweet slender voice of a linnet, the sunshine falling on his rosy breast. The gateways show the thickness of the hedge, as an embrasure shows the thickness of a wall. One gives entrance to an arable field which has been recently rolled, and along the gentle rise of a "land" a cock-pheasant walks, so near that the ring about his neck is visible. Presently, becoming conscious that he is observed, he goes down into a furrow, and is then hidden.
The next gateway, equally deep-set between the bushes, opens on a pasture, where the docks of last year still cumber the ground, and bunches of rough grass and rushes are scattered here and there. A partridge separated from his mate is calling across the field, and comes running over the short sward as his companion answers. With his neck held high and upright, stretched to see around, he looks larger than would be supposed, as he runs swiftly, threading his way through the tufts, the docks, and the rushes. But suddenly noticing that the gateway is not clear, he crouches, and is concealed by the grass.
Some distance farther there is a stile, sitting upon which the view ranges over two adjacent meadows. They are bounded by a copse of ash stoles and young oak trees, and the lesser of the meads is full of rush bunches and dotted with green ant-hills. Among these, just beyond gunshot, two rabbits are feeding; pausing and nibbling till they have eaten the tenderest blades, and then leisurely hopping a yard or so to another spot. Later on in the summer this little meadow which divides the lane from the copse is alive with rabbits.
Along the hedge the brake fern has then grown, in the corner by the copse there is a beautiful mass of it, and several detached bunches away from the hedge among the ant-hills. From out of the fern, which is a favourite retreat with them, rabbits are continually coming, feeding awhile, darting after each other, and back again to cover. To-day there are but three, and they do not venture far from their buries.
Watching these, a green woodpecker cries in the copse, and immediately afterwards flies across the mead, and away to another plantation. Occasionally the spotted woodpecker may be seen here, a little bird which, in the height of summer, is lost among the foliage, but in spring and winter can be observed tapping at the branches of the trees.
I think I have seen more spotted woodpeckers near London than in far distant and nominally wilder districts. This lane, for some two miles, is lined on each side with trees, and, besides this particular copse, there are several others close by; indeed, stretching across the country to another road, there is a succession of copses, with meadows between. Birds which love trees are naturally seen flitting to and fro in the lane; the trees are at present young, but as they grow older and decay they will be still more resorted to.
Jays screech in the trees of the lane almost all the year round, though more frequently in spring and autumn, but I rarely walked here without seeing or hearing one. Beyond the stile, the lane descends into a hollow, and is bordered by a small furze common, where, under shelter of the hollow brambles and beneath the golden bloom of the furze, the pale anemones flower.
When the June roses open their petals on the briars, and the scent of new-mown hay is wafted over the hedge from the meadows, the lane seems to wind through a continuous wood. The oaks and chestnuts, though too young to form a complete arch, cross their green branches, and cast a delicious shadow. For it is in the shadow that we enjoy the summer, looking forth from the gateway upon the mowing grass where the glowing sun pours down his fiercest beams.
Tall bennets and red sorrel rise above the grass, white ox-eye daisies chequer it below; the distant hedge quivers as the air, set in motion by the intense heat, runs along. The sweet murmuring coo of the turtle dove comes from the copse, and the rich notes of the blackbird from the oak into which he has mounted to deliver them.
Slight movements in the hawthorn, or in the depths of the tall hedge grasses, movements too quick for the glance to catch their cause, are where some tiny bird is passing from spray to spray. It may be a white-throat creeping among the nettles after his wont, or a wren. The spot where he was but a second since may be traced by the trembling of the leaves, but the keenest attention may fail to detect where he is now. That slight motion in the hedge, however, conveys an impression of something living everywhere within.
There are birds in the oaks overhead whose voice is audible though they are themselves unseen. From out of the mowing grass, finches rise and fly to the hedge; from the hedge again others fly out, and, descending into the grass, are concealed as in a forest. A thrush travelling along the hedgerow just outside goes by the gateway within a yard. Bees come upon the light wind, gliding with it, but with their bodies aslant across the line of current. Butterflies flutter over the mowing grass, hardly clearing the bennets. Many-coloured insects creep up the sorrel stems and take wing from the summit.
Everything gives forth a sound of life. The twittering of swallows from above, the song of greenfinches in the trees, the rustle of hawthorn sprays moving under the weight of tiny creatures, the buzz upon the breeze; the very flutter of the butterflies' wings, noiseless as it is, and the wavy movement of the heated air across the field cause a sense of motion and of music.
The leaves are enlarging, and the sap rising, and the hard trunks of the trees swelling with its flow; the grass blades pushing upwards; the seeds completing their shape; the tinted petals uncurling. Dreamily listening, leaning on the gate, all these are audible to the inner senses, while the ear follows the midsummer hum, now sinking, now sonorously increasing over the oaks. An effulgence fills the southern boughs, which the eye cannot sustain, but which it knows is there.
The sun at its meridian pours forth his light, forgetting, in all the inspiration of his strength and glory, that without an altar-screen of green his love must scorch. Joy in life; joy in life. The ears listen, and want more: the eyes are gratified with gazing, and desire yet further; the nostrils are filled with the sweet odours of flower and sap. The touch, too, has its pleasures, dallying with leaf and flower. Can you not almost grasp the odour-laden air and hold it in the hollow of the hand?
Leaving the spot at last, and turning again into the lane, the shadows dance upon the white dust under the feet, irregularly circular spots of light surrounded with umbra shift with the shifting branches. By the wayside lie rings of dandelion stalks carelessly cast down by the child who made them, and tufts of delicate grasses gathered for their beauty but now sprinkled with dust. Wisps of hay hang from the lower boughs of the oaks where they brushed against the passing load.
After a time, when the corn is ripening, the herb betony flowers on the mounds under the oaks. Following the lane down the hill and across the small furze common at the bottom, the marks of traffic fade away, the dust ceases, and is succeeded by sward. The hedgerows on either side are here higher than ever, and are thickly fringed with bramble bushes, which sometimes encroach on the waggon ruts in the middle, and are covered with flowers, and red, and green, and ripe blackberries together.
Green rushes line the way, and green dragon flies dart above them. Thistledown is pouting forth from the swollen tops of thistles crowded with seed. In a gateway the turf has been worn away by waggon wheels and the hoofs of cart horses, and the dry heat has pulverised the crumbling ruts. Three hen pheasants and a covey of partridges that have been dusting themselves here move away without much haste at the approach of footsteps—the pheasants into the thickets, and the partridges through the gateway. The shallow holes in which they were sitting can be traced on the dust, and there are a few small feathers lying about.
A barley field is within the gate; the mowers have just begun to cut it on the opposite side. Next to it is a wheat field; the wheat has been cut and stands in shocks. From the stubble by the nearest shock two turtle doves rise, alarmed, and swiftly fly towards a wood which bounds the field. This wood, indeed, upon looking again, clearly bounds not this field only, but the second and the third, and so far as the eye can see over the low hedges of the corn, the trees continue. The green lane as it enters the wood, becomes wilder and rougher at every step, widening, too, considerably.
In the centre the wheels of timber carriages, heavily laden with trunks of trees which were dragged through by straining teams in the rainy days of spring, have left vast ruts, showing that they must have sunk to the axle in the soft clay. These then filled with water, and on the water duck-weed grew, and aquatic grasses at the sides. Summer heats have evaporated the water, leaving the weeds and grasses prone upon the still moist earth.
Rushes have sprung up and mark the line of the ruts, and willow stoles, bramble bushes, and thorns growing at the side, make, as it were, a third hedge in the middle of the lane. The best path is by the wood itself, but even there occasional leaps are necessary over pools of dark water full of vegetation. These alternate with places where the ground, being higher, yawns with wide cracks crumbling at the edge, the heat causing the clay to split and open. In winter it must be an impassable quagmire; now it is dry and arid.
Rising out of this low-lying spot the lane again becomes green and pleasant, and is crossed by another. At the meeting of these four ways some boughs hang over a green bank where I have often rested. In front the lane is barred by a gate, but beyond the gate it still continues its straight course into the wood. To the left the track, crossing at right angles, also proceeds into the wood, but it is so overhung with trees and blocked by bushes that its course after the first hundred yards or so cannot be traced.
To the right the track—a little wider and clearer of bushes—extends through wood, and as it is straight and rises up a gentle slope, the eye can travel along it half a mile. There is nothing but wood around. This track to the right appears the most used, and has some ruts in the centre. The sward each side is concealed by endless thistles, on the point of sending forth clouds of thistledown, and to which presently the goldfinches will be attracted.
Occasionally a movement among the thistles betrays the presence of a rabbit; only occasionally, for though the banks are drilled with buries, the lane is too hot for them at midday. Particles of rabbits' fur lie on the ground, and their runs are visible in every direction. But there are no birds. A solitary robin, indeed, perches on an ash branch opposite, and regards me thoughtfully. It is impossible to go anywhere in the open air without a robin; they are the very spies of the wood. But there are no thrushes, no blackbirds, finches, nor even sparrows.
In August it is true most birds cease to sing, but sitting thus partially hidden and quiet, if there were any about something would be heard of them. There would be a rustling, a thrush would fly across the lane, a blackbird would appear by the gateway yonder in the shadow which he loves, a finch would settle in the oaks. None of these incidents occur; none of the lesser signs of life in the foliage, the tremulous spray, the tap of a bill cleaned by striking first one side and then the other against a bough, the rustle of a wing—nothing.
There are woods, woods, woods; but no birds. Yonder a drive goes straight into the ashpoles, it is green above and green below, but a long watch will reveal nothing living. The dry mounds must be full of rabbits, there must be pheasants somewhere; but nothing visible. Once only a whistling sound in the air directs the glance upwards, it is a wood-pigeon flying at full speed. There are no bees, for there are no flowers. There are no butterflies. The black flies are not numerous, and rarely require a fanning from the ash spray carried to drive them off.
Two large dragon-flies rush up and down, and cross the lane, and rising suddenly almost to the tops of the oaks swoop down again in bold sweeping curves. The broad, deep ditch between the lane and the mound of the wood is dry, but there are no short rustling sounds of mice.
The only sound is the continuous singing of the grasshoppers, and the peculiar snapping noise they make as they spring, leaping along the sward. The fierce sun of the ripe wheat pours down a fiery glow scarcely to be borne except under the boughs; the hazel leaves already have lost their green, the tips of the rushes are shrivelling, the grass becoming brown; it is a scorched and parched desert of wood.
The finches have gone forth in troops to the stubble where the wheat has been cut, and where they can revel on the seeds of the weeds now ripe. Thrushes and blackbirds have gone to the streams, to splash and bathe, and to the mown meadows, where in the short aftermath they can find their food. There they will look out on the shady side of the hedge as the sun declines, six or eight perhaps of them along the same hedge, but all in the shadow, where the dew forms first as the evening falls, where the grass feels cool and moist, while still on the sunny side it is warm and dry.
The bees are busy on the heaths and along the hilltops, where there are still flowers and honey, and the butterflies are with them. So the woods are silent, still, and deserted, save by a stray rabbit among the thistles, and the grasshoppers ceaselessly leaping in the grass.
Returning presently to the gateway just outside the wood, where upon first coming the pheasants and partridges were dusting themselves, a waggon is now passing among the corn and is being laden with the sheaves. But afar off, across the broad field and under the wood, it seems somehow only a part of the silence and the solitude. The men with it move about the stubble, calmly toiling; the horses, having drawn it a little way, become motionless, reposing as they stand, every line of their large limbs expressing delight in physical ease and idleness.
Perhaps the heat has made the men silent, for scarcely a word is spoken; if it were, in the stillness it must be heard, though they are at some distance. The wheels, well greased for the heavy harvest work, do not creak. Save an occasional monosyllable, as the horses are ordered on, or to stop, and a faint rustling of straw, there is no sound. It may be the flood of brilliant light, or the mirage of the heat, but in some way the waggon and its rising load, the men and the horses, have an unreality of appearance.
The yellow wheat and stubble, the dull yellow of the waggon, toned down by years of weather, the green woods near at hand, darkening in the distance and slowly changing to blue, the cloudless sky, the heat-suffused atmosphere, in which things seem to float rather than to grow or stand, the shadowless field, all are there, and yet are not there, but far away and vision-like. The waggon, at last laden, travels away, and seems rather to disappear of itself than to be hidden by the trees. It is an effort to awake and move from the spot.
FOOTPATHS
"Always get over a stile," is the one rule that should ever be borne in mind by those who wish to see the land as it really is—that is to say, never omit to explore a footpath, for never was there a footpath yet which did not pass something of interest.
In the meadows, everything comes pressing lovingly up to the path. The small-leaved clover can scarce be driven back by frequent footsteps from endeavouring to cover the bare earth of the centre. Tall buttercups, round whose stalks the cattle have carefully grazed, stand in ranks; strong ox-eye daisies, with broad white disks and torn leaves, form with the grass the tricolour of the pasture—white, green, and gold.
When the path enters the mowing grass, ripe for the scythe, the simplicity of these cardinal hues is lost in the multitude of shades and the addition of other colours. The surface of mowing grass is indeed made up of so many tints that at the first glance it is confusing; and hence, perhaps, it is that hardly ever has an artist succeeded in getting the effect upon canvas. Of the million blades of grass no two are of the same shade.
Pluck a handful and spread them out side by side and this is at once evident. Nor is any single blade the same shade all the way up. There may be a faint yellow towards the root, a full green about the middle, at the tip perhaps the hot sun has scorched it, and there is a trace of brown. The older grass, which comes up earliest, is distinctly different in tint from that which has but just reached its greatest height, and in which the sap has not yet stood still.
Under all there is the new grass, short, sweet, and verdant, springing up fresh between the old, and giving a tone to the rest as you look down into the bunches. Some blades are nearly grey, some the palest green, and among them others, torn from the roots perhaps by rooks searching for grubs, are quite white. The very track of a rook through the grass leaves a different shade each side, as the blades are bent or trampled down.
The stalks of the bennets vary, some green, some yellowish, some brown, some approaching whiteness, according to age and the condition of the sap. Their tops, too, are never the same, whether the pollen clings to the surface or whether it has gone. Here the green is almost lost in red, or quite; here the grass has a soft, velvety look; yonder it is hard and wiry, and again graceful and drooping. Here there are bunches so rankly verdant that no flower is visible and no other tint but dark green; here it is thin and short, and the flowers, and almost the turf itself, can be seen; then there is an array of bennets (stalks which bear the grass-seed) with scarcely any grass proper.
Every variety of grass—and they are many—has its own colour, and every blade of every variety has its individual variations of that colour. The rain falls, and there is a darker tint at large upon the field, fresh but darker; the sun shines and at first the hue is lighter, but presently if the heat last a brown comes. The wind blows, and immediately as the waves of grass roll across the meadow a paler tint follows it.
A clouded sky dulls the herbage, a cloudless heaven brightens it, so that the grass almost reflects the firmament like water. At sunset the rosy rays bring out every tint of red or purple. At noonday, watch as alternate shadow and sunshine come one after the other as the clouds are wafted over. By moonlight perhaps the white ox-eyed daisies show the most. But never will you find the mowing grass in the same field looking twice alike.
Come again the day after to-morrow only, and there is a change; some of the grass is riper, some is thicker, with further blades which have pushed up, some browner. Cold northern winds cause it to wear a dry, withered aspect; under warm showers it visibly opens itself; in a hurricane it tosses itself wildly to and fro; it laughs under the sunshine.
There are thick bunches by the footpath, which hang over and brush the feet. While approaching there seems nothing there except grass, but in the act of passing, and thus looking straight down into them, there are blue eyes at the bottom gazing up. These specks of blue sky hidden in the grass tempt the hand to gather them, but then you cannot gather the whole field.
Behind the bunches where the grass is thinner are the heads of purple clover; pluck one of these, and while meditating draw forth petal after petal and imbibe the honey with the lips till nothing remains but the green framework, like stolen jewellery from which the gems have been taken. Torn pink ragged robins through whose petals a comb seems to have been remorselessly dragged, blue scabious, red knapweeds, yellow rattles, yellow vetchings by the hedge, white flowering parsley, white campions, yellow tormentil, golden buttercups, white cuckoo-flowers, dandelions, yarrow, and so on, all carelessly sown broadcast without order or method, just as negligently as they are named here, first remembered, first mentioned, and many forgotten.
Highest and coarsest of texture, the red-tipped sorrel—a crumbling red—so thick and plentiful that at sunset the whole mead becomes reddened. If these were in any way set in order or design, howsoever entangled, the eye might, as it were, get at them for reproduction. But just where there should be flowers there are none, whilst in odd places where there are none required there are plenty.
In hollows, out of sight till stumbled on, is a mass of colour; on the higher foreground only a dull brownish green. Walk all round the meadow, and still no vantage point can be found where the herbage groups itself, whence a scheme of colour is perceivable. There is no "artistic" arrangement anywhere.
So, too, with the colours—of the shades of green something has already been said—and here are bright blues and bright greens, yellows and pinks, positive discords and absolute antagonisms of tint side by side, yet without jarring the eye. Green all round, the trees and hedges; blue overhead, the sky; purple and gold westward, where the sun sinks. No part of this grass can be represented by a blur or broad streak of colour, for it is not made up of broad streaks. It is composed of innumerable items of grass blade and flower, each in itself coloured and different from its neighbour. Not one of these must be slurred over if you wish to get the same effect.
Then there are drifting specks of colour which cannot be fixed. Butterflies, white, parti-coloured, brown, and spotted, and light blue flutter along beside the footpath; two white ones wheel about each other, rising higher at every turn till they are lost and no more to be distinguished against a shining white cloud. Large dark humble bees roam slowly, and honey bees with more decided flight. Glistening beetles, green and gold, run across the bare earth of the path, coming from one crack in the dry ground and disappearing in the (to them) mighty chasm of another.
Tiny green "hoppers"—odd creatures shaped something like the fancy frogs of children's story-books—alight upon it after a spring, and pausing a second, with another toss themselves as high as the highest bennet (veritable elm-trees by comparison), to fall anywhere out of sight in the grass. Reddish ants hurry over. Time is money; and their business brooks no delay.
Bee-like flies of many stripes and parti-coloured robes face you, suspended in the air with wings vibrating so swiftly as to be unseen; then suddenly jerk themselves a few yards to recommence hovering. A greenfinch rises with a yellow gleam and a sweet note from the grass, and is off with something for his brood, or a starling, solitary now, for his mate is in the nest, startled from his questing, goes straight away.
Dark starlings, greenfinch, gilded fly, glistening beetle, blue butterfly, humble bee with scarf about his thick waist, add their moving dots of colour to the surface. There is no design, no balance, nothing like a pattern perfect on the right-hand side, and exactly equal on the left-hand. Even trees which have some semblance of balance in form are not really so, and as you walk round them so their outline changes.
Now the path approaches a stile set deep in thorns and brambles, and hardly to be gained for curved hooks and prickles. But on the briars June roses bloom, arches of flowers over nettles, burdock, and rushes in the ditch beneath. Sweet roses—buds yet unrolled, white and conical; roses half open and pink tinted; roses widespread, the petals curling backwards on the hedge, abandoning their beauty to the sun. In the pasture over the stile a roan cow feeds unmoved, calmly content, gathering the grass with rough tongue. It is not only what you actually see along the path, but what you remember to have seen, that gives it its beauty.
