Occultism Versus The Occult Arts - H.P. Blavatsky - E-Book

Occultism Versus The Occult Arts E-Book

H. P. Blavatsky

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Beschreibung

Combining shamanistic, Hindu, Buddhist, Neoplatonist, and Cabalistic lore to reconstruct what she considered to be the primordial human wisdom, Blavatsky forcefully engaged its concepts with those of the science and religion of her day. p A woman of independent and colorful character, Blavatsky evoked strong responses, both positive and negative, and left a permanent legacy whose influence on modern cultural movements in both India and the West is increasingly recognized. Helena Blavatsky has had perhaps a greater influence than any other single person on modern occultism and alternative spirituality. 

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H. P. Blavatsky

Occultism Versus The Occult Arts

Combining shamanistic, Hindu, Buddhist, Neoplatonist, and Cabalistic lore to reconstruct what she considered to be the primordial human wisdom, Blavatsky forcefully engaged its concepts with those of the science and religion of her day. p A woman of independent and colorful character, Blavatsky evoked strong responses, both positive and negative, and left a permanent legacy whose influence on modern cultural movements in both India and the West is increasingly recognized.

Helena Blavatsky has had perhaps a greater influence than any other single person on modern occultism and alternative spirituality.

Table of Contents
H. P. Blavatsky
Occultism Versus The Occult Arts
About Publisher

“I oft have heard, but ne’er believed till now,

There are who can by potent magic spells

Bend to their crooked purpose Nature’s laws.”

MILTON.

In this month’s “Correspondence” several letters testify to the strong impression produced on some minds by our last month’s article “Practical Occultism.” Such letters go far to prove and strengthen two logical conclusions. (a) There are more well-educated and thoughtful men who believe in the existence of Occultism and Magic (the two differing vastly) than the modern materialist dreams of; and— (b) That most of the believers (comprising many theosophists) have no definite idea of the nature of Occultism and confuse it with the Occult sciences in general, the “Black art” included. Their representations of the powers it confers upon man, and of the means to be used to acquire them are as varied as they are fanciful. Some imagine that a master in the art, to show the way, is all that is needed to become a Zanoni. Others, that one has but to cross the Canal of Suez and go to India to bloom forth as a Roger Bacon or even a Count de St.-Germain. Many take for their ideal Margrave with his ever-renewing youth, and care little for the soul as the price paid for it. Not a few, mistaking “Witch-of-Endorism” pure and simple, for Occultism—”through the yawning Earth from Stygian gloom, call up the meagre ghost to walks of light,” and want, on the strength of this feat, to be regarded as full-blown Adepts. “Ceremonial Magic” according to the rules mockingly laid down by Éliphas Lévi, is another imagined alter-ego of the philosophy of the Arhats of old. In short, the prisms through which Occultism appears, to those innocent of the philosophy, are as multicoloured and varied as human fancy can make them.