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In "Peace Manoeuvres," Richard Harding Davis explores the complexities of war and peace through a compelling narrative set against the backdrop of early 20th-century international tensions. Featuring a blend of realistic characterizations and incisive social commentary, the book captures the paradoxical nature of diplomacy and the human condition. This work showcases Davis's adeptness in crafting vivid scenes and a sharp dialogue that reflects the anxieties of an era teetering on the brink of the Great War. The literary style oscillates between journalistic precision and imaginative storytelling, offering readers an engaging examination of military strategies and the intricacies of negotiation. Richard Harding Davis, an esteemed journalist and novelist, was deeply influenced by his experiences reporting on conflicts and political events around the globe. Born into a prominent American family, his early exposure to issues of social justice and global affairs informed his writing. Davis's firsthand encounters with war and his passion for advocacy resonate throughout "Peace Manoeuvres," enabling him to provide both an authentic portrayal and a thought-provoking critique of the socio-political climate of his time. This book is recommended for readers interested in the interplay between literature and history, as well as those seeking a thoughtful reflection on the fragility of peace. Davis's incisive observations and rich narrative style invite readers to deeply consider the implications of conflict and the necessity of diplomacy, making it a pertinent read for both scholars and casual readers alike.
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Veröffentlichungsjahr: 2022
The scout stood where three roads cut three green tunnels in the pine woods, and met at his feet. Above his head an aged sign-post pointed impartially to East Carver, South Carver, and Carver Centre, and left the choice to him.
The scout scowled and bit nervously at his gauntlet. The choice was difficult, and there was no one with whom he could take counsel. The three sun-shot roads lay empty, and the other scouts, who, with him, had left the main column at sunrise, he had ordered back. They were to report that on the right flank, so far, at least, as Middleboro, there was no sign of the enemy. What lay beyond, it now was his duty to discover. The three empty roads spread before him like a picture puzzle, smiling at his predicament. Whichever one he followed left two unguarded. Should he creep upon for choice Carver Centre, the enemy, masked by a mile of fir trees, might advance from Carver or South Carver, and obviously he could not follow three roads at the same time. He considered the better strategy would be to wait where he was, where the three roads met, and allow the enemy himself to disclose his position. To the scout this course was most distasteful. He assured himself that this was so because, while it were the safer course, it wasted time and lacked initiative. But in his heart he knew that was not the reason, and to his heart his head answered that when one’s country is at war, when fields and fire-sides are trampled by the iron heels of the invader, a scout should act not according to the dictates of his heart, but in the service of his native land. In the case of this particular patriot, the man and scout were at odds. As one of the Bicycle Squad of the Boston Corps of Cadets, the scout knew what, at this momentous crisis in her history, the commonwealth of Massachusetts demanded of him. It was that he sit tight and wait for the hated foreigners from New York City, New Jersey, and Connecticut to show themselves. But the man knew, and had known for several years, that on the road to Carver was the summer home of one Beatrice Farrar. As Private Lathrop it was no part of his duty to know that. As a man and a lover, and a rejected lover at that, he could not think of anything else. Struggling between love and duty the scout basely decided to leave the momentous question to chance. In the front tire of his bicycle was a puncture, temporarily effaced by a plug. Laying the bicycle on the ground, Lathrop spun the front wheel swiftly.
“If,” he decided, “the wheel stops with the puncture pointing at Carver Centre, I’ll advance upon Carver Centre. Should it point to either of the two other villages, I’ll stop here.
“It’s a two to one shot against me, any way,” he growled.
Kneeling in the road he spun the wheel, and as intently as at Monte Carlo and Palm Beach he had waited for other wheels to determine his fortune, he watched it come to rest. It stopped with the plug pointing back to Middleboro.
The scout told himself he was entitled to another trial. Again he spun the wheel. Again the spokes flashed in the sun. Again the puncture rested on the road to Middleboro.
“If it does that once more,” thought the scout, “it’s a warning that there is trouble ahead for me at Carver, and all the little Carvers.”
For the third time the wheel flashed, but as he waited for the impetus to die, the sound of galloping hoofs broke sharply on the silence. The scout threw himself and his bicycle over the nearest stone wall, and, unlimbering his rifle, pointed it down the road.
He saw approaching a small boy, in a white apron, seated in a white wagon, on which was painted, “Pies and Pastry. East Wareham.” The boy dragged his horse to an abrupt halt.
“Don’t point that at me!” shouted the boy.
“Where do you come from?” demanded the scout.
“Wareham,” said the baker.
“Are you carrying any one concealed in that wagon?”
As though to make sure the baker’s boy glanced apprehensively into the depths of his cart, and then answered that in the wagon he carried nothing but fresh-baked bread. To the trained nostrils of the scout this already was evident. Before sunrise he had breakfasted on hard tack and muddy coffee, and the odor of crullers and mince pie, still warm, assailed him cruelly. He assumed a fierce and terrible aspect.
“Where are you going?” he challenged.
“To Carver Centre,” said the boy.
To chance Lathrop had left the decision. He believed the fates had answered.
Dragging his bicycle over the stone wall, he fell into the road.
“Go on,” he commanded. “I’ll use your cart for a screen. I’ll creep behind the enemy before he sees me.”
The baker’s boy frowned unhappily.
“But supposing,” he argued, “they see you first, will they shoot?”
The scout waved his hand carelessly.
“Of course,” he cried.
“Then,” said the baker, “my horse will run away!”