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- Herausgeber: DigiCat
- Kategorie: Gesellschafts- und Liebesromane
- Sprache: Englisch
Richard Harding Davis's "The Princess Aline" presents a captivating blend of romance and social commentary against the backdrop of high society's glittering façade. Through sharp, elegant prose and lively dialogue, Davis crafts a narrative rich in both humor and poignancy, exploring themes of love, duty, and societal expectations. The novel balances its melodramatic elements with a keen eye for detail, illustrating the complexities of relationships among the upper echelons of society during the early 20th century, when notions of propriety and individuality often collided in dramatic fashion. Davis, an accomplished journalist and fiction writer, translates his experiences navigating elite circles into the vivid portrayal of its characters. His backgrounds in both literature and journalism inform the novel's incisive critique of social norms, crafting a story that reflects his interests in romantic possibilities and the limitations imposed by class. These insights, drawn from Davis's own encounters and observations, enrich the narrative, allowing readers to engage not only with Aline's journey but also with the cultural currents of his time. For those seeking a richly embroidered tale filled with wit and emotional depth, "The Princess Aline" is highly recommended. Davis's ability to intertwine romance with incisive social critique creates a reading experience that resonates with contemporary themes of love and identity, making the novel as relevant today as it was at its publication.
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Veröffentlichungsjahr: 2022
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The Princess Aline
Table of Contents
I
H. R. H. the Princess Aline of Hohenwald came into the life of Morton Carlton--or "Morney" Carlton, as men called him--of New York city, when that young gentleman's affairs and affections were best suited to receive her. Had she made her appearance three years sooner or three years later, it is quite probable that she would have passed on out of his life with no more recognition from him than would have been expressed in a look of admiring curiosity.
But coming when she did, when his time and heart were both unoccupied, she had an influence upon young Mr. Carlton which led him into doing several wise and many foolish things, and which remained with him always. Carlton had reached a point in his life, and very early in his life, when he could afford to sit at ease and look back with modest satisfaction to what he had forced himself to do, and forward with pleasurable anticipations to whatsoever he might choose to do in the future. The world had appreciated what he had done, and had put much to his credit, and he was prepared to draw upon this grandly.
At the age of twenty he had found himself his own master, with excellent family connections, but with no family, his only relative being a bachelor uncle, who looked at life from the point of view of the Union Club's windows, and who objected to his nephew's leaving Harvard to take up the study of art in Paris. In that city (where at Julian's he was nicknamed the junior Carlton, for the obvious reason that he was the older of the two Carltons in the class, and because he was well dressed) he had shown himself a harder worker than others who were less careful of their appearance and of their manners. His work, of which he did not talk, and his ambitions, of which he also did not talk, bore fruit early, and at twenty-six he had become a portrait-painter of international reputation. Then the French government purchased one of his paintings at an absurdly small figure, and placed it in the Luxembourg, from whence it would in time depart to be buried in the hall of some provincial city; and American millionaires, and English Lord Mayors, members of Parliament, and members of the Institute, masters of hounds in pink coats, and ambassadors in gold lace, and beautiful women of all nationalities and conditions sat before his easel. And so when he returned to New York he was welcomed with an enthusiasm which showed that his countrymen had feared that the artistic atmosphere of the Old World had stolen him from them forever. He was particularly silent, even at this date, about his work, and listened to what others had to say of it with much awe, not unmixed with some amusement, that it should be he who was capable of producing anything worthy of such praise. We have been told what the mother duck felt when her ugly duckling turned into a swan, but we have never considered how much the ugly duckling must have marvelled also.
"Carlton is probably the only living artist," a brother artist had said of him, "who fails to appreciate how great his work is." And on this being repeated to Carlton by a good-natured friend, he had replied cheerfully, "Well, I'm sorry, but it is certainly better to be the only one who doesn't appreciate it than to be the only one who does."
He had never understood why such a responsibility had been intrusted to him. It was, as he expressed it, not at all in his line, and young girls who sought to sit at the feet of the master found him making love to them in the most charming manner in the world, as though he were not entitled to all the rapturous admiration of their very young hearts, but had to sue for it like any ordinary mortal. Carlton always felt as though some day some one would surely come along and say: "Look here, young man, this talent doesn't belong to you; it's mine. What do you mean by pretending that such an idle good-natured youth as yourself is entitled to such a gift of genius?" He felt that he was keeping it in trust, as it were; that it had been changed at birth, and that the proper guardian would eventually relieve him of his treasure.
Personally Carlton was of the opinion that he should have been born in the active days of knights-errant--to have had nothing more serious to do than to ride abroad with a blue ribbon fastened to the point of his lance, and with the spirit to unhorse any one who objected to its color, or to the claims of superiority of the noble lady who had tied it there. There was not, in his opinion, at the present day any sufficiently pronounced method of declaring admiration for the many lovely women this world contained. A proposal of marriage he considered to be a mean and clumsy substitute for the older way, and was uncomplimentary to the many other women left unasked, and marriage itself required much more constancy than he could give. He had a most romantic and old-fashioned ideal of women as a class, and from the age of fourteen had been a devotee of hundreds of them as individuals; and though in that time his ideal had received several severe shocks, he still believed that the "not impossible she" existed somewhere, and his conscientious efforts to find out whether every women he met might not be that one had led him not unnaturally into many difficulties.
"The trouble with me is," he said, "that I care too much to make Platonic friendship possible, and don't care enough to marry any particular woman--that is, of course, supposing that any particular one would be so little particular as to be willing to marry me. How embarrassing it would be, now," he argued, "if, when you were turning away from the chancel after the ceremony, you should look at one of the bridesmaids and see the woman whom you really should have married! How distressing that would be! You couldn't very well stop and say: 'I am very sorry, my dear, but it seems I have made a mistake. That young woman on the right has a most interesting and beautiful face. I am very much afraid that she is the one.' It would be too late then; while now, in my free state, I can continue my search without any sense of responsibility."
"Why"--he would exclaim--"I have walked miles to get a glimpse of a beautiful woman in a suburban window, and time and time again when I have seen a face in a passing brougham I have pursued it in a hansom, and learned where the owner of the face lived, and spent weeks in finding some one to present me, only to discover that she was self-conscious or uninteresting or engaged. Still I had assured myself that she was not the one. I am very conscientious, and I consider that it is my duty to go so far with every woman I meet as to be able to learn whether she is or is not the one, and the sad result is that I am like a man who follows the hounds but is never in at the death."
"Well," some married woman would say, grimly, "I hope you will get your deserts some day; and you WILL, too. Some day some girl will make you suffer for this."
"Oh, that's all right," Carlton would answer, meekly. "Lots of women have made me suffer, if that's what you think I need."
"Some day," the married woman would prophesy, "you will care for a woman so much that you will have no eyes for any one else. That's the way it is when one is married."
"Well, when that's the way it is with ME," Carlton would reply, "I certainly hope to get married; but until it is, I think it is safer for all concerned that I should not."
Then Carlton would go to the club and complain bitterly to one of his friends.
"How unfair married women are!" he would say. "The idea of thinking a man could have no eyes but for one woman! Suppose I had never heard a note of music until I was twenty-five years of age, and was then given my hearing. Do you suppose my pleasure in music would make me lose my pleasure in everything else? Suppose I met and married a girl at twenty-five. Is that going to make me forget all the women I knew before I met her? I think not. As a matter of fact, I really deserve a great deal of credit for remaining single, for I am naturally very affectionate; but when I see what poor husbands my friends make, I prefer to stay as I am until I am sure that I will make a better one. It is only fair to the woman."
Carlton was sitting in the club alone. He had that sense of superiority over his fellows and of irresponsibility to the world about him that comes to a man when he knows that his trunks are being packed and that his state-room is engaged. He was leaving New York long before most of his friends could get away. He did not know just where he was going, and preferred not to know. He wished to have a complete holiday, and to see Europe as an idle tourist, and not as an artist with an eye to his own improvement. He had plenty of time and money; he was sure to run across friends in the big cities, and acquaintances he could make or not, as he pleased, en route. He was not sorry to go. His going would serve to put an end to what gossip there might be of his engagement to numerous young women whose admiration for him as an artist, he was beginning to fear, had taken on a more personal tinge. "I wish," he said, gloomily, "I didn't like people so well. It seems to cause them and me such a lot of trouble."
He sighed, and stretched out his hand for a copy of one of the English illustrated papers. It had a fresher interest to him because the next number of it that he would see would be in the city in which it was printed. The paper in his hands was the St. James Budget, and it contained much fashionable intelligence concerning the preparations for a royal wedding which was soon to take place between members of two of the reigning families of Europe. There was on one page a half-tone reproduction of a photograph, which showed a group of young people belonging to several of these reigning families, with their names and titles printed above and below the picture. They were princesses, archdukes, or grand-dukes, and they were dressed like young English men and women, and with no sign about them of their possible military or social rank.
