Penrod E-Book

Booth Tarkington

• Herausgeber: Classica Libris
• Kategorie: Für Kinder und Jugendliche
• Sprache: Englisch
• Veröffentlichungsjahr: 2020

Beschreibung

Penrod is a comic work that chronicles the misadventures of an eleven-year-old boy, Penrod Schofield, who is considered “The Worst Boy in Town.” Tarkington’s young protagonist causes all sorts of mischief as he comes up with schemes like setting up a “drugstore” with his friend Sam, which involves creating a potion for smallpox from mouth wash, syrup and “extinct hair oil” alongside other expired medications. Penrod and Sam then persuade another unsuspecting young boy to drink the concoction, which does not quite have the results they anticipate. The Penrod novels have been adapted for film and stage multiple times including a 1918 play by Edward E. Rose, the 1922 silent film adaptation and the 1951 musical On Moonlight Bay starring Doris Day.

Leseprobe

Booth Tarkington

PENROD

Copyright

First published in 1914

Copyright © 2020 Classica Libris

Dedication

TO

JOHN, DONALD AND BOOTH JAMESON

FROM A GRATEFUL UNCLE

Chapter 1

A BOY AND HIS DOG

Penrod sat morosely upon the back fence and gazed with envy at Duke, his wistful dog.

A bitter soul dominated the various curved and angular surfaces known by a careless world as the face of Penrod Schofield. Except in solitude, that face was almost always cryptic and emotionless; for Penrod had come into his twelfth year wearing an expression carefully trained to be inscrutable. Since the world was sure to misunderstand everything, mere defensive instinct prompted him to give it as little as possible to lay hold upon. Nothing is more impenetrable than the face of a boy who has learned this, and Penrod’s was habitually as fathomless as the depth of his hatred this morning for the literary activities of Mrs. Lora Rewbush—an almost universally respected fellow citizen, a lady of charitable and poetic inclinations, and one of his own mother’s most intimate friends.

Mrs. Lora Rewbush had written something which she called “The Children’s Pageant of the Table Round,” and it was to be performed in public that very afternoon at the Women’s Arts and Guild Hall for the benefit of the Colored Infants’ Betterment Society. And if any flavor of sweetness remained in the nature of Penrod Schofield after the dismal trials of the school-week just past, that problematic, infinitesimal remnant was made pungent acid by the imminence of his destiny to form a prominent feature of the spectacle, and to declaim the loathsome sentiments of a character named upon the programme the Child Sir Lancelot.

After each rehearsal he had plotted escape, and only ten days earlier there had been a glimmer of light: Mrs. Lora Rewbush caught a very bad cold, and it was hoped it might develop into pneumonia; but she recovered so quickly that not even a rehearsal of the Children’s Pageant was postponed. Darkness closed in. Penrod had rather vaguely debated plans for a self-mutilation such as would make his appearance as the Child Sir Lancelot inexpedient on public grounds; it was a heroic and attractive thought, but the results of some extremely sketchy preliminary experiments caused him to abandon it.

There was no escape; and at last his hour was hard upon him. Therefore he brooded on the fence and gazed with envy at his wistful Duke.

The dog’s name was undescriptive of his person, which was obviously the result of a singular series of mésalliances. He wore a grizzled moustache and indefinite whiskers; he was small and shabby, and looked like an old postman. Penrod envied Duke because he was sure Duke would never be compelled to be a Child Sir Lancelot. He thought a dog free and unshackled to go or come as the wind listeth. Penrod forgot the life he led Duke.

There was a long soliloquy upon the fence, a plaintive monologue without words: the boy’s thoughts were adjectives, but they were expressed by a running film of pictures in his mind’s eye, morbidly prophetic of the hideosities before him. Finally he spoke aloud, with such spleen that Duke rose from his haunches and lifted one ear in keen anxiety.

“‘I hight Sir Lancelot du Lake, the Child,

Gentul-hearted, meek, and mild.

What though I’m but a littul child,

Gentul-hearted, meek, and —’  Oof!”

All of this except “oof” was a quotation from the Child Sir Lancelot, as conceived by Mrs. Lora Rewbush. Choking upon it, Penrod slid down from the fence, and with slow and thoughtful steps entered a one-storied wing of the stable, consisting of a single apartment, floored with cement and used as a storeroom for broken bric-a-brac, old paint-buckets, decayed garden-hose, worn-out carpets, dead furniture, and other condemned odds and ends not yet considered hopeless enough to be given away.

In one corner stood a large box, a part of the building itself: it was eight feet high and open at the top, and it had been constructed as a sawdust magazine from which was drawn material for the horse’s bed in a stall on the other side of the partition. The big box, so high and towerlike, so commodious, so suggestive, had ceased to fulfil its legitimate function; though, providentially, it had been at least half full of sawdust when the horse died. Two years had gone by since that passing; an interregnum in transportation during which Penrod’s father was “thinking” (he explained sometimes) of an automobile. Meanwhile, the gifted and generous sawdust-box had served brilliantly in war and peace: it was Penrod’s stronghold.

There was a partially defaced sign upon the front wall of the box; the donjon-keep had known mercantile impulses:

    The O. K. RaBiT Co.

    PENROD ScHoFiELD AND CO.

    iNQuiRE FOR PRicEs

This was a venture of the preceding vacation, and had netted, at one time, an accrued and owed profit of $1.38. Prospects had been brightest on the very eve of cataclysm. The storeroom was locked and guarded, but twenty-seven rabbits and Belgian hares, old and young, had perished here on a single night—through no human agency, but in a foray of cats, the besiegers treacherously tunneling up through the sawdust from the small aperture which opened into the stall beyond the partition. Commerce has its martyrs.

Penrod climbed upon a barrel, stood on tiptoe, grasped the rim of the box; then, using a knothole as a stirrup, threw one leg over the top, drew himself up, and dropped within. Standing upon the packed sawdust, he was just tall enough to see over the top.

Duke had not followed him into the storeroom but remained near the open doorway in a concave and pessimistic attitude. Penrod felt in a dark corner of the box and laid hands upon a simple apparatus consisting of an old bushel-basket with a few yards of clothesline tied to each of its handles. He passed the ends of the lines over a big spool, which revolved upon an axle of wire suspended from a beam overhead, and, with the aid of this improvised pulley, lowered the empty basket until it came to rest in an upright position upon the floor of the storeroom at the foot of the sawdust-box.

“Eleva-tor!” shouted Penrod. “Ting-ting!”

Duke, old and intelligently apprehensive, approached slowly, in a semicircular manner, deprecatingly, but with courtesy. He pawed the basket delicately; then, as if that were all his master had expected of him, uttered one bright bark, sat down, and looked up triumphantly. His hypocrisy was shallow: many a horrible quarter of an hour had taught him his duty in this matter.

“El-e-vay-tor!” shouted Penrod sternly. “You want me to come down there to you?”

Duke looked suddenly haggard. He pawed the basket feebly again and, upon another outburst from on high, prostrated himself flat. Again threatened, he gave a superb impersonation of a worm.

“You get in that el-e-vay-tor!”

Reckless with despair, Duke jumped into the basket, landing in a disheveled posture, which he did not alter until he had been drawn up and poured out upon the floor of sawdust with the box. There, shuddering, he lay in doughnut shape and presently slumbered.

It was dark in the box, a condition that might have been remedied by sliding back a small wooden panel on runners, which would have let in ample light from the alley; but Penrod Schofield had more interesting means of illumination. He knelt, and from a former soapbox, in a corner, took a lantern, without a chimney, and a large oil-can, the leak in the latter being so nearly imperceptible that its banishment from household use had seemed to Penrod as inexplicable as it was providential.

He shook the lantern near his ear: nothing splashed; there was no sound but a dry clinking. But there was plenty of kerosene in the can; and he filled the lantern, striking a match to illumine the operation. Then he lit the lantern and hung it upon a nail against the wall. The sawdust floor was slightly impregnated with oil, and the open flame quivered in suggestive proximity to the side of the box; however, some rather deep charrings of the plank against which the lantern hung offered evidence that the arrangement was by no means a new one, and indicated at least a possibility of no fatality occurring this time.

Next, Penrod turned up the surface of the sawdust in another corner of the floor, and drew forth a cigar-box in which were half a dozen cigarettes, made of hayseed and thick brown wrapping paper, a lead-pencil, an eraser, and a small note-book, the cover of which was labelled in his own handwriting:

“English Grammar. Penrod Schofield. Room 6, Ward School Nomber Seventh.”

The first page of this book was purely academic; but the study of English undefiled terminated with a slight jar at the top of the second: “Nor must an adverb be used to modif—”

Immediately followed:

“HARoLD RAMoREZ THE RoADAGENT

OR WiLD LiFE AMoNG THE

ROCKY MTS.”

And the subsequent entries in the book appeared to have little concern with Room 6, Ward School Nomber Seventh.

Chapter 2

ROMANCE

The author of “Harold Ramorez,” etc., lit one of the hayseed cigarettes, seated himself comfortably, with his back against the wall and his right shoulder just under the lantern, elevated his knees to support the note-book, turned to a blank page, and wrote, slowly and earnestly:

“CHAPITER THE SIXTH”

He took a knife from his pocket, and, broodingly, his eyes upon the inward embryos of vision, sharpened his pencil. After that, he extended a foot and meditatively rubbed Duke’s back with the side of his shoe. Creation, with Penrod, did not leap, full-armed, from the brain; but finally he began to produce. He wrote very slowly at first, and then with increasing rapidity; faster and faster, gathering momentum and growing more and more fevered as he sped, till at last the true fire came, without which no lamp of real literature may be made to burn.

Mr. Wilson reched for his gun but our hero had him covred and soon said Well I guess you don’t come any of that on me my freind.

Well what makes you so sure about it sneered the other bitting his lip so savageley that the blood ran. You are nothing but a common Roadagent any way and I do not propose to be bafled by such, Ramorez laughed at this and kep Mr. Wilson covred by his ottomatick.

Soon the two men were struggling together in the death-roes but soon Mr. Wilson got him bound and gaged his mouth and went away for awhile leavin our hero, it was dark and he writhd at his bonds writhing on the floor wile the rats came out of their holes and bit him and vernim got all over him from the floor of that helish spot but soon he managed to push the gag out of his mouth with the end of his toungeu and got all his bonds off.

Soon Mr. Wilson came back to tant him with his helpless condition flowed by his gang of detectives and they said Oh look at Ramorez sneering at his plight and tanted him with his helpless condition because Ramorez had put the bonds back sos he would look the same but could throw them off him when he wanted to Just look at him now sneered they. To hear him talk you would thought he was hot stuff and they said Look at him now, him that was going to do so much, Oh I would not like to be in his fix.

Soon Harold got mad at this and jumped up with blasing eyes throwin off his bonds like they were air Ha Ha sneered he I guess you better not talk so much next time. Soon there flowed another awful struggle and siezin his ottomatick back from Mr. Wilson he shot two of the detectives through the heart Bing Bing went the ottomatick and two more went to meet their Maker only two detectives left now and so he stabbed one and the scondrel went to meet his Maker for now our hero was fighting for his very life. It was dark in there now for night had falen and a terrible view met the eye Blood was just all over everything and the rats were eatin the dead men.

Soon our hero manged to get his back to the wall for he was fighting for his very life now and shot Mr. Wilson through the abodmen Oh said Mr. Wilson you———(The dashes are Penrod’s.)

Mr. Wilson stagerd back vile oaths soilin his lips for he was in pain Why you—— you sneered he I will get you yet—— you Harold Ramorez

The remainin scondrel had an ax which he came near our heros head with but missed him and ramand stuck in the wall Our heros amunition was exhaused what was he to do, the remanin scondrel would soon get his ax lose so our hero sprung forward and bit him till his teeth met in the flech for now our hero was fighting for his very life. At this the remanin scondrel also cursed and swore vile oaths. Oh sneered he———you Harold Ramorez what did you bite me for Yes sneered Mr. Wilson also and he has shot me in the abdomen too the—

Soon they were both cursin and reviln him together Why you—————sneered they what did you want to injure us for—you Harold Ramorez you have not got any sence and you think you are so much but you are no better than anybody else and you are a——————

Soon our hero could stand this no longer. If you could learn to act like gentlmen said he I would not do any more to you now and your low vile exppresions have not got any effect on me only to injure your own self when you go to meet your Maker Oh I guess you have had enogh for one day and I think you have learned a lesson and will not soon atemp to beard Harold Ramorez again so with a tantig laugh he cooly lit a cigarrete and takin the keys of the cell from Mr. Wilson poket went on out.

Soon Mr. Wilson and the wonded detective manged to bind up their wonds and got up off the floor—— it I will have that dasstads life now sneered they if we have to swing for it———— him he shall not eccape us again the low down———— —

Chapiter seventh

A mule train of heavily laden burros laden with gold from the mines was to be seen wondering among the highest clifts and gorgs of the Rocky Mts and a tall man with a long silken mustash and a cartigde belt could be heard cursin vile oaths because he well knew this was the lair of Harold Ramorez Why———you you———— mules you sneered he because the poor mules were not able to go any quicker—you I will show you Why—————— it sneered he his oaths growing viler and viler I will whip you———————you sos you will not be able to walk for a week—— you you mean old—————————mules you

Scarcly had the vile words left his lips when —

“Penrod!”

It was his mother’s voice, calling from the back porch.

Simultaneously, the noon whistles began to blow, far and near; and the romancer in the sawdust-box, summoned prosaically from steep mountain passes above the clouds, paused with stubby pencil halfway from lip to knee. His eyes were shining—there was a rapt sweetness in his gaze. As he wrote, his burden had grown lighter; thoughts of Mrs. Lora Rewbush had almost left him; and in particular as he recounted (even by the chaste dash) the annoyed expressions of Mr. Wilson, the wounded detective, and the silken mustached mule-driver, he had felt mysteriously relieved concerning the Child Sir Lancelot. Altogether he looked a better and a brighter boy.

“Pen-rod!”

The rapt look faded slowly. He sighed but moved not.

“Penrod! We’re having lunch early just on your account, so you’ll have plenty of time to be dressed for the pageant. Hurry!”

There was silence in Penrod’s aerie.

“Pen-rod!”

Mrs. Schofields voice sounded nearer, indicating a threatened approach. Penrod bestirred himself: he blew out the lantern, and shouted plaintively:

“Well, ain’t I coming fast’s I can?”

“Do hurry,” returned the voice, withdrawing; and the kitchen door could be heard to close.

Languidly, Penrod proceeded to set his house in order.

Replacing his manuscript and pencil in the cigar-box, he carefully buried the box in the sawdust, put the lantern and oil-can back in the soapbox, adjusted the elevator for the reception of Duke, and, in no uncertain tone, invited the devoted animal to enter.

Duke stretched himself amiably, affecting not to hear; and when this pretense became so obvious that even a dog could keep it up no longer, sat down in a corner, facing it, his back to his master, and his head perpendicular, nose upward, supported by the convergence of the two walls. This, from a dog, is the last word, the comble of the immutable. Penrod commanded, stormed, tried gentleness; persuaded with honeyed words and pictured rewards. Duke’s eyes looked backward; otherwise he moved not. Time elapsed. Penrod stooped to flattery, finally to insincere caresses; then, losing patience spouted sudden threats. Duke remained immovable, frozen fast to his great gesture of implacable despair.

A footstep sounded on the threshold of the storeroom.

“Penrod, come down from that box this instant!”

“Ma’am?”

“Are you up in that sawdust-box again?” As Mrs. Schofield had just heard her son’s voice issue from the box, and also, as she knew he was there anyhow, her question must have been put for oratorical purposes only. “Because if you are,” she continued promptly, “I’m going to ask your papa not to let you play there any—”

Penrod’s forehead, his eyes, the tops of his ears, and most of his hair, became visible to her at the top of the box. “I ain’t ‘playing!” he said indignantly.

“Well, what are you doing?”

“Just coming down,” he replied, in a grieved but patient tone.

“Then why don’t you come?”

“I got Duke here. I got to get him down, haven’t I? You don’t suppose I want to leave a poor dog in here to starve, do you?”

“Well, hand him down over the side to me. Let me—”

“I’ll get him down all right,” said Penrod. “I got him up here, and I guess I can get him down!”

“Well then, do it!”

“I will if you’ll let me alone. If you’ll go on back to the house I promise to be there inside of two minutes. Honest!”

He put extreme urgency into this, and his mother turned toward the house. “If you’re not there in two minutes—”

“I will be!”

After her departure, Penrod expended some finalities of eloquence upon Duke, then disgustedly gathered him up in his arms, dumped him into the basket and, shouting sternly, “All in for the ground floor—step back there, madam—all ready, Jim!” lowered dog and basket to the floor of the storeroom. Duke sprang out in tumultuous relief, and bestowed frantic affection upon his master as the latter slid down from the box.

Penrod dusted himself sketchily, experiencing a sense of satisfaction, dulled by the overhanging afternoon, perhaps, but perceptible: he had the feeling of one who has been true to a cause. The operation of the elevator was unsinful and, save for the shock to Duke’s nervous system, it was harmless; but Penrod could not possibly have brought himself to exhibit it in the presence of his mother or any other grown person in the world. The reasons for secrecy were undefined; at least, Penrod did not define them.

Chapter 3

THE COSTUME

After lunch his mother and his sister Margaret, a pretty girl of nineteen, dressed him for the sacrifice. They stood him near his mother’s bedroom window and did what they would to him.

During the earlier anguishes of the process he was mute, exceeding the pathos of the stricken calf in the shambles; but a student of eyes might have perceived in his soul the premonitory symptoms of a sinister uprising. At a rehearsal (in citizens’ clothes) attended by mothers and grown-up sisters, Mrs. Lora Rewbush had announced that she wished the costuming to be “as medieval and artistic as possible.” Otherwise, and as to details, she said, she would leave the costumes entirely to the good taste of the children’s parents. Mrs. Schofield and Margaret were no archeologists, but they knew that their taste was as good as that of other mothers and sisters concerned; so with perfect confidence they had planned and executed a costume for Penrod; and the only misgiving they felt was connected with the tractability of the Child Sir Lancelot himself.

Stripped to his underwear, he had been made to wash himself vehemently; then they began by shrouding his legs in a pair of silk stockings, once blue but now mostly whitish. Upon Penrod they visibly surpassed mere ampleness; but they were long, and it required only a rather loose imagination to assume that they were tights.

The upper part of his body was next concealed from view by a garment so peculiar that its description becomes difficult. In 1886, Mrs. Schofield, then unmarried, had worn at her “coming-out party” a dress of vivid salmon silk which had been remodeled after her marriage to accord with various epochs of fashion until a final, unskillful campaign at a dye-house had left it in a condition certain to attract much attention to the wearer. Mrs. Schofield had considered giving it to Della, the cook; but had decided not to do so, because e you never could tell how Della was going to take things, and cooks were scarce.

It may have been the word “medieval” (in Mrs. Lora Rewbush’s rich phrase) which had inspired the idea for a last conspicuous usefulness; at all events, the bodice of that once salmon dress, somewhat modified and moderated, now took a position, for its farewell appearance in society, upon the back, breast, and arms of the Child Sir Lancelot.

The area thus costumed ceased at the waist, leaving a Jaeger-like and medieval gap thence to the tops of the stockings. The inventive genius of woman triumphantly bridged it, but in a manner which imposes upon history almost insuperable delicacies of narration. Penrod’s father was an old-fashioned man: the twentieth century had failed to shake his faith in red flannel for cold weather; and it was while Mrs. Schofield was putting away her husband’s winter underwear that she perceived how hopelessly one of the elder specimens had dwindled; and simultaneously she received the inspiration which resulted in a pair of trunks for the Child Sir Lancelot, and added an earnest bit of color, as well as a genuine touch of the Middle Ages, to his costume. Reversed, fore to aft, with the greater part of the legs cut off, and strips of silver braid covering the seams, this garment, she felt, was not traceable to its original source.

When it had been placed upon Penrod, the stockings were attached to it by a system of safety-pins, not very perceptible at a distance. Next, after being severely warned against stooping, Penrod got his feet into the slippers he wore to dancing-school—“patent-leather pumps” now decorated with large pink rosettes.

“If I can’t stoop,” he began, smolderingly, “I’d like to know how’m I goin’ to kneel in the pag—”

“You must manage!” This, uttered through pins, was evidently thought to be sufficient.

They fastened some ruching about his slender neck, pinned ribbons at random all over him, and then Margaret thickly powdered his hair.

“Oh, yes, that’s all right,” she said, replying to a question put by her mother. “They always powdered their hair in Colonial times.”

“It doesn’t seem right to me—exactly,” objected Mrs. Schofield, gently. “Sir Lancelot must have been ever so long before Colonial times.”

“That doesn’t matter,” Margaret reassured her. “Nobody’ll know the difference—Mrs. Lora Rewbush least of all. I don’t think she knows a thing about it, though, of course, she does write splendidly, and the words of the pageant are just beautiful. Stand still, Penrod!” (The author of “Harold Ramorez” had moved convulsively.) “Besides, powdered hair’s always becoming. Look at him. You’d hardly know it was Penrod!”

The pride and admiration with which she pronounced this undeniable truth might have been thought tactless, but Penrod, not analytical, found his spirits somewhat elevated. No mirror was in his range of vision and, though he had submitted to cursory measurements of his person a week earlier, he had no previous acquaintance with the costume. He began to form a not unpleasing mental picture of his appearance, something somewhere between the portraits of George Washington and a vivid memory of Miss Julia Marlowe at a matinee of “Twelfth Night.”

He was additionally cheered by a sword which had been borrowed from a neighbor, who was a Knight of Pythias. Finally there was a mantle, an old golf cape of Margaret’s. Fluffy polka-dots of white cotton had been sewed to it generously; also it was ornamented with a large cross of red flannel, suggested by the picture of a Crusader in a newspaper advertisement. The mantle was fastened to Penrod’s shoulder (that is, to the shoulder of Mrs. Schofield’s ex-bodice) by means of large safety-pins, and arranged to hang down behind him, touching his heels, but obscuring nowise the glory of his facade. Then, at last, he was allowed to step before a mirror.

It was a full-length glass, and the worst immediately happened. It might have been a little less violent, perhaps, if Penrod’s expectations had not been so richly and poetically idealized; but as things were, the revolt was volcanic.

Victor Hugo’s account of the fight with the devil-fish, in “Toilers of the Sea,” encourages a belief that, had Hugo lived and increased in power, he might have been equal to a proper recital of the half hour which followed Penrod’s first sight of himself as the Child Sir Lancelot. But Mr. Wilson himself, dastard but eloquent foe of Harold Ramorez, could not have expressed, with all the vile dashes at his command, the sentiments which animated Penrod’s bosom when the instantaneous and unalterable conviction descended upon him that he was intended by his loved ones to make a public spectacle of himself in his sister’s stockings and part of an old dress of his mother’s.

To him these familiar things were not disguised at all; there seemed no possibility that the whole world would not know them at a glance. The stockings were worse than the bodice. He had been assured that these could not be recognized, but, seeing them in the mirror, he was sure that no human eye could fail at first glance to detect the difference between himself and the former purposes of these stockings. Fold, wrinkle, and void shrieked their history with a hundred tongues, invoking earthquake, eclipse, and blue ruin. The frantic youth’s final submission was obtained only after a painful telephonic conversation between himself and his father, the latter having been called up and upon, by the exhausted Mrs. Schofield, to subjugate his offspring by wire.

The two ladies made all possible haste, after this, to deliver Penrod into the hands of Mrs. Lora Rewbush; nevertheless, they found opportunity to exchange earnest congratulations upon his not having recognized the humble but serviceable paternal garment now brilliant about the Lancelotish middle. Altogether, they felt that the costume was a success. Penrod looked like nothing ever remotely imagined by Sir Thomas Malory or Alfred Tennyson—for that matter, he looked like nothing ever before seen on earth; but as Mrs. Schofield and Margaret took their places in the audience at the Women’s Arts and Guild Hall, the anxiety they felt concerning Penrod’s elocutionary and gesticular powers, so soon to be put to public test, was pleasantly tempered by their satisfaction that, owing to their efforts, his outward appearance would be a credit to the family.

Chapter 4

DESPERATION

The Child Sir Lancelot found himself in a large anteroom behind the stage—a room crowded with excited children, all about equally medieval and artistic. Penrod was less conspicuous than he thought himself, but he was so preoccupied with his own shame, steeling his nerves to meet the first inevitable taunting reference to his sister’s stockings, that he failed to perceive there were others present in much of his own unmanned condition. Retiring to a corner, immediately upon his entrance, he managed to unfasten the mantle at the shoulders, and, drawing it round him, pinned it again at his throat so that it concealed the rest of his costume. This permitted a temporary relief, but increased his horror of the moment when, in pursuance of the action of the “pageant,” the sheltering garment must be cast aside.