People of the Dark - Robert Ervin Howard - E-Book

People of the Dark E-Book

Robert Ervin Howard

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Beschreibung

People of the Dark Robert Ervin Howard - People of the Dark is a collection of stories by Robert E. Howard that includes: "The Black Stone", "Children of the Night", "The Dark Man", "The Footfalls Within", "Gods of Bal Sagoth", "Horror from the Mound", "Kings of the Night", "The Last Day", "People of the Dark", "The Song of the Mad Minstrel", and "The Thing on the Roof".The title story, "People of the Dark", is considered to be part of the Cthulhu Mythos.It was first published in Strange Tales, June 1932.

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Robert Ervin Howard
People of the Dark

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I came to Dagon's Cave to kill Richard Brent. I went down the dusky avenues made by the towering trees, and my mood well-matched the primitive grimness of the scene.

The approach to Dagon's Cave is always dark, for the mighty branches and thick leaves shut out the sun, and now the somberness of my own soul made the shadows seem more ominous and gloomy than was natural.

Not far away I heard the slow wash of the waves against the tall cliffs, but the sea itself was out of sight, masked by the dense oak forest. The darkness and the stark gloom of my surroundings gripped my shadowed soul as I passed beneath the ancient branches—as I came out into a narrow glade and saw the mouth of the ancient cavern before me. I paused, scanning the cavern's exterior and the dim reaches of the silent oaks.

The man I hated had not come before me! I was in time to carry out my grim intent. For a moment my resolution faltered, then like a wave there surged over me the fragrance of Eleanor Bland, a vision of wavy golden hair and deep gray eyes, changing and mystic as the sea. I clenched my hands until the knuckles showed white, and instinctively touched the wicked snub-nosed revolver whose weight sagged my coat pocket.

But for Richard Brent, I felt certain I had already won this woman, desire for whom made my waking hours a torment and my sleep a torture. Whom did she love? She would not say; I did not believe she knew. Let one of us go away, I thought, and she would turn to the other. And I was going to simplify matters for her—and for myself. By chance I had overheard my blond English rival remark that he intended coming to lonely Dagon's Cave on an idle exploring outing—alone.

I am not by nature criminal. I was born and raised in a hard country, and have lived most of my life on the raw edges of the world, where a man took what he wanted, if he could, and mercy was a virtue little known. But it was a torment that racked me day and night that sent me out to take the life of Richard Brent. I have lived hard, and violently, perhaps. When love overtook me, it also was fierce and violent. Perhaps I was not wholly sane, what with my love for Eleanor Bland and my hatred for Richard Brent. Under any other circumstances, I would have been glad to call him friend—a fine, rangy, upstanding young fellow, clear-eyed and strong. But he stood in the way of my desire and he must die.

I stepped into the dimness of the cavern and halted. I had never before visited Dagon's Cave, yet a vague sense of misplaced familiarity troubled me as I gazed on the high arching roof, the even stone walls and the dusty floor. I shrugged my shoulders, unable to place the elusive feeling; doubtless it was evoked by a similarity to caverns in the mountain country of the American Southwest where I was born and spent my childhood.

And yet I knew that I had never seen a cave like this one, whose regular aspect gave rise to myths that it was not a natural cavern, but had been hewn from the solid rock ages ago by the tiny hands of the mysterious Little People, the prehistoric beings of British legend. The whole countryside thereabouts was a haunt for ancient folk lore.

The country folk were predominantly Celtic; here the Saxon invaders had never prevailed, and the legends reached back, in that long-settled countryside, further than anywhere else in England—back beyond the coming of the Saxons, aye, and incredibly beyond that distant age, beyond the coming of the Romans, to those unbelievably ancient days when the native Britons warred with black-haired Irish pirates.

The Little People, of course, had their part in the lore. Legend said that this cavern was one of their last strongholds against the conquering Celts, and hinted at lost tunnels, long fallen in or blocked up, connecting the cave with a network of subterranean corridors which honeycombed the hills. With these chance meditations vying idly in my mind with grimmer speculations, I passed through the outer chamber of the cavern and entered a narrow tunnel, which, I knew by former descriptions, connected with a larger room.

It was dark in the tunnel, but not too dark for me to make out the vague, half-defaced outlines of mysterious etchings on the stone walls. I ventured to switch on my electric torch and examine them more closely. Even in their dimness I was repelled by their abnormal and revolting character. Surely no men cast in human mold as we know it, scratched those grotesque obscenities.