PREFACE.
I. LIFE.
II. LOVE.
III. NATURE.
IV. TIME AND ETERNITY.
PREFACE.
THE
verses of Emily Dickinson belong emphatically to what Emerson long
since called "the Poetry of the Portfolio,"—something
produced absolutely without the thought of publication, and solely by
way of expression of the writer's own mind. Such verse must
inevitably forfeit whatever advantage lies in the discipline of
public criticism and the enforced conformity to accepted ways. On the
other hand, it may often gain something through the habit of freedom
and the unconventional utterance of daring thoughts. In the case of
the present author, there was absolutely no choice in the matter; she
must write thus, or not at all. A recluse by temperament and habit,
literally spending years without setting her foot beyond the
doorstep, and many more years during which her walks were strictly
limited to her father's grounds, she habitually concealed her mind,
like her person, from all but a very few friends; and it was with
great difficulty that she was persuaded to print, during her
lifetime, three or four poems. Yet she wrote verses in great
abundance; and though brought curiously indifferent to all
conventional rules, had yet a rigorous literary standard of her own,
and often altered a word many times to suit an ear which had its own
tenacious fastidiousness.Miss
Dickinson was born in Amherst, Mass., Dec. 10, 1830, and died there
May 15, 1886. Her father, Hon. Edward Dickinson, was the leading
lawyer of Amherst, and was treasurer of the well-known college there
situated. It was his custom once a year to hold a large reception at
his house, attended by all the families connected with the
institution and by the leading people of the town. On these occasions
his daughter Emily emerged from her wonted retirement and did her
part as gracious hostess; nor would any one have known from her
manner, I have been told, that this was not a daily occurrence. The
annual occasion once past, she withdrew again into her seclusion, and
except for a very few friends was as invisible to the world as if she
had dwelt in a nunnery. For myself, although I had corresponded with
her for many years, I saw her but twice face to face, and brought
away the impression of something as unique and remote as Undine or
Mignon or Thekla.This
selection from her poems is published to meet the desire of her
personal friends, and especially of her surviving sister. It is
believed that the thoughtful reader will find in these pages a
quality more suggestive of the poetry of William Blake than of
anything to be elsewhere found,—flashes of wholly original and
profound insight into nature and life; words and phrases exhibiting
an extraordinary vividness of descriptive and imaginative power, yet
often set in a seemingly whimsical or even rugged frame. They are
here published as they were written, with very few and superficial
changes; although it is fair to say that the titles have been
assigned, almost invariably, by the editors. In many cases these
verses will seem to the reader like poetry torn up by the roots, with
rain and dew and earth still clinging to them, giving a freshness and
a fragrance not otherwise to be conveyed. In other cases, as in the
few poems of shipwreck or of mental conflict, we can only wonder at
the gift of vivid imagination by which this recluse woman can
delineate, by a few touches, the very crises of physical or mental
struggle. And sometimes again we catch glimpses of a lyric strain,
sustained perhaps but for a line or two at a time, and making the
reader regret its sudden cessation. But the main quality of these
poems is that of extraordinary grasp and insight, uttered with an
uneven vigor sometimes exasperating, seemingly wayward, but really
unsought and inevitable. After all, when a thought takes one's breath
away, a lesson on grammar seems an impertinence. As Ruskin wrote in
his earlier and better days, "No weight nor mass nor beauty of
execution can outweigh one grain or fragment of thought."
I. LIFE.
I.SUCCESS.Success is counted sweetestBy those who ne'er succeed.To comprehend a nectarRequires sorest need.Not one of all the purple hostWho took the flag to-dayCan tell the definition,So clear, of victory,As he, defeated, dying,On whose forbidden earThe distant strains of triumphBreak, agonized and clear!II.Our share of night to bear,Our share of morning,Our blank in bliss to fill,Our blank in scorning.Here a star, and there a star,Some lose their way.Here a mist, and there a mist,Afterwards — day!III.ROUGE ET NOIR.Soul, wilt thou toss again?By just such a hazardHundreds have lost, indeed,But tens have won an all.Angels' breathless ballotLingers to record thee;Imps in eager caucusRaffle for my soul.IV.ROUGE GAGNE.'T is so much joy! 'T is so much joy!If I should fail, what poverty!And yet, as poor as IHave ventured all upon a throw;Have gained! Yes! Hesitated soThis side the victory!Life is but life, and death but death!Bliss is but bliss, and breath but breath!And if, indeed, I fail,At least to know the worst is sweet.Defeat means nothing but defeat,No drearier can prevail!And if I gain, — oh, gun at sea,Oh, bells that in the steeples be,At first repeat it slow!For heaven is a different thingConjectured, and waked sudden in,And might o'erwhelm me so!V.Glee! The great storm is over!Four have recovered the land;Forty gone down toge [...]