Erhalten Sie Zugang zu diesem und mehr als 300000 Büchern ab EUR 5,99 monatlich.
Road Trip is a striking first collection by a poet with illuminating and entertaining stories to tell, and an accomplished craft in using traditional and contemporary forms. As a poet of Jamaican heritage, born and raised in north London and now working as a teacher, father of mixed race children, living in south Wales, Marvin Thompson brings together all those passages of place and time in fresh and revealing ways. He explores the underbelly of race and empire in uncovering and inventing stories of his father's time in the British army. He writes with feeling of the post-industrial landscape of Wales and wonders whether this is a place he can bring up his children - though one should never assume that Thompson's poems are factually true. He uses sonnet, adapted villanelle and sestina sequences to tell utterly contemporary stories. Thompson has a refreshing, curious and honest eye that transforms and illuminates the everyday into something special and unique, but also a convincing vision of possibility.
Sie lesen das E-Book in den Legimi-Apps auf:
Seitenzahl: 36
Das E-Book (TTS) können Sie hören im Abo „Legimi Premium” in Legimi-Apps auf:
MARVIN THOMPSON
ROAD TRIP
CONTENTS
Part 1
The Many Reincarnations of Gerald Oswald Archibald Thompson
1. Break a Leg
2. Dresden
3. Dosage
4. Eat Your Heart Out
Part 2
The one in which…
1. … my children discuss jazz…
2. … I drive through Crumlin, wondering…
3. … we travel 30m above the Sirhowy River…
4. … I recall standing in the cinema’s cream-coloured foyer
Whilst Searching for Anansi with my Mixed Race Children in the Blaen Bran Community Woodland
Cwmcarn
Part 3
Rochelle
1. Reading Services
2. Monument
3. A Beech-Lined Street
4. Road Block
5. Archway
6. The Lounge
The Weight of the Night
1. After the Stag Do
2. Pendine Beach
Part 4
An Interview with Comedy Genius Olivier Welsh
1. When did you first know you wanted to be a stand-up comic?
2. Was it difficult to turn your back on all the drugs?
3. What’s the truth about how Tommy Mann was born?
4. What are your thoughts on comedians using the N-word?
5. Which British comedians do you admire?
6. But isn’t it true that you’ve been influenced artistically by a host of White comedians?
7. Tell us about the controversy surrounding your hosting of the Oscars
The Baboon Chronicles
Stephen
Sally
Suzi
To
Rose Marie ThompsonandLouis Olivier Thompson
PART 1
THE MANY REINCARNATIONS OF GERALD OSWALD ARCHIBALD THOMPSON
1. Break a Leg
On the eleventh Christmas Eveafter my dad’s death,
I lay awakereading Midnight’s Children –
while my son and daughtersnored in their bedroom
(stockings stuffed with chocolate oranges hanging
from their bunks) –
I saw,
from the corner of my eye,my dead dad’s
bearded face.
Dressed in his maroon
electrician’s overallswith a leather satchel
slung over his broad shoulders,
he gazed at mefrom my wardrobe’s
full-length mirror.
Then, he stepped
out of the glass.
In three strides
he was sitting by my cold,unused pillow.
Slowly, I sat up,my shaking
calmed as he traced his rough palm
across my cheek.
Outside,
a helicopter cutthrough the dark
as my dad began to talkabout his strange past.
Later, in that night’s dream,
I was a mare
galloping too fastdown Ally Pally:
I’ve never felt more scaredthan during that
tumbling.
Sitting on my bed,
my dad lookedoddly relaxed
as he told me,
‘My first memory
of serving kingand country
was on a sunny Mondayin Manchester, 1819,
when I charged with my sabreand slit
three throats.
That manoeuvre
was marred,’ he sighed,
‘by my horse’s
fracturedfibula.’
From his leather bag,he handed me
two newspaper clippingsas evidence
of his antiquity.
‘I’ve been re-born,’
he told me,
‘over and over
as an English soldier.’
As the night marched
into early morning, my Black dad explained
how he followed the British military’s
bloodiest orderswith a stiff mouth.
2. Dresden
That New Year’s Eve,
I sat in front of my TV
trying not to sobfor a father
who was gone when I woketo drizzle
on Christmas day.
As I tapped my feet
to Dawn Penn
(‘No, no, no…’)
on Jools Holland’s
Hootenanny,
I tried to square my dad’s reincarnations
with my Christian beliefs.
By midnight,
my mind was a hazeof spiced rum
and nostalgia:childhood oaks
in Ally Pally’s woodsformed a den,
their branches reachingfor the light.
One August,the den became
a pretend air-raid shelterwhere I munched
bourbon creamswith my bestie Dean.
We imagined blackbirdswere Munich women
praying for the Red Armyto run home
and liberate their gulags
(both Dean and I loved
The World at Warand Sunday servings
of rice and peas).
I’d piss by the birch trees
then clamber into the cockpitof our Lancaster bomber
(Dean was the gunner).
Sometimes we’d play
at being Danes, rowing longboats to Iceland
with Irish slaves.
But my memories
have contorted: the blackbirds sing the din
of Boer children crammed into the white tents
of concentration camps.
My dad said,
‘In that incarnation,
I cleaned the barrel
of my rifleevery night
while children slepthugging their mother’s
jutting ribs.’
His equanimity
seemed like honest madnessuntil he said:
‘I stopped telling God,
Enough’s enough
after my thousandth kill.
Now I’m numb
to exit woundsand limbs
left on beaches.’
Each dawn,
lice and measles spread in the piss-stinking camps:
a city of scratching