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The title of Elaine Beckett's debut collection suggests a process of unstoppable change. Moments of personal and global crisis are juxtaposed, and examined from different perspectives so that her poems reveal how humanity is in a constant state of flux. This is ambitious work, acute in its commitment to the truth of lived experience. Beckett's watch-maker's eye for detail, impeccable ear, and intricate use of poetic form, reveal truths with a compassion that moves her work way beyond the confessional. Arranged in seven short sequences, that spiral round themes of loss, betrayal, delight and re-birth, this is a beautifully wrought collection; at times hard hitting and painful, yet funny and moving, and always surprising. 'Occasionally a poet comes along pretty much fully formed. That is what I felt when I first read Elaine Beckett's poems. Not only her voice -brazen, tender, angry and funny - but how it's held in structures of great poise and resonance. Absurd and revelatory, sometimes painful, these poems, steeped in a dark, ironic lyricism, are to be read and read again.' – Greta Stoddart Debut collection from Faber New Poets 13 author Elaine Beckett, whose Covid related poem Thursday went viral recently after being published in poetry review... Thursday When the dusk comes in as quiet as this as low as this, as dense as this,! like your whole world has gone back to where it began and you wonder how you got into this mess the kind of mess you cannot see an end to as if it may already have ended very badly and all you can hear is the sound of your own name spoken deep inside your own head, it is probably best to step back from whatever kind of brink you imagine you have reached and think about something else, something small and practical like boiling an egg.
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PUBLISHED BY VERVE POETRY PRESS
https://vervepoetrypress.com
All rights reserved
© 2021 Elaine Beckett
The right of Elaine Beckett to be identified as author of this work has been asserted in accordance with section 77 of the Copyright, Designs and Patents Act 1988.
No part of this work may be reproduced, stored or transmitted in any form or by any means, graphic, electronic, recorded or mechanical, without the prior written permission of the publisher.
FIRST PUBLISHED APR 2021
Printed and bound in the UKby Imprint Digital, Exeter
ISBN: 978-1-912565-57-3
ePub ISBN: 978-1-912565-95-5
For Gillian Barr
Thursday
To Leave you Now
Sea Creature Regrows Entire Body
American People
Stupor
Democracy is Coming
Other Country
Dropping Shoe
Calais, or Part of me is at the Opera
Her Way with Avocados
Rehearsal for a Night-time Scene with Thunder
Zabriskie Point
Instructions
Two Figures on a Bridge
Sometimes
A Mess of Strangers
Certificate
Kitty and Frank
After the War
Falling
Doll
Baby Shawl
Tortoise
Green Suitcase
Appoggiatura
Draft Email
Dear Joni
Norfolk Winter ‘72
Last Visible Dog
That Evening
The Woman who Cries
Moving On
Flowers from Mrs Yeats
Finishing the Peanuts
Letter from Lola
Des Pas sur la Neige
Bodhisattva
Weekend
Tax Return
A Softness
A Few Small Deceits
After Yesterday
How the Watchmaker Talks to Herself
Astonishing Sonatas
This Rush of Love
Garden
Zephyr
Not Forgetting
Cemetery
Two Gorillas
There’s a Certain Type of Driving
Killer Whale
So Now
2084
Lemons
Sea Creature
Regrows Entire Body
When the dusk comes in as quiet as this
as low as this, as dense as this,
like your whole world has gone back to where it began
and you wonder how you got into this mess,
the kind of mess you cannot see an end to
as if it may already have ended very badly
and all you can hear is the sound of your own name
spoken deep inside your own head,
it is probably best to step back
from whatever kind of brink you imagine
you have reached
and think about something else,
something small and practical
like boiling an egg.
is to leave these petals at your door
for all the facts we might have spilled
concerning damage;
your news impossible to hide,
mine impossible to share
for all the shame that might ensue
so I kept quiet, and so did you,
knowing that to name such things
would grant them irretrievable reality.
I love the way we skirt around such topics
as might teeter on the edge of private hell,
never penetrate each other’s shell,
hope that better things may happen,
and probably will.
was the headline that stopped me short.
It took a day or two to get back to it
what with all the broken cups.
The weather was fine,
the kind of weather that makes a difference to people
who prefer not to calm down
but react to whatever the next thing is
that they think they ought to manage.
Because you don’t get to decide most things,
they happen through some other force
that in a moment of distraction,
you yourself set in motion:
the brushing of a tiny hair,
the turning of the wrong key in the wrong lock
with all its transparency of knock-on effects
hours, days, even decades later
like why on earth did you marry the person
if you didn’t even like them?
Of course June wasn’t all like that.
Some days were sublime –
freshly milled pepper
and salt and ice-cream
and everything I’ve ever wanted
for the rest of my life.
from an interview with the artist Faith Ringgold
I knew I had to tell it like I saw it
she said,
create images of important aspects
of American life
that affected
me.
American people,
that was the story I was going to tell.
Take Natalie:
a real beauty in her youth,
coal black with long tight braids,
they say she ran a bad house for white men,
a real successful kind of house.
It was difficult
you see,
there were riots in the streets,
all kinds of stuff happening
so when the King had his dream
I decided to weave it through all of my works:
American people sitting down together
at the table of brotherhood.
Back then they didn’t show no interest
in my images
you see,
racism was everywhere, people killing each other,
all kinds of stuff.
A silence opened up:
how would she paint America now?
the interviewer asked:
I would paint it
she said,
I would paint it in multi-multi-multi colours
the way I did before,
only this time
I’d make them more obvious.
I search for a table
in this little café town,
restless to read
what has happened
since I last heard the news.
Shadows of anger and fear
darken the already low-pressure day.
Behind the bar
a waiter talks about his acne,
how much it hurts.
I flip the page over again:
correspondents strive
to describe
yet another hellish circumstance
we’ve somehow condoned
through inertia, denial,
cowardice is such an old-
fashioned word these days;
these children
with their scalding throats,
whole families
in frantic suffocation.
All that we know can happen
is happening again –
I sit here, you walk there,
is there no way forward,
not one that can lead
towards hope?
You tell me there’s a problem
with the car, I tell you
that I bought new soap.
We talk about grief,
about stupor.
i.m.: Leonard Cohen, who died on the eve of Trump’s election