Something Childish E-Book

Katherine Mansfield

• Herausgeber: Books on Demand
• Kategorie: Gesellschafts- und Liebesromane
• Sprache: Englisch
• Veröffentlichungsjahr: 2023

Seitenzahl: 274

Beschreibung

The Garden Party and Other Stories is a 1922 collection of short stories by the New Zealand writer Katherine Mansfield.

Das E-Book Something Childish wird angeboten von und wurde mit folgenden Begriffen kategorisiert:
katherine mansfield, Short Story, gender, Classics, English

Leseprobe

LUNATA

Something Childish

and Other Stories

Katherine Mansfield

Something Childish and Other Stories

© 1924 by Katherine Mansfield

© Lunata Berlin 2023

Distribution: bod.de

ISBN 9783734721373

A little bird was asked: Why are your songs so short? He replied: I have many songs to sing, and I should like to sing them all.

Anton Tchekhov

To

H. M. Tomlinson

Contents

Introductory Note

The tiredness of Rosabel

How Pearl Button was kidnapped

The journey to Bruges

A truthful adventure

New dresses

The woman at the store

Ole Underwood

The little girl

Millie

Pension Séguin

Violet

Bains Turcs

Something childish but very natural

An indiscreet journey

Spring pictures

Late at night

Two tuppenny ones, please

The black cap

A suburban fairy tale

Carnation

See-saw

This flower

The wrong house

Sixpence

Poison

Introductory Note

Most of the stories and sketches in this collection were written in the years between the publication of Katherine Mansfield's first book, "In a German Pension," in 1911 and the publication of her second, "Bliss and other Stories," in 1920. There are a few exceptions. The first story, The Tiredness of Rosabel, was written in 1908 when Katherine Mansfield was nineteen years old, and the three stories following also were written before "In a German Pension" was published: while Sixpence and Poison were written after Bliss had appeared. Sixpence was excluded from "The Garden-Party and Other Stories" by Katherine Mansfield because she thought it "sentimental"; Poison was excluded because I thought it was not wholly successful. I have since changed my mind: it now seems to me a little masterpiece.

I have no doubt that Katherine Mansfield, were she still alive, would not have suffered some of these stories to appear. When she was urged to allow "In a German Pension" to be republished, she would always reply: "Not now; not yet—not until I have a body of work done and it can be seen in perspective. It is not true of me now: I am not like that any more. When the time for a collected edition comes—" she would end, laughing. The time has come.

The stories are arranged in chronological order.

The tiredness of Rosabel

(1908)

At the corner of Oxford Circus Rosabel bought a bunch of violets, and that was practically the reason why she had so little tea—for a scone and a boiled egg and a cup of cocoa at Lyons are not ample sufficiency after a hard day's work in a millinery establishment. As she swung on to the step of the Atlas 'bus, grabbed her skirt with one hand and clung to the railing with the other, Rosabel thought she would have sacrificed her soul for a good dinner—roast duck and green peas, chestnut stuffing, pudding with brandy sauce—something hot and strong and filling. She sat down next to a girl very much her own age who was reading Anna Lombard in a cheap, paper-covered edition, and the rain had tear-spattered the pages. Rosabel looked out of the windows; the street was blurred and misty, but light striking on the panes turned their dullness to opal and silver, and the jewellers' shops seen through this, were fairy palaces. Her feet were horribly wet, and she knew the bottom of her skirt and petticoat would be coated with black, greasy mud. There was a sickening smell of warm humanity—it seemed to be oozing out of everybody in the 'bus—and everybody had the same expression, sitting so still, staring in front of them. How many times had she read these advertisements—"Sapolio Saves Time, Saves Labour"—"Heinz's Tomato Sauce"—and the inane, annoying dialogue between doctor and judge concerning the superlative merits of "Lamplough's Pyretic Saline." She glanced at the book which the girl read so earnestly, mouthing the words in a way that Rosabel detested, licking her first finger and thumb each time that she turned the page. She could not see very clearly; it was something about a hot, voluptuous night, a band playing, and a girl with lovely, white shoulders. Oh, Heavens! Rosabel stirred suddenly and unfastened the two top buttons of her coat...she felt almost stifled. Through her half-closed eyes the whole row of people on the opposite seat seemed to resolve into one fatuous, staring face...

And this was her corner. She stumbled a little on her way out and lurched against the girl next her. "I beg your pardon," said Rosabel, but the girl did not even look up. Rosabel saw that she was smiling as she read.

Westbourne Grove looked as she had always imagined Venice to look at night, mysterious, dark, even the hansoms were like gondolas dodging up and down, and the lights trailing luridly—tongues of flame licking the wet street—magic fish swimming in the Grand Canal. She was more than glad to reach Richmond Road, but from the corner of the street until she came to No. 26 she thought of those four flights of stairs. Oh, why four flights! It was really criminal to expect people to live so high up. Every house ought to have a lift, something simple and inexpensive, or else an electric staircase like the one at Earl's Court—but four flights! When she stood in the hall and saw the first flight ahead of her and the stuffed albatross head on the landing, glimmering ghost-like in the light of the little gas jet, she almost cried. Well, they had to be faced; it was very like bicycling up a steep hill, but there was not the satisfaction of flying down the other side...

Her own room at last! She closed the door, lit the gas, took off her hat and coat, skirt, blouse, unhooked her old flannel dressing-gown from behind the door, pulled it on, then unlaced her boots—on consideration her stockings were not wet enough to change. She went over to the wash-stand. The jug had not been filled again to-day. There was just enough water to soak the sponge, and the enamel was coming off the basin—that was the second time she had scratched her chin.

It was just seven o'clock. If she pulled the blind up and put out the gas it was much more restful—Rosabel did not want to read. So she knelt down on the floor, pillowing her arms on the window-sill...just one little sheet of glass between her and the great wet world outside!

She began to think of all that had happened during the day. Would she ever forget that awful woman in the grey mackintosh who had wanted a trimmed motor-cap—"something purple with something rosy each side"—or the girl who had tried on every hat in the shop and then said she would "call in to-morrow and decide definitely." Rosabel could not help smiling; the excuse was worn so thin...

But there had been one other—a girl with beautiful red hair and a white skin and eyes the colour of that green ribbon shot with gold they had got from Paris last week. Rosabel had seen her electric brougham at the door; a man had come in with her, quite a young man, and so well dressed.

"What is it exactly that I want, Harry?" she had said, as Rosabel took the pins out of her hat, untied her veil, and gave her a hand-mirror.

"You must have a black hat," he had answered, "a black hat with a feather that goes right round it and then round your neck and ties in a bow under your chin, and the ends tuck into your belt—a decent-sized feather."

The girl glanced at Rosabel laughingly. "Have you any hats like that?"

They had been very hard to please; Harry would demand the impossible, and Rosabel was almost in despair. Then she remembered the big, untouched box upstairs.

"Oh, one moment, Madam," she had said. "I think perhaps I can show you something that will please you better." She had run up, breathlessly, cut the cords, scattered the tissue paper, and yes, there was the very hat—rather large, soft, with a great, curled feather, and a black velvet rose, nothing else. They had been charmed. The girl had put it on and then handed it to Rosabel.

"Let me see how it looks on you," she said, frowning a little, very serious indeed.

Rosabel turned to the mirror and placed it on her brown hair, then faced them.

"Oh, Harry, isn't it adorable," the girl cried, "I must have that!" She smiled again at Rosabel. "It suits you, beautifully."

A sudden, ridiculous feeling of anger had seized Rosabel. She longed to throw the lovely, perishable thing in the girl's face, and bent over the hat, flushing.

"It's exquisitely finished off inside, Madam," she said. The girl swept out to her brougham, and left Harry to pay and bring the box with him.

"I shall go straight home and put it on before I come out to lunch with you," Rosabel heard her say.

The man leant over her as she made out the bill, then, as he counted the money into her hand—"Ever been painted?" he said.

"No," said Rosabel, shortly, realising the swift change in his voice, the slight tinge of insolence, of familiarity.

"Oh, well you ought to be," said Harry. "You've got such a damned pretty little figure."

Rosabel did not pay the slightest attention. How handsome he had been! She had thought of no one else all day; his face fascinated her; she could see clearly his fine, straight eyebrows, and his hair grew back from his forehead with just the slightest suspicion of crisp curl, his laughing, disdainful mouth. She saw again his slim hands counting the money into hers...Rosabel suddenly pushed the hair back from her face, her forehead was hot...if those slim hands could rest one moment...the luck of that girl!

Suppose they changed places. Rosabel would drive home with him, of course they were in love with each other, but not engaged, very nearly, and she would say—"I won't be one moment." He would wait in the brougham while her maid took the hat-box up the stairs, following Rosabel. Then the great, white and pink bedroom with roses everywhere in dull silver vases. She would sit down before the mirror and the little French maid would fasten her hat and find her a thin, fine veil and another pair of white suède gloves—a button had come off the gloves she had worn that morning. She had scented her furs and gloves and handkerchief, taken a big muff and run down stairs. The butler opened the door, Harry was waiting, they drove away together...That was life, thought Rosabel! On the way to the Carlton they stopped at Gerard's, Harry bought her great sprays of Parma violets, filled her hands with them.

"Oh, they are sweet!" she said, holding them against her face.

"It is as you always should be," said Harry, "with your hands full of violets."

(Rosabel realised that her knees were getting stiff; she sat down on the floor and leant her head against the wall.) Oh, that lunch! The table covered with flowers, a band hidden behind a grove of palms playing music that fired her blood like wine—the soup, and oysters, and pigeons, and creamed potatoes, and champagne, of course, and afterwards coffee and cigarettes. She would lean over the table fingering her glass with one hand, talking with that charming gaiety which Harry so appreciated. Afterwards a matinee, something that gripped them both, and then tea at the "Cottage."

"Sugar? Milk? Cream?" The little homely questions seemed to suggest a joyous intimacy. And then home again in the dusk, and the scent of the Parma violets seemed to drench the air with their sweetness.

"I'll call for you at nine," he said as he left her.

The fire had been lighted in her boudoir, the curtains drawn, there were a great pile of letters waiting her—invitations for the Opera, dinners, balls, a week-end on the river, a motor tour—she glanced through them listlessly as she went upstairs to dress. A fire in her bedroom, too, and her beautiful, shining dress spread on the bed—white tulle over silver, silver shoes, silver scarf, a little silver fan. Rosabel knew that she was the most famous woman at the ball that night; men paid her homage, a foreign Prince desired to be presented to this English wonder. Yes, it was a voluptuous night, a band playing, and her lovely white shoulders...

But she became very tired. Harry took her home, and came in with her for just one moment. The fire was out in the drawingroom, but the sleepy maid waited for her in her boudoir. She took off her cloak, dismissed the servant, and went over to the fireplace, and stood peeling off her gloves; the firelight shone on her hair, Harry came across the room and caught her in his arms—"Rosabel, Rosabel, Rosabel"...Oh, the haven of those arms, and she was very tired.

(The real Rosabel, the girl crouched on the floor in the dark, laughed aloud, and put her hand up to her hot mouth.)

Of course they rode in the park next morning, the engagement had been announced in the Court Circular, all the world knew, all the world was shaking hands with her...

They were married shortly afterwards at St. George's, Hanover Square, and motored down to Harry's old ancestral home for the honeymoon; the peasants in the village curtseyed to them as they passed; under the folds of the rug he pressed her hands convulsively. And that night she wore again her white and silver frock. She was tired after the journey and went upstairs to bed...quite early...

The real Rosabel got up from the floor and undressed slowly, folding her clothes over the back of a chair. She slipped over her head her coarse, calico nightdress, and took the pins out of her hair—the soft, brown flood of it fell round her, warmly. Then she blew out the candle and groped her way into bed, pulling the blankets and grimy "honeycomb" quilt closely round her neck, cuddling down in the darkness...

So she slept and dreamed, and smiled in her sleep, and once threw out her arm to feel for something which was not there, dreaming still.

And the night passed. Presently the cold fingers of dawn closed over her uncovered hand; grey light flooded the dull room. Rosabel shivered, drew a little gasping breath, sat up. And because her heritage was that tragic optimism, which is all too often the only inheritance of youth, still half asleep, she smiled, with a little nervous tremor round her mouth.

How Pearl Button was kidnapped

(1910)

Pearl Button swung on the little gate in front of the House of Boxes. It was the early afternoon of a sunshiny day with little winds playing hide-and-seek in it. They blew Pearl Button's pinafore frill into her mouth, and they blew the street dust all over the House of Boxes. Pearl watched it—like a cloud—like when mother peppered her fish and the top of the pepper-pot came off. She swung on the little gate, all alone, and she sang a small song. Two big women came walking down the street. One was dressed in red and the other was dressed in yellow and green. They had pink handkerchiefs over their heads, and both of them carried a big flax basket of ferns. They had no shoes and stockings on, and they came walking along, slowly, because they were so fat, and talking to each other and always smiling. Pearl stopped swinging, and when they saw her they stopped walking. They looked and looked at her and then they talked to each other, waving their arms and clapping their hands together. Pearl began to laugh.

The two women came up to her, keeping close to the hedge and looking in a frightened way towards the House of Boxes.

"Hallo, little girl!" said one.

Pearl said, "Hallo!"

"You all alone by yourself?"

Pearl nodded.

"Where's your mother?"

"In the kitching, ironing-because-its-Tues-day."

The women smiled at her and Pearl smiled back. "Oh," she said, "haven't you got very white teeth indeed! Do it again."

The dark women laughed, and again they talked to each other with funny words and wavings of the hands. "What's your name?" they asked her.

"Pearl Button."

"You coming with us, Pearl Button? We got beautiful things to show you," whispered one of the women. So Pearl got down from the gate and she slipped out into the road. And she walked between the two dark women down the windy road, taking little running steps to keep up, and wondering what they had in their House of Boxes.

They walked a long way. "You tired?" asked one of the women, bending down to Pearl. Pearl shook her head. They walked much further. "You not tired?" asked the other woman. And Pearl shook her head again, but tears shook from her eyes at the same time and her lips trembled. One of the women gave over her flax basket of ferns and caught Pearl Button up in her arms, and walked with Pearl Button's head against her shoulder and her dusty little legs dangling. She was softer than a bed and she had a nice smell—a smell that made you bury your head and breathe and breathe it...

They set Pearl Button down in a log room full of other people the same colour as they were—and all these people came close to her and looked at her, nodding and laughing and throwing up their eyes. The woman who had carried Pearl took off her hair ribbon and shook her curls loose. There was a cry from the other women, and they crowded close and some of them ran a finger through Pearl's yellow curls, very gently, and one of them, a young one, lifted all Pearl's hair and kissed the back of her little white neck. Pearl felt shy but happy at the same time. There were some men on the floor, smoking, with rugs and feather mats round their shoulders. One of them made a funny face at her and he pulled a great big peach out of his pocket and set it on the floor, and flicked it with his finger as though it were a marble. It rolled right over to her. Pearl picked it up. "Please can I eat it?" she asked. At that they all laughed and clapped their hands, and the man with the funny face made another at her and pulled a pear out of his pocket and sent it bobbling over the floor. Pearl laughed. The women sat on the floor and Pearl sat down too. The floor was very dusty. She carefully pulled up her pinafore and dress and sat on her petticoat as she had been taught to sit in dusty places, and she ate the fruit, the juice running all down her front.

"Oh!" she said in a very frightened voice to one of the women, "I've spilt all the juice!

"That doesn't matter at all," said the woman, patting her cheek. A man came into the room with a long whip in his hand. He shouted something. They all got up, shouting, laughing, wrapping themselves up in rugs and blankets and feather mats. Pearl was carried again, this time into a great cart, and she sat on the lap of one of her women with the driver beside her. It was a green cart with a red pony and a black pony. It went very fast out of the town. The driver stood up and waved the whip round his head. Pearl peered over the shoulder of her woman. Other carts were behind like a procession. She waved at them. Then the country came. First fields of short grass with sheep on them and little bushes of white flowers and pink briar rose baskets—then big trees on both sides of the road—and nothing to be seen except big trees. Pearl tried to look through them but it was quite dark. Birds were singing. She nestled closer in the big lap. The woman was warm as a cat, and she moved up and down when she breathed, just like purring. Pearl played with a green ornament round her neck, and the woman took the little hand and kissed each of her fingers and then turned it over and kissed the dimples. Pearl had never been happy like this before. On the top of a big hill they stopped. The driving man turned to Pearl and said, "Look, look!" and pointed with his whip.

And down at the bottom of the hill was something perfectly different—a great big piece of blue water was creeping over the land. She screamed and clutched at the big woman, "What is it, what is it?"

"Why," said the woman, "it's the sea."

"Will it hurt us—is it coming?"

"Ai-e, no, it doesn't come to us. It's very beautiful. You look again."

Pearl looked. "You're sure it can't come," she said.

"Ai-e, no. It stays in its place," said the big woman. Waves with white tops came leaping over the blue. Pearl watched them break on a long piece of land covered with gardenpath shells. They drove round a corner.

There were some little houses down close to the sea, with wood fences round them and gardens inside. They comforted her. Pink and red and blue washing hung over the fences, and as they came near more people came out, and five yellow dogs with long thin tails. All the people were fat and laughing, with little naked babies holding on to them or rolling about in the gardens like puppies. Pearl was lifted down and taken into a tiny house with only one room and a verandah. There was a girl there with two pieces of black hair down to her feet. She was setting the dinner on the floor. "It is a funny place," said Pearl, watching the pretty girl while the woman unbuttoned her little drawers for her. She was very hungry. She ate meat and vegetables and fruit and the woman gave her milk out of a green cup. And it was quite silent except for the sea outside and the laughs of the two women watching her.

"Haven't you got any Houses of Boxes?" she said. "Don't you all live in a row? Don't the men go to offices? Aren't there any nasty things?"

They took off her shoes and stockings, her pinafore and dress. She walked about in her petticoat and then she walked outside with the grass pushing between her toes. The two women came out with different sorts of baskets. They took her hands. Over a little paddock, through a fence, and then on warm sand with brown grass in it they went down to the sea. Pearl held back when the sand grew wet, but the women coaxed, "Nothing to hurt, very beautiful. You come." They dug in the sand and found some shells which they threw into the baskets. The sand was wet as mud pies. Pearl forgot her fright and began digging too. She got hot and wet, and suddenly over her feet broke a little line of foam. "Oo, oo!" she shrieked, dabbling with her feet, "Lovely, lovely!" She paddled in the shallow water. It was warm. She made a cup of her hands and caught some of it. But it stopped being blue in her hands. She was so excited that she rushed over to her woman and flung her little thin arms round the woman's neck, hugging her, kissing...

Suddenly the girl gave a frightful scream. The woman raised herself and Pearl slipped down on the sand and looked towards the land. Little men in blue coats—little blue men came running, running towards her with shouts and whistlings—a crowd of little blue men to carry her back to the House of Boxes.

The journey to Bruges

(1910)

"You got three-quarters of an hour," said the porter. "You got an hour mostly. Put it in the cloak-room, lady."

A German family, their luggage neatly buttoned into what appeared to be odd canvas trouser legs, filled the entire space before the counter, and a homoeopathic young clergyman, his black dicky flapping over his shirt, stood at my elbow. We waited and waited, for the cloak-room porter could not get rid of the German family, who appeared by their enthusiasm and gestures to be explaining to him the virtue of so many buttons. At last the wife of the party seized her particular packet and started to undo it. Shrugging his shoulders, the porter turned to me. "Where for?" he asked.

"Ostend."

"Wot are you putting it in here for?" I said, "Because I've a long time to wait."

He shouted, "Train's in 2.20. No good bringing it here. Hi, you there, lump it off!"

My porter lumped it. The young clergyman, who had listened and remarked, smiled at me radiantly. "The train is in," he said, "really in. You've only a few moments, you know." My sensitiveness glimpsed a symbol in his eye. I ran to the book-stall. When I returned I had lost my porter. In the teasing heat I ran up and down the platform. The whole travelling world seemed to possess a porter and glory in him except me. Savage and wretched I saw them watch me with that delighted relish of the hot in the very much hotter. "One could have a fit running in weather like this," said a stout lady, eating a farewell present of grapes. Then I was informed that the train was not yet in. I had been running up and down the Folkstone express. On a higher platform I found my porter sitting on the suit case.

"I knew you'd be doin' that," he said, airily.

"I nearly come and stop you. I seen you from' ere."

I dropped into a smoking compartment with four young men, two of whom were saying good-bye to a pale youth with a cane. "Well, good-bye, old chap. It's frightfully good of you to have come down. I knew you. I knew the same old slouch. Now, look here, when we come back we'll have a night of it. What? Ripping of you to have come, old man." This from an enthusiast, who lit a cigar as the train swung out, turned to his companion and said, "Frightfully nice chap, but—lord—what a bore!" His companion, who was dressed entirely in mole, even unto his socks and hair, smiled gently. I think his brain must have been the same colour: he proved so gentle and sympathetic a listener. In the opposite corner to me sat a beautiful young Frenchman with curly hair and a watch-chain from which dangled a silver fish, a ring, a silver shoe, and a medal. He stared out of the window the whole time, faintly twitching his nose. Of the remaining member there was nothing to be seen from behind his luggage but a pair of tan shoes and a copy of The Snark's Summer Annual.

"Look here, old man," said the Enthusiast, "I want to change all our places. You know those arrangements you've made—I want to cut them out altogether. Do you mind?"

"No," said the Mole, faintly. "But why?"

"Well, I was thinking it over in bed last night, and I'm hanged if I can see the good of us paying fifteen bob if we don't want to. You see what I mean?" The Mole took off his pince-nez and breathed on them. "Now I don't want to unsettle you," went on the Enthusiast, "because, after all, it's your party—you asked me. I wouldn't upset it for anything, but—there you are—you see—what?"

Suggested the Mole: "I'm afraid people will be down on me for taking you abroad."

Straightway the other told him how sought after he had been. From far and near, people who were full up for the entire month of August had written and begged for him. He wrung the Mole's heart by enumerating those longing homes and vacant chairs dotted all over England, until the Mole deliberated between crying and going to sleep. He chose the latter.

They all went to sleep except the young Frenchman, who took a little pocket edition out of his coat and nursed it on his knee while he gazed at the warm, dusty country. At Shorncliffe the train stopped. Dead silence. There was nothing to be seen but a large white cemetery. Fantastic it looked in the late afternoon sun, its full-length marble angels appearing to preside over a cheerless picnic of the Shorncliffe departed on the brown field. One white butterfly flew over the railway lines. As we crept out of the station I saw a poster advertising the Athenaeum. The Enthusiast grunted and yawned, shook himself into existence by rattling the money in his trouser pockets. He jabbed the Mole in the ribs. "I say, we're nearly there! Can you get down those beastly golf-clubs of mine from the rack?" My heart yearned over the Mole's immediate future, but he was cheerful and offered to find me a porter at Dover, and strapped my parasol in with my rugs. We saw the sea. "It's going to be beastly rough," said the Enthusiast, "Gives you a head, doesn't it? Look here, I know a tip for sea-sickness, and it's this: You lie on your back—flat—you know, cover your face, and eat nothing but biscuits."

"Dover!" shouted a guard.

In the act of crossing the gangway we renounced England. The most blatant British female produced her mite of French: we "S'il vous plaît'd" one another on the deck, "Merci'd" one another on the stairs, and "Pardon'd" to our heart's content in the saloon. The stewardess stood at the foot of the stairs, a stout, forbidding female, pockmarked, her hands hidden under a businesslike-looking apron. She replied to our salutations with studied indifference, mentally ticking off her prey. I descended to the cabin to remove my hat. One old lady was already established there.

She lay on a rose and white couch, a black shawl tucked round her, fanning herself with a black feather fan. Her grey hair was half covered with a lace cap and her face gleamed from the black drapings and rose pillows with charming old-world dignity. There was about her a faint rustling and the scents of camphor and lavender. As I watched her, thinking of Rembrandt and, for some reason, Anatole France, the stewardess bustled up, placed a canvas stool at her elbow, spread a newspaper upon it, and banged down a receptacle rather like a baking tin. I went up on deck. The sea was bright green, with rolling waves. All the beauty and artificial flower of France had removed their hats and bound their heads in veils. A number of young German men, displaying their national bulk in light-coloured suits cut in the pattern of pyjamas, promenaded. French family parties—the female element in chairs, the male in graceful attitudes against the ship's side—talked already with that brilliance which denotes friction! I found a chair in a corner against a white partition, but unfortunately this partition had a window set in it for the purpose of providing endless amusement for the curious, who peered through it, watching those bold and brave spirits who walked "for'ard" and were drenched and beaten by the waves. In the first half-hour the excitement of getting wet and being pleaded with, and rushing into dangerous places to return and be rubbed down, was all-absorbing. Then it palled—the parties drifted into silence. You would catch them staring intently at the ocean—and yawning. They grew cold and snappy. Suddenly a young lady in a white woollen hood with cherry bows got up from her chair and swayed over to the railings. We watched her, vaguely sympathetic. The young man with whom she had been sitting called to her.

"Are you better?" Negative expressed.

He sat up in his chair. "Would you like me to hold your head?"

"No," said her shoulders

"Would you care for a coat round you?...Is it over?...Are you going to remain there?"...He looked at her with infinite tenderness. I decided never again to call men unsympathetic, and to believe in the allconquering power of love until I died—but never put it to the test. I went down to sleep.

I lay down opposite the old lady, and watched the shadows spinning over the ceilings and the wave-drops shining on the portholes.

In the shortest sea voyage there is no sense of time. You have been down in the cabin for hours or days or years. Nobody knows or cares. You know all the people to the point of indifference. You do not believe in dry land any more—you are caught in the pendulum itself, and left there, idly swinging. The light faded.

I fell asleep, to wake to find the stewardess shaking me. "We are there in two minutes," said she. Forlorn ladies, freed from the embrace of Neptune, knelt upon the floor and searched for their shoes and hairpins—only the old and dignified one lay passive, fanning herself. She looked at me and smiled.