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- Herausgeber: Cobb Press
- Kategorie: Gesellschafts- und Liebesromane
- Sprache: Englisch
- Veröffentlichungsjahr: 2018
A satirical story about one man's decision to leave the city.Cobb is remembered best for his humorous stories of Kentucky and is part of the American literary regionalism school. These stories were collected first in the book Old Judge Priest (1915), whose title character was based on a prominent West Kentucky judge named William Pitman Bishop. Writer Joel Harris wrote of these tales, "Cobb created a South peopled with honorable citizens, charming eccentrics, and loyal, subservient blacks, but at their best the Judge Priest stories are dramatic and compelling, using a wealth of precisely rendered detail to evoke a powerful mood."Among his other books are the humorous Speaking of Operations (1916), and anti-prohibition ode to bourbon, Red Likker (1929).
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THE ABANDONED FARMERS
Irvin S Cobb
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This book is a work of fiction; its contents are wholly imagined.
All rights reserved. Aside from brief quotations for media coverage and reviews, no part of this book may be reproduced or distributed in any form without the author’s permission. Thank you for supporting authors and a diverse, creative culture by purchasing this book and complying with copyright laws.
Copyright © 2018 www.deaddodopublishing.co.uk
TABLE OF CONTENTS
CHAPTER I. WHICH REALLY IS A PREFACE IN DISGUISE
CHAPTER II. THE START OF A DREAM
CHAPTER III. THREE YEARS ELAPSE I WOUND
CHAPTER IV. HAPPY DAYS FOR MAJOR GLOOM
CHAPTER V. IN WHICH WE BORE FOE WATER
CHAPTER VI. TWO MORE YEARS ELAPSE
CHAPTER VII. “AND SOLD TO–-“
CHAPTER VIII. THE ADVENTURE OF LADY MAUDE
CHAPTER IX. US LANDED PROPRIETORS
CHAPTER I. WHICH REALLY IS A PREFACE IN DISGUISE
IT IS THE INCLINATION OF the average reader to skip prefaces. For this I do not in the least blame him. Skipping the preface is one of my favorite literary pursuits. To catch me napping a preface must creep up quietly and take me, as it were, unawares. But in this case sundry prefatory remarks became necessary. It was essential that they should be inserted into this volume in order that certain things might be made plain. The questions were: How and where? After giving the matter considerable thought I decided to slip them in right here, included, as they are, with the body of the text and further disguised by masquerading themselves under a chapter heading, with a view in mind of hoodwinking you into pursuing the course of what briefly I have to say touching on the circumstances attending the production of the main contents. Let me explain: Chapter II, coming immediately after this one, was written first of all; written as an independent contribution to American letters. At the time of writing it I had no thought that out of it, subsequently, would grow material for additional and supplementary offerings upon the same general theme and inter-related themes. It had a basis of verity, as all things in this life properly should have, but I shall not attempt to deny that largely it deals with what more or less is figurative and fanciful. The incident of the finding of the missing will in the ruins of the old mill is a pure figment of the imagination; so, too, the passage relating to the search for the lost heir (Page 55) and the startling outcome of that search. Three years later, actual events in the meantime having sufficiently justified the taking of such steps, I prepared the matter which here is presented in Chapters III, IV and V, inclusive. Intervened then a break of approximately two years more, when the tale was completed substantially in its present form. In all of these latter installments I adhered closely to facts, merely adding here and there sprinklings of fancy, like dashes of paprika on a stew, in order to give, as I fondly hoped, spice to my recital. One of the prime desires now, in consolidating the entire narrative within these covers, is to round out, from inception to finish, the record of our strange adventures in connection with our quest for an abandoned farm and on our becoming abandoned farmers, trusting that others, following our examples, may perhaps profit in some small degree by our mistakes as here set forth and perhaps ultimately when their dreams have come true, too, share in that proud joy of possession which is ours. Another object, largely altruistic in its nature, is to afford opportunity for the reader, by comparison of the chronological sub-divisions into which the story falls, to decide whether with the passage of time, my style of writing shows a tendency toward improvement or an increasing and enhanced faultiness. Those who feel inclined to write me upon the subject are notified that the author is most sensible in this regard, being ever ready to welcome criticism, provided only the criticism be favorable in tone. Finally there is herewith confessed a third motive, namely, an ambition that a considerable number of persons may see their way clear to buy this book. Quite aside from my chief aim as a writer, which is from time to time to enrich our native literature, I admit to sharing with nearly all writers and with practically all publishers a possibly selfish but not altogether unnatural craving. When I have prepared the material for a volume I desire that the volume may sell, which means royalties, which means cash in hand. The man who labors for art’s sake alone nearly always labors for art’s sake alone; at least usually he appears to get very little else out of his toil while he is alive. After his death posterity may enshrine him, but posterity, as some one has aptly said, butters no parsnips. I may state that I am almost passionately fond of my parsnips, well-buttered. My publisher is also one of our leading parsnip-lovers. These facts should be borne in mind by prospective purchasers of the book. I believe that is about all I would care to say in the introductory phase. With these few remarks, therefore, the attention of the reader respectfully is directed to Chapter II and points beyond.
