THE ATLANTIS COLLECTION - 6 Books About The Mythical Lost World: Plato's Original Myth + The Lost Continent + The Story of Atlantis + The Antedeluvian World + New Atlantis E-Book
Plato
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- Herausgeber: e-artnow
- Kategorie: Fantasy und Science-Fiction
- Sprache: Englisch
- Veröffentlichungsjahr: 2016
This carefully crafted ebook: "THE ATLANTIS COLLECTION - 6 Books About The Mythical Lost World: Plato's Original Myth + The Lost Continent + The Story of Atlantis + The Antedeluvian World + New Atlantis" is formatted for your eReader with a functional and detailed table of contents: The Original Myth of Atlantis (Plato) Timaeus Critias New Atlantis (Francis Bacon) Atlantis: The Antedeluvian World (Ignatius Donnelly) The Lost Continent (C. J. Cutcliffe Hyne) The Story of Atlantis (William Scott-Elliot) Atlantis ("island of Atlas") is a mystical island mentioned within an allegory on the hubris of nations in Plato's works Timaeus and Critias, where it represents the antagonist naval power that besieges "Ancient Athens". Plato's indications of the time of the events—more than 9,000 years before his day, and the alleged location of Atlantis—"beyond the Pillars of Hercules", has led to much scientific speculation. As a consequence, Atlantis has become a byword for any and all supposed advanced prehistoric lost civilizations. At the end of the story, Atlantis eventually falls out of favor with the gods and famously submerges into the Atlantic Ocean. Despite its secondary importance in Plato's work, the Atlantis story has had a considerable impact on literature. The allegorical aspect of Atlantis was taken up in utopian works of several Renaissance writers, such as Francis Bacon's New Atlantis. On the other hand, 19th-century scholars interpreted Plato's account as historical tradition, most notably in Ignatius L. Donnelly's Atlantis: The Antediluvian World. Many of his theories are the source of many modern-day concepts about Atlantis, including these: the civilization and technology beyond its time, the origins of all present races and civilizations, and a civil war between good and evil. Much of Donnelly's scholarship, especially with regard to Atlantis as an explanation for similarities between ancient civilizations of the Old and New Worlds.
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THE ATLANTIS COLLECTION - 6 Books About The Mythical Lost World: Plato’s Original Myth + The Lost Continent + The Story of Atlantis + The Antedeluvian World + New Atlantis
Table of Contents
The Original Myth of Atlantis (Plato)
Timaeus
Introduction and Analysis
Of all the writings of Plato the Timaeus is the most obscure and repulsive to the modern reader, and has nevertheless had the greatest influence over the ancient and mediaeval world. The obscurity arises in the infancy of physical science, out of the confusion of theological, mathematical, and physiological notions, out of the desire to conceive the whole of nature without any adequate knowledge of the parts, and from a greater perception of similarities which lie on the surface than of differences which are hidden from view. To bring sense under the control of reason; to find some way through the mist or labyrinth of appearances, either the highway of mathematics, or more devious paths suggested by the analogy of man with the world, and of the world with man; to see that all things have a cause and are tending towards an end—this is the spirit of the ancient physical philosopher. He has no notion of trying an experiment and is hardly capable of observing the curiosities of nature which are 'tumbling out at his feet,' or of interpreting even the most obvious of them. He is driven back from the nearer to the more distant, from particulars to generalities, from the earth to the stars. He lifts up his eyes to the heavens and seeks to guide by their motions his erring footsteps. But we neither appreciate the conditions of knowledge to which he was subjected, nor have the ideas which fastened upon his imagination the same hold upon us. For he is hanging between matter and mind; he is under the dominion at the same time both of sense and of abstractions; his impressions are taken almost at random from the outside of nature; he sees the light, but not the objects which are revealed by the light; and he brings into juxtaposition things which to us appear wide as the poles asunder, because he finds nothing between them. He passes abruptly from persons to ideas and numbers, and from ideas and numbers to persons,—from the heavens to man, from astronomy to physiology; he confuses, or rather does not distinguish, subject and object, first and final causes, and is dreaming of geometrical figures lost in a flux of sense. He contrasts the perfect movements of the heavenly bodies with the imperfect representation of them (Rep.), and he does not always require strict accuracy even in applications of number and figure (Rep.). His mind lingers around the forms of mythology, which he uses as symbols or translates into figures of speech. He has no implements of observation, such as the telescope or microscope; the great science of chemistry is a blank to him. It is only by an effort that the modern thinker can breathe the atmosphere of the ancient philosopher, or understand how, under such unequal conditions, he seems in many instances, by a sort of inspiration, to have anticipated the truth.
The influence with the Timaeus has exercised upon posterity is due partly to a misunderstanding. In the supposed depths of this dialogue the Neo-Platonists found hidden meanings and connections with the Jewish and Christian Scriptures, and out of them they elicited doctrines quite at variance with the spirit of Plato. Believing that he was inspired by the Holy Ghost, or had received his wisdom from Moses, they seemed to find in his writings the Christian Trinity, the Word, the Church, the creation of the world in a Jewish sense, as they really found the personality of God or of mind, and the immortality of the soul. All religions and philosophies met and mingled in the schools of Alexandria, and the Neo-Platonists had a method of interpretation which could elicit any meaning out of any words. They were really incapable of distinguishing between the opinions of one philosopher and another—between Aristotle and Plato, or between the serious thoughts of Plato and his passing fancies. They were absorbed in his theology and were under the dominion of his name, while that which was truly great and truly characteristic in him, his effort to realize and connect abstractions, was not understood by them at all. Yet the genius of Plato and Greek philosophy reacted upon the East, and a Greek element of thought and language overlaid and partly reduced to order the chaos of Orientalism. And kindred spirits, like St. Augustine, even though they were acquainted with his writings only through the medium of a Latin translation, were profoundly affected by them, seeming to find 'God and his word everywhere insinuated' in them (August. Confess.)
There is no danger of the modern commentators on the Timaeus falling into the absurdities of the Neo-Platonists. In the present day we are well aware that an ancient philosopher is to be interpreted from himself and by the contemporary history of thought. We know that mysticism is not criticism. The fancies of the Neo-Platonists are only interesting to us because they exhibit a phase of the human mind which prevailed widely in the first centuries of the Christian era, and is not wholly extinct in our own day. But they have nothing to do with the interpretation of Plato, and in spirit they are opposed to him. They are the feeble expression of an age which has lost the power not only of creating great works, but of understanding them. They are the spurious birth of a marriage between philosophy and tradition, between Hellas and the East—(Greek) (Rep.). Whereas the so-called mysticism of Plato is purely Greek, arising out of his imperfect knowledge and high aspirations, and is the growth of an age in which philosophy is not wholly separated from poetry and mythology.
A greater danger with modern interpreters of Plato is the tendency to regard the Timaeus as the centre of his system. We do not know how Plato would have arranged his own dialogues, or whether the thought of arranging any of them, besides the two 'Trilogies' which he has expressly connected; was ever present to his mind. But, if he had arranged them, there are many indications that this is not the place which he would have assigned to the Timaeus. We observe, first of all, that the dialogue is put into the mouth of a Pythagorean philosopher, and not of Socrates. And this is required by dramatic propriety; for the investigation of nature was expressly renounced by Socrates in the Phaedo. Nor does Plato himself attribute any importance to his guesses at science. He is not at all absorbed by them, as he is by the IDEA of good. He is modest and hesitating, and confesses that his words partake of the uncertainty of the subject (Tim.). The dialogue is primarily concerned with the animal creation, including under this term the heavenly bodies, and with man only as one among the animals. But we can hardly suppose that Plato would have preferred the study of nature to man, or that he would have deemed the formation of the world and the human frame to have the same interest which he ascribes to the mystery of being and not-being, or to the great political problems which he discusses in the Republic and the Laws. There are no speculations on physics in the other dialogues of Plato, and he himself regards the consideration of them as a rational pastime only. He is beginning to feel the need of further divisions of knowledge; and is becoming aware that besides dialectic, mathematics, and the arts, there is another field which has been hitherto unexplored by him. But he has not as yet defined this intermediate territory which lies somewhere between medicine and mathematics, and he would have felt that there was as great an impiety in ranking theories of physics first in the order of knowledge, as in placing the body before the soul.
It is true, however, that the Timaeus is by no means confined to speculations on physics. The deeper foundations of the Platonic philosophy, such as the nature of God, the distinction of the sensible and intellectual, the great original conceptions of time and space, also appear in it. They are found principally in the first half of the dialogue. The construction of the heavens is for the most part ideal; the cyclic year serves as the connection between the world of absolute being and of generation, just as the number of population in the Republic is the expression or symbol of the transition from the ideal to the actual state. In some passages we are uncertain whether we are reading a description of astronomical facts or contemplating processes of the human mind, or of that divine mind (Phil.) which in Plato is hardly separable from it. The characteristics of man are transferred to the world-animal, as for example when intelligence and knowledge are said to be perfected by the circle of the Same, and true opinion by the circle of the Other; and conversely the motions of the world-animal reappear in man; its amorphous state continues in the child, and in both disorder and chaos are gradually succeeded by stability and order. It is not however to passages like these that Plato is referring when he speaks of the uncertainty of his subject, but rather to the composition of bodies, to the relations of colours, the nature of diseases, and the like, about which he truly feels the lamentable ignorance prevailing in his own age.
We are led by Plato himself to regard the Timaeus, not as the centre or inmost shrine of the edifice, but as a detached building in a different style, framed, not after the Socratic, but after some Pythagorean model. As in the Cratylus and Parmenides, we are uncertain whether Plato is expressing his own opinions, or appropriating and perhaps improving the philosophical speculations of others. In all three dialogues he is exerting his dramatic and imitative power; in the Cratylus mingling a satirical and humorous purpose with true principles of language; in the Parmenides overthrowing Megarianism by a sort of ultra-Megarianism, which discovers contradictions in the one as great as those which have been previously shown to exist in the ideas. There is a similar uncertainty about the Timaeus; in the first part he scales the heights of transcendentalism, in the latter part he treats in a bald and superficial manner of the functions and diseases of the human frame. He uses the thoughts and almost the words of Parmenides when he discourses of being and of essence, adopting from old religion into philosophy the conception of God, and from the Megarians the IDEA of good. He agrees with Empedocles and the Atomists in attributing the greater differences of kinds to the figures of the elements and their movements into and out of one another. With Heracleitus, he acknowledges the perpetual flux; like Anaxagoras, he asserts the predominance of mind, although admitting an element of necessity which reason is incapable of subduing; like the Pythagoreans he supposes the mystery of the world to be contained in number. Many, if not all the elements of the Pre-Socratic philosophy are included in the Timaeus. It is a composite or eclectic work of imagination, in which Plato, without naming them, gathers up into a kind of system the various elements of philosophy which preceded him.
If we allow for the difference of subject, and for some growth in Plato's own mind, the discrepancy between the Timaeus and the other dialogues will not appear to be great. It is probable that the relation of the ideas to God or of God to the world was differently conceived by him at different times of his life. In all his later dialogues we observe a tendency in him to personify mind or God, and he therefore naturally inclines to view creation as the work of design. The creator is like a human artist who frames in his mind a plan which he executes by the help of his servants. Thus the language of philosophy which speaks of first and second causes is crossed by another sort of phraseology: 'God made the world because he was good, and the demons ministered to him.' The Timaeus is cast in a more theological and less philosophical mould than the other dialogues, but the same general spirit is apparent; there is the same dualism or opposition between the ideal and actual—the soul is prior to the body, the intelligible and unseen to the visible and corporeal. There is the same distinction between knowledge and opinion which occurs in the Theaetetus and Republic, the same enmity to the poets, the same combination of music and gymnastics. The doctrine of transmigration is still held by him, as in the Phaedrus and Republic; and the soul has a view of the heavens in a prior state of being. The ideas also remain, but they have become types in nature, forms of men, animals, birds, fishes. And the attribution of evil to physical causes accords with the doctrine which he maintains in the Laws respecting the involuntariness of vice.
The style and plan of the Timaeus differ greatly from that of any other of the Platonic dialogues. The language is weighty, abrupt, and in some passages sublime. But Plato has not the same mastery over his instrument which he exhibits in the Phaedrus or Symposium. Nothing can exceed the beauty or art of the introduction, in which he is using words after his accustomed manner. But in the rest of the work the power of language seems to fail him, and the dramatic form is wholly given up. He could write in one style, but not in another, and the Greek language had not as yet been fashioned by any poet or philosopher to describe physical phenomena. The early physiologists had generally written in verse; the prose writers, like Democritus and Anaxagoras, as far as we can judge from their fragments, never attained to a periodic style. And hence we find the same sort of clumsiness in the Timaeus of Plato which characterizes the philosophical poem of Lucretius. There is a want of flow and often a defect of rhythm; the meaning is sometimes obscure, and there is a greater use of apposition and more of repetition than occurs in Plato's earlier writings. The sentences are less closely connected and also more involved; the antecedents of demonstrative and relative pronouns are in some cases remote and perplexing. The greater frequency of participles and of absolute constructions gives the effect of heaviness. The descriptive portion of the Timaeus retains traces of the first Greek prose composition; for the great master of language was speaking on a theme with which he was imperfectly acquainted, and had no words in which to express his meaning. The rugged grandeur of the opening discourse of Timaeus may be compared with the more harmonious beauty of a similar passage in the Phaedrus.
To the same cause we may attribute the want of plan. Plato had not the command of his materials which would have enabled him to produce a perfect work of art. Hence there are several new beginnings and resumptions and formal or artificial connections; we miss the 'callida junctura' of the earlier dialogues. His speculations about the Eternal, his theories of creation, his mathematical anticipations, are supplemented by desultory remarks on the one immortal and the two mortal souls of man, on the functions of the bodily organs in health and disease, on sight, hearing, smell, taste, and touch. He soars into the heavens, and then, as if his wings were suddenly clipped, he walks ungracefully and with difficulty upon the earth. The greatest things in the world, and the least things in man, are brought within the compass of a short treatise. But the intermediate links are missing, and we cannot be surprised that there should be a want of unity in a work which embraces astronomy, theology, physiology, and natural philosophy in a few pages.
It is not easy to determine how Plato's cosmos may be presented to the reader in a clearer and shorter form; or how we may supply a thread of connexion to his ideas without giving greater consistency to them than they possessed in his mind, or adding on consequences which would never have occurred to him. For he has glimpses of the truth, but no comprehensive or perfect vision. There are isolated expressions about the nature of God which have a wonderful depth and power; but we are not justified in assuming that these had any greater significance to the mind of Plato than language of a neutral and impersonal character . . . With a view to the illustration of the Timaeus I propose to divide this Introduction into sections, of which the first will contain an outline of the dialogue: (2) I shall consider the aspects of nature which presented themselves to Plato and his age, and the elements of philosophy which entered into the conception of them: (3) the theology and physics of the Timaeus, including the soul of the world, the conception of time and space, and the composition of the elements: (4) in the fourth section I shall consider the Platonic astronomy, and the position of the earth. There will remain, (5) the psychology, (6) the physiology of Plato, and (7) his analysis of the senses to be briefly commented upon: (8) lastly, we may examine in what points Plato approaches or anticipates the discoveries of modern science.
Section 1.
Socrates begins the Timaeus with a summary of the Republic. He lightly touches upon a few points,—the division of labour and distribution of the citizens into classes, the double nature and training of the guardians, the community of property and of women and children. But he makes no mention of the second education, or of the government of philosophers.
And now he desires to see the ideal State set in motion; he would like to know how she behaved in some great struggle. But he is unable to invent such a narrative himself; and he is afraid that the poets are equally incapable; for, although he pretends to have nothing to say against them, he remarks that they are a tribe of imitators, who can only describe what they have seen. And he fears that the Sophists, who are plentifully supplied with graces of speech, in their erratic way of life having never had a city or house of their own, may through want of experience err in their conception of philosophers and statesmen. 'And therefore to you I turn, Timaeus, citizen of Locris, who are at once a philosopher and a statesman, and to you, Critias, whom all Athenians know to be similarly accomplished, and to Hermocrates, who is also fitted by nature and education to share in our discourse.'
HERMOCRATES: 'We will do our best, and have been already preparing; for on our way home, Critias told us of an ancient tradition, which I wish, Critias, that you would repeat to Socrates.' 'I will, if Timaeus approves.' 'I approve.' Listen then, Socrates, to a tale of Solon's, who, being the friend of Dropidas my great-grandfather, told it to my grandfather Critias, and he told me. The narrative related to ancient famous actions of the Athenian people, and to one especially, which I will rehearse in honour of you and of the goddess. Critias when he told this tale of the olden time, was ninety years old, I being not more than ten. The occasion of the rehearsal was the day of the Apaturia called the Registration of Youth, at which our parents gave prizes for recitation. Some poems of Solon were recited by the boys. They had not at that time gone out of fashion, and the recital of them led some one to say, perhaps in compliment to Critias, that Solon was not only the wisest of men but also the best of poets. The old man brightened up at hearing this, and said: Had Solon only had the leisure which was required to complete the famous legend which he brought with him from Egypt he would have been as distinguished as Homer and Hesiod. 'And what was the subject of the poem?' said the person who made the remark. The subject was a very noble one; he described the most famous action in which the Athenian people were ever engaged. But the memory of their exploits has passed away owing to the lapse of time and the extinction of the actors. 'Tell us,' said the other, 'the whole story, and where Solon heard the story.' He replied— There is at the head of the Egyptian Delta, where the river Nile divides, a city and district called Sais; the city was the birthplace of King Amasis, and is under the protection of the goddess Neith or Athene. The citizens have a friendly feeling towards the Athenians, believing themselves to be related to them. Hither came Solon, and was received with honour; and here he first learnt, by conversing with the Egyptian priests, how ignorant he and his countrymen were of antiquity. Perceiving this, and with the view of eliciting information from them, he told them the tales of Phoroneus and Niobe, and also of Deucalion and Pyrrha, and he endeavoured to count the generations which had since passed. Thereupon an aged priest said to him: 'O Solon, Solon, you Hellenes are ever young, and there is no old man who is a Hellene.' 'What do you mean?' he asked. 'In mind,' replied the priest, 'I mean to say that you are children; there is no opinion or tradition of knowledge among you which is white with age; and I will tell you why. Like the rest of mankind you have suffered from convulsions of nature, which are chiefly brought about by the two great agencies of fire and water. The former is symbolized in the Hellenic tale of young Phaethon who drove his father's horses the wrong way, and having burnt up the earth was himself burnt up by a thunderbolt. For there occurs at long intervals a derangement of the heavenly bodies, and then the earth is destroyed by fire. At such times, and when fire is the agent, those who dwell by rivers or on the seashore are safer than those who dwell upon high and dry places, who in their turn are safer when the danger is from water. Now the Nile is our saviour from fire, and as there is little rain in Egypt, we are not harmed by water; whereas in other countries, when a deluge comes, the inhabitants are swept by the rivers into the sea. The memorials which your own and other nations have once had of the famous actions of mankind perish in the waters at certain periods; and the rude survivors in the mountains begin again, knowing nothing of the world before the flood. But in Egypt the traditions of our own and other lands are by us registered for ever in our temples. The genealogies which you have recited to us out of your own annals, Solon, are a mere children's story. For in the first place, you remember one deluge only, and there were many of them, and you know nothing of that fairest and noblest race of which you are a seed or remnant. The memory of them was lost, because there was no written voice among you. For in the times before the great flood Athens was the greatest and best of cities and did the noblest deeds and had the best constitution of any under the face of heaven.' Solon marvelled, and desired to be informed of the particulars. 'You are welcome to hear them,' said the priest, 'both for your own sake and for that of the city, and above all for the sake of the goddess who is the common foundress of both our cities. Nine thousand years have elapsed since she founded yours, and eight thousand since she founded ours, as our annals record. Many laws exist among us which are the counterpart of yours as they were in the olden time. I will briefly describe them to you, and you shall read the account of them at your leisure in the sacred registers. In the first place, there was a caste of priests among the ancient Athenians, and another of artisans; also castes of shepherds, hunters, and husbandmen, and lastly of warriors, who, like the warriors of Egypt, were separated from the rest, and carried shields and spears, a custom which the goddess first taught you, and then the Asiatics, and we among Asiatics first received from her. Observe again, what care the law took in the pursuit of wisdom, searching out the deep things of the world, and applying them to the use of man. The spot of earth which the goddess chose had the best of climates, and produced the wisest men; in no other was she herself, the philosopher and warrior goddess, so likely to have votaries. And there you dwelt as became the children of the gods, excelling all men in virtue, and many famous actions are recorded of you. The most famous of them all was the overthrow of the island of Atlantis. This great island lay over against the Pillars of Heracles, in extent greater than Libya and Asia put together, and was the passage to other islands and to a great ocean of which the Mediterranean sea was only the harbour; and within the Pillars the empire of Atlantis reached in Europe to Tyrrhenia and in Libya to Egypt. This mighty power was arrayed against Egypt and Hellas and all the countries bordering on the Mediterranean. Then your city did bravely, and won renown over the whole earth. For at the peril of her own existence, and when the other Hellenes had deserted her, she repelled the invader, and of her own accord gave liberty to all the nations within the Pillars. A little while afterwards there were great earthquakes and floods, and your warrior race all sank into the earth; and the great island of Atlantis also disappeared in the sea. This is the explanation of the shallows which are found in that part of the Atlantic ocean.'
Such was the tale, Socrates, which Critias heard from Solon; and I noticed when listening to you yesterday, how close the resemblance was between your city and citizens and the ancient Athenian State. But I would not speak at the time, because I wanted to refresh my memory. I had heard the old man when I was a child, and though I could not remember the whole of our yesterday's discourse, I was able to recall every word of this, which is branded into my mind; and I am prepared, Socrates, to rehearse to you the entire narrative. The imaginary State which you were describing may be identified with the reality of Solon, and our antediluvian ancestors may be your citizens. 'That is excellent, Critias, and very appropriate to a Panathenaic festival; the truth of the story is a great advantage.' Then now let me explain to you the order of our entertainment; first, Timaeus, who is a natural philosopher, will speak of the origin of the world, going down to the creation of man, and then I shall receive the men whom he has created, and some of whom will have been educated by you, and introduce them to you as the lost Athenian citizens of whom the Egyptian record spoke. As the law of Solon prescribes, we will bring them into court and acknowledge their claims to citizenship. 'I see,' replied Socrates, 'that I shall be well entertained; and do you, Timaeus, offer up a prayer and begin.'
TIMAEUS: All men who have any right feeling, at the beginning of any enterprise, call upon the Gods; and he who is about to speak of the origin of the universe has a special need of their aid. May my words be acceptable to them, and may I speak in the manner which will be most intelligible to you and will best express my own meaning!
First, I must distinguish between that which always is and never becomes and which is apprehended by reason and reflection, and that which always becomes and never is and is conceived by opinion with the help of sense. All that becomes and is created is the work of a cause, and that is fair which the artificer makes after an eternal pattern, but whatever is fashioned after a created pattern is not fair. Is the world created or uncreated?—that is the first question. Created, I reply, being visible and tangible and having a body, and therefore sensible; and if sensible, then created; and if created, made by a cause, and the cause is the ineffable father of all things, who had before him an eternal archetype. For to imagine that the archetype was created would be blasphemy, seeing that the world is the noblest of creations, and God is the best of causes. And the world being thus created according to the eternal pattern is the copy of something; and we may assume that words are akin to the matter of which they speak. What is spoken of the unchanging or intelligible must be certain and true; but what is spoken of the created image can only be probable; being is to becoming what truth is to belief. And amid the variety of opinions which have arisen about God and the nature of the world we must be content to take probability for our rule, considering that I, who am the speaker, and you, who are the judges, are only men; to probability we may attain but no further.
SOCRATES: Excellent, Timaeus, I like your manner of approaching the subject—proceed.
TIMAEUS: Why did the Creator make the world?...He was good, and therefore not jealous, and being free from jealousy he desired that all things should be like himself. Wherefore he set in order the visible world, which he found in disorder. Now he who is the best could only create the fairest; and reflecting that of visible things the intelligent is superior to the unintelligent, he put intelligence in soul and soul in body, and framed the universe to be the best and fairest work in the order of nature, and the world became a living soul through the providence of God.
In the likeness of what animal was the world made?—that is the third question...The form of the perfect animal was a whole, and contained all intelligible beings, and the visible animal, made after the pattern of this, included all visible creatures.
Are there many worlds or one only?—that is the fourth question...One only. For if in the original there had been more than one they would have been the parts of a third, which would have been the true pattern of the world; and therefore there is, and will ever be, but one created world. Now that which is created is of necessity corporeal and visible and tangible,— visible and therefore made of fire,—tangible and therefore solid and made of earth. But two terms must be united by a third, which is a mean between them; and had the earth been a surface only, one mean would have sufficed, but two means are required to unite solid bodies. And as the world was composed of solids, between the elements of fire and earth God placed two other elements of air and water, and arranged them in a continuous proportion—
fire:air::air:water, and air:water::water:earth,
and so put together a visible and palpable heaven, having harmony and friendship in the union of the four elements; and being at unity with itself it was indissoluble except by the hand of the framer. Each of the elements was taken into the universe whole and entire; for he considered that the animal should be perfect and one, leaving no remnants out of which another animal could be created, and should also be free from old age and disease, which are produced by the action of external forces. And as he was to contain all things, he was made in the all-containing form of a sphere, round as from a lathe and every way equidistant from the centre, as was natural and suitable to him. He was finished and smooth, having neither eyes nor ears, for there was nothing without him which he could see or hear; and he had no need to carry food to his mouth, nor was there air for him to breathe; and he did not require hands, for there was nothing of which he could take hold, nor feet, with which to walk. All that he did was done rationally in and by himself, and he moved in a circle turning within himself, which is the most intellectual of motions; but the other six motions were wanting to him; wherefore the universe had no feet or legs.
And so the thought of God made a God in the image of a perfect body, having intercourse with himself and needing no other, but in every part harmonious and self-contained and truly blessed. The soul was first made by him—the elder to rule the younger; not in the order in which our wayward fancy has led us to describe them, but the soul first and afterwards the body. God took of the unchangeable and indivisible and also of the divisible and corporeal, and out of the two he made a third nature, essence, which was in a mean between them, and partook of the same and the other, the intractable nature of the other being compressed into the same. Having made a compound of all the three, he proceeded to divide the entire mass into portions related to one another in the ratios of 1, 2, 3, 4, 9, 8, 27, and proceeded to fill up the double and triple intervals thus—
—over 1, 4/3, 3/2, — over 2, 8/3, 3, — over 4, 16/3, 6, — over 8:
— over 1, 3/2, 2, — over 3, 9/2, 6, — over 9, 27/2, 18, — over 27;
in which double series of numbers are two kinds of means; the one exceeds and is exceeded by equal parts of the extremes, e.g. 1, 4/3, 2; the other kind of mean is one which is equidistant from the extremes—2, 4, 6. In this manner there were formed intervals of thirds, 3:2, of fourths, 4:3, and of ninths, 9:8. And next he filled up the intervals of a fourth with ninths, leaving a remnant which is in the ratio of 256:243. The entire compound was divided by him lengthways into two parts, which he united at the centre like the letter X, and bent into an inner and outer circle or sphere, cutting one another again at a point over against the point at which they cross. The outer circle or sphere was named the sphere of the same—the inner, the sphere of the other or diverse; and the one revolved horizontally to the right, the other diagonally to the left. To the sphere of the same which was undivided he gave dominion, but the sphere of the other or diverse was distributed into seven unequal orbits, having intervals in ratios of twos and threes, three of either sort, and he bade the orbits move in opposite directions to one another—three of them, the Sun, Mercury, Venus, with equal swiftness, and the remaining four—the Moon, Saturn, Mars, Jupiter, with unequal swiftness to the three and to one another, but all in due proportion.
When the Creator had made the soul he made the body within her; and the soul interfused everywhere from the centre to the circumference of heaven, herself turning in herself, began a divine life of rational and everlasting motion. The body of heaven is visible, but the soul is invisible, and partakes of reason and harmony, and is the best of creations, being the work of the best. And being composed of the same, the other, and the essence, these three, and also divided and bound in harmonical proportion, and revolving within herself—the soul when touching anything which has essence, whether divided or undivided, is stirred to utter the sameness or diversity of that and some other thing, and to tell how and when and where individuals are affected or related, whether in the world of change or of essence. When reason is in the neighbourhood of sense, and the circle of the other or diverse is moving truly, then arise true opinions and beliefs; when reason is in the sphere of thought, and the circle of the same runs smoothly, then intelligence is perfected.
When the Father who begat the world saw the image which he had made of the Eternal Gods moving and living, he rejoiced; and in his joy resolved, since the archetype was eternal, to make the creature eternal as far as this was possible. Wherefore he made an image of eternity which is time, having an uniform motion according to number, parted into months and days and years, and also having greater divisions of past, present, and future. These all apply to becoming in time, and have no meaning in relation to the eternal nature, which ever is and never was or will be; for the unchangeable is never older or younger, and when we say that he 'was' or 'will be,' we are mistaken, for these words are applicable only to becoming, and not to true being; and equally wrong are we in saying that what has become IS become and that what becomes IS becoming, and that the non-existent IS non-existent...These are the forms of time which imitate eternity and move in a circle measured by number.
Thus was time made in the image of the eternal nature; and it was created together with the heavens, in order that if they were dissolved, it might perish with them. And God made the sun and moon and five other wanderers, as they are called, seven in all, and to each of them he gave a body moving in an orbit, being one of the seven orbits into which the circle of the other was divided. He put the moon in the orbit which was nearest to the earth, the sun in that next, the morning star and Mercury in the orbits which move opposite to the sun but with equal swiftness—this being the reason why they overtake and are overtaken by one another. All these bodies became living creatures, and learnt their appointed tasks, and began to move, the nearer more swiftly, the remoter more slowly, according to the diagonal movement of the other. And since this was controlled by the movement of the same, the seven planets in their courses appeared to describe spirals; and that appeared fastest which was slowest, and that which overtook others appeared to be overtaken by them. And God lighted a fire in the second orbit from the earth which is called the sun, to give light over the whole heaven, and to teach intelligent beings that knowledge of number which is derived from the revolution of the same. Thus arose day and night, which are the periods of the most intelligent nature; a month is created by the revolution of the moon, a year by that of the sun. Other periods of wonderful length and complexity are not observed by men in general; there is moreover a cycle or perfect year at the completion of which they all meet and coincide...To this end the stars came into being, that the created heaven might imitate the eternal nature.
Thus far the universal animal was made in the divine image, but the other animals were not as yet included in him. And God created them according to the patterns or species of them which existed in the divine original. There are four of them: one of gods, another of birds, a third of fishes, and a fourth of animals. The gods were made in the form of a circle, which is the most perfect figure and the figure of the universe. They were created chiefly of fire, that they might be bright, and were made to know and follow the best, and to be scattered over the heavens, of which they were to be the glory. Two kinds of motion were assigned to them—first, the revolution in the same and around the same, in peaceful unchanging thought of the same; and to this was added a forward motion which was under the control of the same. Thus then the fixed stars were created, being divine and eternal animals, revolving on the same spot, and the wandering stars, in their courses, were created in the manner already described. The earth, which is our nurse, clinging around the pole extended through the universe, he made to be the guardian and artificer of night and day, first and eldest of gods that are in the interior of heaven. Vain would be the labour of telling all the figures of them, moving as in dance, and their juxta-positions and approximations, and when and where and behind what other stars they appear to disappear—to tell of all this without looking at a plan of them would be labour in vain.
The knowledge of the other gods is beyond us, and we can only accept the traditions of the ancients, who were the children of the gods, as they said; for surely they must have known their own ancestors. Although they give no proof, we must believe them as is customary. They tell us that Oceanus and Tethys were the children of Earth and Heaven; that Phoreys, Cronos, and Rhea came in the next generation, and were followed by Zeus and Here, whose brothers and children are known to everybody.
When all of them, both those who show themselves in the sky, and those who retire from view, had come into being, the Creator addressed them thus:— 'Gods, sons of gods, my works, if I will, are indissoluble. That which is bound may be dissolved, but only an evil being would dissolve that which is harmonious and happy. And although you are not immortal you shall not die, for I will hold you together. Hear me, then:—Three tribes of mortal beings have still to be created, but if created by me they would be like gods. Do ye therefore make them; I will implant in them the seed of immortality, and you shall weave together the mortal and immortal, and provide food for them, and receive them again in death.' Thus he spake, and poured the remains of the elements into the cup in which he had mingled the soul of the universe. They were no longer pure as before, but diluted; and the mixture he distributed into souls equal in number to the stars, and assigned each to a star—then having mounted them, as in a chariot, he showed them the nature of the universe, and told them of their future birth and human lot. They were to be sown in the planets, and out of them was to come forth the most religious of animals, which would hereafter be called man. The souls were to be implanted in bodies, which were in a perpetual flux, whence, he said, would arise, first, sensation; secondly, love, which is a mixture of pleasure and pain; thirdly, fear and anger, and the opposite affections: and if they conquered these, they would live righteously, but if they were conquered by them, unrighteously. He who lived well would return to his native star, and would there have a blessed existence; but, if he lived ill, he would pass into the nature of a woman, and if he did not then alter his evil ways, into the likeness of some animal, until the reason which was in him reasserted her sway over the elements of fire, air, earth, water, which had engrossed her, and he regained his first and better nature. Having given this law to his creatures, that he might be guiltless of their future evil, he sowed them, some in the earth, some in the moon, and some in the other planets; and he ordered the younger gods to frame human bodies for them and to make the necessary additions to them, and to avert from them all but self-inflicted evil.
Having given these commands, the Creator remained in his own nature. And his children, receiving from him the immortal principle, borrowed from the world portions of earth, air, fire, water, hereafter to be returned, which they fastened together, not with the adamantine bonds which bound themselves, but by little invisible pegs, making each separate body out of all the elements, subject to influx and efflux, and containing the courses of the soul. These swelling and surging as in a river moved irregularly and irrationally in all the six possible ways, forwards, backwards, right, left, up and down. But violent as were the internal and alimentary fluids, the tide became still more violent when the body came into contact with flaming fire, or the solid earth, or gliding waters, or the stormy wind; the motions produced by these impulses pass through the body to the soul and have the name of sensations. Uniting with the ever-flowing current, they shake the courses of the soul, stopping the revolution of the same and twisting in all sorts of ways the nature of the other, and the harmonical ratios of twos and threes and the mean terms which connect them, until the circles are bent and disordered and their motion becomes irregular. You may imagine a position of the body in which the head is resting upon the ground, and the legs are in the air, and the top is bottom and the left right. And something similar happens when the disordered motions of the soul come into contact with any external thing; they say the same or the other in a manner which is the very opposite of the truth, and they are false and foolish, and have no guiding principle in them. And when external impressions enter in, they are really conquered, though they seem to conquer.
By reason of these affections the soul is at first without intelligence, but as time goes on the stream of nutriment abates, and the courses of the soul regain their proper motion, and apprehend the same and the other rightly, and become rational. The soul of him who has education is whole and perfect and escapes the worst disease, but, if a man's education be neglected, he walks lamely through life and returns good for nothing to the world below. This, however, is an after-stage—at present, we are only concerned with the creation of the body and soul.
The two divine courses were encased by the gods in a sphere which is called the head, and is the god and lord of us. And to this they gave the body to be a vehicle, and the members to be instruments, having the power of flexion and extension. Such was the origin of legs and arms. In the next place, the gods gave a forward motion to the human body, because the front part of man was the more honourable and had authority. And they put in a face in which they inserted organs to minister in all things to the providence of the soul. They first contrived the eyes, into which they conveyed a light akin to the light of day, making it flow through the pupils. When the light of the eye is surrounded by the light of day, then like falls upon like, and they unite and form one body which conveys to the soul the motions of visible objects. But when the visual ray goes forth into the darkness, then unlike falls upon unlike—the eye no longer sees, and we go to sleep. The fire or light, when kept in by the eyelids, equalizes the inward motions, and there is rest accompanied by few dreams; only when the greater motions remain they engender in us corresponding visions of the night. And now we shall be able to understand the nature of reflections in mirrors. The fires from within and from without meet about the smooth and bright surface of the mirror; and because they meet in a manner contrary to the usual mode, the right and left sides of the object are transposed. In a concave mirror the top and bottom are inverted, but this is no transposition.
These are the second causes which God used as his ministers in fashioning the world. They are thought by many to be the prime causes, but they are not so; for they are destitute of mind and reason, and the lover of mind will not allow that there are any prime causes other than the rational and invisible ones—these he investigates first, and afterwards the causes of things which are moved by others, and which work by chance and without order. Of the second or concurrent causes of sight I have already spoken, and I will now speak of the higher purpose of God in giving us eyes. Sight is the source of the greatest benefits to us; for if our eyes had never seen the sun, stars, and heavens, the words which we have spoken would not have been uttered. The sight of them and their revolutions has given us the knowledge of number and time, the power of enquiry, and philosophy, which is the great blessing of human life; not to speak of the lesser benefits which even the vulgar can appreciate. God gave us the faculty of sight that we might behold the order of the heavens and create a corresponding order in our own erring minds. To the like end the gifts of speech and hearing were bestowed upon us; not for the sake of irrational pleasure, but in order that we might harmonize the courses of the soul by sympathy with the harmony of sound, and cure ourselves of our irregular and graceless ways.
Thus far we have spoken of the works of mind; and there are other works done from necessity, which we must now place beside them; for the creation is made up of both, mind persuading necessity as far as possible to work out good. Before the heavens there existed fire, air, water, earth, which we suppose men to know, though no one has explained their nature, and we erroneously maintain them to be the letters or elements of the whole, although they cannot reasonably be compared even to syllables or first compounds. I am not now speaking of the first principles of things, because I cannot discover them by our present mode of enquiry. But as I observed the rule of probability at first, I will begin anew, seeking by the grace of God to observe it still.
In our former discussion I distinguished two kinds of being—the unchanging or invisible, and the visible or changing. But now a third kind is required, which I shall call the receptacle or nurse of generation. There is a difficulty in arriving at an exact notion of this third kind, because the four elements themselves are of inexact natures and easily pass into one another, and are too transient to be detained by any one name; wherefore we are compelled to speak of water or fire, not as substances, but as qualities. They may be compared to images made of gold, which are continually assuming new forms. Somebody asks what they are; if you do not know, the safest answer is to reply that they are gold. In like manner there is a universal nature out of which all things are made, and which is like none of them; but they enter into and pass out of her, and are made after patterns of the true in a wonderful and inexplicable manner. The containing principle may be likened to a mother, the source or spring to a father, the intermediate nature to a child; and we may also remark that the matter which receives every variety of form must be formless, like the inodorous liquids which are prepared to receive scents, or the smooth and soft materials on which figures are impressed. In the same way space or matter is neither earth nor fire nor air nor water, but an invisible and formless being which receives all things, and in an incomprehensible manner partakes of the intelligible. But we may say, speaking generally, that fire is that part of this nature which is inflamed, water that which is moistened, and the like.
Let me ask a question in which a great principle is involved: Is there an essence of fire and the other elements, or are there only fires visible to sense? I answer in a word: If mind is one thing and true opinion another, then there are self-existent essences; but if mind is the same with opinion, then the visible and corporeal is most real. But they are not the same, and they have a different origin and nature. The one comes to us by instruction, the other by persuasion, the one is rational, the other is irrational; the one is movable by persuasion, the other immovable; the one is possessed by every man, the other by the gods and by very few men. And we must acknowledge that as there are two kinds of knowledge, so there are two kinds of being corresponding to them; the one uncreated, indestructible, immovable, which is seen by intelligence only; the other created, which is always becoming in place and vanishing out of place, and is apprehended by opinion and sense. There is also a third nature—that of space, which is indestructible, and is perceived by a kind of spurious reason without the help of sense. This is presented to us in a dreamy manner, and yet is said to be necessary, for we say that all things must be somewhere in space. For they are the images of other things and must therefore have a separate existence and exist in something (i.e. in space). But true reason assures us that while two things (i.e. the idea and the image) are different they cannot inhere in one another, so as to be one and two at the same time.
To sum up: Being and generation and space, these three, existed before the heavens, and the nurse or vessel of generation, moistened by water and inflamed by fire, and taking the forms of air and earth, assumed various shapes. By the motion of the vessel, the elements were divided, and like grain winnowed by fans, the close and heavy particles settled in one place, the light and airy ones in another. At first they were without reason and measure, and had only certain faint traces of themselves, until God fashioned them by figure and number. In this, as in every other part of creation, I suppose God to have made things, as far as was possible, fair and good, out of things not fair and good.
And now I will explain to you the generation of the world by a method with which your scientific training will have made you familiar. Fire, air, earth, and water are bodies and therefore solids, and solids are contained in planes, and plane rectilinear figures are made up of triangles. Of triangles there are two kinds; one having the opposite sides equal (isosceles), the other with unequal sides (scalene). These we may fairly assume to be the original elements of fire and the other bodies; what principles are prior to these God only knows, and he of men whom God loves. Next, we must determine what are the four most beautiful figures which are unlike one another and yet sometimes capable of resolution into one another...Of the two kinds of triangles the equal-sided has but one form, the unequal-sided has an infinite variety of forms; and there is none more beautiful than that which forms the half of an equilateral triangle. Let us then choose two triangles; one, the isosceles, the other, that form of scalene which has the square of the longer side three times as great as the square of the lesser side; and affirm that, out of these, fire and the other elements have been constructed.
I was wrong in imagining that all the four elements could be generated into and out of one another. For as they are formed, three of them from the triangle which has the sides unequal, the fourth from the triangle which has equal sides, three can be resolved into one another, but the fourth cannot be resolved into them nor they into it. So much for their passage into one another: I must now speak of their construction. From the triangle of which the hypotenuse is twice the lesser side the three first regular solids are formed—first, the equilateral pyramid or tetrahedron; secondly, the octahedron; thirdly, the icosahedron; and from the isosceles triangle is formed the cube. And there is a fifth figure (which is made out of twelve pentagons), the dodecahedron—this God used as a model for the twelvefold division of the Zodiac.
Let us now assign the geometrical forms to their respective elements. The cube is the most stable of them because resting on a quadrangular plane surface, and composed of isosceles triangles. To the earth then, which is the most stable of bodies and the most easily modelled of them, may be assigned the form of a cube; and the remaining forms to the other elements,—to fire the pyramid, to air the octahedron, and to water the icosahedron,—according to their degrees of lightness or heaviness or power, or want of power, of penetration. The single particles of any of the elements are not seen by reason of their smallness; they only become visible when collected. The ratios of their motions, numbers, and other properties, are ordered by the God, who harmonized them as far as necessity permitted.
The probable conclusion is as follows:—Earth, when dissolved by the more penetrating element of fire, whether acting immediately or through the medium of air or water, is decomposed but not transformed. Water, when divided by fire or air, becomes one part fire, and two parts air. A volume of air divided becomes two of fire. On the other hand, when condensed, two volumes of fire make a volume of air; and two and a half parts of air condense into one of water. Any element which is fastened upon by fire is cut by the sharpness of the triangles, until at length, coalescing with the fire, it is at rest; for similars are not affected by similars. When two kinds of bodies quarrel with one another, then the tendency to decomposition continues until the smaller either escapes to its kindred element or becomes one with its conqueror. And this tendency in bodies to condense or escape is a source of motion...Where there is motion there must be a mover, and where there is a mover there must be something to move. These cannot exist in what is uniform, and therefore motion is due to want of uniformity. But then why, when things are divided after their kinds, do they not cease from motion? The answer is, that the circular motion of all things compresses them, and as 'nature abhors a vacuum,' the finer and more subtle particles of the lighter elements, such as fire and air, are thrust into the interstices of the larger, each of them penetrating according to their rarity, and thus all the elements are on their way up and down everywhere and always into their own places. Hence there is a principle of inequality, and therefore of motion, in all time.
